Tag Archives: taji mag

10Aug/23

Crafting Love, Truth, and Vulnerability: Nijla Mu’min’s Journey in Directing “Swagger”

Culture, , , , ,
Nijla Mu’min

In the realm of filmmaking and screenwriting, the journey from spectator to creator is often ignited by moments of cinematic magic. For Nijla Mu’min, the spark was ignited by the emotionally charged narrative of Malcolm X, viewed as a child at Oakland’s Grand Lake Theater. This early encounter with storytelling’s transformative power left a mark, a prelude to Mu’min’s dedication to creating narratives that illuminate the complexity of the human experience. From those humble beginnings to her recent directorial venture into the compelling world of Swagger, Mu’min’s artistic trajectory is a testament to the enduring allure of love, truth, and vulnerability. Mu’min gives Taji Mag an exploration of her creative process for Swagger and her thoughts about the current writers’ and actors’ strike. 

Dapper Dr Feel (DDF): When did you fall in love with filmmaking and screenwriting? 

Nijla Mu’min (NM): I fell in love with filmmaking, maybe more indirectly, when I saw Malcolm X as a kid. My father took me to this theater in Oakland called Grand Lake Theater, and I was just immersed in that story. I grew up Muslim also, so it had an importance to me and I saw how the audience was really responding to the movie emotionally. I just knew at that point “I wanna have that impact on people”. Then later in life, when I was at UC Berkeley, I decided I wanted to be a filmmaker. I was immersed in poetry, film, and photography, I wanted to take it a step further. So I started making my own short films, short documentaries, and I wanted to highlight the interior lives of Black women and Black girls, giving us a space just to be ourselves. And that’s really what became my life mission when I was a college student. 

DDF: So how did you get involved with directing season two, episode six of Swagger? 

NM: So, Swagger came about after my feature film Jinn, which is a coming-of-age story about a Black Muslim teenage girl discovering life and love. The showrunner of Swagger, Reggie Rock Bythewood, saw my film, Jinn, and he really loved it and asked me to be a part of the show. And from there, I just grew to love the show. It was like a family. I learned so much, and I love basketball, but I’m not a basketball player. I was in the room with lots of former basketball players and athletes. I wrote and directed an episode for season one (episode 6, “All on the Line). For season two, I directed the “Jace +Crystal” episode, and it was such a beautiful experience.

Quvenzhané Wallis and Isaiah Hill in “Swagger.”Photos Courtesy of Apple TV+

DDF: What was your approach to the “Jace +Crystal” episode?

NM: I knew going in that this was the love episode, and I am a lover. I love directing love, romance, and relationships. That is, I think if I had a brand, a lot of my work would be about relationships and about falling in love or family members loving each other. So I really came in with that passion. When I got the script, it was so beautifully written by Steve DiUbaldo and Autumn Joy Jimerson. I studied the script, and I just found all of the moments where I could insert my voice. I also developed a relationship with the actors. 

This episode had a lot of intimacy and romance. So building trust between myself, Quvenzhané, and Isaiah was really important. We had an intimacy coordinator, and we really talked about the scenes. I was there for them throughout the process and building off their chemistry.

They have a very natural, exciting chemistry. So I said, “Okay, I want to work to really just build their chemistry and use everything that they have as actors to our advantage, which is what we did. I think it really came out beautifully. The shots we did were all about complimenting this relationship that had grown over the course of the two seasons.

DDF: How could you balance out the flashbacks and the current events in this episode? 

NM: I really looked at this episode with the theme of vulnerability. And I said what it means to be vulnerable and to stand in your truth. Those themes are carried out in every scene because when the main character, Jace, has his teammates stand in their truth and say, “I’m not going to apologize, and I’m gonna be vulnerable. No matter what happens to me, I’m standing in my truth.” And even the relationship between Jace and Crystal was about this theme of “This is my truth. I love you, and I will show a side of myself that I may not show.”

And I think that is what helped me gel together everything. The whole episode was about truth, vulnerability, and love. Even in the scene with Tanya and Emery going back and forth, she’s like, “I’m going to stand in my truth”. And he’s also coming from what he knows. I thought it was important to really keep reminding myself this is what we’re trying to do. It was about Black women and girls feeling seen. You see a young Black woman named V who feels invisible and needs to talk to someone, so she goes to Tanya. So it was just a lot of that, speaking your truth into power and being vulnerable to love.

Orlando Jones and Christina Jackson in “Swagger.” Photos Courtesy of Apple TV+

DDF: What parallels can you make between what’s going on with the strike and the episode “Jace +Crystal” that you directed?

NM: I think we could, as people, see the love, truth, and vulnerability of humanity more instead of trying to see people as commodities, which I think is an issue with the strike right now.

It’s like seeing writers in their craft as just some content you can quickly buy and not fairly compensate as a human being. I just think we need more humanity in this industry. We need to love and understand that these are people with lives and families that really are trying to survive here. It’s not a game. So I think that’s what this episode also encourages people to do. Like the relationship between Jace and Crystal, it’s a lifelong bond. Even the scene with them at the end, that’s a life journey they’ve been on. I didn’t want to cheapen it in any way.

Like I wanted to really show the power of love, so I think if we get more of that in our industry where we care about the well-being of others, our lives would be better.

In a world where industry dynamics can sometimes overshadow the human element, Mu’min’s episode serves as a poignant reminder of the humanity that underscores every creation. Just as Jace and Crystal embark on a lifelong bond, Mu’min invites us all to forge a deeper connection with the stories, struggles, and triumphs that shape our world. 

Watch Swagger on AppleTV+ and Jinn on Tubi.

