Release Sept 7 2021 | Vol28 of Taji is packed full of Black Beauty & Culture fulfilling its theme of Fire! This volume’s cover features features the #SlayBells of @Queen__Reinvented. Gracing the pages are the Editor’s Pick, #BlackLoveConvo: “Bitchin’: The Sound and Fury of Rick James is a Music Love Story” by Dapper Dr. Feel; our Community Spotlight, Lady M Mannequins; our highlighted Hair Feature with Debra Hare Bey; “Solo Travel: Audacious Adventure” with Ty Vaughn by dCarrie; “The Value of Values” by Jashua Sa’Ra; “The Childhood Challenge” by Janelle Naomi; Our Vol 28 contributed photo story, “Fire;” Fitness Highlight, Dorian DuBois of EFitBrand; Vegan Fun with Earth’s Pot’s Savory Veggie Flatbread; “What Banks Don’t Want You to Know” by M’Bwebe Ishangi, Founder of Cryptowoke Financial Sustainability Movement; Featured Art Piece by @TheOneWillFocus; Comic Appreciation with INFINITUM by Tim Fields; Black Business Highlights; and more!!
I’M FINE (Thanks for Asking) Synopsis: Danny, a recently widowed hairdresser, and her 8-year-old daughter, Wes, are houseless. Shielding Wes from the truth, Danny pitches a tent and convinces Wes that it’s a fun camping trip. As Danny works to find permanent housing, Wes grows increasingly tired of weeks in the heat, so Danny promises her that they will go home by the end of the day. With clients lined up, Danny is confident that she will have the final cash she needs to secure an apartment, but a series of mishaps threaten to derail her plans. Under mounting pressure, and with roller skates as her only means of transportation, she has to somehow manage to get the money she needs in order to keep her promise to her daughter.
“In the midst of chaos, there is also opportunity” is a quote by Sun-Tzu that sums up the development of Kelley Kali’s award-winning film I’M FINE (Thanks for Asking) during the COVID pandemic and a heatwave. Kali, like many, was not working and almost houseless when she decided to make the film. Not only is it about overcoming obstacles while raising a child, but it’s also about having empathy for the homeless.
Kali explained she needed to do this project stating, “I woke up one day with a pressing sense of urgency that I needed to create something NOW. I started to think about what resources I had access to and, being from the San Fernando Valley in Los Angeles County, I realized that I had many resources. I thought about what friends would be crazy enough to do this with me and I immediately called my two good friends from USC Film School, Angelique Molina and Roma Kong.” The group of creatives pondered over concepts. Kali stated she had noticed a lot more women on the streets in Los Angeles. Kali said Los Angeles already had a fairly large homeless population, but she specifically noticed a lot more women and children recently.
“We went through the many issues facing us today, but one issue that hit us all was the threat of not being able to pay rent and the lingering danger of becoming houseless.” – Kellie Kali
When it comes to the trials and tribulations of Danny, I can’t tell you how many times I kept saying to myself, “It can’t get any worse than this?”, but as the film continued, Danny’s situation continued to worsen. To top it off, she was also continually sexually objectified by pretty much every male encountered; all but the Asian property manager who clearly was taking social distancing seriously. Chad, played by Deon Cole, was one of the worst of the male characters. He taunted and insulted Danny as he dropped hundred-dollar bills from his luxury car. “The Chad character was just another dynamic added to Danny’s decision-making so far as what she needed to do. Chad is who we, as the creatives, thought needed to be piled on to the drama of Danny’s decision making,” stated Deon Cole.
This is something we were able to control and make without someone telling us what to do. Doing television, it’s a collective group of people that have a vision. You are hired to portray that vision and bring it to life. – Deon Cole
The beautiful scenery, great camera angles, and natural character interactions were wonderful. Interestingly enough, the actors were the crew. “I decided the crew would be the actors. At first, everyone laughed until they realized I was serious,” Kali explained. I especially loved the scene where after getting high with her friend, Danny falls over into a pool of her troubles. Drowning, while her money and desirables elude her, was a great visual for the film. “As artists, we always want to keep what the audience is watching interesting, especially when it has a social message because we, as the artists, don’t want to be hammering the message on the audience’s head. So we find creative ways to keep you entertained and captivated using metaphors. At that point of the story, she was drowning in her troubles, the grief of her dead husband, not being able to keep the secret of houselessness from her daughter, and not knowing what to do.”
