Tag Archives: taji mag

17Mar/20
coronavirus

Coronavirus: Providing Solutions, Not Panic, to Survive COVID-19

Let’s use social media to create solutions for the Coronavirus, not panic. [From Taji’s Editor]

• Introvert? Cool, we got this, just make sure you’re stocked.
• Extrovert? Is there someone you can stay with or who can stay with you? A staycation with the squad maybe?
• Are there elders, disabled folks, struggling families, etc in your neighborhood who you can grab extra groceries for?
• Any homeschoolers with lesson plans/activities/advice for parents at home with their children?
   – Kibibi Oyo will be giving free 15 min consultations to parents who want advice and a plan for their children to learn at home. She has both paid and free options that she can share. Just need to hit me up and schedule the FREE consultation. Schedule appointments here: https://professoroyo.as.me
 – Tamykah Anthony homeschools her children and has activities, printables, cool science experiments, etc. to complete with the little ones. She has also posted how to safely make your own cleaning products and hand sanitizer:
coronavirus    –
 Keisha Ragfitness provided this activity sheet:
coronavirus• Any child sitters willing to take on multiple children while some parents are still required to work (or who just need a break to prepare)?
* In light of the Gabriel Fernandez series and a status Will read to me, please keep an eye out for abused children whose only escape was school but are now forced to be home with their abusive guardian(s) all day.
• via MLN8NG: “As we are all aware, Coronavirus has been causing quite an impact on us economically, especially people of color who rely on 9-5 jobs as well as entrepreneurs; however, this does not have to be the case. We can start alleviating some of the felt pressures of the pandemic by very small steps.
In our research, we have learned that most people are having issues with child care services, hospice, online learning, and finding various tasks and activities to do while indoors. A potential solution lies within us. If you or someone you know, can provide childcare services or any other online learning services, take the time to set up a free or paid ticket event on MLN8NG so that we may be able to spread the information out and have a central location for Black and Brown faces to find options and alternatives in this growing online space. 
You can be of great impact to how we as a community both transition and expand within this new structuring. Take some time, gather your skillset(s) that you can offer and share them with us and spread the word. We would like to begin assisting with building a central location for people to gather information that can facilitate start and end dates, customers, as well as, and most importantly, those offering services. 
No skill is too big or too small. Do you stream classes? Do you stream gaming? Can you setup house visits and information teaching safety measures or stream them online? Are you a daycare provider? Anything you can do, place your information on the site so we can promote it and provide to our community. Simply click on the register button below and create an account on the site and then submit your event/stream/availability. Your friends, family, and those whose lives you will impact are already thanking you for it.”
• via Cory Ant: Buy stuff that will help your immune system and stuff that will last in case our country gets crazy and makes people stay in, instead of stocking up on cookies and meat products. Buy FRUITS like apples and oranges, VEGETABLES, GINGER, things that will be beneficial to your health and fighting off the coronavirus.
• Holistic Wellness advice from The Laya Center can be read at https://www.thelayacenter.com/blog/2020/3/16/elder.
Namaskar is also providing great products to boost your immune system fend off coronavirus, cancer, lupus, diabetes, high blood pressure, and more.
• via Krystal: Check on new moms who may need breastmilk/formula due to people stockpiling who may not be able to produce on their own.
• If you work/shop at a grocery/convenience store and notice necessities are restocked, make a post so people know where to go.
• via Jocelyn Sewell: While water is essential, people may want to purchase filters or filtered water bottles. Water can be found anywhere and with a filter, it’s drinkable.
Feel free to add solutions for the coronavirus in the comments. 🖤

12Mar/20
travel n shit

A Simple Exercise in Broadening Your Views on Travel

When you think of travel, what do you see? Beaches, mountains, hiking, sunbathing and all the things we tell ourselves we’re too busy to do regularly at home? We’ve entered a new year and a new decade folks! Consider that it may be time to welcome in a new mindset on what is considered travel.

Let me start by making the task easy on you; don’t consider what isn’t travel. Broaden your idea of what is travel and I guarantee you can go further. The amount of time it takes you to get from one place to the next is indeed called “travel time” is it not? For me, the difference in traveling to the city for work and traveling to a foreign country is my level of familiarity with the destination. I could happily do without riding the train or sitting on an airplane – in both instances the commute is simply the necessary evil. Consider someplace closer than a country 8+ hours away may provide you a similar or even greater level of unfamiliarity and excitement as a city across an ocean and a sea. Either way, you’re traveling! Give yourself the credit!  The only difference is the distance. Don’t let the distance of a location blind you to the benefits of experiencing every new destination as robustly as possible.

