Tag Archives: Film

25Aug/19
DC Black Film Festival

The DC Black Film Festival Rocked its Third Year

If you didn’t attend the DC Black Film Festival this past weekend then you missed out on some really great films from some talented creatives. Hollywood still struggles to represent diversity in the industry but, with events like the DC Black Film Festival,  people can enjoy quality films about people of color and not the rhetoric that Hollywood loves to repeat. 

There were over 50 films shown that had me laughing, crying (I call it eye sweat, lol), and, most of all, sympathizing with some of the characters on screen that look that like me.

“People of color have a constant frustration of not being represented, or being misrepresented, and these images go around the world.” – Spike Lee 

Below are some films that I loved.  

We Want to Make It A film that explores the journey of young musicians (Jourdan, 14yrs old, and Tarron) as they strive to make their way from performing on the DC metro to stardom. It’s a very well done piece that shines light on Black youth doing something positive with their talents instead of becoming a statistic out on the streets. 

The DC Black Film FestivalMe Time A hilarious short, done by Iyabo Boyd, that had me laughing the whole time. This film goes into the thoughts of a young Black woman (portrayed by Adnike Thomas) who just wants to find her own peace of mind while reaching her happy place and maybe an orgasm along the way. This film has a Nutty Professor feel as the very talented actress takes on all the various roles in the film. I went from chuckling in my seat to choking on my water with laughter. 

Slave Cry A film, by Jai Johnson, speaks volumes on the issue of token characters that Black people are offered in hollywood. With films like Black Panther having much success and displaying diversity in the Black community, hollywood still has a long way to go. Slave Cry was a well written film that made me feel so bad for the lead character, played by Courtney Jamison, as she learns that no matter the level of talent, the entertainment business still needs to work on diversifying characters in their projects. Thank God we have a well selected Ariel for the Little Mermaid and thank God Jai Jackson made this film artist can relate to. 

Roasted A hilarious short film that has a Ferris Bueller’s Day Off feel which follows a coffee shop employee who talks about his work day dealing with customers, making coffee, putting up with his boss, working solo and enjoying time listening to music while writing. His expression and body language change from animated to annoyance as he switches his focus from the audience to the characters in the film. 

The DC Black Film FestivalEmmett One of the standout features about a boy genius  (Miles Brown from Grown-ish) that deals with social issues, being a championed student of color, and adapting to change and maturity. This great film was both relatable and touching as it took me back to my days in my youth and adapting to life as an over achiever in academics. This film sets the tone as it really touches on some of the issues we’ve all dealt with. 

LiME A story of a young man’s hardwork and success of achieving his goals threatened by bullies who attack him based on his lifestyle. Truly a touching story of how cruel people can be and how beautiful the human spirit can manifest surrounded by the right crowd. Creator/director, Donta Story, put together a great short. 

East of the River East of the River, by Hannah Peterson, is a compelling story of how a young girl, her highschool mate, and former schoolmate now sex worker connect through exploring the streets of DC. I think this film had great chemistry amongst the actors. Their relationship was very ambivalent, because it felt a little romantic. Nonetheless, the young DC natives did an amazing job!  

The DC Black Film FestivalUna Great Movie Explores the world of a Black female screenwriter and her hopes of getting her film picked up. The film also follows the lead character in her film as the two worlds reflect the difficulties of having creative and unconventional Black love stories, as the character portrayed in the screenwriter’s film looks to rekindle an old love that is of Mexican descent. The creator and director, Jennifer Sharp, explained the difficulty in getting new and fresh content 

The Call Angel Weaver’s work is a film that captures the moment when a girl receives the phone call from her brother locked up in the prison system. The film showcased the unsettling experience of receiving the call, with a hilarious beginning that shows that the call can come at any moment.  

Corey Creator/director/actor, Steven St. Pierre, put together a touching film about a Black man that has a difficult relationship with his wife, who has a drug addiction, and is raising his daughter while shielding her from the ugly truth about her mom. By the end of the film, the audience discovers why Corey works hard to keep his emotions together and his daughter safe emotionally. 

The Right Swipe A show about two female friends that start a business helping men find matches on a dating app by curating their profiles. Although I have had little experience on dating apps, I found the pilot interesting and humorous. When I asked co-creator and Maryland native, Kyra Jones, about the show, she explained, Through our research, we found that Black women and Asian men are less likely to get different matches. Even the cast is diverse, we wanted to make sure that we brought Black love to the forefront of the show. The show discusses how complex and how difficult it is to find romantic partners.” Watch the pilot here!

