Often, when a gifted person becomes famous and has a child, society waits to see what talents the child develops and if they mirror their parent in any way. iNTeLL, the first-born son of U-God from the legendary rap group, Wu-Tang Clan, definitely doesn’t disappoint. It’s arguable that his pen and cadence may even outshine his father’s (which is all we really want as parents anyway), but iNTeLL never misses a beat to homage to his pops (and uncles). 2nd Generation Wu is led by iNTeLL with other Wu spawn, PXWER (son of Method Man), and features SUN GOD (son of Ghostface Killah) and Young Dirty Bastard (son of Old Dirty Bastard). Taji Mag went to Staten Island to chat with iNTeLL about his motivations and future.
Taji Mag: How did you discover you have bars? iNTeLL: When I was 13-years-old, my best friend told me after hearing my poetry.
Taji Mag: You are multi-disciplined, list off some of your talents outside of rapping and acting. iNTeLL: Painting, photography, melting wax on canvas, organizing, curating, executive producing.
Taji Mag: How was 2GWU conceived? iNTeLL: It was conceived once I was conceived. However, it started in 2019 after my production company, Intellectual Entertainment, did a joint venture with the independent label, Dock Street Records. I then had the space and funds to cultivate the idea into a reality.
Taji Mag: What are some of your accomplishments that you’re most proud of? (Brag a bit lol) iNTeLL:
I’ve Collaborated with Method Man, Inspectah Deck & Masta Killa from the Wu-Tang Clan. I’ve Collaborated with Snoop Dogg, current president of Def Jam Records. I’ve Collaborated with 88-Keys, whose work on DONDA is Grammy nominated.
Established my own Production Company
Established my own independent music label
Landed Placement on Peter Rosenberg’s, of hot97, debut album
One of My Hip Hop Idols and Lyrical Mentor from afar, Lupe Fiasco, referred to me as “Royalty”
I got to do a song with Del The Funkee Homosapien, another one of my Lyrical Mentors from afar
Have had Several Songs played on the Radio, FM & Sirius Satellite
Received Over 1million Streams on a song
Created 2nd Generation Wu which will be remembered forever Alongside WU-TANG CLAN because WU-TANG is Forever For The Children.
Taji Mag: Verzuz is allowing us to see our Hip Hop favs put on full shows in their 50s, how are you preparing for longevity in your health and wellness? iNTeLL: Method Man started Tical Athletics, I’m bout to go to the gym with him and only drink seamoss.
Taji Mag: As the sun of U-God, do you feel pressure to carry on the Wu legacy? Why or why not? iNTeLL: I did in my teens, but got over that early because their shoes not even the same size for me to be trying to fill them. I decided to use their soul to build my own shoes and walk my own path. A Legacy Branched out from a Legacy. Hip Hop is a Tree, not a totem.
Taji Mag: What gems have you received about/applied to the game from any OG WuTang member? iNTeLL: Take your time. Let them hear you.
Taji Mag: What have you discovered from your journey that you would pass on to a potential 3rd Gen Wu member? iNTeLL: With Art, There are no rules.
Stay connected with iNTeLL at @gftd.iNTeLL! Check out his music below and tell us what you think in the comments!
I just viewed Netflix’s virtual advanced screening of Halle Berry’s directorial debut, Bruised, that I was invited to by the Urban Action Showcase & Expo anddd… I’m here for it. I watched it without bias or prejudgment and allowed the film to take me on the journey with Jackie Justice, the MMA fighter portrayed by Halle Berry. The synopsis of the film is a disgraced fighter finds redemption in the cage and the courage to face her demons when the son she had given up as an infant unexpectedly reenters her life.