I offer you the opportunity to be mindful in and of the experiences you’re having away from home. On my podcast Travel N Sh!t, I, along with my guests, discuss what we experience while we’re abroad and how often mundane and routine experiences may be enriched or experienced differently when viewed through the lens of travel. Through these conversations, I’ve developed a distinct appreciation for what I gain from my time spent in new environments. I loooove wandering around cities I at one time never considered on my radar of places I’d be able to see before I got BIG RICH. Little did I know, I’d become “BIG RICH” from opening my mind to the incredible experiences I’m able to have in ANY destination, near or far. You don’t have to travel far to go far.

Be sure to check out the conversations my guests and I have on Travel N Sh!t every Thursday wherever you listen to your podcasts.

Visiting a new state, or even a new destination in a state you’ve already been to can be very similar to visiting a different city in a country that’s new to you.

travel n shit

10Mar/20

THE COMEBACK QUEEN – How one creator is reclaiming her crown and keeping her dreams alive with Take Each Moment Podcast

Dear Beautiful Black girl. You are the descendant of survivors. Everyone in your lineage has overcome insurmountable odds to make your existence so, and therefore your presence is a blessing. The blood that runs through your veins has been carefully curated by God and circumstance. There is trauma in your DNA, but there is also magic. Keep your heart and eyes open (all three of them) because your destiny is already written in the stars, and I promise you that it is as beautiful as you are.

Love, T

________________

In a society that so often sends us messages that we are less than or unworthy of, it is important to send ourselves love letters that remind us of our truth and our ingrained resilience. Creator and producer, Tatianna Mott, has been sending herself a love letter at the start of each week ever since losing the love of her life to Sickle Cell complications and getting fired from 3 corporate jobs after leaving the theater industry. Tatianna is no stranger to picking herself up and coming back stronger than ever, after allowing herself time to grieve, evaluate, and move forward. These love letters have helped her so much throughout this journey, that she’s compiled them into her hit podcast series “Take Each Moment” which encourages listeners to take time to self-assess and learn from each of the moments in their lives.

“When I first decided to leave the theater world, I was confronted with a lot of skepticism from well-meaning friends and colleagues that felt I was giving up on my dreams,” she says. “In acting conservatory, our instructor once said, ‘If you have a plan B, your plan A will fail. 1 in 10 actors are able to make a living in this industry, look around, are you one of them?’ Being the overachiever that I am, I declared on that day that ‘yes, I am. I WILL be successful in theater, and I will do whatever it takes to prove that I am indeed that 1 in 10.’ I was determined to make it to Broadway and fulfill my purpose of positively impacting the social narrative. I wanted to dispel the lies that we’d been told about our past and our present. I wanted to tell stories that would remind people of their magic in a world that prefers to hide it in a closet. Over the years, I began to realize that the few sassy best friend roles I had been booking didn’t typically fulfill that goal, and weren’t bringing me as much joy as I thought they would. When I asked myself why I kept going and beating my head against that wall rather than trying something different, I remembered that day in conservatory when I vowed to not have a plan B. But see, the fallacy in that thinking is that there’s no such thing as Plan A and Plan B. We’re constantly forced to set up new plans based on what circumstances life throws at us. There aren’t enough letters in the alphabet to accurately count how many plans we’re already following and have previously followed. The key is that each of the actions we take within those plans work toward a particular purpose and goal. My goal was to educate, inspire, and uplift people while obtaining the power of financial stability and consistency. My Plan A was to get up at 4 in the morning every day, pray to get seen at an audition, stress about whether or not I’d get a callback, and work 13 side jobs to keep me afloat until one day Broadway would call. Turns out that plan didn’t have the capacity to help me reach my goal, so I reevaluated and tried a different plan. And then when that plan hit a wall (a.k.a. I got let go from my first corporate job), I tried a different plan. And then that plan inevitably hit a wall, so I tried another plan…and another. Some of those plans completely fell in my lap in the form of an unexpected relationship, a perfectly timed job opening, an unfortunately timed job termination, the death of a loved one, being diagnosed with chronic illness, or a chance encounter with a stranger. Throughout it all, I’ve picked up new skills, new perspectives, new strength, and new faith. Today, I am working as the lead producer/ project manager of the much anticipated Rising Musical Family Debut at the legendary Apollo Theater featuring sibling music group Infinity’s Song and Victory Boyd, hosted by Jon Batiste. I am also finding new and exciting ways every day to work on educating, inspiring, and uplifting others including through ‘Take Each Moment Podcast,’ my new single ‘Cycles,’ and more.