07Aug/23

Taji Vol36: Joy

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Taji Mag Vol 36

Release Sep 7 2023 | Vol36 of Taji is packed full of Black Beauty & Culture fulfilling its theme of Joy! Each volume is a tabletop collector’s item and Vol36 is no different! This volume’s cover features the #SlayBells of @ghettofalsetto by photographers @theonewillfocus and @adornedintaji. Gracing the pages are the Editor’s Pick, #BlackLoveConvo: “Ali Siddiq Bares It All in  ‘Domino Effect 2: Loss’… His Most Personal Comedy Special Yet” by Dapper Dr. Feel; our Community Spotlight, Dejha B Coloring; our highlighted Hair Feature, Intl I Love Braids Day 2023; “How to Set Your Expectations When Traveling” by dCarrie; the Universe Lounge’s “The Value of Elders” by Jashua Sa’Ra; Nicholas Ryan Gant, a heavenly voice and angelic spirit; Our Vol 36 contributed photo story, “Joy;” “How To Find Joy In Your Work As A Black American Recovering From Burnout” by Nantale Muwonge; Fit Body By Ashley. Making fitness fun!; Vegan Fun with Earth’s Pot’s Spicy Red Curry Noodle Bowl; “Sex Down South Conference Is An Invitation To Explore Unbridled Joy” by Nantale Muwonge; “Tre Hale Talks About the Series “Platonic” by Dapper Dr. Feel; Featured Art Piece “Time Goddess” by @CraigCTheArtist; Comic Book Appreciation with “Sweaty Minds #12 – Exposure” by Hab Oh; Black Business Highlights; and more!!

Purchase your copy now at ‘Shop Taji’!

Taji Mag Vol 36

Purchase Taji Mag | Vol 36

Taji Mag is the epitome of ‘Cultural Drip’ – elevating Black brands, narratives, and imagery to new levels of Black Excellence. We embody the traditional and modern royalty of OUR people via our quarterly digital and print publication and live events.

01May/23

Taji Vol35: AfroTravel

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Vol 35 Afrotravel

Release June 7 2023 | Vol35 of Taji is packed full of Black Beauty & Culture fulfilling its theme of AfroTravel! Each volume is a tabletop collector’s item and Vol35 is no different! This volume’s cover features the #SlayBells of @_sirenn, @anoobisrising, and @avlonilerose by photographer @theonewillfocus with team @__brushqueen, @ikaika_dboneslark, @adornedintaji, and @egyptbuck. Gracing the pages are the Editor’s Pick, #BlackLoveConvo: “Chevalier’s Ronke Adekoluejo Explains What Women Helped Inspired Her Role” by Dapper Dr. Feel; our Community Spotlight, HËS is Making Music that Inspires; our highlighted Hair Feature, Hair Architect Arlene Martin; “How To Travel When Your Budget Says “Chill” by dCarrie; “Nikki Porcher Believes Black Women Deserve to Tell Their Stories” by Nantale Muwonge; Our Vol 35 contributed photo story, “AfroTravel;” Fitness Highlight, Calais Campbell gives his best on and off the NFL field; Vegan Fun with Earth’s Pot’s Rolled Oyster Mushroom Tacos; Featured Art Piece by Will Focus; Comic Book Appreciation with REFUGE by Bill Campbell of Rosarium Publishing; “Durand Bernarr is Giving Us Real R&B w/ New Song Leveled” by Clair Daniels; Black Business Highlights; and more!!

Purchase your copy now at ‘Shop Taji’!

Vol 35 Afrotravel

Purchase Taji Mag | Vol 35

Taji Mag is the epitome of ‘Cultural Drip’ – elevating Black brands, narratives, and imagery to new levels of Black Excellence. We embody the traditional and modern royalty of OUR people via our quarterly digital and print publication and live events.

31Mar/23

‘A Thousand and One’…The Beauty of Black Storytelling

Culture, FIlm, , , , ,
Teyana Taylor as Inez da la Paz

Title: A Thousand and One

Release Date: 3/31/2023

Where to watch: In theaters

Directed by: A.V. Rockwell

Produced by: Lena Waithe

Starring: Teyana Taylor as Inez da la Paz, Aaron Kingsley Adetola as Terry (6 years old), Aven Courtney as Terry (13 years old), Josiah Cross as Terry (17 years old), and William Catlett as Lucky

Synopsis: A fiercely unapologetic and loyal Inez kidnaps her son, Terry, from the foster care system. Mother and son set out to reclaim their sense of home, identity, and stability in a rapidly changing New York City.

Worth noting: A Thousand and One is a Sundance Film Festival U.S. Dramatic Grand Jury Prize winner.

Filmmaker A.V. Rockwell

Storytelling 

A.V. Rockwell created colorful and flawed characters who I found myself rooting for as they lived their truths while trying to achieve an ideal life the best way they knew how in an unforgiving city, NYC. Storytelling like this only makes me desire more stories about well-rounded Black characters who flourish despite being a product of their harsh environments.  

Outside of the writing and acting in this film, I appreciated how Rockwell incorporated scenic shots of New York, giving the audience an idea of what the characters were truly up against. The tall buildings, busy neighborhoods, and various personalities inhabit the area highlighted in this film.

Aaron Kingsley Adetola as Terry and Will Catlett as Lucky

Teyana Taylor and the Cast

The last time I saw Taylor in a film was Coming 2 America where her role was limited albeit entertaining. Before then, I saw her in Madea’s Big Happy Family where she played the annoying ex-girlfriend of Bow Wow’s character, Byron. During the screening of A Thousand and One, I thought to myself, “wait, is this the same Teyana Taylor?”. I was so impressed with her performance that I couldn’t help but focus solely on her character, Inez, and the barrage of obstacles thrown her way. 