Together This film was one of the moving films of the festival. The story of Black love between an older married couple as they hold true to their vows through sickness and health. The film left me and those in attendance in tears as we saw the astonishing acting of EFE (2019 DC Black Films Best Actress) and her co-star show love at its best. There is talks of this being developed into a full feature film and I can’t wait to see it. 

Having the Peele Appeal Night at the table and Dog Person are films from the film festival that had a Jordan Peele feel to them. It’s no surprise that the creatives of the films are inspired by Jordan Peele. 

Night at the table A horror film that had definitely gave me a chill, from start to finish, as the film introduces a normal Black family that is more than just that. The director was inspired by the film Hereditary and even coached the lead actress to channel the mother of the film Hereditary. The multi-talented creative describes her films as being consequential pain in two words. 

Dog Person If you loved watching the film Us by Peele or Tusk then you have to see this short film by Justin Fairweather. It’s a little disturbing in some parts but entertaining nonetheless. With a good performance by Jordanna Hernandez, Dog Person left me wanting to see what more films from Fairweather and hopefully a feature that have audiences everywhere entertained. 

Who is Kevin Sampson?

Kevin Sampson is the BrainChild behind the DC Black Film Festival. He said it all started when Think Like a Man 2 came out and he was a little upset while he watched it because it was less about Black love and more of the Kevin Hart show. He explained that “We (Black people) only get a few movies per year and this is how we wasted it and maybe sometimes we need that.” 

He then wrote an open letter to creatives everywhere explaining that black creatives have to do better. Many people including some hollywood actors commented on it. This inspired him to start a kickstarter for a documentary about Black Hollywood. The Kickstarter wasn’t successful but that led Kevin to create the DC Black Film festival. A place where Black people can showcase their talent and love for Black people. 

Fast Facts About Kevin Sampson:
  • Graduated from American University Film school with a MFA in Film & Electronic Media 
  • Created Picture Lock, an entertainment website, radio show/podcast, and hour long film review TV show.
  • Director of the Rosebud Film Festival since 2013. 
  • Created Picture Lock PR to represent independent films. 

The DC Black Film Festival was an amazing event and a success in it’s third year. It is important that we have events like these to not only show people of color on screen or Black culture but the diversity within the Black community. I think the DC Black Film festival will continue to grow to inspire young creatives and encourage people to watch quality films.

Winners From the Festival:

DC Best Film “ We Want to Make It”

Best Student Film “Masks” 

Best Web Series “The History of White People in America”

 Best Short Film “East of the River” 

 Best Experimental Film “Here”

 Best Documentary Feature “Owned: The Tale of Two Americas”  

 Best Narrative Feature “Una a Great Movie” 

 Best Director Mahaliy Ahayla O

 Best Actress Efe

 Best Actor  Roderick Bradford Jr. 

 

16Jul/19
Gbenga Akinnagbe

Gbenga Akinnagbe Discusses DC Noir, Theater, Activism | Exclusive

Gbenga Akinnagbe, DC NoirAs I interviewed Gbenga Akinnagbe on the red carpet at the Tribeca Film Festival premiere of Luce, I began to think of how his career and activist work reminded me of Harry Belafonte – without the singing voice of course. They were both born in the United States and have parents native to outside of the United States. Harry Belafonte’s parents were Jamaican and Gbenga Akinnagbe’s parents were Ghanaian. Besides both being talented actors in both TV and theater, they both have served as advocates for not only the rights of African Americans but for others who have had their rights constantly threatened. 

To catch his attention I inquired about his article published in the New York Times, My Left Foot: The High Costs of Fallen Arches. “Well, I was getting my feet cut up and I was thinking that this was an interesting journey,” Gbenga said about his informative article for the Washington Post. “I wanted to write something for The Times and they were open to it so far as I wrote about the whole journey of a double calcaneal osteotomy, which is the process where they cut your heels and move them over. The whole surgery was wild!” he added.  

