Tag Archives: Issa Rae

13Apr/21

Newcomer Kyra Jones is Ready to Evolve Like Issa Rae

April 13, 2021Culture, FIlmblack creative, Donald GLover, Issa Rae, wokeDapper Dr Feel

Unapologetic, blunt, and intersectional are the words to describe the rising filmmaker, Kyra Jones. She has recently won multiple screenwriting competitions (Nashville Film Festival Screenwriting Competition 2020, ScreenCraft Virtual Pitch 2020), is working on a feature (Got to the Body), writing other projects, modeling, and participating in activist work all while working a full-time job… during a pandemic. I could tell after meeting her at the 2020 DC Black Film Festival that she would be someone to keep an eye on and was I right. The day before our scheduled interview she was staffed on season two of the hit Hulu series, Woke. Luckily for me Kyra still had time to tell Taji Mag what life is like as an up-and-coming artist.

Dapper Dr Feel (DDF): When did you fall in love with filmmaking?

Kyra Jones (KJ): I always really loved film and television. I started off as an actor in high school. The only reason I got into acting was because my mom wanted me to have an extracurricular activity. My friend told me she was trying out for the school play and told me I should try out too. So she dragged me to the audition and I ended up getting the lead.

I didn’t become a screenwriter/filmmaker until I was about to graduate from college. I was studying theater at Northwestern with the intention of acting. I was one of four Black students in my class of 100 theater majors. The theater department isn’t diverse at all. Needless to say, I did not have a great time with my experience. Within the material we were reading, there were no real roles for Black women. The roles were the usual stereotypical roles like maids, nurses, etc. I was like, “ We (Black people) do more than this.”

“My mission in life is not merely to survive, but to thrive; and to do so with some passion, some compassion, some humor, and some style.” – Maya Angelou

I know I want to tell stories and I know I want to be involved in art and media. I always liked writing and I was the type of person that could type a good 8-page paper in a few hours. So I was a strong writer in that regard but I never tried to do anything like creative writing or screenwriting.

In my senior year I realized I should have been a filmmaker, it was too late at that point but I tried to take as many classes as I could. So, you can say I fell in love with screenwriting/ filmmaking my senior year in college.

*After Kyra graduated her career was sort of in limbo. Her fellow classmates were doing internships, working for production companies, and making the connections needed to succeed after college. She struggled to get an internship because she had made the decision to become a filmmaker her senior year. Since she wasn’t having much success, she went back to acting.

It wasn’t until the Right Swipe came along. My writing partner and I did not intend on writing a web series we just serendipitously came up with an idea. From there we decided you know what, this is a web-series. This would be the first time I stepped on set for something that I wrote and it was the first time I said to myself ‘this is for me.’

DDF: What do you think you bring to the writer’s room of Woke?

KJ: I was definitely not expecting to make the writers room for Woke. I was so excited but, when I officially become staffed, I had so much shit to do in order to get ready. I had a full-time job and had to take leave, I had to try and get my ducks in a row in such a short amount of time. I’m just grateful and still shocked. I may have to turn off my camera to cry once the first meeting is over.

The Woke team is really excited to have me and thinks I will be a great addition to the team. I think my social justice background will be useful, especially for a show called Woke. I think bringing a more nuanced, intersectional perspective to the show, the Woke team will be interested to see what I will bring to one of the queer characters, Ayana (Sasher Zamata). Plus I’m funny. The Woke team had to read one of my pilots before they approved me and they thought it was funny. I can throw in a few jokes here and there, I think I am funny.

“Progressive art can assist people to learn what’s at work in the society in which they live.”- Angela Davis

DDF: Issa Rae had “Awkward Black Girl” and then later had Insecure, is there a possibility we could see a version of “The Right Swipe” in the future?

KJ: There will not be another version of the Right Swipe. I do intend on having my own TV show one day. There is already interest in a pilot that I wrote and I am really excited about it. It has some similarities to the Right Swipe.

DDF: Who are some of your favorite filmmakers?

KJ: Barry Jenkins, Ava Duverna, Donald Glover, and Beyonce. Lemonade and Black is King are both so good. I know she had a huge team on those projects but the fact there were so many directors and they were one cohesive vision, means Beyonce had to have communicated the vision to the creatives.

Kyra stated Go to the Body is in the process of getting named talent, developing the budget, and looking to shoot next year with an expected release date to be 2023.

DDF: What women inspire you?

KJ: Inspired by my grandmother, she is not a filmmaker but she really inspired me. She is very unapologetic and unafraid. I love Issa Rae, she is pretty much inspiration to everyone. And Michaela Coel. Black women everywhere inspire me.

