Tag Archives: taji mag

01Nov/19
Taji Mag Vol 21 Black Love

Taji Vol21: Black Love

Release Dec 7 2019 | Vol21 of Taji is packed full of Black Beauty & Culture fulfilling its theme of Black Love! This volume’s cover features the #SlayBells of M’Shari Whaley of Uniquelywiredm and artist/music producer Jaymison Beverly. Gracing the pages are the Editor’s Pick, Paine Artistry is Powering Up Black Artists; our Community Spotlight; our highlighted Hair Feature; “Solo Travel: Holiday Travel & Mindful Spending” by dCarrie; “Separation > Domestication” by Jashua Sa’Ra; Wealth feature “Credit vs Cash”; “For the Love of Children” by Janelle Naomi; Our Vol 21 theme “Black Love;” our Fitness Feature, Michael Jai White, Receives “The Mantle of the Black Dragon” at Urban Action Showcase & Expo 2019; Vegan Fun with Delliz the Chef – Falafel with Israeli Rice Salad; Rufus & Jenny Triplett Give Us a Look at 30 Years of Marriage; “#BlackLoveConvo: “Waves Explores the Dynamics and Effects of Black Love” by Dapper Dr. Feel; A Look into The New Black Vanguard: Photography between Art and Fashion; Featured Art Piece by Will Focus; Must-Have Comic Series: “The Outlaws” from Concept Moon Magazine; Black Business Highlights; and more!!

Purchase your copy now at ‘Shop Taji’!

Taji Mag Vol 21 Black Love

Purchase Taji Mag | Vol 21

Taji Mag is the epitome of the positive Black experience – elevating Black brands, narratives, and imagery. We embody the traditional and modern royalty of Pan-African people via our quarterly digital and print publication and live events.

29Oct/19
Dave Chapelle

Dave Chappelle, Social Commentator and Comedic Griot, is Mark Twain Prize Recipient

Mark Twain once said, “Get your facts first, then you can distort them as you please.” A quote that is the embodiment of what comedians do in an, of course, humorous and entertaining way. Comedians past, such as Richard Pryor and Red Fox, have perfected this craft, but none today are doing it like Dave Chappelle. He has taken truths of political correctness, social psychology, politics, media, etc., and turned them into thought-provoking topics in joke form.  I would even argue that he could be considered the greatest and most brilliant comic living today.  

Celebration! 

It comes as no surprise that Dave Chappelle is an honoree of the Mark Twain Prize for American Humor Award this year as he is debatably this century’s funniest comic. The ceremony included a variety of celebs that included Erykah Badu, Yasiin bey (Mos Def), Michael Che, Common, Morgan Freeman, Tiffany Haddish, John Legend, Q-Tip, Kenan Thompson, Chance the Rapper, Chris Tucker, Grant Hill, Tamia Hill and Marlon Wayans. All came with stories about the honored guest who always provides memorable moments. 

Dave Chappelle

Duke Ellington School Band.

The Duke Ellington School Band opened the evening with a performance of the Prince song “1999,” the song that Dave Chappelle can be heard singing in his Netflix stand up, Dave Chappelle: Sticks and Stones. Chappelle also played the iconic role of Prince in a story by the late Charlie Murphy. They had the whole place rocking as Morgan Freeman’s voice echoed the Kennedy Center introducing the evening festivities. Morgan Freeman served as the announcer the whole night.

Every story told from the perspective of each featured guest in their experience with Chapelle had one thing in common, Dave Chappelle made sure to make every moment memorable and full of laughter. Tiffany Haddish came out in a green jumpsuit with her last name on the breast of it, mimicking the same jumpsuit that Dave Chapelle wore during his shows and even sung “1999” in Chappelle fashion.

“The hardest thing to do is to be true to yourself, especially when everybody is watching.” – Dave Chappelle

A montage of clips played featuring Dave Chappelle from his movies to his stand up, some that I recalled being so hilarious that I couldn’t breathe. A moment that revealed to be unscripted was the adlib of Dave Chappelle’s character, Clayton Bigbsy, the white supremacist. Then Kenan Thompson and Michael Che both brought jokes about the comedic legend while Common, John Legend, Erykah Badu performed hits from their collections.  They were all important as Dave Chappelle had a deep connection with the group, Soulquarians, he even had them all perform at his Dave Chappelle Block Party that he filmed. 