If you find yourself stuck or unsure of your purpose, think about your goals. What do you want to receive out of this life, and what do you want to give into this life? What impact do you want to have during your time here, and what will you need to do to make that impact? What are your particular skills and strengths that will allow you to do that? What resources and knowledge will you need to acquire? How will you obtain said resources and knowledge? And while in pursuit of it, how can you still fulfill that purpose even with what you already have? After recently losing the job of a lifetime working alongside someone I idolized, I was upset yes, but more so, I was hopeful. Life has taught me that low moments don’t last forever, and that I ALWAYS come out with my crown a bit more polished afterward. I trust in the process, and I trust in the divine timing of it all.  I hope you do too.”

Visit www.takeeachmoment.com to listen to Season 1 of Take Each Moment Podcast along with the accompanying specially curated Spotify Playlists of feel-good music. If you like what you hear and would like to join Tatianna on her journey, please consider becoming a sponsor through Patreon (link TBD).

10Mar/20

Santia Deck: The Face of the Women’s Football League Associaton

If Black Girl Magic was a person, Santia Deck would definitely be one of the women to use as the face of BGM. With her career goals redirected from Olympic hopeful to the highest-paid female football player, she is the embodiment of “When one door closes, another one will open.” I am pretty sure her football deal is a door she’s glad to have opened. In honor of women’s month, Taji Mag decided to catch up with the busy star athlete to get an update on her new success. 

Dapper Dr Feel (DDF): What were your thoughts when you signed that huge football deal?

Santia Deck (SD): I knew I would be a pioneer for women’s football. I am just more excited that I can be an influence to little girls who want to play sports and give those girls something to strive for. 

It’s still a lot for me to take in, but as for not making the Olympic team and instead being given this huge opportunity, it really showed me the power of God. I am a very spiritual person and I was taught that God is doing great things for you, even when it doesn’t seem like it. To see this manifest was validation and testimony that he can do great things in your life. 

DDF: What position are you looking to play? Any chance you become the Lamar Jackson of the league? Would you train with Lamar Jackson?

NFL MVP Lamar Jackson and Santia Deck

SD: I can throw, but I don’t have an arm like Lamar Jackson. My position by nature is Running Back, so I won’t be playing Quarterback. I would love to train with Lamar Jackson, who wouldn’t? He could probably teach me a few things. He’s an amazing athlete.

(NFL MVP Lamar Jackson and Santia Deck were both at NFL Pro Bowl weekend.)

DDF: What has been one of your newest challenges since your new success?

SD: I think it’s the same problem everyone has when they elevate in their career. Not knowing people’s intentions…random people saying “hey, I’m your family” or “I know you from back in elementary school”. These people don’t have good intentions and they can be crazy. Luckily I have a good team around me. My mom is my manager and she really looks out for me.

DDF: Describe 2019 in two words?

SA: I would say “New Beginnings” are the two words I would choose to describe my 2019. 

DDF: In the Santia Deck biopic, who would you select to play you in the film? What actor would play your love interest in the film? 

SA: That’s a good question. I would want Tianna Taylor to play me in a biopic because we have the same hair and body type. She has good abs, like me. As for my love interest, I would want Micheal B. Jordan to take on that role. He’s such a beautiful man.  

DDF: How was it being on Kelly Clarkson? 

SA: It was great! She made me feel really comfortable. I think it’s because we are both from Texas so that familiarity made the interview easy.  She is a very nice person.

DDF: What are your goals for 2020? 

SA: To have an amazing exhibition and show my talent this year. I would also like to take my brand to the next level, solidify generational wealth for my future kids, and travel to as many countries as I can this year. 

Many young women everywhere now have another example of chasing the dream and getting positive results. From the field to television, Santia is working hard to become one premiere athlete and who knows, one day she may be mentioned in the same breath as Serena Williams. You can follow Santia on Instagram for upcoming events. 

Santia Deck will play for the LA Flames in the Women’s Football League Association. The season starts 2021. Will you be watching?

19Feb/20

Jon-Sesrie Goff’s “After Sherman” Spotlights Preservation

Jon Sesrie Goff

The audience was quiet as their eyes were focused on a young Black man who narrated his family origins in South Carolina. His captivating voice segways into one of the most horrifying and inhuman events in recent years – the Emanuel Church shooting. It was emotional but the filmmaker/creative, Jon-Sesrie Goff, was able to orate the event passionately, beautifully and concluding with a peaceful ending. Taji Mag was able to catch up with the artist at the Pop-Up Magazine Winter Tour event in Washington, D.C. for an interview. 