Although well-intentioned, Inez’s approach is sometimes questionable and at times illegal. It was interesting to watch Taylor bring this character to life and make her compelling but also believable. When Inez provides life lessons to her son Terry, you can feel her love for him and her desire to give him a better life than she had growing up. It’s certainly not smooth sailing for this troubled mom; at times, you see the character get in the way of her own success. Taylor recently shared with Elle magazine “She (Inez) is so strong, and sometimes she gets in her own way. So you’ll see her almost go there and then hold it in. So I had to dial it back. There were a lot of different techniques that I taught myself to get into this space. It felt like I was on my own pursuit of happiness”. 

Taylor’s chemistry on screen with the young actors (Aaron Kingsley Adetola as 6-year-old Terry, Aven Courtney as 13-year-old Terry, and Josiah Cross as 17-year-old Terry) genuinely resembles a mother-and-son relationship. In my opinion, Cross had the best Terry performance because the film’s final act called for a more emotional display, given the big reveal at the end (don’t worry, no spoilers here). It was not only the performance for me, the writing was incredibly impactful. 

Actor William Catlett plays Lucky, Inez’s boyfriend. He serves as a father figure to her son and provides guidance on how to manage daily as a young Black man in a world that is bound to stereotype him. Although his methods and delivery are not considered ideal, the messages are clear and understood by young Terry. I loved how the Lucky character tried his best to change his life after incarceration. Catlett, as Lucky, knocked this portrayal out of the park and is honestly one of the most underrated actors I’ve seen in a while. I hope to see his career continue to flourish. 

Final Thoughts

Taylor deserves genuine applause for her role in this film. I think it should serve as proof that she CAN pull off the role of Dionne Warwick in an upcoming project. The verdict on Black Twitter is that she surely can! Even the icon herself has mentioned she would love the artist to portray her. The direction and writing of Rockwell gives film lovers a taste of the future of storytelling that Black people and POC can be proud of. A Thousand and One shows the complicated dynamics of a mother’s love which is 100% worth watching.

24Mar/23

Grand Crew’s Grasie Mercedes’ Fay and Aaron Jennings’ Anthony… Lovers or Friends?

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Grasie Mercedes as Fay and Aaron Jennings as Anthony

“Grand Crew” season two is here, and it is funnier than season one within just the first few episodes! As anticipated, the first episode continues to explore Noah’s (Echo Kellum) relationship with Simone (Ashleigh Morghan) while the others continue to navigate love and life. Grand Crew is something we all can connect with, responsible(?) adulting while having friends to help us along the way.  

One of the cliffhangers from last season that all the viewers have been discussing over Twitter was the relationship status of Fay (played by Grasie Mercedes) and Anthony (played by Aaron Jennings). Will they be lovers or remain friends? Queue up Usher’s “Lovers and Friends.” We won’t know until it’s revealed. While we wait for the story to unfold, Taji Mag interviewed Mercedes and Jennings about their characters, the best relationship advice they’ve gotten, and more. 

Auria (for Taji Mag): What was your reaction to the show getting greenlit?

Grasie Mercedes: I was ecstatic! To be able to do it again, I mean, as an actor, it’s a miracle to even get on a show in the 1st place. And then to get the show picked up from pilot to 1st season, from 1st season to 2nd season, you’re just grateful for each time that you get to do the job.

Aaron Jennings: Yeah, I’m just so happy we got to run it back. I love all of my castmates and all the crew as well; so to get to go to work and have fun with people that you love on a SHOW that you love feels very important for the world to have right now. I was definitely just ecstatic and felt very blessed. 

GRAND CREW — Season: 2 — Pictured: Grasie Mercedes as Fay — (Photo by: Jabari Jacobs/NBC)

Auria: Let’s dive a bit into the story of the show. Why do you think it’s so hard for your characters (Fay & Anthony) to be honest about their feelings? (They briefly argue over who will answer 1st to which Gracie says, “this is part of the problem lol”)

GM: I think it’s just real life, ya know? Sometimes it’s hard to be vulnerable, say how you feel, and admit how you feel. And then I think there’s an extra layer of, like, when you have a friend that you have feelings for, if you go for that, what happens if it doesn’t work out. Then you’re risking that friendship. And so, I think they’re both kind of in their heads about what this is, what this could be, and I think for Fay, she’s a little nervous [about] even getting involved, especially after the last episode where Anthony tells her that he and Talia broke up because of her. She doesn’t want that, she doesn’t want that life.

Auria: I’m glad that you mentioned the friendship aspect because that leads me to my next question. In your opinion, can two people return to being friends after dating?

AJ: I mean, I think they can. It just presents its own problems, right? I’ll say in the past I’ve dated one friend in particular and afterward we were still the best of friends. That’s not always the case, it takes two very mature people to be able to navigate that, but it’s possible. It’s definitely not easy, but it’s possible. Grasie, what sat you?

GM: I meeeean, I don’t know, I think it’s possible to stay friendly. I don’t know if it’s possible to stay friends like you were beforehand because I do think things can get complicated. But maybe I can be proven wrong, I don’t know. I think it depends on the people. 

Auria: Thank you for that. Season 2 I was even funnier than season 1! What do you think is the key to the show’s success?

GM: We have an incredible writer’s room led by Phil Augusta Jackson (that’s the creator), and there’s just really really funny people who are great story tellers. I think THAT on top of the cast (we have really funny people in our cast), it’s all kind of gelled together to be even better this season.

AJ: I think the more time you have together within a show, you hope that over time the synergy just starts to really form. And I think that’s what’s happened with our show in particular. You just get more stabs at it, more times at bat. And it really helps you start to find your groove. I think we’re in a nice rhythm right now and have hit a nice stride.

Auria: How was shooting season 2 different from the first?

AJ: It went by so quickly. It went by so fast. It was still a lot of fun, a lot of laughs, even more laughs if you could believe it, but it just shot by. I feel like the 1st season…it felt a lot longer, and not that we weren’t having fun, it just felt longer…this season just blew by. I blinked and it was gone. I wish we had more opportunity to work together, so hopefully, we get a season 3 and we’ll [be able to] do that.