When I asked him about the importance of diversity in the entertainment industry he caught me off guard by saying “I’m not for it all, I think there are too many Black people and shit!” After gathering myself and wiping off the ‘you for real?’ look off my face he chuckled and responded with “I think it’s great and I think it’s necessary to what people have been calling for a long time in the industry. I think the industry is beginning to finally crack open and embrace diversity. It’s not a new day yet but it’s the beginning of a new day.”

Gbenga Akinnagbe’s Debut 

Gbenga Akinnagbe, DC NoirThe DC native had his directorial debut in George Pelecanos’ DC Noir; a series of four short films that come from stories written by Pelecanos centered around the Washington, D.C. area in Noir fashion. Gbenga explained that the noir style was explored a little in the Wire but, with this project, it fully unboxes the genre. The series also featured creatives and actors from the Washington, D.C area. 

The stories are all emotional, poetic, dark, realistic, and definitely magnify the social issues that saturate the media. More notably, they focus on the relationships between civilians and police. There is an interesting perspective of police in the episode directed by Gbenga where you have a hard working a detective with integrity and an officer the polar opposite with intentions that are self-driven. 

Gbenga Akinnagbe described DC Noir as such: “With the noir genre, you can tell a lot of different stories, especially darker stories that usually involve things that I am very interested in highlighting. So being able to use this genre to highlight social injustice in the D.C., Maryland, and Virginia area is important to me. We are all from the area.”

DC NoirIn the short, “String Music,” directed by Gbenga Akinnagbe, star rapper, Wale, cousin of Gbenga, put on a good and convincing performance. Wale definitely added flair to the role. Gbenga went on to mention, “I did cast Wale as my antagonist in the film, I got to cast the actors for my piece and I was lucky to be able to get him in my film with his busy schedule and all. I gave him as much acting tips as I could, as an actor, as his director. He has a natural talent, he is a creative as you can tell from his music and it translates on screen.”

Other episodes of series DC Noir have been directed by Stephen Kinigopoulos, George Pelecanos and Nicholas Pelecanos. All of the films were written very well and well directed with very compelling subject matters.

Easy Like Sunday Morning 

During an early Sunday morning phone interview with Gbenga Akinnagbe, I realized that although he had similarities with Belafonte, he is carving his own place in entertainment and activism using his platform. An inspiration to people of all ages, especially the young Black men in the DMV, Gbenga is making waves from TEDtalks to protests outside of his creative career. The young Nigerian boy from Silver Spring, MD has grown to be a gifted artist and humanitarian who isn’t afraid to put energy into the things and people he loves.

His passion for politics came at a young age. “I’ve always been  interested in government systems that people live in and how some of social groups operate in the system as well. Maybe it’s the Nigerian in me that loves to talk about international themes and politics. I didn’t know what that was when I was younger, I just knew I had an interest in it.” 

To Kill A MockingbirdThis is the reason he enjoys taking on projects like “To Kill a Mockingbird,” a stage play written by Aaron Sorkin based of the book of the same name in which Gbenga plays Tom Robinson and co-stars with Jeff Daniels who plays Atticus Finch. 

Gbenga’s inspiration for his role on Broadway comes from his own life. “I think my whole existence as a Black man in the United States is what I brought to portray the character in To Kill a Mockingbird. We also had good writing to be our guide from both the playwright and the book. My experience influenced how I saw Tom’s life, how people interacted with him, it was a relevant piece when it was written and a relevant piece now.” Gbenga explained. 

“When I accepted the part, it was exhilarating. I was prepared for the long hours, the conversations dissecting race and class, and what the role would demand of me. I loved the work. I still do. What I did not anticipate was how deeply it would affect me — how wearing it would be to play a part that makes me the daily object of racist invective and racial violence for a majority-white audience.”Gbenga Akinnagbe from the Washington Post article Every night, racists kill me. Then I leave the theater for a world of danger.

Gbenga explained that he often thought about the lives of people like Tamir Rice, Trayvon Martin, and Saundra Bland, that were victims that were unjustly killed. He mentioned that he has known Sybrina Fulton (Trayvon Martin’s mother) for years now and it was a tragedy when Trayvon was taken. “Once you meet them (parents/family of the unjustly killed men and women) and you see their work, their work is more personal. I can’t see how people can play this role and not think of the Black and brown people that have lost their life that way.” Gbenga said. 