Dapper Dr Feel (DDF): What was your inspiration behind After Sherman?

Jon-Sesrie Goff (JSG):  It’s a feature-length documentary, that I started in 2014, that was supposed to be a visual survey of the Gullah Geechie corridor. This area existed from Southern North Carolina to Northern Florida. I was going for a very experimental, lyrical approach and it was not a personal film at all, but then I wanted to use it as an opportunity to talk to my family about our land and our Country, that was not used. I just wanted to use the camera to talk about the land. 

DDF: The short film version of After Sherman is what you are showing and narrating during the Pop-Up Magazine Tour, correct? 

JSG: Yes, the piece has evolved after the Charleston Church Shooting. I had a professor/filmmaker during grad school tell me that I didn’t have the luxury to make an experimental film about this subject matter because it required a strong narrative. For the following four years, I have been finding out through Pop-Up that I was able to hone my narrative voice without it feeling inauthentic. I worked with people who were like “Say this!” and “You deliver it so well!” but it wasn’t me speaking. 

With the shooting, I immediately went back because I didn’t want to be apart of the press mob. All my footage from the immediate aftermath is horrible because I was so nervous. There are moments where I was next to my mom and I didn’t want to film her during the emotional moment; I also wanted to protect others as well. So I took more photographs than video footage. A few weeks later I went back, did an oral history with church members, politicians, and people in the community, which is very different from the film I was making. Then I went back to do the ending shots of me standing amongst the country scenery and other visual treatments. 

DDF: You had a very emotional moment during your narration, how do you get through it every night? 

JSG: This night was emotional because my two cousins were here. They are also heirs to the properties that I mention in the film. My aunt, their mother, appears in the photographs in the film. This was the first time I had family members present at my show on this tour and that was really emotional. When I doing the piece, talking about it or working on it without family members around, I am able to desensitize myself. 

DDF: You are a well-rounded artist. How does this project differ from other forms of media that you use? 

JSG: Well, a personal documentary is one of the hardest things anyone can do. I apologize because I am a cinematographer and kept asking the cinematographers I was working with, why the film was not done yet because it takes a different type of care. I feel like, as a cinematographer and working in commercial spaces, I would be flown in the night before and out the next day, with that there’s no real attachment to the material. It’s just execution and less of myself present in it. When you put yourself out there like that, if you are a thoughtful person, you have to make careful decisions.

DDF: What were some of the reactions from some of your family and friends in Charleston after you showed them the film? 

JSG: After the shooting, there was a Sunday School convention scheduled to be at the church and they still had the convention. Two days after the shooting, kids from Emmanuel church were there. Every year it’s around the same time, so it’s like this weird moment of memorial services and then the convention. 

A year after the shooting, I went back and showed people my work in progress to the Sunday School convention. They were excited to see and pointing out people they know in the film and all the other stuff sort of fades away. I made this film so that people in the low country could appreciate how special and unique our culture is and how valuable our land is, that was it. People in the Emmanuel and Charleston Community have been very supportive of the project. 

DDF: How much did the documentary “Sherman’s March” influence your project? 

JSG: When I first started making it before the shooting. It was an inside joke because I love Sherman’s March, the first commercially successful documentary film. And it’s this guy going back to the south, tracing his family steps and there’s like one scene with black people. I was like “That’s really hard to do?” It’s hard to go down south and the only encounter you have the Black people are with some kids. I respect, Ross McElwee as a filmmaker immensely but I was thinking to myself, “I wanna do After Sherman and it’s going to be about all Black people.” I actually shot the opening sequences shot by shot but it may not make it into the film. 

I was happy to see the show and honored to interview Jon, especially because of his previous work with the National Museum of African American History and Culture. The Pop-Up Magazine 2020 Winter Tour is wrapping on February 22, 2020, but be on the lookout for the full feature film After Sherman by Jon-Sesrie Goff. Website.

17Feb/20

The Man Behind the Music, Robert Glasper

Robert Glasper

The Photograph was a phenomenal film, no doubt. Much is to be said about the collaboration of artists on the project as one of the most impressive elements of this film is the music composition. The film composer is none other than Robert Glasper. Knowing he was responsible for the soundtrack immediately gave me confirmation that The Photograph would be an overall great production. Right after watching, I immediately sought out an interview with the man behind the music, Robert Glasper. I had the chance to ask the multi Grammy Award-winning and Emmy winning artist about his work on the film. 

Dapper Dr Feel (DDF):  What brought you work on this film? 

Robert Glasper (RG): Luckily, Stella being a fan is what really brought us together. She liked my trio albums so a lot of the music in the film was based on that earlier work.