“The discussion of representation is one that has been repeated over and over again, and the solution has always been that it’s up to us to support, promote, and create the images that we want to see.” – Issa Rae

Make sure to check out the current work of Kyra. Also, be sure to be on the lookout for her work on season two of Woke and her feature film, Got to the Body. I look forward to seeing more Black artists like Kyra provide the perspectives and voices needed for everyone to enjoy entertainment.

20May/20

I Thought The Lovebirds would be Issa Rae’s Fall Off, I Was Wrong

May 20, 2020Culture, FIlm, NewsFilm, interracial, Issa Rae, Kumail Nanjiana, Netflix, taji magDapper Dr Feel

I have to be honest, when I first saw the trailer for The Lovebirds I thought, “Oh no, will this be Issa Rae’s fall-off movie, her ‘Will Smith Bomb’ she mentioned in her 2018 GQ article?” That negativity was dissolved by a friend pointing out the hilarious bacon grease scene that did make me chuckle. After watching the film, I found out he was right – the combination gave me a night of favorite scenes and a few scenes that will be re-created on Tik-Tok. I recommend people watch this film and here are the reasons why.

In order to eventually succeed, you have to bomb. That’s what every comedian says—that’s when the fear goes away. And I feel like I’m still fearful because I haven’t publicly bombed yet, in terms of my career. Yeah, Insecure is successful now, but where’s my bomb coming? Where are my Will Smith bombs coming? Where, where is that happening?”
–Issa Rae (GQ May, 22nd 2018)

Guilt Free Entertainment

At no time did I feel uncomfortable while watching his film. (You know that feeling where you hear or see racist jokes/stereotypes in a film so offensive you can’t ignore it?) The scenes in the film were so well written and performed I was able to enjoy myself and laugh freely. It was a good feeling and that’s the way it should be. A great example of this was a scene where Issa Rae’s character, Leilani, was explaining to Kumail Nanjiani’s character, Jibran, as they were looking at some f*ck boys (frat boys whom they were sneaking up on), and Kumail’s character had no clue what that was and was very curious to know. He wasn’t making fun of the word, he was making fun of how oblivious a person can be to terminology.

More Than Trailer Clips

Plenty comedies present hilarious trailers before the films are released just for the audience to discover that those were the only funny parts of the film. Then you think to yourself, they wasted all this money on a mess of a movie and wasted your time. Love Birds was hilarious! I found myself Steve Urkel snorting a few times, the level of funny was totally unexpected.

I felt like Issa and Kumail fed off of each other’s performances like the Splash Brothers, Clay Thompson, and Steph Curry when they both get hot in a game.

The Lovebirds Chemistry

Yeah, I didn’t know if the chemistry between Issa and Kumail would be good in The Lovebirds. Don’t ask me why, I just didn’t. They were able to play off of each other very well during both the serious scenes and the funny scenes. They definitely showed that they both have range and adaptability.

One of the funniest scenes is the interrogation. They interrogate one of the frat boys and it kind of reminds me of a buddy cop interrogation scene akin to Bad Boys (Martin Lawrence and Will Smith). When I tell you Kumail ain’t got no sense, y’all I mean it!

Imitating life (Spoiler Alert)

From the beginning of the film, where the couple transitions from the honeymoon stage to the ‘here’s your part of the deposit ‘cause we not going to make it’ stage, I really felt. Unfortunately, my ex and I didn’t make it after being almost killed by a crooked cop, but those moments did spark some memories.

There was also a moment when Leilani was fooled by the happy couple photos another character posted on social media, making her evaluate her own struggling relationship. This is understandable because some of us have been through social media jealously, hell, some are going through it right now.

The film releases this Friday, May 22nd, on Netflix. Make sure to add The Lovebirds to your list of films to stream. I commend Issa Rae for being on this project and making a quality rom-com about an interracial couple. I really hope that The Lovebirds has created an example (not a formula to be consistently repeated) of how diversity in film should look.

A couple (Issa Rae & Kumail Nanjiani) experiences a defining moment in their relationship when they are unintentionally embroiled in a murder mystery. As their journey to clear their names takes them from one extreme – and hilarious – circumstance to the next, they must figure out how they, and their relationship, can survive the night.

17Feb/20

The Man Behind the Music, Robert Glasper

February 17, 2020Culture, Music & PoetryAva Duvernay, award winning, BIlal, black film, Brandford Marsalis, Denzel Washington, Felipe Patterson, film score, H.E.R, Issa Rae, Jazz, LaKeith Stanfield, love, Love Jones, Lucky Daye, music, Netflix, oscars, robert glasper, Spike Lee, Stella Meghie, taji mag, The Love Jones, The PhotographDapper Dr Feel

The Photograph was a phenomenal film, no doubt. Much is to be said about the collaboration of artists on the project as one of the most impressive elements of this film is the music composition. The film composer is none other than Robert Glasper. Knowing he was responsible for the soundtrack immediately gave me confirmation that The Photograph would be an overall great production. Right after watching, I immediately sought out an interview with the man behind the music, Robert Glasper. I had the chance to ask the multi Grammy Award-winning and Emmy winning artist about his work on the film.