Q-Tip came out later in the night to discuss Dave Chappelle’s importance to the music community as he was known to incoperate hip-hop/soul acts into his work from the Chappelle Show to his comedy tours. Q-tip then brought out Yasmiin Bey to re-create the hilarious moment when he and Dave Chappelle tried to invite themselves in the White House.

In Closing

Dave Chappelle

Dave Chappelle receiving the Mark Twain Prize Award. Photo by Darrel R. Todd.

The night ended in Dave Chappelle fashion with a cigarette in hand and a bunch of hilarious jokes – including one where he mentioned having ‘leverage’ to smoke in the Kennedy Center. He thanked all who have supported him from family to friends and pointed to the woman responsible for existance, his mom.

He even spoke about how at times comics sometimes don’t see eye to eye, in some cases he found a comic to be racist and even bought them drinks to talk about it. Chappelle mentioned that there’s a protected first amendment but there’s also a second amendment in case the first don’t work out. 

Chappelle expalined how his mother called him a griot from African tribes. Griots were story tellers that were in charge of keeping the oral tradition and his mother made sure that she filled him with a lot of history, which he then later turned into deliverable entertainment. This is what makes Chappelle an amazing talent, being able to provide jokes that are informative and thought provoking. 

He also spoke about the times his mother would work all day, then go watch him perform stand up, at times falling asleep from exhaustion, but she wanted to show support for the up and coming comic. 

Dave Chappelle

Dave Chappelle and wife, Elaine. Photo by Darrel R. Todd

As Chapelle ended his speech, or, as I like to call, an improv short set, he brought out Yasiin Bey and Thundercat to perform “Umi Says”. This award ceremony is another moment that can be cataloged in the memories of everyone as it celebrated the comic icon, who has many more years left of providing laughter and much needed comedy. 

Previous recipients of the Kennedy Center Mark Twain Prize are Richard Pryor (1998), Jonathan Winters (1999), Carl Reiner (2000), Whoopi Goldberg (2001), Bob Newhart (2002), Lily Tomlin (2003), Lorne Michaels (2004), Steve Martin (2005), Neil Simon (2006), Billy Crystal (2007), George Carlin (2008), Bill Cosby (2009; rescinded in 2018), Tina Fey (2010), Will Ferrell (2011), Ellen DeGeneres (2012), Carol Burnett (2013), Jay Leno (2014), Eddie Murphy (2015), Bill Murray (2016), David Letterman (2017), and Julia Louis-Dreyfus (2018).

The celebration will be televised on January 7, 2020 on PBS.

07Oct/19
Emanuel

Emanuel Documentary is About the Power of Faith Amidst Hate

Inside Emanuel African Methodist Episcopal Church

It was as if a pine cone was lodged in my throat and my heart was sinking into my stomach when I watched the documentary Emanuel. Revisiting the story of the nine black people that were killed in a mass shooting by Dylan Roof in Charleston, SC was an emotional roller coaster that I was not ready for. The Steph Curry and Viola Davis executive produced the film was a chilling documentary that reminds its viewers about the power of faith, the destruction of hate, and the state of racial discrimination in America. 

The intro featured a clip of the moving and memorable eulogy given by President Barrack Obama for the funeral of the Emanuel massacre. I remember this moment and the post devastation that many were in after the event and how the following events further perpetuated the bias that the criminal system had against people of color. 

Nadine Lance Collier lost her mother Ethel Lance in the Emanuel shooting.

Emanuel gives an in-depth perspective of the event and things following it. Those featured include the families of the victims, Dot Scott (Charleston NAACP Branch President), Muhiyida D’bhana (Black Lives Matters Founder), Phillip Pickney (Activist), media that covered the event, historians, South Carolina’s political figures, and survivor, Polly Shepard. 

History of Charleston 

The film starts off explaining some of the historical roots of Charleston, SC and Emanuel African Methodist Episcopal Church. Going back to the time of the 1800s during slavery, a section of the film I found to be very interesting showed the connection between religion and racism in South Carolina. I really found the short history lesson about Denmark Vessy to be very enlightening and conducted more research about him after I watched the film. He is a former slave that bought his freedom through a lottery and, later, became one of the founders of the AME church. Charged and executed for an uprising of the slaves, Vessey was a very important figure in the AME community. 

Loved Ones

Pastor Anthony Thompson remembering his loving wife, Myra, killed in the Emanuel church massacre.