In the end, I’M FINE (Thanks For Asking) is an inspirational film and a reminder of how the human spirit can persevere. Given the time the film was shot (during COVID and with limited resources), precautions needed to be put in place to keep the staff safe. Production had many obstacles to overcome, but the finished product was well worth it. Star/Producer of the film, Deon Cole, stated the film is “necessary for today” and after watching it, I would have to agree. Check out I’M FINE (Thanks For Asking) when it makes its network debut on Saturday, August 7th at 7 PM ET/PT on BET Her.
I’M FINE (Thanks For Asking): Directed by Kelley Kali & Angelique Molina; Written by Kelley Kali, Angelique Molina, & Roma Kong; Executive Produced by Kelley Kali, Deon Cole, & Capella Fahoome; Produced by Roma Kong, Angelique Molina, Kelley Kali, Capella Fahoome, & Deon Cole.
As Spike Lee serves as the director for the Cannes Film Festival, he also has something else major his fans can look forward to…his new book, SPIKE. The hardcover book covers Lee’s 30-year film career and includes never seen before photos from the set of his films. Some photos will come from the archives of Lee’s brother, David Lee, and will also feature photos from onset photographers from his films over the years.
The book is also designed by creative and founder of Vocal Type, Tré Seals. Seals created the custom typography for the book based on Radio Raheem’s iconic LOVE/HATE brass knuckles from Do the Right Thing. The same brass knuckles Lee wore during his win at the Academy Awards for BlacKkKlansman.
What I Look Forward To?
I look forward to seeing extra photos from some of the sets of my favorite films like Jungle Fever, Do the Right Thing, Malcolm X, Mo’ Better Blues, and School Daze. These are the films I grew up appreciating because the characters look like me and some of the soundtracks were dope! Seriously, Mo’ Better Blues soundtrack was my gateway into my love for jazz and the He Got Game soundtrack re-introduced me to legendary hip hop group Public Enemy.
I hope to see more information about films like She Hate Me and Bamboozled because these films were released during a time when I started to pay more attention to social commentary in art and understanding how art imitates life. Lee’s films always prompt audiences to think but never forces the message intended for the viewers.
The book will also feature some stills and quotes from Spike Lee’s “Is it the shoes?” Nike campaign with Michael Jordan. I really want to see his commentary on that experience, especially when Jordan used to put on a show against his beloved Knicks. I mean Jordan used to embarrass everybody, but he used to obliterate the Knicks!
“As I Head Full Steam Ahead Into My 5th Decade As A Filmmaker I Was Elated When Steve Crist And Chronicle Chroma Approached Me About Doing A Visual Book Of All My Joints. We Would Revisit All Da Werk I’ve Put In To Build My Body Of Work. Film Is A Visual Art Form And That Sense Of My Storytelling Has Been Somewhat Overlooked. Why Now, After All These Years? FOLKS BE FORGETTING.” – Spike Lee
For the last few years, Spike Lee has received his long-awaited and deserved roses. Of course, many of us have supported and shown appreciation for the quality entertainment he has created but I feel now he is getting worldwide acknowledgment. So if you are a Spike Lee fan like I am, you will enjoy this book published by Chronicle Chroma and can embrace the nostalgia. The book will be released on November 10th and can pre-ordered here.