Dapper Dr Feel (DDF): What brought you work on this film?

Robert Glasper (RG): Luckily, Stella being a fan is what really brought us together. She liked my trio albums so a lot of the music in the film was based on that earlier work.

DDF: What was your creative process for the film?

RG:I liked making things up in front of the director. We’d put up a cue and they’d tell me what they wanted to accomplish emotionally and I liked writing there right on the spot. Sometimes it takes ten different tries or sometimes it’s magic on the first try, but that’s just the process that works for me. If the director is there, I can include them in the process and get the best result.

Robert Glasper

DDF: The music definitely matched the tones and colors of the film. How did these aspects of the film influence your work?

RG: Each scene had a purpose and some kind of emotion behind it that Stella wanted to portray, whether it’s anger, confusion, sadness, happiness, sexiness… Whatever it is, it’s my job to try to match the emotion with music, or musically support the emotion. The great thing about it was that she was very free with letting me be who I am musically to try to get these points across.

DDF: How does music composition for film differ from composition for albums?

RG: For albums, there’s nothing you have to match it with. When you’re composing music for a film, you’re trying to help tell a story that people are already seeing visually. There’s something already there and you’re trying to attach something to it that emotionally reflects and assists the storyline.

When you do an album, there’s no visual, so you’re creating whatever you want. The visual is in each person’s head. There’s no director steering you towards what to see or feel, but that happens when you’re watching a film. The director is steering you towards a particular emotion.

DDF: What movie music composers are you inspired by and why?

RG: I’m not really inspired by movie composers, I’m more inspired by artists and musicians who do music. If it just so happens that they do a movie great, but there are no film composers I pattern myself after or study, per se.

DDF: What are some of your favorite film scores and why?

RG: I like Love Jones film score. This score kind of reminds me of Love Jones because it’s the story of two young black adults that are really artsy. Both films kind of parallel each other and both use music of their generation to tell their story. The Love Jones soundtrack was full of people of the generation and it was really cool. The Photograph is also full of music of the generation. At the same time, it had some throwback stuff that inspired this generation and used jazz as well. The difference is that Love Jones used Charlie Parker and John Coltrane — jazz from the 40s, 50s, and 60s. This one was more modern. It has music from me and Christian Scott; it used jazz of today.

Mo’Better Blues is one of my favorite Spike Lee films and one of my favorite soundtracks. It featured not only Terrence Blanchard but also Branford Marsalis.

Actor Denzel Washington and director Spike Lee.

DDF: I actually thought of Mo’ Better Blues while I watched the film. Was it your inspiration?

RG: Mo’ Better Blues is definitely one of my favorite soundtracks like I said earlier. When most films use jazz, they use jazz from the 20s-60s; they rarely use jazz of this time period. Mo’ Better Blues was made in the 90s and used music and musicians of that era, and that’s what made it really dope to me, so this feels like the same thing for sure.

DDF: What would it mean for you to win an Oscar? Is that the goal?

Robert Glasper and actor/rap artist Common celebrate their win at the 2017 Creative Arts Emmy Awards

RG: I’ve already won an Emmy for my work on Ava Duvernay’s documentary The 13th on Netflix. I wrote the ending song featuring Common and Bilal. So it would be amazing to win an Oscar. Most musicians aim for a Grammy. I’ve been blessed to have a few Grammy’s and an Emmy so to get an Oscar would really be icing on the cake.

DDF: If you can choose one song from your catalog to describe The Photograph, what would it be?

RG: I’d probably say a song I did on my Black Radio album called “It’s Gonna be Alright” featuring Ledisi. It’s saying no matter what the ups and downs of life or a relationship, there’s always sunshine, there’s always a bright side. These particular movie characters had their ups and downs in their relationships and they found a way to make it work, so I’d probably say that song.

DDF: How have you grown as a score composer since your first movie project?

RG: I’ve grown a lot. I’ve just learned how to read and understand directors better. My musical palette is bigger. Understanding how to bring in different vibes from all across the global palette of the world. I’ve had to mix all kinds of styles of music, some I’ve never had to tackle before to bring across one scene. It helps you grow, the more knowledge you have, the better. For instance, in this film, I had to compose some New Orleans music and I’ve never had to do that before. Having to compose styles outside of what you’d be personally oriented to create has just made me a better musician.