GRAND CREW — “Pilot” — Pictured: Aaron Jennings as Anthony — (Photo by: Justin Lubin/NBC)

Auria: I also hope you get a season 3! We’re going to get just a little bit personal right now. There are a lot of relationship things happening in this series. What is the best dating advice you’ve ever received? I’d love for both of you to answer this, so whoever wants to go first, jump in.

GM: I’m dating right now, and I will say I’ve gotten good advice from Aaron who is in a nice long-term committed relationship. But specifically, to me, he’s like “relax”. He’s always telling me to relax. And I think part of me wants to be like “f*ck you, Aaron” and then part of me is like “no, you’re right”. I think I was in a relationship for so long (I was in a relationship for 14 years and I’ve only been single for the last two years), that dating sometimes feels very anxiety ridden. You don’t know what people are thinking, and “how does this work”, and I think it really is kind of important to sit back, take a breather, and relax, take it day by day, don’t take everything so damn personally. We all have our lives, we all have a lot going on. But it’s definitely tricky dating, especially in this age when everyone’s on their phone 24/7 and people are on apps and social media. So yeah, that’s good advice I got recently.

AJ: You’re welcome, Grasie lol. I think communication is key. It’s important to just really let the other party know where you’re coming from at all times. I think when I was dating, as a man, it’s like you hear from a lot of women that they just wish that guys would be more transparent as opposed to leading them on, so to speak. I always try to be as transparent as I possibly could. With that being said though, I think grace is important, too. I think that’s important in all relationships. That sort of lends to what I was saying to Grasie. It’s like we sometimes jump to conclusions about things and maybe you should just try to give that person a little bit of grace because it may not be what you think it is. So, patience and grace, I think, will get you far.

Auria: Alright, patience and grace, I like that very much. I Want to thank you guys again for your time and, just like you said, I’m looking forward to a season 3.

AJ: From your words to God’s ears, thank you. 

With the talent of Phil August Jackson, his team, and the stars of the show, it seems Grand Crew has found its footing as a standout sitcom. My hope is that this show will become one of this generation’s best Black sitcoms. So far it’s on the right track! From the improved dialogue to the flourishing chemistry of the cast, Grand Crew looks to have the potential to be greenlit for a season 3 and beyond. As Anthony said, from our words to God’s ears!

Watch Grand Crew season 2 on NBC Fridays at 8:30 pm. Stream past episodes on Peacock.

24Mar/23

John Wick: Chapter 4… A Satisfying Swan Song

Culture, , , , , ,
Keanu Reeves as John Wick. Photo courtesy of Lionsgate

Cast: Keanu Reeves as John Wick, Donnie Yen as Caine, Bill Skarsgård as Marquis Vincent de Gramont, Laurence Fishburne as Bowery King, Hiroyuki Sanada as Shimazu Koji, Shamier Anderson as Mr. Nobody, Lance Reddick as Charon, Rina Sawayama as Akira, Scott Adkins as Killa, and Ian McShane as Winston Scott.

Synopsis: John Wick uncovers a path to defeating The High Table. But before he can earn his freedom, Wick must face off against a new enemy with powerful alliances across the globe and forces that turn old friends into foes.

The Best John Wick?

Chapter 4 has a 95% Rotten Tomato score, making it the highest-rated John Wick film in the franchise that premiered back in 2014. Not bad for an almost 10 year-old series. This installment wowed me with just about every aspect of its composition. I was not expecting this sequel to have such an unbelievably action-packed compelling story that would be better than the previous films. This film is star-studded and everyone played their role well, no wonder critics and audiences are talking about this blockbuster.

Shamier Anderson as Mr. Nobody photo courtesy of Lionsgate

Characters 

First things first, rest in peace to the amazing Lance Reddick (June 7, 1962 – March 17, 2023), who has been a part of the franchise since its 2014 debut. We thank you for contributing to John Wick and hits such as Oz, The Wire, and numerous voice-over characters. You will be missed.

The characters in this movie were completely badass and, in my opinion, the best set of assassins in the franchise. Let’s start with the Tracker (aka Mr. Nobody), played by Shamier Anderson. His sniper skills and weapons set made him one of the best long-distance snipers in film history. His backpack was akin to Batman’s utility belt. It had everything in it! You’d think it would limit his performance, but it didn’t. His fierce, charismatic dog was his best weapon (and the show-stealer). Providing laughs that came out of nowhere, this dog was one of the most memorable characters in the movie.

Unsurprisingly, Hiroyuki Sanada (as Shimazu Koji) was a tough, deadly character. His sword skills could only be described as superhuman. As the owner of the Osaka Continental, this man had everything from bulletproof sumo bodyguards to a cavalry of archers onsite. They all held up pretty well against a bunch of bulletproof suit-wearing soldiers. But aside from all the badassery, he still displayed his acting chops with a few well-done emotional scenes. This man can act! 

Rina Sawayama (as Akira, the daughter of Shimazu) was also a skilled fighter with her bow. Her melee attacks were impressive and smooth. Although her screen time was short, her portrayal was so compelling that I’d love to see her return in the upcoming spin-off.

Donnie Yen (as Caine, the blind assassin) brought his cunning tenacity to a role we’ve somewhat seen before. I’m reminded of Rogue One where he played the blind warrior Chirrut Îmwe. Caine was clearly one of the most feared characters in the film since the mere mention of his name had the same effect as saying “John Wick”. In fact, in this film, they’re old friends. His skill set was vast… brutal but swift. The most impressive of his weapons were the alarming motion sensors he used to take out a few enemies in the dark. He also gave Wick a good match-up in the film, even while blind. I wonder what he would be like if he wasn’t blind. Call me crazy, but I would not mind seeing a film starring this character… maybe a prequel featuring his history with John Wick. 

