The Butterfly Effect Theory states, “if you change one thing you change everything”. It is connected to TheChaos Theory and states, as an example, if a butterfly flaps its wings in New Mexico at exactly the right time it can cause a hurricane in China. It could take a long time for the hurricane to come, but the cause could be traced to the butterfly who flapped its wings at the exact right time and location. Suffice it to say that there is always an impact on the things that we do, and we may never fully see the long-term impacts of our actions.
In 2001, September 11 happened and many people rushed to the Pentagon and to the World Trade Center to support with efforts to find those who were trapped. Ten years later I saw similar advertisements for those men and women who were experiencing suicidal thoughts, cancers in their throats and lungs, and some had even died due to the exposure to chemicals while at Ground Zero.
How much more will our children be impacted by the forced isolation, mask-wearing, and these educational shifts? Children are currently missing out on valuable learning, as not just education is taught at schools. Sharing and compassion, lifelong friendships, as well as morals and values are often crystallized. Our children are being deprived and while there may not be lawsuits twenty years from now, society will be forever impacted by the shift in reality that children are experiencing. If you are able to facilitate safe and consistent ways for the children in your life to continue interacting with one another, it could be the shift needed to assuage the inevitable chaos that is forming in the future.
Furthermore, check on the educators you know and ensure that they are caring for self. How do educators transmute that love of being around the youth through a screen? The electronic disconnect is causing some educators to stress out, sometimes even at the expense of their own families and self wellness. The chaos that educators are experiencing with trying to create “virtual classrooms” that hold space for all that would go on in the physical classroom is having lasting impacts. The pressure of being able to perform in this virtual reality and still maintain the joy that came from being in person has its costs.
The most beautiful thing about chaos theory is that out of chaos must come order, we can rebuild and build the educational world that we desire. My warning is to hunker down for the storm that is to come, keep your loved ones close and stay learning with your children and be connected to the educators in your life. Don’t allow them to be lost in the chaos of this long-term isolation and the potentially harmful educational shifts.
I’ve personally decided against air travel during the pandemic. While home, I’ve spent quite a bit of time reminiscing on past trips as Facebook and Amazon Photos show me reminders of where I was this day the last few years. Spoiler – I was out of the country. As I look fondly on past travels, I can’t help but recall how those experiences changed me. I’m reminded of the people who went the extra mile to help me find my way every time I got lost (it’s been quite often lol), the friendly strangers who took the time to translate for me, and an assortment of others who went the extra mile to assist in the little ways that make a huge difference.
Thinking of all the goodness that was poured into me gave me pause – it gave me a reason to reflect on the different ways I pour it back out into the world when I’m not traveling. I find myself much more patient with tourists when I’m out and about and they are obnoxiously not embodying the understood NYC culture of “stay out the f***ing way”. When someone who doesn’t speak English comes into my job looking for assistance, I take my time to be patient and use my translate app. I’ve always been a kind person but travel has allowed me to see first hand how many different ways I’m able to be more compassionate simply by giving me extraordinary experiences where that compassion was shown to me.
My travel has also given me the opportunity to sharpen my situational awareness and intuition. It’s very easy to get complacent with seeing the same things day in and day out. I’m not much of a social person who goes out often, so my opportunity to experience new surroundings has most often been through travel. Constantly being in new environments and trying new things has given me a much more expansive knowledge base to pull from. It’s a constant reminder of how much of the world there still is to see and experience while giving me such a sense of gratitude to be able to attempt to do it.
Every Thursday I release an episode of my podcast Travel N Sh!t where I discuss the nuanced ways travel permeates our lives and re-enforce the concept of travel being more than a vacation. Visit www.travelnshitpodcast.com for past episodes and more travel resources.
The Sundance Film Festival 2021 presented its audience with not only some great new projects but also new experiences virtually. This year’s Black creatives gave us amazing content and compelling stories. Many of the projects had me sitting in my apartment in silence and reflecting on the stories being told. Below are a list of some of my favorite short films from the Festival and my interactive WebXR experience with the project Traveling the Interstitium with Octavia Butler.