 DDF:  What was your creative process for the film?

RG:I liked making things up in front of the director. We’d put up a cue and they’d tell me what they wanted to accomplish emotionally and I liked writing there right on the spot. Sometimes it takes ten different tries or sometimes it’s magic on the first try, but that’s just the process that works for me. If the director is there, I can include them in the process and get the best result.

Robert Glasper

DDF: The music definitely matched the tones and colors of the film. How did these aspects of the film influence your work? 

RG: Each scene had a purpose and some kind of emotion behind it that Stella wanted to portray, whether it’s anger, confusion, sadness, happiness, sexiness… Whatever it is, it’s my job to try to match the emotion with music, or musically support the emotion. The great thing about it was that she was very free with letting me be who I am musically to try to get these points across.

DDF: How does music composition for film differ from composition for albums? 

RG: For albums, there’s nothing you have to match it with. When you’re composing music for a film, you’re trying to help tell a story that people are already seeing visually. There’s something already there and you’re trying to attach something to it that emotionally reflects and assists the storyline.  

When you do an album, there’s no visual, so you’re creating whatever you want. The visual is in each person’s head. There’s no director steering you towards what to see or feel, but that happens when you’re watching a film. The director is steering you towards a particular emotion. 

DDF: What movie music composers are you inspired by and why? 

RG: I’m not really inspired by movie composers, I’m more inspired by artists and musicians who do music. If it just so happens that they do a movie great, but there are no film composers I pattern myself after or study, per se. 

DDF: What are some of your favorite film scores and why? 

RG: I like Love Jones film score. This score kind of reminds me of Love Jones because it’s the story of two young black adults that are really artsy. Both films kind of parallel each other and both use music of their generation to tell their story. The Love Jones soundtrack was full of people of the generation and it was really cool. The Photograph is also full of music of the generation. At the same time, it had some throwback stuff that inspired this generation and used jazz as well. The difference is that Love Jones used Charlie Parker and John Coltrane — jazz from the 40s, 50s, and 60s. This one was more modern. It has music from me and Christian Scott; it used jazz of today.

Mo’Better Blues is one of my favorite Spike Lee films and one of my favorite soundtracks. It featured not only Terrence Blanchard but also Branford Marsalis.

Actor Denzel Washington and director Spike Lee.

DDF: I actually thought of Mo’ Better Blues while I watched the film. Was it your inspiration?

RG: Mo’ Better Blues is definitely one of my favorite soundtracks like I said earlier. When most films use jazz, they use jazz from the 20s-60s; they rarely use jazz of this time period. Mo’ Better Blues was made in the 90s and used music and musicians of that era, and that’s what made it really dope to me, so this feels like the same thing for sure.

DDF: What would it mean for you to win an Oscar? Is that the goal? 

Robert Glasper and actor/rap artist Common celebrate their win at the 2017 Creative Arts Emmy Awards

RG: I’ve already won an Emmy for my work on Ava Duvernay’s documentary The 13th on Netflix. I wrote the ending song featuring Common and Bilal. So it would be amazing to win an Oscar. Most musicians aim for a Grammy. I’ve been blessed to have a few Grammy’s and an Emmy so to get an Oscar would really be icing on the cake. 

DDF:  If you can choose one song from your catalog to describe The Photograph, what would it be? 

RG: I’d probably say a song I did on my Black Radio album called “It’s Gonna be Alright” featuring Ledisi. It’s saying no matter what the ups and downs of life or a relationship, there’s always sunshine, there’s always a bright side. These particular movie characters had their ups and downs in their relationships and they found a way to make it work, so I’d probably say that song.

DDF: How have you grown as a score composer since your first movie project?

RG: I’ve grown a lot. I’ve just learned how to read and understand directors better. My musical palette is bigger. Understanding how to bring in different vibes from all across the global palette of the world. I’ve had to mix all kinds of styles of music, some I’ve never had to tackle before to bring across one scene. It helps you grow, the more knowledge you have, the better. For instance, in this film, I had to compose some New Orleans music and I’ve never had to do that before. Having to compose styles outside of what you’d be personally oriented to create has just made me a better musician. 

Robert Glasper was a perfect choice for the Photograph soundtrack. His musical talents paired with Issa Rae’s and LaKeith Stanfield’s acting skills plus Stella Meghie at the helm, audiences everywhere are in for a treat. It’s artistic range, both directorial and musical, feels similar to the Spike Lee classic Mo’Better Blues. Anyone familiar with the 90s classic would find this a testament to The Photograph’s contribution to cinema today.