Spike Lee has been a celebrated filmmaker, a cultural icon, and one of America’s most prominent voices on race and racism for more than three decades. His dynamic storytelling and unique visual style have made an indelible mark on filmmaking and television. This comprehensive monograph will be a sumptuous visual showcase of Spike Lee’s life and work, a must‐have for cinephiles and fans of one of the most influential filmmakers in history. His career spans over 30 years and includes: She’s Gotta Have It, School Daze, Do the Right Thing, Mo’ Better Blues, Jungle Fever, Malcolm X, Crooklyn, Clockers, Get on the Bus, He Got Game, Summer of Sam, Bamboozled 25th Hour, Inside Man, and more. Lee’s outstanding feature documentary work includes the double Emmy® Award-winning If God Is Willing and Da Creek Don’t Rise, a follow-up to his HBO documentary film When the Levees Broke: A Requiem in Four Acts, and the Peabody Award-winning A Huey P. Newton Story. In the television arena, he launched his Netflix original series She’s Gotta Have It, which ran two seasons on the platform. The series is a contemporary update of his classic film.
Synopsis: When high school student Jaylen Brown (Skylan Brooks) finds himself under suspicion after his classmate’s mysterious disappearance, prejudice quickly begins to bubble up to the surface of his small town. Working quickly to clear his own name, he begins to unravel a massive web of secrets that all point to otherworldly forces at play.
No Running made its premiere at the 2021 Tribeca Film Festival. It is a sci-fi flick that reminds me of teen-based films like The Faculty or Attack the Block, but with the same racial themes of Get Out. Firstly, the film definitely had me wondering why the lead character’s life sucked so much, there could’ve been more clarity about his past. Secondly, I thought it was crazy how there were alien abductions going on and the town was still focusing on Jaylen and his family. Also, I found myself wondering what could’ve made this film better. Something was definitely missing and I feel this could be better as a series.
The protagonist, Jaylen Brown, was an intriguing character: one of the only Black men in the neighborhood with a troubled past in a town rumored to have experienced alien abductions. His character made me reflect on how young Black men can be perceived so negatively. Jaylen just wants to be a teenager, be with his crush, have fun with his family, and graduate! But it seems his aunt, his Bully, and his town just won’t let him be. Only the women in his life keep him grounded which is mainly because his life is absent of male figures, especially Black male figures.
Jaylen’s love interest, Amira (Clark Backo), was a great plot device and serves as the only bright spot outside of his family. Clark does a decent job of making Amira Jaylen’s charismatic love interest. It is unfortunate that Amira is abducted, but even moreso that she disappears while with Jaylen after a party in a predominantly white neighborhood.
Jaylen’s mother Ramila (Rutina Wesley) and sister Simone (Diamond White) were the foundation needed for him to stay optimistic, even during his time on the run. (Side note: I’m sorry, I will always see Diamond White as Tiffany from Boo: A Madea Halloween, but her portrayal as Simone was just as entertaining).
As I mentioned before, the premise sets up a promising story, but I am not sure if the film accomplished its goal? The correlation between a space alien and Jaylen in this neighborhood makes the film compelling, but I really had to look deep to make the connection. I also thought about how crazy it would be to walk in Jaylen’s shoes? Imagine being a young Black man who witnessed his high school crush get abducted by aliens in a town severely lacking diversity. I would run, too, and I’d be on the first Southwest Flight back to my aunt’s house.
The small side story of Jaylen’s relationship with his father towards the end of the movie kind of lost me. Honestly, I would’ve liked to see at least a flashback of the event(s) that caused the demise of Jaylen’s relationship with his father. Aso, I understood the reason for the conflict with his aunt, but I did not understand its timing.
When Jaylen was on the run and playing detective, the pacing was on point. The mini-missions were fun and felt reminiscint of the side missions from Grand Theft Auto. The scene where he tries to make it out of the sheriff’s house was both intense and comical. The sheriff’s and his father’s racist comments and discriminatory attitudes made me want to jump through the screen. I did enjoy, though, that the sheriff’s father’s story connected to the aliens plot.
No Running was an interesting film that questions the social commentary of believing in aliens or believing a young Black man. The idea is brilliant and I commend the screenwriter for using his experiences to bring life to this film, but I do feel the film could’ve been executed better.