Bill Skarsgård (as the Marquis Vincent de Gramont) was a ridiculous villain and my favorite because although he seemed civilized, wealthy, and a mastermind, he was completely nuts! There were moments in this film when I thought, “he has to fear this person,” then he would go off the rails and even shock the other members of the High Table. I loved how the director had these huge elegant background shots to help reflect the character’s ego. It makes me wonder where this guy has been the whole time because, clearly, he is powerful and could’ve posed a threat early on in the franchise. 

In a fat suit, Scott Adkins (as Killa, the head of the German Table) was hilarious! I’m a fan of his movies, so seeing him in this role with the suit and german accent was different. He looked hideous and was a bit cartoonish, but it worked in this film. His character also delivered some of the most vicious blows to John Wick. 

Finally, as we’d expect of John Wick, Keanu Reeves was tough, vengeful, and compelling. Although we have seen Reeves in this role three times before, his character has become more human. He realizes how much his actions have affected everyone else, and he cares! Wick is no longer the seemingly emotionless hitman bent on killing everyone. With the acting of Reeves and the rest of the cast, I walked away feeling I had watched an action movie with substance. Not only that, but I cared about the characters. 

Keanu Reeves as John Wick in John Wick: Chapter 4. Photo Credit: Murray Close

Cinematography

John Wick 4 had some beautiful cinematography, especially with light usage. One of the best scenes in the film is when Wick is on the rooftop talking with Shimazu. The scene was set at night. There was a reflection of red lighting coming from structures around him, reflecting the danger Wick had brought into the lives of the people he’d encountered. There was also a fantastic scene with him and Akira talking on the subway. It was dark, with red and green lights reflecting throughout the subway, representing the anger and envy that Akira must’ve felt after evading a barrage of enemies. 

Another great shot I loved was the overhead shot of Wick taking out enemies in different rooms. He took them out creatively, as this sequence of shots featured the dragon’s breath shotgun. This was one of my favorite weapons in the film because it completely engulfed its victims in flames. I thought I was watching a live-action Soldiers of Fortune video game.

What would a John Wick film be without travel and beautiful scenic environments? The film travels from the deserts of Egypt to New York and then to Paris. All the places visited were filled with some supped-up technology, but this film never had a dull scene or location.

Action 

John Wick had to have died 20 thousand times in this film from falling off buildings, getting hit by cars, and falling down steps; he should be wormfood by now! But for the film’s sake, he survived with little bruises. Nonetheless, I was thoroughly entertained by the fight choreography in this film and enjoyed the weapons. 

Final Thoughts

Besides a few corny one-liners, some misplaced dialogue, and the fact that other civilians didn’t react to a large amount of violence surrounding them while Wick is being attacked in the street, John Wick: Chapter 4 is one of the best films in the franchise. It also serves as a swan song for the John Wick character as we know him. If you are looking for an action-packed, beautifully shot film, I’d say catch this movie in theaters this Friday, March 24th. You will get all the bang for your buck and then some!

16Mar/23

 Amazon Prime’s SWARM: A Beyhive Horror Series With an ‘Atlanta’ Tone

Creative, , , , , , ,
Dominique Fishback as Dre (Photos courtesy of Amazon Prime)

Synopsis

An obsessed fan of the world’s biggest pop star sets off on an unexpected cross-country journey.

Starring | Dominique Fishback (Judas and the Black Messiah) as Dre and Chloe Bailey (Praise This) as Marissa

Where to Watch | Amazon Prime

Release Date | Streaming March 17th, 2023

About SWARM

I will always be drawn to Donald Glover’s projects, whether a series, movie, or new music. He is an excellent overall artist, so when it was announced that his latest project, SWARM, would be streaming on Amazon Prime, I impatiently waited for the show to hit my screener’s queue. Let’s say I was not disappointed by the thriller. 

With the writer for the award-winning series Atlanta, Janine Nabers, serving as writer and showrunner for the series, you can tell how similar the shows are in tone. One can say the shows share the same universe with the story, camera style, characters, and similar structures, besides all the murders that occur in SWARM.

As I was introduced to the lead character Dre played by Dominique Fishback within the first five minutes of watching the series, I was met with a visual of Chloe Bailey that I did not expect to see. I am sure people will be talking about it on the internet. We see Dre’s obsession with scrolling the internet of her music idol Ni’Jah, equivalent to Beyonce. In fact, the stories and rumors that have circled Beyonce are used in this series, down to her fan base known as the Bey-hive. 

In a Vanity Fair interview, Nabers explained the lead character Dre by saying, “We were really interested in creating an antihero story,” She went on to mention how she and Glover drew inspiration from classic TV antiheroes who were messy but compelling—Mad Men’s Don Draper, The Sopranos’ Tony Soprano—and created a new version of that archetype, “through the lens of a Black, modern-day woman. Nabers and Glovers, combined with the acting of Fishback, create a truly mysterious but intriguing anti-hero in Dre. 

When we first are introduced to Dre, she’s scrolling through her social media fan site of her favorite singer Ni’Jah, whose life she solely revolves around and is comparable to Beyonce. Dre is so obsessed with the artist she opens a credit card to buy tickets and doesn’t even have enough to pay her rent. Dre struggles to connect with the natural world and often feels awkward or out of place around others. There is character growth with Dre as she slowly sheds her shy and low confidence into a more confident murdering super fan. One might say she becomes a serial killer, with specific triggers that occur once someone attacks or does not acknowledge her idol Ni’jah. 