Pastor Anthony Thompson told a beautiful story about the ritual he had with his wife. They would see each other at the door with a kiss. He expressed how blessed she felt on that day, how much more full of life she was. Stories like this one were refreshing and gave me a break from the wave of negative emotion I felt during the course of the film. 

Another moving story was told by Nadine Lance Collier. Her welcoming and charismatic persona held my attention as she shared stories about her mom, Ethel Lance, one of the nine people killed in the shooting. She expressed how optimistic her mother was and, from her description, I could tell that her mom had a pure soul that the world lost.  

Revisited

It was entriguing how the film summarized an origin for Dylann Roof and his life before he committed his crime. The fact that his actions/ideas were sparked by the Trayvon Martin case was surprising. Society speaks about how rap music and violent video games are the cause for destructive behavior, yet here we have the racist acts of others influencing people to think maliciously. 

Survivor of the Emanuel shooting Polly Shepard.

The most disturbing recollection and description of the massacre was from the survivor, Polly Shepard. She fought through tears as she recalled the events of the shooting, her conversation with Roof, and witnessing him shoot her already wounded son. I felt angered when I heard her speak, I wanted to hug her through the screen, and I couldn’t understand how a “mentally disturbed” individual killed innocent people in cold blood, especially after they welcomed Roof in their church with open arms. 

“Maybe we now realize the way racial bias can infect us even when we don’t realize it, so that we’re guarding against not just racial slurs, but we’re also guarding against the subtle impulse to call Johnny back for a job interview but not Jamal.” – President Obama, the eulogy at the Emanuel funeral. 

When the film spoke about and showed the footage of how Roof was apprehended, it reaffirmed that America has a racial bias in the law enforcement system that cannot be ignored. I couldn’t help but think about the many innocent Black people that have had police officers draw guns on them and, in some cases, were killed, while Dylann Roof was calmly taken in without force after murdering nine innocent Black people.

Live and Let Love  

The documentary revisited the verdict of the trial, some of the victim’s family members expressed their forgiveness to Dylann Roof. There are many curious about their forgiveness, including myself, but this documentary allowed the family members to explain their reason. 

The film ended telling the stories of the victims’ family members, how they are dealing with the loss, how they are moving on, how their faith has helped them, and their real struggles with the battle. 

Emanuel was a well structured and touching film that I think many should watch. Especially after hearing the verdict and following events of the Amber Guyger case. If you can’t understand the power of faith and forgiveness, the documentary Emanuel will definitely show you how.

Emanuel

Release: Oct. 11, 2019 

Directred by: Brian Ivie

Distributed by: Fathom Events

 

07Oct/19
black excellence hyperbole

Black Excellence is Not Hyperbole

“If our education is not about gaining real power, we are being miseducated and mislead and we will die ‘educated’ and misled.” – Amos Wilson, 1993.

You may remember from grade school that hyperbole is an exaggerated statement or claim that is not to be taken literally. A couple of examples are “this bag weighs a ton” or “her smile was a mile wide”. These exaggerations are sometimes used in educational spheres in this country where we talk about the ‘achievement gap’ and say things like “children of color are able to excel”, and “there is no reason these children [Black children] can’t do exactly what their white counterparts can”. These statements insinuate that Black children are striving to reach a status or level that white children hold. It is oxymoronic to insinuate that it is the goal of Black children to reach a status of white children because Black Excellence is not hyperbole; it is fact.

If Black Excellence is not hyperbole, why doesn’t society acknowledge our children being as excellent as they are?

black excellence hyperbole

Blake Barrett drumming at his Graduation from Little Sun People | Photo by NayMarie

The Gesell Early Screener (GES) is a test which measures the typical development cycles of children from birth/infancy through their childhood. It shows if a child is at risk for learning or developmental delays. These tests overwhelmingly show that children of the African Diaspora are far more advanced than their European counterparts. Studies found that in early development, Black children were sitting up, making eye contact with speakers, crawling, and attempting to engage with their surroundings earlier than their white counterparts. The developmental cycle of an infant is very quick, which is why we know the things that an infant should be able to do by a certain number of months until they reach about two and a half years old. When speaking on his book, Awakening the Natural Genius of Black Children, Dr. Amos Wilson states, “forgetting our history is like a child forgetting they learned how to walk or talk.” We must teach our children their history, the true history, so that they know how to walk and talk as the African children – the natural geniuses, the Exceptional Light Beings – that they are!

If Black Excellence is not hyperbole, why do we find that many of our Melanated boys are outperformed in schools in contrast to their white counterparts?