Starring: Skylan Brooks
Directed by: Delmar Washington
Written by: Tucker Morgan
Release Jun 7 2021 | Vol27 of Taji is packed full of Black Beauty & Culture fulfilling its theme of Utopia! This volume’s cover features the #SlayBells of @UniquelyWiredM and @JaymisonBeverly by @iamNayMarie. Gracing the pages are the Editor’s Pick, #BlackLoveConvo: “Concrete Cowboy: Becoming a Man and Father” by Dapper Dr. Feel; our Community Spotlight; our highlighted Hair Feature with Tajah Olson; “Solo Travel: Building Confidence Through Travel” by dCarrie; “Just My Imagination?” by Jashua Sa’Ra; “The Childhood Challenge” by Janelle Naomi; Our Vol 27 contributed photo story, “Utopia;” Fitness Highlight; Vegan Fun with Earth’s Pot’s Spicy Sushi Rolls; “How to Fight Racism…Financially” by M’Bwebe Ishangi, Founder of Cryptowoke Financial Sustainability Movement; Featured Art Piece; Comic Appreciation; Black Business Highlights; and more!!
Attention all accessorizing and glamorizing sistas!! The sistas who love a beautiful statement piece. The sistas who love good, quality accessories. Adele Dejak is the brand for you. Eponymously named after its Nigerian creator Adele Dejak in 2008, the brand creates the most beautiful afro-futuristic jewelry ranging from rings to chokers and they also carry an array of rustic calfskin clutches.
Although I am not an avid accessorizer, the ÁMI I & II collections of chokers are truly a masterclass of metalwork and craftsmanship. The pendants are either hammered brass or aluminum and are paired with a smooth black leather cord or are attached to a large brass ring. I would not be a reliable fashion contributor if I did not tell you how wonderfully brass and gold hues compliment melanated skin.
Aside from being wonderfully and carefully crafted by African artisans, Adele Dejak has been endorsed by the Queen Bee herself!! Flaunting the Afrika Comb in the Black Is King film and, on another occasion, wearing the Margret Aluminum Statement Bracelet in tandem with the Dhamani Kanini bracelet in the music video for My Power from the soundtrack of the 2019 remake of the Lion King.
AD is also big on sustainability, according to their website, only using recycled and upcycled brass and aluminum for their jewelry. They also have a partnership with the United Nations High Commissioner for Refugees in Australia to train people in the Dadaab and Kakuma camps to produce goods using upcycled materials to sell to provide for their families.
The pieces may be a little pricey for some (150$+), but the cost of supporting a black business is priceless. Besides, who doesn’t want to step into their next board meeting looking like they stepped off the first flight back from Wakanda? Go check out Adele Dejak and tell them I sent you ♥!
This is the second piece in a 5 part series about my favorite Black Luxury Brands, check out the first part here!
The Sundance Film Festival 2021 presented its audience with not only some great new projects but also new experiences virtually. This year’s Black creatives gave us amazing content and compelling stories. Many of the projects had me sitting in my apartment in silence and reflecting on the stories being told. Below are a list of some of my favorite short films from the Festival and my interactive WebXR experience with the project Traveling the Interstitium with Octavia Butler.
Favorite Short Black Films of the Sundance Film Festival
Synopsis: After his father gets into a fight at a bowling alley, Darious begins to investigate the limitations of his own manhood.
Artist: Miles Warren is a filmmaker born and raised in New York City. Since graduating from Wesleyan University, he has directed various short films, music videos, and commercial content.
My Thoughts: How do we define masculinity and what influences our definition of it? The answer to these questions is formulated from the time we are born until we leave this earth. Bruiser gives the perspective of a young man, attempting to define masculinity after he witnesses his father fighting. I loved how the filmmaker shows how quickly the father’s words and actions impact Darious. There are also lessons the father learns about the importance of his influences. Bruiser is a short I recommend watching.
Synopsis: A God-fearing woman in present-day South Africa finds herself in a transactional relationship as she tries to support her sick husband and daughter.
Artist: Nomawonga Khumalo is a writer/director from Johannesburg, South Africa. Five Tiger is her narrative film debut. Her feature film, The Bursary, will head into production in the second half of 2021.