We also talked about his clothing line, Liberated People, which is dedicated to making political statements and support through fashion. Some of the proceeds go to selected foundations. He explained “I have been a part of protest around the world and in the streets with people from different backgrounds and languages, but everyone was out there for the same thing, which was human and democratic rights. We felt that we were in this struggle alone in our own subgroups and relating to others going through the same struggle. After seeing this I wanted to make something that highlights the struggle, the liberation is something that we have in common and if we recognize the struggle for liberation as sisters and brothers in different locations around the world, we can unify as a stronger impact.”

The Future

I asked Gbenga what were other writing projects he had in mind and he said “I am working on something right now, some books and scripts. I enjoy writing a great deal and I want to continue to develop as a writer.” 

Thus far as I have been fortunate to work with George Pelecanos, David Simon and Ed Burns in my early 20’s. Reading their scripts from The Wire, and the Duece and just having them around as mentors has been super helpful. I also enjoy books from Don Ridley, Stephen King, and just recently I have been reading Ta-Nahsi Coates. I don’t read as much as I used to.

Gbenga at the Luce premiere at the Tribeca Film Festival. (Photo by William Baldon.)

Gbenga has a promising future ahead of him in both the political and entertainment worlds, but has no interest in running for politics because he never has been attracted to it due to its practice in this country.  He further explained that “The money game is really not for the people but of the people. I don’t want to contribute to that. I’m already taking part in activities that help make changes for the better.”

Gbenga Akinnagbe will continue his put out quality projects and actively fight the good fight. Here’s to hoping he will be valued as much as impactful Black creatives like Nina Simone, Dick Gregory, and yes, Harry Belafonte. 

31May/19

Another Dream, a Tribeca VR Immersive, tells a Story that Needs to be Heard and Felt

Another Dream

Tamara Shogaolu and Dapper Dr. Feel aka Felipe Patterson. (Photo by William Baldon)

Love is hard to find in this world, so image finding a bond with someone so deeply that you can’t stand being away from them. Now imagine having to hide that relationship, restricted from fully exploring it in fear that you will be disowned, harmed physically, or killed. So you escape with your partner, leaving behind family friends and a life within a community, to have emotional and relationship freedom. That is the case for the two women in the virtual reality (VR) immersive, Another Dream, by Tamara Shogaolu.

Another Dream started out as a collection of interviews that were collected by Tamara and journalist Nada ElKouny over two years in Egypt. They interviewed many women, ethnic minorities, and people of the LGBTQ community about their experiences.

These stories needed to be heard because their relationships, in the eyes of some people in Egypt, are seen as immoral; having the livelihood and lives of people in the LGBTQ community threaten due to aggressive homophobia.

“After the Revolution, people became very open and started to reimagine what Egypt could be. What stood out to me about the experience was a lot of the queer voices and stories had optimism that things were going to change,” Tamara Shogaolu explained about her interviews.

Another Dream has more themes of discrimination within the project than that of the LGBTQ. When it came to explaining this Tamara stated, “For me, it’s not only about the LGBTQ community in Egypt, it’s also about when the characters come to Europe they face racism. You leave one form of discrimination to another form of discrimination. I think that is a global issue of how we create our own empathy and compassion so that we can all be better humans.” She then added, “With this project, the intersectionality of their identity goes that they are LGBTQ but they are also people of color, and even within the LGBTQ they face discrimination.”

Another DreamTamara mentions that the word refugee is misinterpreted, elaborating, “The word refugee has been highly politicized. If you really think about it, it’s someone that is forced from their home and I think people forget that. It means we don’t want you here and there are people that have whole lives, like the characters in our story. One is an engineer and the other is a medical professional. They have to leave that and start from scratch. They are doing well, back in school re-studying the occupation that they were doing, in another language, while only being there for two years. That’s amazing.”

FYI: There are some cases where authorities in Egypt have stepped in opposition to the LGBTQ community. In this case, eight men were jailed after their gay wedding video went viral showing two men kissing.

The Another Dream VR Experience

Another Dream

Dapper Dr. Feel experiencing the VR immersive Another Dream (Photo by: William Baldon)

Another Dream is a virtual reality immersive that pulls you into a world where two lesbian lovers have their relationship and love tested through many challenges. Two lovers are first introduced to you with their dog while sitting on a couch. As their story begins, the environment changes to match the narration of the two. The colors and visuals evoked emotions that allowed us to sympathize more with the couple telling the story.