Favorite Short Black Films of the Sundance Film Festival
Synopsis: After his father gets into a fight at a bowling alley, Darious begins to investigate the limitations of his own manhood.
Artist: Miles Warren is a filmmaker born and raised in New York City. Since graduating from Wesleyan University, he has directed various short films, music videos, and commercial content.
My Thoughts: How do we define masculinity and what influences our definition of it? The answer to these questions is formulated from the time we are born until we leave this earth. Bruiser gives the perspective of a young man, attempting to define masculinity after he witnesses his father fighting. I loved how the filmmaker shows how quickly the father’s words and actions impact Darious. There are also lessons the father learns about the importance of his influences. Bruiser is a short I recommend watching.
Synopsis: A God-fearing woman in present-day South Africa finds herself in a transactional relationship as she tries to support her sick husband and daughter.
Artist: Nomawonga Khumalo is a writer/director from Johannesburg, South Africa. Five Tiger is her narrative film debut. Her feature film, The Bursary, will head into production in the second half of 2021.
My thoughts: This is another film that touches on masculinity in addition to gender roles, morality, faith, and forgiveness. So much is told in this short that I was really interested to see what happens with the lead character and what led to her husband’s sickness. The most surprising part of the film is the reveal of who is involved in the transactional relationship. I really felt for the lead character as she juggled so much and fought internally to provide for her family.
Lizard | Short Film Grand Jury Prize, Presented by Southwest
Synopsis:Juwon, an eight-year-old girl with an ability to sense danger, gets ejected from Sunday school service. She unwittingly witnesses the underbelly in and around a megachurch in Lagos.
Artist: Akinola Davies Jr.’s work is situated between West Africa and the United Kingdom, as he identifies as a member of the global diaspora, being part of both worlds. His work navigates the collision of colonial and imperial traditions, as well as a return to Indigenous narratives.
My Thoughts:This film reminded me of the childhood experiences and questions about the church. A journey with Juwon from the classroom to the church parking lot had me thinking, “ ]What is this little girl doing and why she is spending her church money on junk food?” Although she misses class exploring the church ground, she learns a lesson about cheating the church and God. This experience will for sure influence the moral compass of Juwon. What happens after the conclusion of the film? I wish the filmmaker would show us because it looked like there was going to be some real action.
Black Bodies by Kelly Fyffe-Marshall
Synopsis: SA Black man comes face-to-face with the realities of being Black in the twenty-first century.
Artist:Fyffe-Marshall is a director, screenwriter, and social activist whose work includes the award-winning short film, Haven (2018), and the two-part short film, Black Bodies and Marathon (2020).
My Thoughts: This speaks volumes about present-day racism and expresses the frustrations of the Black community. I sat in silence and could feel every bit of the powerful poems by Komi Olaf and Donisha Prendergast. A speakeasy piece, imperative art, and perspective all in one, Black Bodies ends on a note we are all too familiar with. To learn that Kelly Fyffe-Marshall’s film was inspired by a viral racial incident makes her work even more compelling. The filmmaker/activist spreading the word of equality while chipping away at injustice one film and project at a time.
A Concerto is a Conversation
Synopsis: A virtuoso jazz pianist and film composer tracks his family’s lineage through his 91-year-old grandfather from Jim Crow Florida to the Walt Disney Concert Hall.
Artists: Ben Proudfoot and Kris Bowers. Proudfoot, an award-winning short-documentary director and entrepreneur, is the creative force behind Breakwater Studios. Bowers is a Grammy-nominated, Emmy Award-winning, and Juilliard-educated pianist and composer who creates genre-defying music that pays homage to his jazz roots—with inflections of alternative and R&B influences.