My thoughts: This is another film that touches on masculinity in addition to gender roles, morality, faith, and forgiveness. So much is told in this short that I was really interested to see what happens with the lead character and what led to her husband’s sickness. The most surprising part of the film is the reveal of who is involved in the transactional relationship. I really felt for the lead character as she juggled so much and fought internally to provide for her family.
Lizard | Short Film Grand Jury Prize, Presented by Southwest
Synopsis: Juwon, an eight-year-old girl with an ability to sense danger, gets ejected from Sunday school service. She unwittingly witnesses the underbelly in and around a megachurch in Lagos.
Artist: Akinola Davies Jr.’s work is situated between West Africa and the United Kingdom, as he identifies as a member of the global diaspora, being part of both worlds. His work navigates the collision of colonial and imperial traditions, as well as a return to Indigenous narratives.
My Thoughts: This film reminded me of the childhood experiences and questions about the church. A journey with Juwon from the classroom to the church parking lot had me thinking, “ ]What is this little girl doing and why she is spending her church money on junk food?” Although she misses class exploring the church ground, she learns a lesson about cheating the church and God. This experience will for sure influence the moral compass of Juwon. What happens after the conclusion of the film? I wish the filmmaker would show us because it looked like there was going to be some real action.
Black Bodies by Kelly Fyffe-Marshall
Synopsis: SA Black man comes face-to-face with the realities of being Black in the twenty-first century.
Artist: Fyffe-Marshall is a director, screenwriter, and social activist whose work includes the award-winning short film, Haven (2018), and the two-part short film, Black Bodies and Marathon (2020).
My Thoughts: This speaks volumes about present-day racism and expresses the frustrations of the Black community. I sat in silence and could feel every bit of the powerful poems by Komi Olaf and Donisha Prendergast. A speakeasy piece, imperative art, and perspective all in one, Black Bodies ends on a note we are all too familiar with. To learn that Kelly Fyffe-Marshall’s film was inspired by a viral racial incident makes her work even more compelling. The filmmaker/activist spreading the word of equality while chipping away at injustice one film and project at a time.
A Concerto is a Conversation
Synopsis: A virtuoso jazz pianist and film composer tracks his family’s lineage through his 91-year-old grandfather from Jim Crow Florida to the Walt Disney Concert Hall.
Artists: Ben Proudfoot and Kris Bowers. Proudfoot, an award-winning short-documentary director and entrepreneur, is the creative force behind Breakwater Studios. Bowers is a Grammy-nominated, Emmy Award-winning, and Juilliard-educated pianist and composer who creates genre-defying music that pays homage to his jazz roots—with inflections of alternative and R&B influences.
My Thoughts: I really loved the conversation between Kris Bowers and his grandfather about their family history. Kris Bowers’s love for music and his grandfather’s love for his dry cleaning business, have similar success stories. I liked how the film displays the love and bond between the two men. It’s no surprise the short film added Ava Duvernay as executive producer and is an Oscar contender.
Want to watch this beautifully crafted short documentary click the link and watch below.
New Frontier: The Interstitium with Octavia Butler
The Sundance Film Festival, although virtual, still provided audiences with personal and interactive ways to experience the festival. COVID has prevented many from traveling to Salt Lake City but, with the virtual experience, audiences interacted with others via an avatar and watched films. I loved participating in the New Frontier world and hope it returns next year because it allows those who can’t travel to experience the Sundance film festival.
The Octavia Butler virtual experience was one of the biggest highlights of the Sundance Film Festival. I loved being able to see the project “Pluto” by one of my favorite artists, Sophia Nahli Allison. Fresh off her Netflix documentary, “A Love Song For Natasha”, the artist takes the audience on an expedition from death to birth with varying imagery and an original poem as a voice-over. The text, “it’s not dying that hurts it’s coming back to life that’s painful,” displays at the beginning of the project and is the question the woman asks, what seems to be, a higher being. I loved this work as I felt like I was hovering through time and existence trying to answer the questions of reincarnation. As always, this project is worth the experience and I look forward to Allison’s future work.