Robert Glasper was a perfect choice for the Photograph soundtrack. His musical talents paired with Issa Rae’s and LaKeith Stanfield’s acting skills plus Stella Meghie at the helm, audiences everywhere are in for a treat. It’s artistic range, both directorial and musical, feels similar to the Spike Lee classic Mo’Better Blues. Anyone familiar with the 90s classic would find this a testament to The Photograph’s contribution to cinema today.

The soundtrack by Robert Glasper also features music by artists Lucky Daye and H.E.R and can be found on platforms like Google Play, Apple, Spotify, etc. Watch The Photograph in theaters now then run and buy the soundtrack. You’ll be thankful you did.

12Feb/20

The Photograph is About Loving Imperfectly

February 12, 2020Culture, FIlmDapper Dr. Feel, Issa Rae, LaKeith Stanfield, Stella Meghie, The PhotographDapper Dr Feel

It was the late Toni Morrison who said “Love is divine only and difficult always. If you think it is easy you are a fool. If you think it is natural you are blind.” This quote sums up the new romance film, The Photograph. The Stella Meghie helmed project follows Mae, an art curator who learns about her estranged mother’s past through a letter she left behind. This letter leads Mae to a romance with rising journalist, Michael Block.

Issa Rae as Mae Morton in “The Photograph,” written and directed by Stella Meghie.

Loving Imperfectly

The beginning of the film starts off with a VHS interview of Mae’s mother saying she wishes she could love others like she loves her work. Her mom’s obsession with her work (and emotional abandonment of Mae) causes the adult version of Mae to live her adult years unbalanced and living day to day laden with her past. This aspect of the film is crucial because it shows how mental health plays a huge role in our relationships and lack thereof.

We see a poignant example of how mother-daughter relationships (and the way in which they treat each other) is, for sure, generational. Here, Mae’s mother was kicked out of her home because her mom was sick with cancer and didn’t want her daughter to see her waste away. Mae’s mother did the same in keeping her own cancer a secret from her daughter. These actions seem cruel at the moment, but they were only loving imperfectly.

Fast forward, we see two people romantically loving imperfectly, not knowing what to do. They’re walking on the tight ropes of dating, afraid of heights, and praying to God they make it to the other side where meaningful relationships reside without falling off. Let’s be real. Nobody wants to fall off that rope just to jump up and do it all over again with someone new and unfamiliar.

(from left) Michael Block (LaKeith Stanfield) and Mae Morton (Issa Rae) in “The Photograph,” written and directed by Stella Meghie.

Taking a Chance

One aspect of the film I find undoubtedly relatable is Michael dealing with his emotions. After being dumped by an ex whom he planned to marry, finding vulnerability within himself again in a loving relationship was a difficult task, I’m sure. We see this in The Photograph as Michael falls for Mae and is entranced by her beauty. I know many have been in this situation. I know I have; building with a woman like Mae, a woman who fears heartbreak and is consistently ambivalent when things get serious.

When Michael finds the love he’s been looking for and his emotional barriers shatter, all this is threatened when he’s hired by his dream job at The Associated Press… in the UK! Far from New York and from Mae, the internal struggle commences as he figures out how to break the news to Mae. I thought to myself, “What would I do?”

Interestingly, Issac explained to Mae a similar scenario that he and Mae’s mother were in years ago. After she learns of Michael’s decision to relocate, she (as her own father did years ago) decides not to fight for the love of her life and just let things play out as they would.

(from left) Asia (Teyonah Parris) and Kyle Block (Lil Rel Howery) in “The Photograph,” written and directed by Stella Meghie.

Family Dynamics

From the positive imagery of a happy black family consisting of Lil’ Rel Rowery, Teyonah Parris, and two beautiful little girls to Mae’s father and stepfather, the family dynamics shown were awesome. It’s amazing how so many aspects of Black relationships are portrayed without crossing over into the comedic genre we’re so used to seeing in Black cinematography, i.e. Welcome Home Roscoe or Death At a Funeral.

One can really appreciate the directorial angles during dialogues, the lighting, and the colors used to add to the ambiance of scenes. Add to that the sheer talent of the cast. I’m very happy to have seen The Photograph and look forward to watching it again, just to see what else I can fall in love with about this film.

The Photograph is a necessary film for our culture and for our future. It is our Mo’Better Blues and, most importantly, it is a deep dive into what’s needed for Black people to have successful relationships – honesty, patience, therapy, and understanding. I am happy this film exists and I look forward to the many conversations it will stir up. This film is a must-watch I would personally like to thank Stella Maghie and the cast for giving this film life.

The Photograph

Starring : LaKeith Stanfield and Issa Rae

In theaters February 14, 2020