First of all, Halle Berry is 55. FIFTY-FIVE. On November 8th of 2019, she posted her amazing rock-hard abs on Instagram that she achieved while training for the film. In the film, she is standing next to women half her age and was giving them a run for their money even during her disheveled scenes. Outside of her aesthetic, Berry did amazing with the fight choreography. In her post-screening Q&A with H.E.R., who wrote and sings the film’s anthem, Berry stated that she was given a script that was originally intended for an Irish-Catholic white woman. In her head, she rearranged the role for a Black woman who has been beaten up by life and had to find her way through. She was tasked with finding a director but ultimately opted to take on the role herself when no one could bring to life what she saw because it only existed in her head. With this freedom, she was able to capture the intensity of her fight scenes as she dreamed because she was also executing them WITHOUT a stunt or body double. Berry trained in various martial arts styles for over 2 years to make her role as authentic as she could.
The film also comes equipped with a great supporting cast. Stephen McKinley Henderson is Pops, the inspirational “old head” who remembers who Jackie was and sees who she can be. Sheila Atim is Bobbi Buddhakan Berroa, Jackie’s elite trainer and mental sanity. Adriane Lenox is Angel, Jackie’s mom with the hella ironic name. Then there is Danny Boyd Jr. as Manny Lyons Jr., Jackie’s son who reenters her life and stole our hearts as viewers.
The Not So Good
I fully expect this movie to be ripped apart. We’re in a day and age where everything Black people touch is scrutinized under a microscope. There are definitely some cringy and eye-raising moments that will probably need to be explored in post-release interviews. I’ll leave those up to your interpretation, but I will say that the script felt like a lot of stories that needed to be fleshed out more. We received the gist of Jackie’s origin (some of it was even predictable), but there was room left to round out how she spiraled into the Jackie we were presented with.
The was also a scene where Jackie should’ve cracked someone in the face and didn’t but I guess her leaving was sufficient (eye-roll).
Earlier I mentioned Danny Boyd Jr portraying Jackie’s son, 6-year-old Manny Lyons Jr. Danny should be about 11 now which should’ve placed him between 7 and 9, if the math is mathing, when he was filming. This young king’s facial acting tugged at all of our heartstrings. He had to play a traumatized boy inside a range of emotions from scared to angry and all I wanted to do was protect him. I was ready to fight errybody. Throughout all of the storylines, I just kept wondering how whatever was currently happening was going to inevitably affect Manny. He drew me in. He understood his assignment. Mission Accomplished.
Will You Watch Bruised?
I think you should. Bruised is directed and led by a Black woman. Check. It has a predominantly Black cast that shows a range of Black lifestyles. Check. The soundtrack is all women artists. Check. It has literally kick-ass fight choreo with women who are powerfully strong (no bad running scenes or terrible punches, praise whoever you pray to). Check.
Taji Mag is the epitome of ‘Cultural Drip’ – elevating Black brands, narratives, and imagery to new levels of Black Excellence. We embody the traditional and modern royalty of Pan-African people via our quarterly digital and print publication and live events.
Movie set photos are the first of what we see of upcoming films. Before the trailers, the soundtrack singles, and promotional material, the images give the audience a visual of what is to come. Spike Lee‘s new book, SPIKE, features film still photos, behind-the-scenes, and on-the-set pictures of all of the Award-winning director’s life’s work. Most of the photographs were provided by Lee’s brother, veteran lensman, David Lee. David has provided photography for most of Spike’s films from She’s Gotta Have It to BlacKkKlansman. Taji Mag was able to discuss the creative’s experience and contribution to the new book.
Falling In Love With the Art
David explained his first exposure to photography was when he was twelve or so. His mom had bought a brownstone and one of the tenants was a photographer. Lee said, “He (the photographer) taught me how to process black and white film. I had a 35mm camera with the screws falling out at the time. It was not that great of a camera.” When asked when he fell in love with photography, he said, “The moment photography really clicked was when I was at my maternal grandmother’s house in Atlanta. My grandfather had a Kodak Brownie camera and, to operate it, I had to look down. It gave me an idea of composition and, as I walked around with it, I saw perspectives changing and never forgot that experience. I understood that I could express what I saw from that moment on, and the camera would be my paintbrush. There is no getting tired of photography for me. My muse is in my photography.”