Secret Garden, by Stephanie Dinkins (not the song featuring El Debarge, Barry White, and Christopher Williams), allows the participant to walk around a garden where oral histories spanning generations of African American women live. I was intrigued by the stories and the ability to see the expression displayed by each woman. It was like going to a concert with multiple stages and listening to women tell stories ranging from surviving an enslaved boat to growing up on a farm in the 1920s.
Idris Brewster’s virtual experience had me getting GTA vibes, exploring an island first-person view. Each island had its own unique environment and soundtrack featuring Black artists. It’s a music and art lover’s playground. I visited the island three times to see if the atmosphere of the island changed, nothing changed but the time of day changed. The only thing that would’ve made the experience better is if I would have had the VR goggles to fully enjoy the experience – but that was my fault. Maybe I should use my stimulus check to get some VR equipment.
Terence Nance’s piece reminds me of the screensavers we had back in the late ’90s and early 2000s. The type of art that mold’s itself to the vibration of sound. In this case, it’s the sound of people’s voices that alter both the color and environment of the piece. To experience what I mean you can go here.
Sundance Film Festival 2021 was a great success in my opinion, not only was there a lot of Black art representation but the opportunity for many around the world to experience the festival virtual. The movie drive-ins are great to keep safe and within the experience. I really hope more people participate next year to see something more than what’s on the streaming services. Plus you can have your own snacks…legally.
Release Mar 7 2021 | Vol26 of Taji is packed full of Black Beauty & Culture fulfilling its theme of Diasporic! This volume’s cover features the #SlayBells of @TheOnlyWayIsMarbz by @_OKOBE_. Gracing the pages are the Editor’s Pick, #BlackLoveConvo: “Jingle Jangle: The Film Every Child Needs While Growing Up ” by Dapper Dr. Feel; our Community Spotlight on Greeting Cards by Adeyemi Artistry; our highlighted Hair Feature; “Solo Travel: How Travel Made Me A Better Person” by dCarrie; “The Texture of Education” by Jashua Sa’Ra; “The Chaos Theory of Education” by Janelle Naomi; Our Vol 26 contributed photo story, “Diasporic;” Fitness Highlight: @eliteperformancenyc; Vegan Fun with Earth’s Pot’s Jalapeño Honey Po’ Boy; “Are You Financially Prepared For This “New Normal”?” by M’Bwebe Ishangi, Founder of Cryptowoke Financial Sustainability Movement; Featured Art Piece by Janelle Naomi; Comic Appreciation with Ezerea, Tales of the Zauberer by William C. Davis; Black Business Highlights; and more!!
I tried to get the inside scoop from British actress Karen Bryson about Zack Snyder’s Justice League film and her role as Elinore Stone. She just grinned and talked about how fun it was on set with her co-star Ray Fisher (Victor Stone/Cyborg). Needless to say, I was not able to get any information from her. Her lips were sealed shut on the anticipated project. Instead, she spoke excitedly about one of her newest projects, Black Narcissus on Hulu, and what she has been up to during the pandemic.
Dapper Dr. Feel (DDF): How have you been during COVID and what have you been up to?
Karen Bryson (KB): I’ve actually been really lucky. The UK (United Kingdom) has been able to tone down strict guidelines when it comes to filming. I have been working on a UK drama, then I acted in a movie.
DDF: What interested you about Black Narcissus?
KB: The audition process was incredible. I would like to say the series is more faithful to the book than it is to the film. This is not a remake. I know when people think of Black Narcissus they think, “Why would you remake such an iconic film?” and I say “No, we haven’t.” Even though the producer is the grandson of producer Emeric Pressburger (co-director of the 1947 film Black Narcissus), in the current version of Black Narcissus, we stayed faithful to the book and it is a miniseries. The characters come alive in a way that is not in film translated, the series is three hours of storytelling. I hope our version leaves people with a lasting impression like the film left people with a lasting memorable impression.