Last year, The New Teacher Project (TNTP) released a 68 page study, entitled The Opportunity Myth, that claimed to explain in detail with statistics to prove “what students can show us about how school is letting them down – and how to fix it”. But in 1997, Michael Porter was already speaking about The Opportunity Myth in his book, Kill Them Before They Grow: Misdiagnosis of African American Boys in American Classrooms. His book details the overdiagnosis of Black Boys with Individualized Education Plans (IEPs) which, under the guise of supporting the child, is actually a crippling agent in the development of the child’s ability to think critically. Brother Michael reminds us in his text that “Oppressed people become equal with their oppressors when they are no longer oppressed” and reminds us that in order to overcome our oppression we will have to develop a definition for education that meets “our reality and our real needs.’’

If Black Excellence is not hyperbole, how do we shift the low expectations that are held for Black children in and out of the classroom?

black excellence hyperbole

Photo by NayMarie for Little Sun People

Black Excellence is lifelong, as we are students of life. In this country, most of us begin our formal pursuit of knowledge in public American classrooms. Our great Baba, Ancestor Asa Hilliard, reminds us in SBA: The Reawakening of the African Mind, “Study is a requirement for our redemption”. We must study with ourselves and with our children outside of the classroom. Yes, we know that the African diasporic infants are able to naturally develop faster than their white counterparts. But this is Babylon, a degenerative government, a backward education. There are many evidences of society that are as backward and anti-African as they come. So we must diligently study and show ourselves improved. Baba Hilliard goes on to tell us in his text that “Africans have a long history of educational excellence” and gives a historical perspective that will shift how we view ourselves today. We must study, teach our children practical habits of study, study alone, study in groups, find joy in study, find solutions in study. We are excellent in all that we do, so we must study excellently so that we can grow in our African selves.

11Sep/19

How Ardre Orie Is Changing Black Literature

With the loss of literary great Toni Morrison, the world looks to many great authors who can create inspiring works as she has – talented authors like Ardre Orie. She is an author, playwright, ghostwriter, and Black creative who has worked with many high profile clients and told many moving stories. Taji Mag got to speak with her about her career and her inspiration for writing.  

“Those that don’t got it, can’t show it. Those that got it, can’t hide it.” – Zora Neale Hurston

Dapper Dr Feel ( DDF): When did you write your first book? 

Ardre Orie (AO): I wrote my first book at the age of 10 when I was in elementary school.  At this age, I was one of those students that talked a lot and my teachers were thinking maybe we need to give her something else to do. My teachers gave me a special assignment, the opportunity to create something, anything from drawing, painting, etc.

DDF: What was your book about? 

AO: I decided to write a book about women in my neighborhood and how they were examples of excellence. I thought they would be great role models to the young women in my community. 

I completed the book and then got it published. Next, I hosted a book signing, I invited the press/media, and I had a big article in the newspaper. It was pretty amazing because I had no idea that is what I would be doing as a career 30 years later in life. 

Ardre Orie

DDF: What was the next book you wrote? How did you develop it? 

AO: The second time I wrote a book, I resigned from my job as an assistant principal at an elementary school in Florida. After that I relocated to Atlanta with my family. I made the decision to take a leap of faith into entrepreneurship. 

As I pursued this goal, I had not gone to school for entrepreneurship and it was a learning curve for me. I started a non-profit organization where we taught entrepreneurship and leadership skills to young ladies. We were servicing 500 families of women and children. 

“Never be afraid to sit awhile and think.” – Lorraine Hansberry

DDF: When did your non-profit start and what was your next move? 

AO: 2009 is when the non-profit started, the economy was not doing well as this was during the recession. I thought to myself, I really need to be selling something, to really make a profit. I had all these women and girls and, with that, I decided to create a cosmetic line. It consisted of lip gloss and lipstick. I knew I had an audience that loved that, so I started to make the products. This placed me in the makeup, beauty, film, and entertainment industry in Atlanta. At this time, Black Hollywood was forming in the area. 

Ardre OrieDDF: What made you come up with a cosmetic line? 

AO: I started to notice that there were a lot of women that were concerned with self-esteem and I wanted to be able to get this message out about these products. The name of my products were called I Love Me, but I didn’t have the budget to advertise the company traditionally, so that had me look at what I had in my hand and what I had available to me, and that was the ability to write. So I decided to write a book that only showcased women and their different stories, but it would also serve as a marketing tool for this cosmetic line to promote it. That is how the book evolved, it was out of a need to market a product, to market a message, to market a brand that I was creating.