My Thoughts: I really loved the conversation between Kris Bowers and his grandfather about their family history. Kris Bowers’s love for music and his grandfather’s love for his dry cleaning business, have similar success stories. I liked how the film displays the love and bond between the two men. It’s no surprise the short film added Ava Duvernay as executive producer and is an Oscar contender.
Want to watch this beautifully crafted short documentary click the link and watch below.
New Frontier: The Interstitium with Octavia Butler
The Sundance Film Festival, although virtual, still provided audiences with personal and interactive ways to experience the festival. COVID has prevented many from traveling to Salt Lake City but, with the virtual experience, audiences interacted with others via an avatar and watched films. I loved participating in the New Frontier world and hope it returns next year because it allows those who can’t travel to experience the Sundance film festival.
The Octavia Butler virtual experience was one of the biggest highlights of the Sundance Film Festival. I loved being able to see the project “Pluto” by one of my favorite artists, Sophia Nahli Allison. Fresh off her Netflix documentary, “A Love Song For Natasha”, the artist takes the audience on an expedition from death to birth with varying imagery and an original poem as a voice-over. The text, “it’s not dying that hurts it’s coming back to life that’s painful,” displays at the beginning of the project and is the question the woman asks, what seems to be, a higher being. I loved this work as I felt like I was hovering through time and existence trying to answer the questions of reincarnation. As always, this project is worth the experience and I look forward to Allison’s future work.
Secret Garden, by Stephanie Dinkins (not the song featuring El Debarge, Barry White, and Christopher Williams), allows the participant to walk around a garden where oral histories spanning generations of African American women live. I was intrigued by the stories and the ability to see the expression displayed by each woman. It was like going to a concert with multiple stages and listening to women tell stories ranging from surviving an enslaved boat to growing up on a farm in the 1920s.
Idris Brewster’s virtual experience had me getting GTA vibes, exploring an island first-person view. Each island had its own unique environment and soundtrack featuring Black artists. It’s a music and art lover’s playground. I visited the island three times to see if the atmosphere of the island changed, nothing changed but the time of day changed. The only thing that would’ve made the experience better is if I would have had the VR goggles to fully enjoy the experience – but that was my fault. Maybe I should use my stimulus check to get some VR equipment.
Terence Nance’s piece reminds me of the screensavers we had back in the late ’90s and early 2000s. The type of art that mold’s itself to the vibration of sound. In this case, it’s the sound of people’s voices that alter both the color and environment of the piece. To experience what I mean you can go here.
Sundance Film Festival 2021 was a great success in my opinion, not only was there a lot of Black art representation but the opportunity for many around the world to experience the festival virtual. The movie drive-ins are great to keep safe and within the experience. I really hope more people participate next year to see something more than what’s on the streaming services. Plus you can have your own snacks…legally.
Release Mar 7 2021 | Vol26 of Taji is packed full of Black Beauty & Culture fulfilling its theme of Diasporic! This volume’s cover features the #SlayBells of @TheOnlyWayIsMarbz by @_OKOBE_. Gracing the pages are the Editor’s Pick, #BlackLoveConvo: “Jingle Jangle: The Film Every Child Needs While Growing Up ” by Dapper Dr. Feel; our Community Spotlight on Greeting Cards by Adeyemi Artistry; our highlighted Hair Feature; “Solo Travel: How Travel Made Me A Better Person” by dCarrie; “The Texture of Education” by Jashua Sa’Ra; “The Chaos Theory of Education” by Janelle Naomi; Our Vol 26 contributed photo story, “Diasporic;” Fitness Highlight: @eliteperformancenyc; Vegan Fun with Earth’s Pot’s Jalapeño Honey Po’ Boy; “Are You Financially Prepared For This “New Normal”?” by M’Bwebe Ishangi, Founder of Cryptowoke Financial Sustainability Movement; Featured Art Piece by Janelle Naomi; Comic Appreciation with Ezerea, Tales of the Zauberer by William C. Davis; Black Business Highlights; and more!!