BLACK NARCISSUS SYNOPSIS: Black Narcissus is an FX limited series based on the best-selling novel by Rumer Godden. Mopu, Himalayas, 1934. A remote clifftop palace once known as the ‘House of Women’ holds many dark secrets. When the young nuns of St. Faith attempt to establish a mission there, its haunting mysteries awaken forbidden desires that seem destined to repeat a terrible tragedy.
DDF: How did you prepare for the role? Did you take anything from the movie?
KB: It was very interesting preparing for the role. Sister Phillipa is the most spiritual and obedient to the rules of the group of nuns. She is in a time around the 1960s or 1970s where the rules were a bit more relaxed for the nuns than previously. The rules were incredibly strict. Some of the priest and nuns hired gave the cast and I information about their lives. The cast and I watched them pray, sing, and perform their rituals.
Sister Phillipa believes she was called to be a nun and really has a closeness with God. There is a moment in the series where she says, “This place (Himalayas) is too much for all of us.” After that, she is like, “Bye,” and leaves. She also mentions the beautiful mischief of the location, which caused her to be distracted from her path. Sister Phillipa even stated it’s as if the mountain watches us, not God.
DDF: How much of Sister Phillipa is part of your personality?
KB: Phillipa followed the rules, so there is no touching, I’m a hugger. No emotion being shown, I like to cackle and I cry. I’m a crier.
DDF: Did you learn anything from the role? Did you change the way you look at religion?
KB: I learned so much. I actually learned I am more spiritual than I thought. I also decided I want to learn more about God. I’d also like to get into gardening more, you know, sowing the land and seeing what happens. Normally my husband is the one into gardening.
DDF: There is a scene where Sister Phillipa comes across a mirror and stares at it. What do you think Sister Phillipa saw in the mirror?
KB: Interesting. I would say the character hasn’t seen herself in about a good twenty years. I think she is shocked at the fact that she has aged. When I look at pictures of my younger self, I can see my face so plump as a baby and from there I know what I look like at each age of my life. Phillipa hasn’t seen her face in years, so when she happens to stumble upon her reflection and sees an aged version of herself, she becomes intrigued in my opinion. Her intrigue is broken, when she remembers that she and her fellow nun shouldn’t be looking into the mirror.
DDF: What are some of your favorite films or series you are watching now?
KB: The series of films, Small Axe, by Steve McQueen. It’s showing here (in the UK) on BBC and I think in the U.S. on Amazon Prime. I haven’t caught up with the most recent film because I have been in Guadalupe working. The five films in this project, couldn’t have come at a better time than now. Incredible films, sometimes they are difficult to watch but it’s exactly what we need. Looking at how far we’ve come as Black people in the UK. I think about how my parents experienced some of those rough times of racism, speechlessness. I urge you and everyone to watch them. Steve McQueen is a genius.
DDF: What can you tell us about Zack Snyder’s Justice League film? How was it working with Ray Fisher and playing his mother in the film?
KB: I can’t say too much. You’d get me in trouble (laughing). You’ve seen the trailer, it looks amazing. I can say that Ray Fisher and I have become close. He is a wonderful young actor and a wonderful young man. We got along great during the shoot, I think certain castmates you just connect with which is fortunate because sometimes it can go terribly wrong. I think the director, Zack Snyder, is great and really amazing at what he does. I’m excited to see this version of Justice League and excited to see the audience’s reaction to this version of the film.
DDF: What would be your dream project?
KB: I would really love to work with Viola Davis and Barry Jenkins.
You can watch Karen Bryson portray Sister Philippa in the mini-series, Black Narcissus, on F/X and Hulu. She will also be in the highly anticipated Justice League Director’s Cut on HBO Max. The actress has been so busy during the pandemic we can only hope she’ll soon be working with award-winning actress, Viola Davis.
While interviewing Skylan Brooks, I asked how he pulled off the portrayal of the optimistic and energetic Hamster in the film Archenemy. He stated that it was purely method acting. “Well, believe it or not, I was actually sick while shooting this film,” Brooks chuckled. Brooks is not new to the genre of superhero films, he played the super-intelligent Chubs in the 2018 film Darkest Minds.
