Tag Archives: Netflix

17Feb/20

The Man Behind the Music, Robert Glasper

Robert Glasper

The Photograph was a phenomenal film, no doubt. Much is to be said about the collaboration of artists on the project as one of the most impressive elements of this film is the music composition. The film composer is none other than Robert Glasper. Knowing he was responsible for the soundtrack immediately gave me confirmation that The Photograph would be an overall great production. Right after watching, I immediately sought out an interview with the man behind the music, Robert Glasper. I had the chance to ask the multi Grammy Award-winning and Emmy winning artist about his work on the film. 

Dapper Dr Feel (DDF):  What brought you work on this film? 

Robert Glasper (RG): Luckily, Stella being a fan is what really brought us together. She liked my trio albums so a lot of the music in the film was based on that earlier work.

 DDF:  What was your creative process for the film?

RG:I liked making things up in front of the director. We’d put up a cue and they’d tell me what they wanted to accomplish emotionally and I liked writing there right on the spot. Sometimes it takes ten different tries or sometimes it’s magic on the first try, but that’s just the process that works for me. If the director is there, I can include them in the process and get the best result.

Robert Glasper

DDF: The music definitely matched the tones and colors of the film. How did these aspects of the film influence your work? 

RG: Each scene had a purpose and some kind of emotion behind it that Stella wanted to portray, whether it’s anger, confusion, sadness, happiness, sexiness… Whatever it is, it’s my job to try to match the emotion with music, or musically support the emotion. The great thing about it was that she was very free with letting me be who I am musically to try to get these points across.

DDF: How does music composition for film differ from composition for albums? 

RG: For albums, there’s nothing you have to match it with. When you’re composing music for a film, you’re trying to help tell a story that people are already seeing visually. There’s something already there and you’re trying to attach something to it that emotionally reflects and assists the storyline.  

When you do an album, there’s no visual, so you’re creating whatever you want. The visual is in each person’s head. There’s no director steering you towards what to see or feel, but that happens when you’re watching a film. The director is steering you towards a particular emotion. 

DDF: What movie music composers are you inspired by and why? 

RG: I’m not really inspired by movie composers, I’m more inspired by artists and musicians who do music. If it just so happens that they do a movie great, but there are no film composers I pattern myself after or study, per se. 

DDF: What are some of your favorite film scores and why? 

RG: I like Love Jones film score. This score kind of reminds me of Love Jones because it’s the story of two young black adults that are really artsy. Both films kind of parallel each other and both use music of their generation to tell their story. The Love Jones soundtrack was full of people of the generation and it was really cool. The Photograph is also full of music of the generation. At the same time, it had some throwback stuff that inspired this generation and used jazz as well. The difference is that Love Jones used Charlie Parker and John Coltrane — jazz from the 40s, 50s, and 60s. This one was more modern. It has music from me and Christian Scott; it used jazz of today.

Mo’Better Blues is one of my favorite Spike Lee films and one of my favorite soundtracks. It featured not only Terrence Blanchard but also Branford Marsalis.

Actor Denzel Washington and director Spike Lee.

DDF: I actually thought of Mo’ Better Blues while I watched the film. Was it your inspiration?

RG: Mo’ Better Blues is definitely one of my favorite soundtracks like I said earlier. When most films use jazz, they use jazz from the 20s-60s; they rarely use jazz of this time period. Mo’ Better Blues was made in the 90s and used music and musicians of that era, and that’s what made it really dope to me, so this feels like the same thing for sure.

DDF: What would it mean for you to win an Oscar? Is that the goal? 

Robert Glasper and actor/rap artist Common celebrate their win at the 2017 Creative Arts Emmy Awards

RG: I’ve already won an Emmy for my work on Ava Duvernay’s documentary The 13th on Netflix. I wrote the ending song featuring Common and Bilal. So it would be amazing to win an Oscar. Most musicians aim for a Grammy. I’ve been blessed to have a few Grammy’s and an Emmy so to get an Oscar would really be icing on the cake. 