David did photography throughout high school. In college, he aspired to be a renaissance artist much like Langston Hughes, Richard Wright, and other artists he was exploring at the time. His inspiration for the written arts came from his mother, an English and African-American History Teacher. His father, a musician, inspired him to explore music, but that all came to a halt around age twenty. He’d finally realized his creative potential and even wrote screenplays himself, but had difficulty writing essays. So he followed his true passion, photography.
“Photography will be the artistic expression that will be with me my whole life.” – David Lee
How to Capture the Moment
Lee explained how he captured the moment by saying, “At first you just try to capture and cover everything. With digital, I shoot too much and bury myself in editing. I pride myself in picking the right photo out of hundreds to capture the moment. It’s a great position to have. After all, you are pretty much limited because sometimes your only shot is next to a camera.” Lee further explained, “You have to find the right space, the right lens, and get the shot that is usable. Most importantly, you have to capture the moment. It’s the visual component of visual storytelling.”
David walked me through what it’s like to discover those good photos after shooting, stating, “Sometimes your good shots are intentional and other times you don’t realize what you have shot until later.” He recalled a moment when he caught a fantastic and unplanned shot, explaining, “…I just did photography for Denzel Washington’s new film Journal for Jordan. We had this one-shot with Michael B. Jordan; he was shirtless, as usual, and with a baby on a couch. Two film cameras are running on each side, so I had to squeeze in between them to find my shot. As Michael raised the baby, the baby reached down, grabbed the dog tags around his neck, and looked at it. All I could think was, “Yes! Yes! This is a great shot!” This was an unscripted moment, and I knew right away that was the shot.”
David explained that he was proud of himself. The next break the crew had for filming, he downloaded the shot and showed the photo to Denzel on a computer. He recalled Denzel being so excited that he ran into another room to grab the co-star of the film, ChantéAdams, to see it. Once Chante saw the photo, she burst into tears. David continued to explain that Denzel called up Dana Canedy, whom the film was based on, and sent the image to her. “She too burst into tears. Everyone who saw that shot became emotional because it was as if it had channeled something”, he described.
I asked David if he ever had a conversation with Denzel about his creative evolution over the years from Mo’ Better Blues to now Journal for Jordan. He replied, laughing, “You don’t have a conversation with Denzel; you listen. You do whatever he tells you to do.”
David went on to talk about his history with Denzel. He humorously said, “While shooting Malcolm X, he was throwing me off the set so many times. I was messing up; he should’ve thrown me off the set. During the scene in Malcolm X where Malcolm is copying the dictionary in prison, I am under the table and below the camera, trying to get into a good position. Denzel was like, ‘Get out!’. He explained, “I didn’t take it personally because I [knew] I was distracting him.
When asked what films David loved shooting with his brother Spike, he said, “My favorites are Malcolm X, Do the Right Thing, The BlacKkKlansman, and Da 5 Bloods but I mostly like documentaries… When the Leveey’s Broke and If God Is Willing and da Creek Don’t Rise.” He said Spike would send him off to take pictures for the films during the interviews and press. This threw me back into my documentary photography days”, David said excitedly.
“It was hard for people to watch the opening death scenes of Clockers, but I had fun shooting!” David explained the research process and the method he used to recreate the photos he referenced, stating, “For research, Spike and I went to the Bronx homicide headquarters. We were able to look at pictures and look at old notes from investigations. I used that time to recreate the crime scenes and used my reference Weegee, a classic crime photographer in the 1940’s and 50’s. [With] projects like these, I like to showcase my creativity.”