Taji Mag is the epitome of ‘Cultural Drip’ – elevating Black brands, narratives, and imagery to new levels of Black Excellence. We embody the traditional and modern royalty of Pan-African people via our quarterly digital and print publication and live events.
I tried to get the inside scoop from British actress Karen Bryson about Zack Snyder’s Justice League film and her role as Elinore Stone. She just grinned and talked about how fun it was on set with her co-star Ray Fisher (Victor Stone/Cyborg). Needless to say, I was not able to get any information from her. Her lips were sealed shut on the anticipated project. Instead, she spoke excitedly about one of her newest projects, Black Narcissus on Hulu, and what she has been up to during the pandemic.
Dapper Dr. Feel (DDF): How have you been during COVID and what have you been up to?
Karen Bryson (KB): I’ve actually been really lucky. The UK (United Kingdom) has been able to tone down strict guidelines when it comes to filming. I have been working on a UK drama, then I acted in a movie.
DDF: What interested you about Black Narcissus?
KB: The audition process was incredible. I would like to say the series is more faithful to the book than it is to the film. This is not a remake. I know when people think of Black Narcissus they think, “Why would you remake such an iconic film?” and I say “No, we haven’t.” Even though the producer is the grandson of producer Emeric Pressburger (co-director of the 1947 film Black Narcissus), in the current version of Black Narcissus, we stayed faithful to the book and it is a miniseries. The characters come alive in a way that is not in film translated, the series is three hours of storytelling. I hope our version leaves people with a lasting impression like the film left people with a lasting memorable impression.
BLACK NARCISSUS SYNOPSIS:Black Narcissus is an FX limited series based on the best-selling novel by Rumer Godden. Mopu, Himalayas, 1934. A remote clifftop palace once known as the ‘House of Women’ holds many dark secrets. When the young nuns of St. Faith attempt to establish a mission there, its haunting mysteries awaken forbidden desires that seem destined to repeat a terrible tragedy.
DDF: How did you prepare for the role? Did you take anything from the movie?
KB: It was very interesting preparing for the role. Sister Phillipa is the most spiritual and obedient to the rules of the group of nuns. She is in a time around the 1960s or 1970s where the rules were a bit more relaxed for the nuns than previously. The rules were incredibly strict. Some of the priest and nuns hired gave the cast and I information about their lives. The cast and I watched them pray, sing, and perform their rituals.
Sister Phillipa believes she was called to be a nun and really has a closeness with God. There is a moment in the series where she says, “This place (Himalayas) is too much for all of us.” After that, she is like, “Bye,” and leaves. She also mentions the beautiful mischief of the location, which caused her to be distracted from her path. Sister Phillipa even stated it’s as if the mountain watches us, not God.
DDF: How much of Sister Phillipa is part of your personality?
KB: Phillipa followed the rules, so there is no touching, I’m a hugger. No emotion being shown, I like to cackle and I cry. I’m a crier.
DDF: Did you learn anything from the role? Did you change the way you look at religion?
KB: I learned so much. I actually learned I am more spiritual than I thought. I also decided I want to learn more about God. I’d also like to get into gardening more, you know, sowing the land and seeing what happens. Normally my husband is the one into gardening.
DDF: There is a scene where Sister Phillipa comes across a mirror and stares at it. What do you think Sister Phillipa saw in the mirror?
KB: Interesting. I would say the character hasn’t seen herself in about a good twenty years. I think she is shocked at the fact that she has aged. When I look at pictures of my younger self, I can see my face so plump as a baby and from there I know what I look like at each age of my life. Phillipa hasn’t seen her face in years, so when she happens to stumble upon her reflection and sees an aged version of herself, she becomes intrigued in my opinion. Her intrigue is broken, when she remembers that she and her fellow nun shouldn’t be looking into the mirror.
DDF: What are some of your favorite films or series you are watching now?