The young talented actor took time away from his busy schedule to talk with Taji Mag about his new film, Archenemy, and other projects he is working on.
Dapper Dr. Feel (DDF): What brought you to this role and how did you prepare for it?
Skylan Brooks (SB): The film being a superhero, sci-fi film lured me to the role. I enjoy and previously had success in my other sci-fi projects like Castle Rock on Hulu. I wanted to know more about the director’s vision for my character, Hamster. I also wanted to understand the origin of the film and why it was being made.
DDF: Hamster shows optimism and drive, how did you manage to keep those present in the character?
SB: Actually, that was one of the things I worried about when portraying the character. It worried me in the audition. I have a very chill personality, so it was a fun challenge to play this high energy character. What made me really capture the essence of the character was talking to the director. Also remembering, Hamster’s deceased father was a storyteller and that is what motivates him to tell his stories no matter what.
DDF: What was the biggest obstacle to making this film?
SB: Well, believe it or not, I was actually sick while shooting this film. Every time you see me smiling, shouting, and laughing like I was having a good time, I was dying. I actually had pneumonia, bronchitis, and a fever. I had to go to the hospital because I had difficulty breathing at times. It was crazy because everyone else is healthy and I was just so sick. It was brutal but fun.
DDF: What the best part about making this film?
SB: I really enjoy the stunts. Every time there was a big stunt going on, everybody’s vibe changed. The director would be like, “ Okay, you’re going to get sent through this glass table and you are going to get killed.” It was fun and we just laughed through it. There was great energy on set and everyone was fun to work with.
DDF: Is your character, Hamster, inspired by other characters you previously played? I think of the characters you played in The Darkest Minds, The Get Down, and The Inevitable Defeat of Mister & Pete.
SB: Not consciously. I tried to draw from a whole different place. That’s interesting but cool you had thought so.
DDF: Who are a few of your favorite comic characters?
SB: Growing up I didn’t really know the comic world as I do now. I didn’t understand the difference between brands like DC Comics and Marvel? I just knew of the comic book characters. I have an affinity for fast characters, that are not necessarily flashy but have this cool attitude. Characters like the Flash, Spider-Man (Miles Morales), and Static Shock. I loved watching Static Shock growing up. He’s just a normal dude from the hood that got powers and didn’t take advantage of the powers.
DDF: What comic book hero would you like to play?
SB: Ah perfect question! I heard there was a Static Shock movie being made, that is way early in development and I would love to take a crack at it.
DDF: Which movie universe do you prefer? DC or Marvel?
SB: That’s a hard question. Lol! I like both of them. Growing up I watched DC television shows, like Young Justice, but I watched Marvel movies.
DDF: What do you think the audience will get out of this film?
SB: I want the audience to understand that heroes have emotions. Max Fist is a hero where he comes from. Beyond his hero complex is a fragile human being that feels forgotten. I think, through companionship and friendship, he redeems himself without his powers.
DDF: How was it working with Zolee Griggs and Joe Manganiello?
SB: Joe is a very intense guy when it comes to playing his characters. Once he is in character, there is no way of breaking him out of it. I appreciate being on screen with that type of experience. Zolee is great too and this is her first feature, I think she killed the role. She’s dope and you can see her on Wu-tang on Hulu. Zolee has great energy and she’s hilarious.
DDF: What’s next for you?
SB: I am focusing on the film but I have a music EP project and music video dropping this month. It’s a fuse of hip-hop and jazz. I am also working on two projects, one of which I am executive producing.
DDF: If you make your own film, what genre would it be? What director would you work with and who would be your co-star?
SB: I would want to do a Steven Spielberg type film with the grit of a Quentin Tarantino and the feel of Mission Impossible with Tom Cruise as a co-star.
If you are looking for a hybrid of the Watchmen and Wolverine comic book genre film, make sure to watch Archenemy. The film has some cool animation, an exciting storyline, and a cool plot twist.
ARCHENEMY is in theaters, and currently available on VOD and Digital.