I asked David how he became a part of this project to which he replied, “The editor, Steve Crist, got in touch with me through Spike. I started a months-long deep dive into my catalog.” David continued, “Three months into my search, I would remember having even more photos to go through. I would call Steve and tell him I had pictures of Lawrence Fishburne when he did the White Lines music video in NYU Film School. It allowed me the opportunity to go through my many years of work and find old photos. This book really covers the span of Spike’s career.”
FYI: David Lee has provided photography for films Eternal Sunshine of the Spotless Mind, John Wick, Ma Rainey’s Black Bottom, and Broken Flowers. He is also providing photography for the Denzel Washington-helmed film, Journal For Jordan.
SPIKE is genuinely a celebration of Spike Lee’s life and serves as a documentary in book form. I spent a couple of hours revisiting the time in my life when each film was released. It was so cool to see pictures of the handwritten script pages and how many actors/actresses were featured in Spike Lee films before becoming household names, i.e., Samuel L. Jackson, Giancarlo Esposito, Alfre Woodard. I was surprised to find out through the book former President Barack Obama took his wife, former First Lady, on a date to see Do the Right Thing before they were married. Whether you are a creative, movie lover, or Spike Lee fan, you will appreciate the nostalgic journey that David Lee’s photos provide.
When was your last adventure? Did you read that and think of your last vacation? What was the last exciting thing you did close to home? I’d like to introduce you to a woman who has made it her business (quite literally!) to embark on memorable adventures close to home, Ty Vaughn.
On her 40th birthday, Ty decided to follow the lead of one of her favorite shows “The Amazing Race” and step off of her first zipline platform. Skydiving, paragliding, parasailing, kayaking, ATV off-roading, bungee jumping, rappelling and thirty ziplines later, Ty Vaughn is now Adventuress Ty. Once a month, she organizes group trips for other thrill-seekers to join her in embarking on what she may describe as “a mighty gush of freedom” at different adventurous locations around her home state of California.
dCarrie: What obstacles have you overcome to authentically engage in adventure?
Ty Vaughn: To be honest with you, I personally have not thought about it like that. I just saw something I enjoyed watching on T.V. every week and decided, I want to do that. These activities have always been here, but sometimes cultural ignorance and lack of exposure prevent you from enjoying these life experiences. I will say, I wish this would have been part of my childhood. I’m quite sure having had more of an outdoor adventure lifestyle would have encouraged me to appreciate the complex yet simplicity of nature. I’m all in Now!
dCarrie: What does adventure do for your wholeness?
Ty: Being an adventure junkie sets me apart! You cannot function like a normal human being willfully jumping off of bridges, ziplining across cables, paragliding over the ocean, or parasailing off of a boat! You’ve got to be pretty confident and assured in yourself! My adventures are not optional, they are a necessity. They give me clarity of thought and a peace that is not found anywhere else; they are surreal and serene. I love the clean crisp fresh air, the sound of nature, and the feel of nature. I love the multitude of colors that change with each season. My mind tries to comprehend but it cannot. The outdoors are my sanctuary, it’s the place where I decompress and recharge. It’s a space for me to appreciate the craftsmanship of God and how amazing He truly is.
Head over to travelnshitpodcast.com to check out more of Adventuress Ty and her story in episode 143, Audacious Adventure Near and Far of Travel N Sh!t Podcast.
“Banking is necessary. Banks are not.”~ Wells Fargo 2004 Annual Report
Fact: The average American doesn’t have $400 in their savings account. This is linked to both poor financial habits and the way the banking system is set up. Banking is the most important business in the world! Without it, all business comes to a screeching halt. However, a little unknown fact is in order for banks to function, they rely heavily on us.
Unbeknownst to most, banks do not lend out their money, they lend out ours. What’s more, they cannot make a loan unless it has a deposit, and we are the source of where funds derive. These monies come from our deposits.
How were we convinced—better yet—lured to supply them with our hard-earned monies? With the help of consistent commercial advertisement, we are duped daily to believe they are the safest place to keep our monies.