KB: The series of films, Small Axe, by Steve McQueen. It’s showing here (in the UK) on BBC and I think in the U.S. on Amazon Prime. I haven’t caught up with the most recent film because I have been in Guadalupe working. The five films in this project, couldn’t have come at a better time than now. Incredible films, sometimes they are difficult to watch but it’s exactly what we need. Looking at how far we’ve come as Black people in the UK. I think about how my parents experienced some of those rough times of racism, speechlessness. I urge you and everyone to watch them. Steve McQueen is a genius.
DDF: What can you tell us about Zack Snyder’s Justice League film? How was it working with Ray Fisher and playing his mother in the film?
KB: I can’t say too much. You’d get me in trouble (laughing). You’ve seen the trailer, it looks amazing. I can say that Ray Fisher and I have become close. He is a wonderful young actor and a wonderful young man. We got along great during the shoot, I think certain castmates you just connect with which is fortunate because sometimes it can go terribly wrong. I think the director, Zack Snyder, is great and really amazing at what he does. I’m excited to see this version of Justice League and excited to see the audience’s reaction to this version of the film.
DDF: What would be your dream project?
KB: I would really love to work with Viola Davis and Barry Jenkins.
You can watch Karen Bryson portray Sister Philippa in the mini-series, Black Narcissus, on F/X and Hulu. She will also be in the highly anticipated Justice League Director’s Cut on HBO Max. The actress has been so busy during the pandemic we can only hope she’ll soon be working with award-winning actress, Viola Davis.
While interviewing Skylan Brooks, I asked how he pulled off the portrayal of the optimistic and energetic Hamster in the film Archenemy. He stated that it was purely method acting. “Well, believe it or not, I was actually sick while shooting this film,” Brooks chuckled. Brooks is not new to the genre of superhero films, he played the super-intelligent Chubs in the 2018 film Darkest Minds.
The young talented actor took time away from his busy schedule to talk with Taji Mag about his new film, Archenemy, and other projects he is working on.
Dapper Dr. Feel (DDF): What brought you to this role and how did you prepare for it?
Skylan Brooks (SB): The film being a superhero, sci-fi film lured me to the role. I enjoy and previously had success in my other sci-fi projects like Castle Rockon Hulu. I wanted to know more about the director’s vision for my character, Hamster. I also wanted to understand the origin of the film and why it was being made.
DDF: Hamster shows optimism and drive, how did you manage to keep those present in the character?
SB: Actually, that was one of the things I worried about when portraying the character. It worried me in the audition. I have a very chill personality, so it was a fun challenge to play this high energy character. What made me really capture the essence of the character was talking to the director. Also remembering, Hamster’s deceased father was a storyteller and that is what motivates him to tell his stories no matter what.
DDF: What was the biggest obstacle to making this film?
SB: Well, believe it or not, I was actually sick while shooting this film. Every time you see me smiling, shouting, and laughing like I was having a good time, I was dying. I actually had pneumonia, bronchitis, and a fever. I had to go to the hospital because I had difficulty breathing at times. It was crazy because everyone else is healthy and I was just so sick. It was brutal but fun.
DDF: What the best part about making this film?
SB: I really enjoy the stunts. Every time there was a big stunt going on, everybody’s vibe changed. The director would be like, “ Okay, you’re going to get sent through this glass table and you are going to get killed.” It was fun and we just laughed through it. There was great energy on set and everyone was fun to work with.
DDF: Is your character, Hamster, inspired by other characters you previously played? I think of the characters you played in The Darkest Minds, The Get Down, and The Inevitable Defeat of Mister & Pete.
SB: Not consciously. I tried to draw from a whole different place. That’s interesting but cool you had thought so.
DDF: Who are a few of your favorite comic characters?