The soundtrack by Robert Glasper also features music by artists Lucky Daye and H.E.R and can be found on platforms like Google Play, Apple, Spotify, etc. Watch The Photograph in theaters now then run and buy the soundtrack. You’ll be thankful you did.

The Photograph Score Featurette

Go behind the scenes with The Photograph composer Robert Glasper and hear how he was able to bridge two time periods to help tell the story. In theaters now!

Публикувахте от Back Lot Music в Петък, 14 февруари 2020 г.

10Feb/20

For Love, For Faith, For Life

From creator Hank Steinberg (“Without a Trace”) and Curtis “50 Cent” Jackson, and inspired by the life of Isaac Wright Jr., “For Life” is a fictional serialized legal and family drama about an imprisoned man, Aaron Wallace, who becomes a lawyer fighting to reverse his own life sentence for a crime he didn’t commit. His quest for freedom is driven by his desperate desire to get back to the family he loves—his estranged wife and daughter—and reclaim the life that was stolen from him. (ABC/Giovanni Rufino) NICHOLAS PINNOCK

Powerful is the one word I can use to describe the series For Life. Taji Mag was able to attend a DC advanced screening of the pilot and it did not disappoint!  The compelling series is influenced by Issac Wright Jr. who was falsely convicted under New Jew Jersey’s kingpin law. The series displays the strength of the human spirit and having unrelenting faith, how the justice system fails, and how all hope looks lost. Family dynamics, the corruption, and transition from the prison environment to life outside the prison walls are luring.  The series is so good, I only saw the pilot of the show and I’ve already downloaded the ABC streaming app to watch future episodes.  

 “ It was important for me for the audience to see what it’s like first hand, what the experience was like being imprisoned. That part where they had an innocent man, he goes to jail, he has to strip himself of clothing, he is talked to a certain way, he is mistreated and made to feel less than. That was really important to show.” – Nicholas Pinnock

For What?

The show follows as the lead character, Aaron (Nicholas Pinnock), is wrongfully convicted and sent to prison for many years. While serving time behind bars, he utilizes this time to become a lawyer. I questioned how this is possible but the pilot does a good job of explaining how Aaron was able to achieve this. 

One of the interesting moments in the series is Aaron’s representation of other prisoners that were wrongfully sentenced. I was intruged by how Aaron becomes a cerebral assassin when going againist the opposition, the same lawyer that placed him in jail.  The acting and writing is so well done, the audience in attendence for the screening cheered during Aaron’s small victories over his cases and filled the room with gasps whenever he dealt with unfair bias. 

“I really connected to it. I have family members who have been formerly incarcerated and I have two really good girlfriends that have partners who were formerly incarcerated and I know what it was like for them to stay connected to the person that they love. Having to travel states, planes, trains, and automobiles to stay connected. I understood their dynamic and that’s what I leaned into to create the role.” – Joy Bryant

For Love

(ABC/Giovanni Rufino)
TYLA HARRIS, NICHOLAS PINNOCK

Aaron is driven by the love for his family. His wife and daughter are who keep him motivated and in pursuit of his freedom. I felt there were many family dynamics explored within the show. From the relationship Aaron shares with his wife during his visits, to the distance placed between Aaron and his daughter. The show does well at displaying the chain reaction that occurs when a family member is placed in prison for a long sentence. “Do I give up on them?” “How much hope do I really have in their innocence?” These are some of the questions that plague the minds of the members involved during the incarceration of a loved one. I definitely felt an emotional tug when Aaron interacted with his wife during a prison visit. Their situation could not break the love they had for one another, even when life looks as if one of them is actively moving on, showing a bond with someone you love is impossible to break. 

“What happened to me and what I had to do started from somewhere. 9 times out of 10 it usually starts with the family. It starts off with your parenting and what’s instilled in you as a child. I would like to take the time out to recognize my parents.” – Issac Wright Jr. 

(ABC/Giovanni Rufino)
NICHOLAS PINNOCK, ERIK JENSEN

For Life

Throughout the pilot, there is an interesting transition as Aaron goes into the court bathroom dressed in an orange jumpsuit and coming out changed into a suit to represent his client. Only to return to the jail system where his life is threatened and his integrity challenged. 

Aaron is definitely a character you want to cheer for during the pilot, many in the theater did, as he attempts to take on the corrupt players in the judicial system, which include those that sent him to prison in the first place.

I really felt the cold, concrete walls that inclosed the inmates as the camera followed Aaron through his daily rituals.  