Dominique Fishback as Dre (Photos courtesy of Amazon Prime)

Not only is Ni’jah closely similar to Beyonce, but even the events/tabloids surrounding Beyonce are similar, and in Atlanta fashion, the writers and actors make it work. Setting up jokes and planting easter eggs for the audience to enjoy, similar to the Teddy Perkins episode of Atlanta in season 2, episode 6, or the “Three Slaps” episode in Season three. 

Dominique Fishback as Dre and Chloe Bailey as Marissa (Photos courtesy of Amazon Prime)

Chloe Bailey plays Dre’s best friend and roommate, Marissa, who seems more grounded and positively influences Dre. She has grown out of the Ni’Jah fandom and is the closest thing she has to family. Marissa plays a significant part in the series, contributing to Dre’s wild, murderous adventures from her routine life. Bailey has some great chemistry with Fishback as her best friend. 

Outside of Bailey’s chemistry with Fishback, the introduction of the Marissa character within the first five minutes definitely came as a shock to me. Let’s say some adulting things happen, and don’t be shocked when you see it trending on social media. I know I was thrown entirely off guard. 

Other guest stars include Damson Idris (Snowfall), Paris Jackson (Sex Appeal) and Billie Eilish, and X Mayo (The Blackening), who all play colorful characters that make each episode worth watching. Their interaction and communication with Dre are something you’ve probably heard from some friend, family member, or crazy neighbor but it’s hard to believe. Although the series is meant to cover two and half years’ worth of Dre’s life, it feels like more with the hijinks she gets herself into in different states. 

SWARM has a lot of visuals that set the tone of each scene, mainly when Dre is triggered or has a flashback. At times, the change in environment, including colors, lighting, etc., made me unsure if Dre was in her head or actually playing it out in reality. Much credit goes to the series directors, including Adamma Ebo, Ibra Ake, Donald Glover, and Stephen Glover, for creating these scenes.

SWARM is a thriller with funny and shocking moments that will definitely trend. I have only seen the first four episodes, but I can already say that Dre’s stories get crazier than the people she meets, and it will serve as a palate-pleaser for fans of the Atlanta show. My biggest question is, what will Beyonce think of the series?

15Feb/23

Jonathan Majors: The Undoubted Star of Ant-Man and the Wasp: Quantumania

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Jonathan Majors as Kang the Conqueror in Marvel Studios’ ANT-MAN AND THE WASP: QUANTUMANIA. Photo courtesy of Marvel Studios. © 2022 MARVEL.

Where to find: In Theaters 

Rating: PG-13

Time: 124 minutes

Release: February 17th

Synopsis: Scott Lang and his family find themselves in the Quantum Realm, interacting with strange new creatures and embarking on an adventure that will push them beyond the limits of what they thought was possible. Jonathan Majors joins the franchise as the powerful and new baddie, Kang the Conqueror.

Starring: Paul Rudd as Scott Lang/Ant-Man, Hope Van Dyne/the Wasp (Evangeline Lilly), Kang the Conqueror (Jonathan Majors), Dr. Hank Pym (Michael Douglas), Janet Van Dyne (Michelle Pfeiffer), and Cassie Lang (Kathryn Newton).

What is the Film About? 

There has been much anticipation for Ant-Man and the Wasp: Quantumania, especially with the announcement from Marvel that Jonathan Majors would play Kang the Conqueror, the newest threat to the Avengers. This 3rd installment of the Ant-Man series presents an interesting storyline while setting up a great introduction to the film’s protagonist (whether this is evident to the viewers or not is another question…keep reading for my full opinion of the flick). This film goes into great detail about Scott Lang and his family’s life after saving the world from Thanos and reversing the blip felt around the world. It does make sense where Lang’s head would be, which is borderline basking in the celebrity of being an Avenger. This hightened level of confidence does set him up to emerge anew once the final battle takes place. This “epic” battle with Kang the Conqueror is the height of the film and is honestly what we all came to see. Will Ant-Man emerge victorious or will we see the end of this [mini] hero? Given Marvel’s recent propensity to send fans on an emotional rollercoaster by taking out our beloved heroes, it could truly go either way! I’ll let you see for yourself.

Now, as promised, my opinion of this most recent Marvel release…it’s a miss! There are so many moments of potential for this to be a great film, but it just…well…missed! The storyline, outside of the much-anticipated battle, hurts the film. Also, instead of the hilarious voice-over storytelling of Luis, played by Micheal Pena (which we so loved), the film has voiceovers by Lang which are merely serviceable and nowhere near as funny as Luis’. And finally, I didn’t appreciate the twist at the end when…you thought I was going to ruin it for you, huh? NOPE.

Paul Rudd as Scott Lang/Ant-Man and Jonathan Majors as Kang the Conqueror in Marvel Studios’ ANT-MAN AND THE WASP: QUANTUMANIA. Photo by Jay Maidment. © 2022 MARVEL.

The Characters

Many wondered why the film does not announce Michael Pena and the rest of the crew. This particular storyline would not have been a good fit for Scott Lang’s previous crew. With the introduction of multiple new characters this time around, it just would’ve been too much; especially on top of the already awkward moments of random pointless commentary.

Although this project has some great actors portraying these characters, the talented cast is only as good as the script would allow. For example, William Jackson Harper’s character (Quaz) has the potential to be important to the storyline, instead he is used as comic relief. M.O.D.O.K’s (Mechanized Organism Designed Only for Killing) potential suffers the worst out of all the characters as its origin is quite creatively plausible, but unfortunately also ends up just being comic relief.

Paul Rudd provides some laughs throughout the movie…then again he’s Paul Rudd. Did we expect anything else? The relationship with his daughter feels genuine, and the current state of Rudd’s Scott Lang is fitting. These circumstances allow the character some room for growth, but, Marvel unfortuntely fumbles the oportunity. Even with his performance, Ant-Man 3‘s tone is so off that it’s hard to overlook.