DDF:  If you can choose one song from your catalog to describe The Photograph, what would it be? 

RG: I’d probably say a song I did on my Black Radio album called “It’s Gonna be Alright” featuring Ledisi. It’s saying no matter what the ups and downs of life or a relationship, there’s always sunshine, there’s always a bright side. These particular movie characters had their ups and downs in their relationships and they found a way to make it work, so I’d probably say that song.

DDF: How have you grown as a score composer since your first movie project?

RG: I’ve grown a lot. I’ve just learned how to read and understand directors better. My musical palette is bigger. Understanding how to bring in different vibes from all across the global palette of the world. I’ve had to mix all kinds of styles of music, some I’ve never had to tackle before to bring across one scene. It helps you grow, the more knowledge you have, the better. For instance, in this film, I had to compose some New Orleans music and I’ve never had to do that before. Having to compose styles outside of what you’d be personally oriented to create has just made me a better musician. 

Robert Glasper was a perfect choice for the Photograph soundtrack. His musical talents paired with Issa Rae’s and LaKeith Stanfield’s acting skills plus Stella Meghie at the helm, audiences everywhere are in for a treat. It’s artistic range, both directorial and musical, feels similar to the Spike Lee classic Mo’Better Blues. Anyone familiar with the 90s classic would find this a testament to The Photograph’s contribution to cinema today.

The soundtrack by Robert Glasper also features music by artists Lucky Daye and H.E.R and can be found on platforms like Google Play, Apple, Spotify, etc. Watch The Photograph in theaters now then run and buy the soundtrack. You’ll be thankful you did.

The Photograph Score Featurette

Go behind the scenes with The Photograph composer Robert Glasper and hear how he was able to bridge two time periods to help tell the story. In theaters now!

Публикувахте от Back Lot Music в Петък, 14 февруари 2020 г.

03Aug/18

‘Nappily Ever After’ FINALLY Has A Trailer — It’s Amazing.

This is a bigger reveal than when Sanaa first posted pictures of her #Baldie Cut. We had the title for a while, but yesterday Netflix released the Official Trailer for Nappily Ever After. Ms. Lathan will be starring in the Netflix film based on the Best-Selling book from Author Trisha R. Thomas. Alongside the likes of Halle Berry, Lynn Whitfield, Ernie Hudson, and Ricky Whittle, this is stacked to be a good one.

Nappily Ever After follows Sanaa as Violet Jones, a Woman who is obsessed with Perfection. Not limited to her hair wigs, if it isn’t perfect Violet wants nothing to do with it. But as we all know, it’s not always about what you want, but what wants you. Out of respect for not giving the ENTIRE story away, let’s just say that the gods giveth and they taketh away. Violet’s hair is simply the straw that breaks the Camel’s back. After cutting her hair in a (seemingly intoxicated) act of furious desperation, she is left to face the truth (and the mirror): She doesn’t know who she is without it all. Mix in external pressure and disapproval and you have a story that reeks of resonance. I have a feeling that, Bald or otherwise, most of us Women can relate and even tell a similar story or two. While Women also cut their hair as an act of joy, celebration, and rebellious freedom, this story is one of inevitable truth.

i tip hair extensions

“My Hair was like a second job… Now I’m forced to focus on Myself.”

Coincidentally enough, Sanaa released the pictures of her fresh cut alongside the growing momentum of the #BaldCut and the Black Panther film (btw: Wakanda Forever and ever). There were already ongoing conversations concerning the beauty of Black Women, our hair, femininity, identity, and our imminent liberation from the stereotypes and limitations placed on all of that. Director on the bill is Haaifa Al-Mansour, the first woman Saudi Director and controversial legend of her own country. Being even slightly aware, there are interesting ties to hair and femininity in Saudi Arabia as well. So, with my disappointment at her not being of the Diaspora aside, I am interested to see how she weaves such truths together. In Nappily Ever After, we will get to watch as Violet struggles to recalibrate her entire life and embrace who she is without her preconceived notions of perfection. I have a feeling that it will be just that in the end: Perfect.