DDF: You had a unique way of advertising the book, tell me about that? 

AO: While developing the book, I enlisted 21 women and teens. I hosted a casting call. I got the women to come to Atlanta to have a makeover, particpate in a photoshoot, then I interviewed them and I turned around and wrote the book and their stories as if I was them. This was my introduction to ghostwriting. I remember what I did for my book when I was 10. I studied the industry after that book; it was successful. I had a signing at Barnes and Noble and then I started to receive calls for writing. 

DDF: When did you start seeing yourself as a ghost writer? 

AO: One of the first clients was from VH1. They had a show coming out and they wanted to know if a book could be made in a short amount of time. The book did well and so did the show.  I started to receive more calls after that via word of mouth from VH1, MTV, We TV, Centric, etc. This is when I started to understand that I had found my niche as a ghostwriter. 

DDF: How do you approach your work as a ghostwriter? 

AO: As my career as a ghostwriter progressed along the way, I developed my processes and how I approach situations. The most important thing is that I grew up in a home with a counselor – my mother was a counselor for 35 years. It was through her, I learned how to listen very well. I learned to not only listen to the words but to also the delivery, the emotion attached to those words, and the yearning of their souls. 

DDF: How are the working relationships with you and your clients during a project? 

AO: The reason why my clients say “That’s what I was trying to say but I didn’t know how to verbalize it!” is because I try to listen deeply within them. Like what motivates them, what drives them, I am trying to understand their pain, trying to understand the things that make them truly happy, how they find true joy, the things that cause them pain along their journey. I try to pay attention to things that just deal with words. I approach all projects like that no matter if my client is a man, woman, child, etc. There is no difference in the process, but each person’s story is different. 

Ardre Orie

DDF: How did you get your second book published? 

AO: When I went to publish my second book, I was doing research and I looking up companies to help me get published. The first quote I got was for $10,000 and this included me doing the writing myself. I was like oh my gosh, I just walked away from a career that took me ten years to build. I am married and have children and that amount of money is nothing just sitting around for me to spend for that kind of project. In that moment, I thought that I would never become an author even though I know that I can write, I have a story to tell, and I know that this project can help other people. That was very disheartening to me, it caused me to do a lot of research about the industry. In doing that, I found a second company that cost $6,000, which was still a stretch, but I made the decision to make an investment in myself because if I don’t make an investment in myself, then how can I expect anyone else to do the same? 

“Research is formalized curiosity. It is poking and prying with a purpose.” – Zora Neale Hurston

DDF: What is the origin of your publication company 13th and Joan? 

AO: After I started to learn more about the industry, I soon started writing theatrical productions and screenplays because my creative juices were starting to flow. All this content flowing from me and I realized that I could create this content and it wouldn’t cost me a dime to create. It was the same thing in elementary school. It was then that I decided I needed a company that is about the promotion media, especially for stories of color.

We publish everybody, 13th and Joan does not discriminate when it comes to the content we produce, but I just realized there is no home for people of color to tell it with some sauce on it. We believe that our books use correct grammar, sentence structure, and that our projects are in alignment with the industry standard for well-edited books, but we want to be able to add flavor to our books. We provide stories that mainstream told us that there is no market for. 

My research is what lead me to understand that there was not a black-owned publishing company. Some of these companies that do exist, have been in existence for over 95 years. If you trace back 95 years, you can clearly explain why we weren’t having our own publishing companies.

“A thing is mighty big when time and distance cannot shrink it.” – Zora Neale Hurston, 

DDF: Out of all the books you have written, which is your favorite? 

AO: I have so many favorite books that I have written but there is one that touched me. The author was so in love with the finished product that he wanted to add my name as a co-author of the book. The author’s name is Thomas McClary (Rock and Soul: Thomas McClary Founder of The Commodores). Lionel Richie, also one of the founders of the Commodores, was discovered by McClary. Richie was playing an instrument and not singing, McClary is the one who encouraged Richie to sing. They founded this group at Tuskegee University and they were Motown royalty.  He also was the first person to integrate schools in Lake County Florida. We had to do over 60 years of research for the book. Through that, I learned a lot about history. 

DDF: Why is this book so special? 

AO: It is very special to me because we were able to tell his life story, achievements, and all he had to overcome as a Black man during a difficult time. I am proud to give the story to any Black boy or man to show them what they are capable of.