Heard of the Fractional Reserve Lending System? Each time you deposit money in your bank, made consistently from our paychecks that create a guaranteed and indefinite supply of funds, banks 10x that deposit that can be then used to create loans that only banks profit from.
If you make a bi-weekly $1000 deposit acquired from your job to your checking account at your bank, they turn it into $10,000 by way of the Federal Reserve. The bank must keep $1000 on their books BUT… they can lend out 90% (or $9,000) of the now suddenly made up $10,000, affixed with a high rate of interest ensuring profit on top of the gift we give them with each deposit. Now multiply that by the hundreds-of-millions of folks employed and the billions they send to banks!
This is called Arbitrage or the act of taking advantage of the money market with said strategies not shared with the public. While these banking families continue to create bloodline wealth with each deposit, we’re lucky to get 1.8% through a savings account—which often requires a sitting balance of $10,000 or more.
The greatest fact is you don’t need banks to build sustainability because they were never designed for us to do so. You don’t need their loans nor to store your savings with them to create wealth. But there are a few strategies we can use to our benefit.
How would you like to become your own bank using similar strategies to create a coffer of resources so you’ll never have to apply for a loan, credit, or have to crowdfund?
In order to do so requires a will to forgo what you’ve been taught. I invite you to join the Cryptowoke Financial Sustainability Movement where I show you ways to live off your savings and investments without falling victim to job loss or being taken advantage of in money markets rigged to fail.
Join the Cryptowoke Financial Sustainability Movement
M’Bwebe Ishangi, Founder and Author A Pot to Piss In: Intergenerational Wealth Planning for Black People Cryptowoke Financial Sustainability Movement cryptowokemovement.com firstname.lastname@example.org Facebook & Instagram: @cryptowoke
I have come to know that magic, energy, and people never die and always have a purpose. Schools have the power to curate all three if done with great intention. Yet, when our young people share what their purpose is, all too often their energy and magic (or passion) are destroyed or not nurtured. It can look like a child who doodles in the corner of their work or draws on the walls in your home, a child who sings constantly and memorizes many songs with ease or just talks a lot. These are gifts, passions, and, dare, I say magic. But how is this expanded and nurtured?
In this new reality, any energy that is poured in can be seen almost immediately. Young people have access to and connection to more ways to develop, expand, and share their gifts. Find ways to cultivate this as often as you can as deeply as you can. For the child that draws on walls, find some chalkboard paint and let them make a different image daily. For the child who sings constantly, ask them to record their songs and make jingles. For the child who talks a lot, allow them to conduct interviews with people and share the knowledge of what they learn. Find creative ways to encourage the flourish. Children will bloom where they are planted, but they do need life energy breathed into their magic, their passion, and their purpose.
Release Sept 7 2021 | Vol28 of Taji is packed full of Black Beauty & Culture fulfilling its theme of Fire! This volume’s cover features features the #SlayBells of @Queen__Reinvented. Gracing the pages are the Editor’s Pick, #BlackLoveConvo: “Bitchin’: The Sound and Fury of Rick James is a Music Love Story” by Dapper Dr. Feel; our Community Spotlight, Lady M Mannequins; our highlighted Hair Feature with Debra Hare Bey; “Solo Travel: Audacious Adventure” with Ty Vaughn by dCarrie; “The Value of Values” by Jashua Sa’Ra; “The Childhood Challenge” by Janelle Naomi; Our Vol 28 contributed photo story, “Fire;” Fitness Highlight, Dorian DuBois of EFitBrand; Vegan Fun with Earth’s Pot’s Savory Veggie Flatbread; “What Banks Don’t Want You to Know” by M’Bwebe Ishangi, Founder of Cryptowoke Financial Sustainability Movement; Featured Art Piece by @TheOneWillFocus; Comic Appreciation with INFINITUM by Tim Fields; Black Business Highlights; and more!!