Film premieres Sept. 21 on Netflix.

21Jun/18
Luke Cage

Luke Cage Celebrates Juneteenth in D.C.

Juneteenth is a day that pays tribute to the freedom of slaves and their opportunity to establish themselves as respected people. What better way to celebrate Juneteenth than spend the evening at the Kennedy Center (Washington, D.C.)  watching one of our greatest Black fictional heroes, freedom fighter Luke Cage, a bulletproof Black man who fights for Harlem’s people. Netflix and Spotify hosted an advanced screening with an afterparty filled with old-school hip-hop, jazz, and other genres of music featured in the Luke Cage series.

Luke Cage Season 2: The Screening dived into the mysterious past of Luke and other characters like main villain Mariah which turns out to be intricate in the development and existence of the characters. The new villain this season, the Bush Master, has been featured in the trailers and looks to be a challenge to Luke Cage both mentally and physically. As we discover his connection to the city of Harlem and Mariah, he looks to be a foe that will have Luke Cage teaming with the antagonist Mariah. In this case, the enemy of my enemy is my friend, really holds true in this season.

One of the major themes in season 2 is self-reflection – what are the true identities and morals of Luke and some of the other characters. It is something that we all can relate to as we partake in this journey called life. I think that by the end of the season, we will truly be able to see growth and self-discovery in the characters. We may also be able to see the facades of these characters finally be revealed. With all that said, Luke Cage season 2 will definitely keep audiences engaged. Beware, you may be tempted to binge because of all that this season has to offer!

The Teacha: KRS-One

Luke Cage

KRS One

Followed by the screening of Luke Cage, the infamous and rhapsodist rhymer KRS-One gave a short concert that provided energy to the crowd with his flows and hype freestyle. His words consisted of knowledge, influence, and support of the unified people. KRS-One covered oppression, deportation, and strengths of unity. KRS-One showed that he is not only a lyricist but a teacher as he went into the some of the backgrounds of deportation and illegal immigrants. To sum it up, no human is illegal which many in the audience agreed is a valid statement. By the end of his concert, he showed why he is a major part of hip hop culture. He provides entertainment that is laden with substance and quality content.

Midnight Hour at Harlem’s Paradise

Luke Cage

Midnight Hour

While watching Luke Cage, some of us fans dreamt about exploring the Marvel world in real life. Well, Netflix did just that by recreating Harlem’s Paradise in the Kennedy Center’s Atrium. Decorated with purple and red hues with white decor, copies of the Notorious B.I.G painting that can be seen in Mariah’s office were placed around the space. The mood really set the atmosphere as if Mariah herself was watching us network and dance with her lover/partner ‘Shades’ at her side.

Luke Cage

Joi

The entertainment was opened by the music group and soundtrack directors the Midnight Hour, a group consisting of producer Ali Shaheed Muhammad and composer Adrian Young. They performed jazzy tunes that bring back the feel of Digable Planets with a hint of Wynton Marsalis. During the show, they brought acts Joi, known for her unique and groovy tunes under the Dungeon Family and talented guitarist, aka B.B. King 2.0, Kingfish.

The night ended with a surprise guest no one expected, Mr. God MC himself, Rakim. When he got to stage the crowd erupted and the evening was set for another explosion of hip hop culture fun. From his hits ” I Ain’t No Joke” to ” Paid In Full,” his lyricism echoed, what seemed to be, across all of DC combined with the crowd that rapped in unison. Well, close to it anyway.

One of the best lines from the night came from KRS-One. He said that bulletproof Black men do exist and those are the ones that are intelligent, educated, and not doing negativity in the streets. As we watch Luke Cage fight for his Harlem people in this next season on Netflix, let’s fight for each other in a positive way.

Check out Luke Cage Season 2 on Netflix June 22, 2018!