Follow Ardre Orie on Instagram or Facebook and be sure to visit her website!

 

12Aug/19

Hip Hop Visionary Missy Elliott To Receive the 2019 MTV VMA Video Vanguard Award

NEW ORLEANS, LA – JULY 07: Missy Elliott performing at the 2018 Essence Music Festival at the Mercedes-Benz Superdome on July 7, 2018 in New Orleans, Louisiana. (Photo by Erika Goldring/Getty Images)

Just Announced! Five-time Grammy award-winning artist Missy Elliott will receive the prestigious Michael Jackson Video Vanguard Award at the 2019 MTV Video Music Awards! There is sure to be a great tribute to her and the hip hop pioneer herself will perform on stage! This will be a special treat for fans everywhere since she hasn’t performed at the MTV VMA’s since 2003. Fans will be looking forward to the performance of her hits “ Get Ur Freak On”, “ Work It” and “The Rain (Supa Dupa Fly)”

Missy has had an amazing year thus far from being inducted into the SongWriters Hall of Fame to receiving an honorary doctorate at the Berklee College of Music. 

In honor of Missy, MTV and Pepsi have partnered together to host a fan pop up event entitled MTV and Pepsi Celebrate the Museum of Missy Elliot. The pop-up event will be in New York from August 24th-25th highlighting the career and work of the multi-talented, transcending musician. 

Several people on Twitter congratuatled the artist and Missy responded back with the following tweet:

https://twitter.com/MissyElliott/status/1160961691527602176?s=20&fbclid=IwAR2IelHerRhkYXTwjIAy37obXyCQ1ZLF2htCjCKwEnXy7i6l_zUEtKHTO6Q

Missy will join the likes of Beyonce, Rihanna, and Jennifer Lopez. Tune in Monday, August 26, 2019 at 8pm EDT live from the Prudential Center in Newark, NJ.

About MTV:

MTV is the leading global youth media brand in 180 countries, reaching 450 million households in nearly 30 different languages across every platform. A unit of Viacom Inc. (NASDAQ: VIAB, VIA), MTV operations span cable and mobile networks, live events, theatrical films and MTV Studios. 

01Aug/19
Taji Mag Vol20

Taji Vol20: #SlayBells

Release Sep 7 2019 | Vol20 of Taji is packed full of Black Beauty & Culture fulfilling its theme of #SlayBells! This Big Book volume’s cover features the #SlayBells of model Funmi Okusi Gracing the pages are the Editor’s Pick, Olympian Keturah Orji who created a mentorship program for young girls; our Community Spotlight on rising actress Jenasha Roy; our highlighted Hair Feature, Intl I Love Braids Day – Braid Love Celebration 2019; “Solo Travel: Blackness Abroad” by dCarrie; “Atum Manifest” by Jashua Sa’Ra; “Back to Natural” Documentary by Gillian Scott Ward; “Black Excellence is Not Hyperbole” by Janelle Naomi; Our Vol 20 theme “#SlayBells” collective photo stories; our Fitness Feature Ase Boogie; Vegan Fun with Delliz the Chef; Featured art piece by Will Focus; Must Have Graphic Novel: “Marassa” Book 2 by Greg Anderson Elysee; “Toni Morrison: The Pieces I Am” by Dapper Dr. Feel; The Celestine Collection Has the Body Butter Scents of the Season; Black Business Highlights; Forensic Toxicologist, Tamykah Anthony of Xanthines Cafe, is Inspiring the Next Generation; “Yoga For Every(body)” by Jo Murdock; Frances Vicioso Gets Real About Mental Health; Thoughts on the Abortion Ban from Podcaster Lineh; Naturalz Salon in Atlanta is Pure Good Vibes; Pharaonic Brand Reminds Us of Our Greatness; BMORE DREAM BIG is Uplifting the Community; Nonso Shows Men How to Dress Without Breaking the Bank; and more!!

Purchase your copy now at ‘Shop Taji’!

Taji Mag Vol20

Purchase Taji Mag | Vol 20

Taji Mag is the epitome of the positive Black experience – elevating Black brands, narratives, and imagery. We embody the traditional and modern royalty of Pan-African people via our quarterly digital and print publication and live events.