Kathryn Newton as Cassie has a lot of screen time which is good since her character is likeable. It’ll be interesting to see what role her character will play in the rumored Young Avengers.

Michelle Pfeiffer, as Janet Van Dyne, had me pondering many questions. The most pressing to me is why she hadn’t spoken of her time in the Quantum Realm. In the trailer, she clearly knows the dangers, but fails to discuss them with her family. An explanation of this does not seem convincing, especially once the viewer finds out what happened during her time in the realm. 

The obvious standout of the movie was Majors as Kang. He put on a phenomenal performance per usual, making Kang a character that fans will love to hate. Major’s tone, expressions, and body language serves to create a worthy adversary. Kang is cerebral, scholarly, poetic, manipulative, and offers something anybody would find hard to refuse…time. He will undoubtedly pose a significant threat to the Avengers with his technology and his ability to manipulate multiple time lines.

Jonathan Majors as Kang The Conqueror in Marvel Studios’ ANT-MAN AND THE WASP: QUANTUMANIA. Photo by Jay Maidment. © 2022 MARVEL.

The Visual Effects

Visually, the Quantum Realm does have some intriguing environments, but what wears on the novelty of the effects is that it’s been done before! At times, the scenes resemble those of Dr. Strange in the Multiverse of Madness or previous transitions into microworlds that have occurred in prior Ant-Man films. But I guess it’s hard to continuously evolve and create unique worlds after having done it so many times. A few creatures look unique, like giant fluorescent amoebas and living buildings. It is noticeable, as expected, that Marvel did not go the cheap route on the effects. A detail even more noticable while watching the film in IMAX.

(L-R): Paul Rudd as Scott Lang/Ant-Man, Kathryn Newton as Cassandra “Cassie” Lang, Evangeline Lilly as Hope Van Dyne/Wasp in Marvel Studios’ ANT-MAN AND THE WASP: QUANTUMANIA. Photo courtesy of Marvel Studios. © 2022 MARVEL.

Worth Noting

Be on the lookout for plenty of easter eggs that tie into films for the upcoming Phase Four of the MCU. I won’t give any spoilers, but you’ll really have to look (or maybe even give the movie a second watch) in order to catch these. And YES, there are some post-credit scenes.

Ant-Man and the Wasp: Quantumania serves less as a sequel in the Ant-Man franchise and more of an origin story for Kang the Conqueror. One must wonder if Marvel can use the talent of Majors and the many exciting stories of Kang (from the comics) to create a Phase 5. Ideally, this would propel the MCU into a stratosphere in which viewers aren’t developing comic book movie fatigue. Marvel has been known to surprise its fans…let’s see where they go with this! 

05Feb/23

“Causeway” is Brian Tyree Hill’s Best Performance

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Brian Tyree Hill as James (Photo courtsey of Apple TV)

Where to Find: Apple TV Plus

Rating: R

Release: November 4th, 2022

Run time: 94 minutes

Synopsis: 

A young soldier (Jennifer Lawrence) struggles to adjust to life back in New Orleans after a traumatic war injury. Her life changes when she meets a local mechanic (Brian Tyree Henry), and they form an unlikely bond. 

What is the film about?

Whenever I hear that Brian Tyree Henry is attached to a film, I expect the film to do well and that he will put on a powerful performance. In Causeway, he does just that; this time, his performance is complemented by co-star Jennifer Lawrence. The film hardly wavers from its sad and uneasy tone, making the joyful moments more impactful. The director uses the environment of a Louisiana neighborhood (a sort of character in itself) to serve as the foundation from which Lynsey,played by Jennifer Lawrence,is trying to escape, the worn-down houses and cluttered areas. In contrast, James (played by Henry) tries to get her to see the beauty in the area, the beauty in the people, and the beauty in the little things that bring her happiness instead of re-enlisting. 

It’s evident Lynsey is emotionally (and permanently) troubled by a terrible army accident. Lawrence’s performance is compelling and draws out compassion from the audience. There are moments where we see Lynsey desperately trying to adjust to life outside of war, but she can’t shake what she is programmed to do. You can’t help but want to hug her and let her know everything will be okay. Although she struggles deeply with herself, it’s apparent she has a kind heart and doesn’t hesitate to show compassion to others. We sadly watch her struggle with severe anxiety. Water keeps her calm, which is why she gets a job as a pool cleaner because, outside of war, that is all she knows. Water is known to have a calming effect on the body. Still, its usage in Causeway appropriately represents vulnerability, as this is the only time Lynsey isn’t consumed with anxiety. The onscreen chemistry between Lawrence and Henry is powerful, as their relationship feels very organic and authentic. The relationship between Lynsey and James is less romantic and more about companionship, but there is a longing sense of love just below the surface. 

This is one of Henry’s most powerful performances. He makes the James character likable and compelling but also flawed. He tries to get Lynsey to embrace her insecurities and shortcomings, which makes James even more endearing. From his walk to his facial expressions, James can show Lynsey he is a big guy with an even bigger heart. Henry’s performance is applaud-worthy, and it’s no surprise he is nominated for a Gotham Independent Film Award for Best Supporting Actor. 

Director Lila Neugebauer and the screenwriters accomplish the goal of highlighting mental health. After watching this film, you will understand some of the struggles soldiers face both off and on the battlefield. 

Brian Tyree Hill and Jennifer Lawrence (Photos Courtsey of Apple TV)

Final Thoughts

Causeway is an emotional film highlighting the negative effects of PTSD and how people around those who suffer from it are also affected. Not since The Hurt Locker (2008) have I seen such a memorable film displaying a veteran’s struggles to readjust to society and everyday life. The emotional performance by Brian Tyree Hill has earned him several nominations and wins, including the African American Film Critics Association award for Best Supporting Actor,Causeway is worth watching on Apple TV Plus.