Taji Mag is the epitome of ‘Cultural Drip’ – elevating Black brands, narratives, and imagery to new levels of Black Excellence. We embody the traditional and modern royalty of Pan-African people via our quarterly digital and print publication and live events.
I’M FINE (Thanks for Asking) Synopsis: Danny, a recently widowed hairdresser, and her 8-year-old daughter, Wes, are houseless. Shielding Wes from the truth, Danny pitches a tent and convinces Wes that it’s a fun camping trip. As Danny works to find permanent housing, Wes grows increasingly tired of weeks in the heat, so Danny promises her that they will go home by the end of the day. With clients lined up, Danny is confident that she will have the final cash she needs to secure an apartment, but a series of mishaps threaten to derail her plans. Under mounting pressure, and with roller skates as her only means of transportation, she has to somehow manage to get the money she needs in order to keep her promise to her daughter.
“In the midst of chaos, there is also opportunity” is a quote by Sun-Tzu that sums up the development of Kelley Kali’s award-winning film I’M FINE (Thanks for Asking) during the COVID pandemic and a heatwave. Kali, like many, was not working and almost houseless when she decided to make the film. Not only is it about overcoming obstacles while raising a child, but it’s also about having empathy for the homeless.
Kali explained she needed to do this project stating, “I woke up one day with a pressing sense of urgency that I needed to create something NOW. I started to think about what resources I had access to and, being from the San Fernando Valley in Los Angeles County, I realized that I had many resources. I thought about what friends would be crazy enough to do this with me and I immediately called my two good friends from USC Film School, Angelique Molina and Roma Kong.” The group of creatives pondered over concepts. Kali stated she had noticed a lot more women on the streets in Los Angeles. Kali said Los Angeles already had a fairly large homeless population, but she specifically noticed a lot more women and children recently.
“We went through the many issues facing us today, but one issue that hit us all was the threat of not being able to pay rent and the lingering danger of becoming houseless.” – Kellie Kali
When it comes to the trials and tribulations of Danny, I can’t tell you how many times I kept saying to myself, “It can’t get any worse than this?”, but as the film continued, Danny’s situation continued to worsen. To top it off, she was also continually sexually objectified by pretty much every male encountered; all but the Asian property manager who clearly was taking social distancing seriously. Chad, played by Deon Cole, was one of the worst of the male characters. He taunted and insulted Danny as he dropped hundred-dollar bills from his luxury car. “The Chad character was just another dynamic added to Danny’s decision-making so far as what she needed to do. Chad is who we, as the creatives, thought needed to be piled on to the drama of Danny’s decision making,” stated Deon Cole.
This is something we were able to control and make without someone telling us what to do. Doing television, it’s a collective group of people that have a vision. You are hired to portray that vision and bring it to life. – Deon Cole
The beautiful scenery, great camera angles, and natural character interactions were wonderful. Interestingly enough, the actors were the crew. “I decided the crew would be the actors. At first, everyone laughed until they realized I was serious,” Kali explained. I especially loved the scene where after getting high with her friend, Danny falls over into a pool of her troubles. Drowning, while her money and desirables elude her, was a great visual for the film. “As artists, we always want to keep what the audience is watching interesting, especially when it has a social message because we, as the artists, don’t want to be hammering the message on the audience’s head. So we find creative ways to keep you entertained and captivated using metaphors. At that point of the story, she was drowning in her troubles, the grief of her dead husband, not being able to keep the secret of houselessness from her daughter, and not knowing what to do.”
In the end, I’M FINE (Thanks For Asking) is an inspirational film and a reminder of how the human spirit can persevere. Given the time the film was shot (during COVID and with limited resources), precautions needed to be put in place to keep the staff safe. Production had many obstacles to overcome, but the finished product was well worth it. Star/Producer of the film, Deon Cole, stated the film is “necessary for today” and after watching it, I would have to agree. Check out I’M FINE (Thanks For Asking) when it makes its network debut on Saturday, August 7th at 7 PM ET/PT on BET Her.