28Jul/19
International I Love Braids Day - Braid Love Celebration 2019 | © NayMarie Photography for Taji Mag | www.TajiMag.com IILBD

International I Love Braids Day 2019 Was Braided Excellence

International I Love Braids DayInternational I Love Braids Day (IILBD) 2019 was all things braided godliness! This July 27th, the Queens came to make a statement, and that they did! From traditional styles with ancestral meaning to modern spins on staple techniques, these hairstyles left everyone in awe. They proved that braids can be worn by anyone for all occasions, at all ages and stages in life. Your royal can be clean and simple or adorned with cowry shells and jewels, whatever makes you strut and walk with your head held high. This inaugural celebration made history.

International I Love Braids Day - Braid Love Celebration 2019 | © NayMarie Photography for Taji Mag | www.TajiMag.com IILBDInternational I Love Braids Day received it’s official Proclamation on July 21, 2017, by the Brooklyn borough president’s office to the founder of IILBD, master hair braider Debra Hare Bey. Debra has been styling natural hair for over 30 years in Brooklyn. Her current salon, OMhh Beauty Oasis, is located at 407 Lewis Avenue, Brooklyn, New York. At the salon, she services clients with a multitude of natural hairstyles, but she specializes in braids. Debra is the originator of the style Nu Locs, most popularly worn by “Maxine Shaw” on the television series Living Single. Go ahead, question it. You thought Erika Alexander was rocking locs back then? Nope, those were yarn braids done by Debra. Debra also has a line of nourishing vegan hair and body care products that smell so good you’ll never want to stop using them. Fall in love with all things Debra Hare Bey and OMhh at www.OhMyHeavenlyHair.com.

International I Love Braids Day - Braid Love Celebration 2019 | © NayMarie Photography for Taji Mag | www.TajiMag.com IILBD

Some of the other participating stylists were Jennifer Lord of Natural Hollywood, Nu Wave Kultural Kreations, Ayana Card of Kinky Rootz, Ngone Sow of Soween, Ms Hair and Humor, and Thema Taylor.

International I Love Braids Day - Braid Love Celebration 2019 | © NayMarie Photography for Taji Mag | www.TajiMag.com IILBD

If you slacked in your mackin’ and slipped in your pimpin’, check the images here to see what you missed. Be sure to mark your calendar for July 29th next year for International I Love Braids day and follow @internationalilovebraidsdayblc on IG to be notified of the #BraidLoveBK celebration for 2020!

International I Love Braids Day - Braid Love Celebration 2019 | © NayMarie Photography for Taji Mag | www.TajiMag.com IILBD

International I Love Braids Day - Braid Love Celebration 2019 | © NayMarie Photography for Taji Mag | www.TajiMag.com IILBD

International I Love Braids Day - Braid Love Celebration 2019 | © NayMarie Photography for Taji Mag | www.TajiMag.com IILBD

International I Love Braids Day - Braid Love Celebration 2019 | © NayMarie Photography for Taji Mag | www.TajiMag.com IILBD

 

International I Love Braids Day - Braid Love Celebration 2019 | © NayMarie Photography for Taji Mag | www.TajiMag.com IILBD

International I Love Braids Day - Braid Love Celebration 2019 | © NayMarie Photography for Taji Mag | www.TajiMag.com IILBD

17May/19

Exclusive: Phillip Youmans, Youngest Director and 1st Af-Am to Win Featured Film at Tribeca

Phillip Youmans

Phillip Youmans (Photo by William Baldon)

“I didn’t dream about being a director. I didn’t know I wanted to do something with film until the summer between my sophomore and junior years at Morehouse College in Atlanta, Georgia.” – Spike Lee. Spike Lee may have spent his early years in college discovering his talent but there was a young director who has spent his first years in college winning awards for produced work. Juggling press junkets, red carpets, interviews, all while finishing his college exams. That was the case for the 19-year old director, Phillip Youmans, who became the youngest and first African American to win the Founders Award (Best Narrative Award) category for his creative and introspective film Burning Cane.

Phillip Youmans, Burning Cane

About the Film: Burning Cane is Phillip Youmans’ first film that stars the talented Wendell Pierce, Karen Kaia Livers, Dominique McClellan, and Braelyn Kelly. It explores relationships of a Southern Protestant church, toxic masculinity, gender/family roles within the small African American community, and toxic cultures that can plague families.

The Louisiana native discussed with Taji Mag the film’s origin. Youmans had put time and energy into a screenplay titled, Brothers and Sisters, that he is looking to produce next. His focus changed after a teacher suggested he put more energy into the Burning Cane realizing its potential upon reading the draft.