SB: Growing up I didn’t really know the comic world as I do now. I didn’t understand the difference between brands like DC Comics and Marvel? I just knew of the comic book characters. I have an affinity for fast characters, that are not necessarily flashy but have this cool attitude. Characters like the Flash, Spider-Man (Miles Morales), and Static Shock. I loved watching Static Shock growing up. He’s just a normal dude from the hood that got powers and didn’t take advantage of the powers.
DDF: What comic book hero would you like to play?
SB: Ah perfect question! I heard there was a Static Shock movie being made, that is way early in development and I would love to take a crack at it.
DDF: Which movie universe do you prefer? DC or Marvel?
SB: That’s a hard question. Lol! I like both of them. Growing up I watched DC television shows, like Young Justice, but I watched Marvel movies.
DDF: What do you think the audience will get out of this film?
SB: I want the audience to understand that heroes have emotions. Max Fist is a hero where he comes from. Beyond his hero complex is a fragile human being that feels forgotten. I think, through companionship and friendship, he redeems himself without his powers.
DDF: How was it working with Zolee Griggs and Joe Manganiello?
SB: Joe is a very intense guy when it comes to playing his characters. Once he is in character, there is no way of breaking him out of it. I appreciate being on screen with that type of experience. Zolee is great too and this is her first feature, I think she killed the role. She’s dope and you can see her on Wu-tang on Hulu. Zolee has great energy and she’s hilarious.
DDF: What’s next for you?
SB: I am focusing on the film but I have a music EP project and music video dropping this month. It’s a fuse of hip-hop and jazz. I am also working on two projects, one of which I am executive producing.
DDF: If you make your own film, what genre would it be? What director would you work with and who would be your co-star?
SB: I would want to do a Steven Spielberg type film with the grit of a Quentin Tarantino and the feel of Mission Impossible with Tom Cruise as a co-star.
If you are looking for a hybrid of the Watchmen and Wolverine comic book genre film, make sure to watch Archenemy. The film has some cool animation, an exciting storyline, and a cool plot twist. ARCHENEMY is in theaters, and currently available on VOD and Digital.
Release Dec 7 2020 | Vol25 of Taji is packed full of Black Beauty & Culture fulfilling its theme of AfroFuture! This volume’s cover features the #SlayBells of @NoriRaneMUA (by @BymshaBrownePhotography with @NYCNory). Gracing the pages are the Editor’s Pick, #BlackLoveConvo: “Jurnee Smollett Talks Lovecraft Country, Activism, and Breonna Taylor” by Dapper Dr. Feel; our Community Spotlight on Nichelle Consulting; our highlighted Hair Feature by Angela Plummer; “Solo Travel: Are You A Performative Global Ally?” by dCarrie; “Micro Betrayals?” by Jashua Sa’Ra; “Building the Image Nation” by Janelle Naomi; Our Vol 25 contributed photo story, “AfroFuture;” Fitness Highlight: @itsdreamsworld; Vegan Fun with Earth’s Pot’s Wontons; Think Tank, “Lack of Love” by Brianna Burnley; Earth’s Cabinet LLC, Aligning Your Body Holisticly; “The Garden Metaphor Of Finance” by M’Bwebe Ishangi, Founder of Cryptowoke Financial Sustainability Movement; Lovely Leo Skincare Awakens All of Your Body’s Senses; Featured Art Piece; Comic Appreciation; Black Business Highlights; and more!!
Taji Mag is the epitome of ‘Cultural Drip’ – elevating Black brands, narratives, and imagery to new levels of Black Excellence. We embody the traditional and modern royalty of Pan-African people via our quarterly digital and print publication and live events.
Born and raised in West Africa Liberia, Diezie Sahn is a promising actor, screenwriter, and director, specializing in martial arts and fight choreography, now based in Atlanta. He has acted and performed stunts in several short films, despite battling a speech impediment, and has received the CMF and TERMINUS “BEST ACTOR” Awards. His recent Lead role in the P.S.A, “Corona Man,” went viral. Before breaking into the film industry, Diezie lived in an Ivory Coast refugee camp during the Liberian Civil War. He refuses to allow anything to stop him from achieving his goal of empowering others through film.