The experience is very interactive, having intermissions where I had to use a laser pointer (almost a like a lightsaber from Star Wars, so I was geeked!) to trace positive Arabic words. Upon completion, I moved on to the next part of the story.

Another DreamThe most beautiful scene was that of the city; it’s a mix of colorful hues and sounds of the environment that are highlighted by the dark of night. I found myself floating as if I were on a magic carpet ride from Aladdin when exploring the area. It’s definitely amazing work by the VR and sound team.

During the journey, I got to a part of the story where the two lovers escape to Europe overnight because their love for each other is not accepted and one of them was set to wed in an arranged marriage. At this point, I felt the cold and dark of night, the fear of being captured by those in search of the two or just any random stranger that could harm the women on their search for refuge.

When the characters arrive in Europe, you feel the eyes of judgment and unfamiliarity of them being women of color as characters shop at the local grocery.

Eventually, they become comfortable in the fact that the only thing that matters is their love for one another. By the end of the experience, I felt happy for the two coming to the revelation that they were safe and although they are starting their lives together, they can do it happily together.

FYI: Another Dream is part of an animated transmedia series, Queer in a Time of Forced Migration. The first part of the series began with the first short Half A Life.

Who is Tamara Shogaolu?

Another Dream

Tamara Shogaolu and Dapper Dr. Feel aka Felipe Patterson. (Photo by William Baldon)

Tamara Shogaolu is a talented director/creator/artist from a multifaceted cultural background. While studying economics at Occidental College in Los Angeles, CA, she was convinced by a professor to study film after creatively using it in her economics research projects.

From there she earned her MFA from the University of Southern California’s School of Cinematic Arts and her previous work, Half-Life, is a short film that has garnered many awards. Not only has her work has been featured all over the world in galleries and festivals, but she also is the creative director for Ado Ato Pictures.

Seeing Through It All

I didn’t know what to expect when I first put on the VR gear but I am glad I went to the experience with an open mind and with no expectation. This experience is a learning tool that may help others understand that love shouldn’t only be celebrated and hindered.

With the work that Tamara and her crew have put into this project, I am happy to say they have achieved the goal of both creativeness, experience, and informing the audience. Hopefully, Another Dream will touch enough people that it will allow people to safely and openly love whomever they want without any hindrance.

29Oct/18

Boom for Real: Documentary Paints Stunning Portrait of Basquiat

For Real. Instead of depicting Basquiat’s story as an isolated tragedy, Director Sara Driver diligently addresses the circumstances and environment that the Artist’s life was lent to. No debating his greatness, Boom for Real takes on Jean-Michel as a feeling and thinking human being. One who interacted and lived his life with intention. Focused on the accounts of friends and contemporaries, the viewer gains perspective and insight to some of the intricate parts behind the Artist so many have come to love. The Soho art scene, the popular clubs, the music culture — his fellow artists reconstruct a wild and sometimes crowded portrait while managing to place Basquiat neatly within it. Fab 5 Freddy, Al Diaz, and Lee Quinones are just a few of the remaining staples of that period who appear on-screen.

For 78 mins, both you and Basquiat watch from afar; you through the silver screen and him through wrinkles in time. You actually rarely get to hear him speak during the documentary. It’s almost as if the very words that his peers speak are forming the images of him. Throughout the film, he flips on and off of the screen. Sometimes he’s a still close-up while other times it’s his full body in reverse motion. This allows him to feel to the viewer, at once, both omnipresent and imaginary. Perhaps this powerfully alludes to the artist’s eternal presence in the art world; Lord over the renegades and disruptors yet to come. As opposed to allowing Basquiat to speak for himself, Boom for Real bestows upon those who were akin to his flame the task of reconstructing his essence. He, young, beautiful, and full of potential. Perhaps they even succeed in conjuring his very existence, because by the end of the documentary you will feel as though he is someone you have sat with, hungered with, and grown with. Not only as if you have known him, but as though you also lived through and were shaped by that time and era.

If you are looking for fundamentals such as the likes of family life etc, you will have better luck digging through public record. Appropriate, seeing as how Boom for Real addresses the artist’s teenage years, for most of which he was homeless on the city streets. For a feast of form figuratively following function, allow the film to take you to the very streets and people that shaped his formative teenage years. The years that led to him being the Basquiat that is written in stone on our hearts.