Inspiration for Burning Cane

Mostly inspired by his upbringing and questions about the southern Black church culture/spirituality, Youmans explained that the film was a form of therapy for him. Youmans went more in-depth about the film stating, “The biggest inspiration for Burning Cane was my upbringing and childhood in the Southern Baptist church, a lot of the hypocrisy and fallacies that I recognized early on in my childhood in the church. These were questions I had about the church that I was able to work through while making the film.”

Lessons of Life In Film

There are many topics that Youmans addresses in the film – one being toxic masculinity. Particularly when the film focuses on the character Daniel Wayne, played by Dominique McClellan. When asked about toxic masculinity, Youmans said, “In terms of toxic masculinity, there is a lot of danger in trying to uphold traditional gender roles. I think a lot of that is indirectly upheld through the Southern Baptist church. Especially in the fundamentalist Protestant communities. I did want to touch on it and it’s a pretty glaring issue. It’s a part of the fabric of American culture, world culture.”The struggle of religious practice was also a player in the film, having the various characters learn their moral identity. Helen Wayne, the main character played by Karen Kaia Livers, struggles with it the most as she faces decisions that push her to make impactful choices.

When it comes to exploring his thoughts on religion in the film, Youmans explained, “Growing up, I was able to extrapolate life lessons from religious doctrine. For instance, there’s a sermon about how relationships are more important than material possessions, that’s a valuable lesson regardless of age or experience.”

Phillip Youmans on Directing

Phillip Youmans, Wendell Price

Wendell Pierce in Burning Cane

Making the film, Youmans didn’t have any issues directing the cast and crew to bring his vision to life, even working with well-known talents like Wendell Pierce. “Wendell is dope! Working with him was incredible!” Youmans said excitingly. “This dude is a talented actor and he approached the script with so much excitement that it was a dream come true! Mel, my producer, knows that Wendell is a hometown hero in New Orleans – working with him was insane,” Youmans added.

Youmans said that the production went really smooth for all involved in Burning Cane. He further explained that “the camera is like neutralize and since we are all students of the craft, that age or experience doesn’t matter, we are all just trying to make something cool. In truth, it went really smooth, I think what was great about all of the actors was that there wasn’t any placed or forced upon hierarchy because there was such a respect for the material. By the time we showed up on set, it was about implementing the project. There were never any conversations about talking down.”

With the passing of the virtuous John Singleton, who himself created a film masterpiece at a young age titled Boyz n the Hood, we can only hope that Phillip Youmans continues his success in developing amazing films that add to the legacy of Black filmmakers.

Phillip Youmans

Directed by: Phillip Youmans
Starring: Wendell Pierce, Karen Kaia Livers, Dominique McClellan, and Braelyn Kelly
Production: Denizen Pictures

01May/19
Taji Mag Vol19

Taji Vol19: Loc Livin

Release Jun 7 2019 | Vol19 of Taji is packed full of Black Beauty & Culture fulfilling its theme of Loc Livin! This volume’s cover features the #SlayBells of influences and models Keisha Charmaine & Chris NV. Gracing the pages are the Editor’s Pick on Angel Kaba Teaching Afro’Dance at the Infamous Alvin Ailey Extension; our Community Spotlight on loctician Thando Kafele; our highlighted Hair Feature, Ele Jane of Naturalz Salon in Atlanta; “Solo Travel: What We’re Not Gonna Do – Travel Edition” by D. Carrie; “Holistic Destruction” by Jashua Sa’Ra; “When Your Body Turns Against You – the Black Woman’s Health Plight” by Melissa Lamarre; “Black Hair in Schools” by Janelle Naomi; Our Vol 19 theme “Loc Livin;” our Fitness Feature; Vegan Fun with Delliz the Chef – Tikka Masala; Black Business Grant Winner: Precious Bartending, LLC; “#BlackLoveConvo: “Tarsha Hamilton: Ready To Become a Beacon of Change” by Dapper Dr. Feel;” The Styling of Zayaswardrobe; Featured art piece by Will Focus; Must Have Graphic Novel: “The Legend of Yukmouth” by B. Van Randall; Black Business Highlights; Taji Mag Model Contest Winners; and more!!

Purchase your copy now at ‘Shop Taji’!

Taji Mag Vol19

Purchase Taji Mag | Vol 19

Taji Mag is the epitome of the positive Black experience – elevating Black brands, narratives, and imagery. We embody the traditional and modern royalty of Pan-African people via our quarterly digital and print publication and live events.