Taji Mag (TM): What inspired you to become an actor?
Diezie Sahn (DS): I remember vividly at the age of 7, in the town we were living called “12 houses,” my siblings and I were attending a small community school and my mother had been encouraging me to sing in church. She decided that she would register me to perform in the Bible play, “King Solomon”, and I was to play King Solomon. I was completely terrified! Here I was, a stuttering 7-year-old child, who now had to perform in front of hundreds of people at the end of the school year. The entire school would think I was a joke. I was upset with my mother and didn’t care to see what she saw in me, but my mother was relentless. She drilled the entire play with me for days so that I would be prepared for the role. To this day, I still remember my lines. When the big day came, I was beyond ready. That was when I realized that acting and performing was my purpose in life. On stage, I can speak freely through the characters and truly express myself. For the first time, my voice was heard. I felt free and happy.
TM: What films, directors, and/or actors have influenced you?
DS: Every film I’ve ever seen growing up influenced me in some ways. Western films, the Asian martial arts films that were popularized at the time, and Nigerian (Nollywood) films. I was intrigued by the Asian films because of the action, the western films introduced me to real acting, and the Nigerian films opened my mind to telling our own African stories. I believe that life is a busy intersection we all crossing through to create a path that fits each of us. My influences are the ones like myself who didn’t allow stuttering to stop them from becoming great: Bruce Willis, Steve Jobs, Samuel L Jackson, James Earl Jones, Legendary B.B King, Steve Harvey, Harvey Keitel, Kendrick Lamar, Elvis Presley, John Gomez, Marilyn Monroe, Emily Blunt, Julia Roberts. The list goes on! They inspire me to persevere.
TM: What type of films do you most look forward to creating/participating in?
DS: I look forward to playing James Bond one day or I’ll create my own James Bond-style movie with an African actor as the lead. I’d also like the opportunity to play a superhero. I think it would be awesome to see an African man in the sky doing something out of the normal beside flying to out of his country.
Taiwo Aloba is proud to offer her latest chapbook, Surulere, Lagos, that has hit Amazon in September 2020. In Surulere, Lagos, Taiwo Aloba offers a map to the city life of Lagos. With deep roots in her African culture, the New York-based writer guides her readers through a series of honest and reflective accounts of growing up in Lagos. Born and raised in Lagos, Taiwo Aloba believes that her poetry mirrors her perception of the world. She explores topics like identity, culture celebration, corruption, systemic violence, and religious fanaticism.
“I am so proud to offer you all a feast in my new work. “Surulere, Lagos” is now available on Amazon: @amazonkindle @amazon (Ebook and Paperback). I threw all of myself into it. I wrote, edited, and published it. It is a labor of love and creativity. Surulere, Lagos is truly a gift, and I hope you all enjoy reading it as much as I enjoyed writing it.” – Taiwo Aloba.
The African American Day Parade, Inc. (AADP), one of the largest and oldest parades of Black American culture, will virtually host the 51st Annual African American Day Parade on Sunday, September 20, 2020 at 12pm. It will be hosted live across Facebook, Youtube, our website homepage, and Scratchvision. The 51st annual parade will honor individuals and organizations that have made key contributions to the African American Community through Business as this year’s parade theme is “A Tribute to Black Business”.
Sponsors of this year’s parade include Memorial Sloan Kettering Cancer Center (MSKCC), WBLS, TWU Local 100, Scratchvision, the National Association of Black Accountants, and Mech Multimedia Agency. “We are excited to virtually celebrate Black culture,” exclaims AADP Chairman and Board Certified Chaplain at MSKCC, Yusuf Hasan. “For over 50 years, this parade has served as a vital platform for showcasing our heritage and history from our perspective. We feel it is extremely important to continue in this legacy as it uplifts our people.”