“A prison is broken down into three parts; administration (wardens, assistant warden), custody (the guards), and the inmate population. While the real stuff happens on the grounds with the inmate population, custody doesn’t want the administration to know because they want to continue to keep control of the prison. When this happens it is an environment of me against you with the inmates and custody. As an inmate, if it even looks like you are getting friendly with a guard somebody will be coming in your cell at 3 in the morning with a shank. It’s a very dangerous environment.” – Issac Wright Jr. 

If you love Power, you will definitely love For Life. With similar plot twists, scene breakdowns, and spectacular acting, the series will be undoubtedly one of the best series this year. 

Drama series “For Life” premieres TUESDAY, FEB. 11 (10:00-11:00 p.m. EST), on ABC.

Starring: Nicholas Pinnock, Joy Bryant

Executive Producer: 50 Cent

FOR LIFE – ABC’s “For Life” stars Timothy Busfield as Henry Roswell, Brandon J. Dirden as Darius, Joy Bryant as Marie Wallace, Tyla Harris as Jasmine Wallace, Nicholas Pinnock as Aaron Wallace, Indira Varma as Safiya Masry, Mary Stuart Masterson as Anya Harrison, Glenn Fleshler as Frank Foster, Curtis “50 Cent” Jackson as Cassius, Dorian Missick as Jamal Bishop, and Boris McGiver as Glen Maskins. (ABC/Matthias Clamer)

01Feb/20
Taji Mag Vol 22 #SoGothIWasBornBlack

Taji Vol22: #SoGothIWasBornBlack

Release Mar 7 2020 | Vol22 of Taji is packed full of Black Beauty & Culture fulfilling its theme of #SoGothIWasBornBlack! This volume’s cover features the #SlayBells of Bymsha Browne’s Photography team highlighting Herbalist, Toni Bernard. Gracing the pages are the Editor’s Pick, Take Each Moment Podcast; our Community Spotlight on JuJu The Web Series; our highlighted Hair Feature by Angela Plummer; “Solo Travel: A Simple Exercise in Broadening Your Views on Travel” by dCarrie; “Heart and Mind are a Power Couple” by Jashua Sa’Ra; “#BlackLoveConvo: Rhonda Mitchell M.D. Series Creator & Cast Member talk Love, Work, and Exes” by Dapper Dr. Feel; Earth’s Cabinet is Realigning the Boy with Holistic Teas, Steams, and Oils; Our Vol 22 theme “#SoGothIWasBornBlack;” Comic Appreciation with Sankofa Guard; Vegan Fun with Delliz the Chef; Musician, Gregory Wilson, is Your New Favorite Black Nerd with Glasses; Featured Art Piece by Craig Carter; Must-Have Graphic Novel: “Divine Mother” by Komikka Patton (Martian); Black Business Highlights; and more!!

Purchase your copy now at ‘Shop Taji’!

Taji Mag Vol 22 #SoGothIWasBornBlack

Purchase Taji Mag | Vol 22

Taji Mag is the epitome of the positive Black experience – elevating Black brands, narratives, and imagery. We embody the traditional and modern royalty of Pan-African people via our quarterly digital and print publication and live events.

07Dec/19

Barber Shop Chronicles Puts a Magnified Lens on the Diasporic Experience of Black Men

Barber Shop Chronicles

Inua Ellams. Portrait by Franklyn Rodgers.

Barber Shop Chronicles is one of the most ingenious plays I have watched in a long time. Finally, the Black man is not the villain, overly sexualized, the slave, or the savior for damaged Black women. He’s just human and is trying to figure this sh*t out like the rest of us! Originating in London and making it’s New York debut at BAM’s Harvey Theatre, this play is a real life look at the interpersonal relationships between men in our diasporic community. The barbershop is historically known to be the only place where our men have received any type of therapy. It’s where they discover who they are and how to treat one another and their community. Playwright/poet, Inua Ellams, and his all-male, 12-person cast do a phenomenal job of expressing true emotion and giving the rest of the world insight into what it’s like to be a melanated man. It plays in the humourous pool of sports, relationships, and race but then deep-dives into identity, fatherhood, generational trauma, and politics. 

Taking place in six different barber shops in London, Lagos, Johannesburg, Accra, Kampala, and Harare, Barber Shop Chronicles weaves us through the connections and similar experiences of these men despite their location. Each episode is sewn together with cultural music and dance that adds to the personality of the play. Every man is relatable on some level to someone you personally know or have come across. I attended the play with my partner, Will Focus. At the end he was in tears, which is a rare sight, so I couldn’t wait to hear his thoughts.