I’M FINE (Thanks For Asking): Directed by Kelley Kali & Angelique Molina; Written by Kelley Kali, Angelique Molina, & Roma Kong; Executive Produced by Kelley Kali, Deon Cole, & Capella Fahoome; Produced by Roma Kong, Angelique Molina, Kelley Kali, Capella Fahoome, & Deon Cole.
As Spike Lee serves as the director for the Cannes Film Festival, he also has something else major his fans can look forward to…his new book, SPIKE. The hardcover book covers Lee’s 30-year film career and includes never seen before photos from the set of his films. Some photos will come from the archives of Lee’s brother, David Lee, and will also feature photos from onset photographers from his films over the years.
The book is also designed by creative and founder of Vocal Type, Tré Seals. Seals created the custom typography for the book based on Radio Raheem’s iconic LOVE/HATE brass knuckles from Do the Right Thing. The same brass knuckles Lee wore during his win at the Academy Awards for BlacKkKlansman.
What I Look Forward To?
I look forward to seeing extra photos from some of the sets of my favorite films like Jungle Fever, Do the Right Thing, Malcolm X, Mo’ Better Blues, and School Daze. These are the films I grew up appreciating because the characters look like me and some of the soundtracks were dope! Seriously, Mo’ Better Blues soundtrack was my gateway into my love for jazz and the He Got Game soundtrack re-introduced me to legendary hip hop group Public Enemy.
I hope to see more information about films like She Hate Me and Bamboozled because these films were released during a time when I started to pay more attention to social commentary in art and understanding how art imitates life. Lee’s films always prompt audiences to think but never forces the message intended for the viewers.
The book will also feature some stills and quotes from Spike Lee’s “Is it the shoes?” Nike campaign with Michael Jordan. I really want to see his commentary on that experience, especially when Jordan used to put on a show against his beloved Knicks. I mean Jordan used to embarrass everybody, but he used to obliterate the Knicks!
“As I Head Full Steam Ahead Into My 5th Decade As A Filmmaker I Was Elated When Steve Crist And Chronicle Chroma Approached Me About Doing A Visual Book Of All My Joints. We Would Revisit All Da Werk I’ve Put In To Build My Body Of Work. Film Is A Visual Art Form And That Sense Of My Storytelling Has Been Somewhat Overlooked. Why Now, After All These Years? FOLKS BE FORGETTING.” – Spike Lee
For the last few years, Spike Lee has received his long-awaited and deserved roses. Of course, many of us have supported and shown appreciation for the quality entertainment he has created but I feel now he is getting worldwide acknowledgment. So if you are a Spike Lee fan like I am, you will enjoy this book published by Chronicle Chroma and can embrace the nostalgia. The book will be released on November 17th and can pre-ordered here.
Spike Lee has been a celebrated filmmaker, a cultural icon, and one of America’s most prominent voices on race and racism for more than three decades. His dynamic storytelling and unique visual style have made an indelible mark on filmmaking and television. This comprehensive monograph will be a sumptuous visual showcase of Spike Lee’s life and work, a must‐have for cinephiles and fans of one of the most influential filmmakers in history. His career spans over 30 years and includes: She’s Gotta Have It, School Daze, Do the Right Thing, Mo’ Better Blues, Jungle Fever, Malcolm X, Crooklyn, Clockers, Get on the Bus, He Got Game, Summer of Sam, Bamboozled 25th Hour, Inside Man, and more. Lee’s outstanding feature documentary work includes the double Emmy® Award-winning If God Is Willing and Da Creek Don’t Rise, a follow-up to his HBO documentary film When the Levees Broke: A Requiem in Four Acts, and the Peabody Award-winning A Huey P. Newton Story. In the television arena, he launched his Netflix original series She’s Gotta Have It, which ran two seasons on the platform. The series is a contemporary update of his classic film.