03Feb/23

Actress Lacretta Talks Night Court and Her Love For Gaming

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NIGHT COURT — “Pilot” Episode 101 — Pictured: Lacretta as Gurgs — (Photo by: Jordin Althaus/NBC/Warner Bros. Television)

Back in the 90s, I remember this show and especially its distinctive theme song with its upbeat tempo and saxophone-laced tune, it was Night Court. It usually meant it was almost bedtime for me. It featured a cast of colorful characters: a judge who performed magic tricks (Judge Harry, played by Harry Anderson); a bald, physically imposing but friendly bailiff (Bull, played by Richard Moll); and a no-nonsense, quick-witted bailiff named Roz (played by Marsha Warfield). Now the 2023 Night Court features a host of new characters besides prosecutor Dan Fielding (played by John Larroquette). The show has a new bailiff, Donna “Gurgs” Gurganous (played by actress Lacretta). The actress took time from her busy schedule to talk with Taji Mag about her role on the show, her castmates, and even her love for gaming.

Dapper Dr. Feel (DDF):  I wanted to start by asking, how in the heck did you fall out of your hammock on New Year’s Eve? 

Lacretta: So, I’m still kind of in shock with everything happening, right? Even though I’d been part of the Night Court project this whole time, I was trying to talk to my viewers about it. So I was like, “You know, let me just go upstairs to the roof and just kind of chill out for the night.” I got a little bit ahead of myself and instead of putting one leg into the hammock first and then the other leg, I decided to put both legs into the hammock and promptly tipped myself out of it. I scraped my toe on the wall, which was not a pretty picture. After I got myself all cleaned up, I went back up to the roof with a cocktail, and then I sat in a chair like a proper lady. 

DDF: Bet you won’t make that mistake again. Tell me, what was your reaction when you got the role and how did you prepare for it? 

Lacretta: I gravitated to and responded to the weirdest moments in cinema because I wanted to capture a little bit of Richard Mall. I felt I had to pay homage to him and the other bailiffs on the show.

I know altogether there were four different bailiffs. The first two, unfortunately, passed away at the end of their season. The other two were the most iconic for me (Richard Mall as “Bull” and Marsha Warfield as “Roz”). I had to pay homage to both of them.

Um, so as I was saying, for certain parts in the script, weird moments in cinema like from Orient Express and from Are You Being Served and Keeping Up Appearances (both British comedies) just kind of popped into my head and I just allowed myself to release. And then when I got the call that I had booked it, I was actually laying on the floor with my feet up because my ankle was a little puffy and I was trying to recirculate that blood. I got a text message…”oh my God, congratulations on Night Court being picked up” and I was like “What do you mean?” And my friend said “You guys got picked up!”  I sat up so fast that I saw stars and got a little dizzy. I just had to text all my friends the good news.

I continued with the person that gave me the good news and said, “Well, did you check the date on the article?” He was like “yeah, it came out in Hollywood Reporter 10 minutes ago. Y’all got picked up by NBC!” Tears started rolling down my face and snot was coming out of my nose, I started hyperventilating. It was really bad. But I love that the person who called me and let me know was actually one of the writers/creators for Disaster, which is where I made my Broadway debut.

DDF: “Gurgs” seem to have the best chemistry with “Olivia” (India de Beaufort). Who do you think your character has the best chemistry with? 

Lacretta: Yeah, I think it’s all different, but I spend a lot more time with India de Beaufort and Kapil Talwalkar who play “Olivia” and “Neil” [respectively] in the series. 

Outside of work, I definitely spend a lot more time with Kapil because we’re both gamers. So we call each other and check on each other more often, but it just kind of trickles down. What I love about it is that we’re very much a family. And with family, you don’t always talk to your cousins, you don’t always talk to your aunties, but when you do get together, you know that this is blood…this is family. 

DDF: When I first heard about you getting this role as the new bailiff, automatically the character “Roz” popped into my head. How would you say “Roz” and “Gurgs” are similar and how are they different? 

Lacretta: We’re both very grounded. We both have our moments, she more so than I. Where we differ: my character is a lot more playful than “Roz”, but she did have her moments. I was telling someone before that there’s a beautiful episode that I just kind of stumbled upon of “Roz” teaching “Dan” how to ballroom dance. There’s a moment where they’re sitting at a table in the cafeteria. They’re just kind of chatting when he says something along the lines of “You know, I came to your apartment and I stood outside your door” and she replied “Yeah, I know. But you know, there could never be anything between us right?” It was just a lovely episode and I loved to see that interaction between the two of them because they are such polar opposites. It’s just such smart writing on this show from then until now that I’m just…I can’t wait to see what happens with it. 

DDF: Now, since you are a gamer, if you can make “Gurgs” a downloadable content character, what game would you put her on? 

Lacretta: Oh, Saints Row! What!? Especially in this new incarnation which I still haven’t finished. But in the new incarnation of Saints Row, my character very much looks like her except for the piercings. That’s the only difference. What else would I put her in? I would put her in High On Life, which is a new game with a lot of the voices from Rick and Morty. That would be kinda interesting. That game’s crazy and so funny. That was a good one. And then I mean everybody wants to be a Fortnite avatar. I wanna be on Fortnite.

DDF: What do you think people will get from this revamped version of the 80s/90s classic?

Lacretta: I hope that they get a sense of nostalgia. I hope that they find joy while watching this new Night Court and find a moment to escape from the stress that’s going on in the world right now. In a world of uncertainty, what’s for sure is that for at least 20 minutes out of our half-hour slot, you’re going to be laughing and you’re gonna be able to step away from what you’re dealing with. 
Watch Lucretta as the charismatic bailiff “Gurgs” and her castmates on Night Court on NBC. The sitcom has just been renewed for a second season.