NayMarie (NM): Soooooo, what were your thoughts?
Will Focus (WF): The comedy was spot on. I noticed that they mixed several dialects from all over the diaspora. The fact that they were able to do it so seamlessly and still show that people were able to communicate in their respective dialects was awesome. I love that they drew the importance of speaking in a common tongue and having a dictionary that translates to Twi.

NM: What else?
WF: What I liked, on the political side, is the comparison between Winnie and Nelson [Mandela]. The fact that Winnie was the true hero then Nelson was brought in like how I view the Black pastors in America.
NM: As a pacifist?
WF: Yea, a pacifist. Someone who’s looking to put out that flame because it’s getting a little too hot for the European massives to handle. Or it’s a little too effective. What better way than to use her husband? I also liked the comparison between nigger and kaffir. What better way, specifically for the white audience who may not understand how significant that word is but can feel the weight when paralleled with the word nigger, to compare the use towards Africans. I like how they spoke of reclaiming our land and the one guy noted about how many of the Europeans had to die and it was retorted that African people died too. How they look out for the European but ignore the African lives lost. I love how it was reiterated that we took it BACK. It was ours to begin with and taken from us. I also like that they pointed out that the African slave trade was the biggest massacre, bigger than the Holocaust. I thought those dynamics, from a political perspective, from a social perspective, were excellent.

Barber Shop Chronicles

Tom Moutchi and David Webber. Photo by Julieta Cervantes.

NM: And the tears?
WF: As it suits me personally, what brought me to tears was the Father/Son relationship dynamic. How the family is expressed through their lens in London and Africa also happens to Black boys and men in America. It shows that this is a consistent issue among us. It was funny how the drunk/disheveled one who most people would judge, had the most information. Early on, he told of how he allowed European children to call him kaffir for a pound, or twice for two pounds and it upset all of the men in the shop. Later, we discover he did it because he lived with his grandparents, after being abandoned by his father, and they were poor. It’s how he made money to survive. When he was confronted with reconciling with his father, the emotional overflow led to the truth of the situation and that brought me to tears in terms of the reality behind that. Then it was the phrase of “boys growing up to be their fathers” and me having two sons. In one scene, they said, “a child will show you how to raise them.”
NM: Word, that spoke to me.
WF: That hit a chord for me because the difference in the dynamics I have to take with my two sons is VAST, even with my daughter. They have ALL shown me that I have to approach them differently. Then it showed the older generation of men who are kind of detached from emotion with their children and don’t realize the damage they have done.
NM: That beating them is the solution…
WF: And leaving it at that without ever reconciling for the damage that they’ve done. And that’s broad and sweeping.

We chatted for a solid hour, but we want you to see the play for yourself! I would love for it to be made into a film and played on kweliTV to reach a wider audience. In the meantime, follow Inua Ellams and Barber Shop Chronicles to see where they’re playing next. It is worth all of the awards it has already received and then some. You feel it in your soul and are elated to see these conversations given priority. 

Website | Instagram

01Nov/19
Taji Mag Vol 21 Black Love

Taji Vol21: Black Love

Release Dec 7 2019 | Vol21 of Taji is packed full of Black Beauty & Culture fulfilling its theme of Black Love! This volume’s cover features the #SlayBells of M’Shari Whaley of Uniquelywiredm and artist/music producer Jaymison Beverly. Gracing the pages are the Editor’s Pick, Paine Artistry is Powering Up Black Artists; our Community Spotlight; our highlighted Hair Feature; “Solo Travel: Holiday Travel & Mindful Spending” by dCarrie; “Separation > Domestication” by Jashua Sa’Ra; Wealth feature “Credit vs Cash”; “For the Love of Children” by Janelle Naomi; Our Vol 21 theme “Black Love;” our Fitness Feature, Michael Jai White, Receives “The Mantle of the Black Dragon” at Urban Action Showcase & Expo 2019; Vegan Fun with Delliz the Chef – Falafel with Israeli Rice Salad; Rufus & Jenny Triplett Give Us a Look at 30 Years of Marriage; “#BlackLoveConvo: “Waves Explores the Dynamics and Effects of Black Love” by Dapper Dr. Feel; A Look into The New Black Vanguard: Photography between Art and Fashion; Featured Art Piece by Will Focus; Must-Have Comic Series: “The Outlaws” from Concept Moon Magazine; Black Business Highlights; and more!!

Purchase your copy now at ‘Shop Taji’!

Taji Mag Vol 21 Black Love

Purchase Taji Mag | Vol 21

Taji Mag is the epitome of the positive Black experience – elevating Black brands, narratives, and imagery. We embody the traditional and modern royalty of Pan-African people via our quarterly digital and print publication and live events.