More information about the film can be found here.

08Jul/18

Actress Toree Alexandre Talks Playing Young Mariah on Luke Cage

Toree AlexandreWhen it comes to bright new talent in entertainment within the Black community, many of these creatives can be found at or have attended the American Black Film Festival in Miami. I found myself attending the film festival and I wanted to hear from Mr. Black Panther himself director Ryan Coogler speak about his journey to the being one of the hottest directors. While there I experienced the positive vibes from being around all of those in attendance. It was euphoric and energizing, Black excellence at its finest. There were many activities going on for attendees to partake in, one of the most entertaining was the HBO comedy competition hosted by Yvonne Orji aka Molly from Insecure. Before Yvonne’s comedic talents slew the audience, I happened to meet two actresses; one very charismatic Amber Jones and a very shy, jovial Toree Alexandre. We spoke about projects and exchanged business cards, little did I know one of these actresses played the younger version of the villainous Black Mariah on season 2 of the hit Netflix series Luke Cage

Dapper Dr. Feel: How did you get into acting?

Toree Alexandre: My mother was a ballerina in England, and she put me in dance classes growing up, so I was performing in dance recitals from a young age. The turning factor, however, was when I played Johnny Appleseed for a history assignment in my second-grade class. When I put that metal pot on my head and got up in front of my class to perform, I knew I wanted to play Mr. Appleseed in a feature film one day.

DDF: What was your reaction to getting the Black Mariah role?

TA: I was at my desk at work and I screamed (internally), and cried a little! People at work already see me talking to myself daily, whether it is to memorize lines, or just a friendly convo with me, myself, and I – so they didn’t think anything of my strange behavior.

DDF: You mentioned you love classical theater, what made you get into it?

TA: The juiciest part of getting to know my characters is text analysis, and many classical pieces give you tons of text to sift through. From the metaphors to the parallels to the allusions to the rhymes to the symbolism to the imagery, it all gives you an inkling of how the playwright created the truths of the characters you are portraying, and how you as the actor can then insert yourself into the mix and do justice to those fully-realized characters. The depth, backstories and the intelligence of the Shakespearean characters are absolutely enthralling. I write poetry and am working on a few scripts, so I definitely take notes from great writers!

DDF: What was your process of preparing for the role?

TA: I watched the first season of Luke Cage, studied Mariah and her habits, imagined all of the things Mariah would do if she were on vacation in Jamaica, looked deeper into her relationships with Mama Mabel and her Uncle Pete, and how that played into her interactions with people and her hopes and dreams for the future of Harlem… also, dissecting what snapped inside her head for her to pitilessly pulverize her cousin to a pulp was a trip and a half… Ms. Woodard was captivating in that scene; I loved it!

DDF: What is the difference between theater and film?

TA: It’s just a different medium, so the scale is changed and you make adjustments accordingly. There is no real difference; it’s all acting! It really depends on the style of the show itself, that is part of what informs an actor’s choices.

Toree Alexandre

Actress Alfre Woodard as Mariah Dillard on TV show Luke Cage

DDF: Did you get to meet Alfre Woodard (Adult Black Mariah) or any of the main cast?

TA: Unfortunately, I didn’t get to meet Ms. Woodard (yet), but I was so grateful to have met LaTanya Richardson Jackson, Curtiss Cook, Jayden Brown (and his granddad), Chaundre Bloomfield, Mehki Hewling, Shannon Harris, and Jeff Auer. A lovely group of people!

DDF: How does it feel to be apart of a series that celebrates Black women?

TA: Black women are an integral part of how and why we are all here today. I celebrate Black women daily, so Luke Cage fits right into the puzzle! It feels like I am honoring the influential women in my life, so if I can honor them and pursue my passion simultaneously, what could be better than that?

DDF: What are your goals short term and long term?

TA: I am going to be a full-time actress and writer. I will be on stage and on the silver screen! I will travel the world. I will go back to school to study medicine, or mathematics, or both! My ultimate goal is to be of assistance to those in need.

DDF: What is your advice to young women in entertainment?

TA: Wah fi yhu, cyaan unfi yhu, as my grandmother would say. In other words, what’s for you is for you. Be your best self, work hard, be happy wherever you are and in whatever you are doing, and God and the Universe will take care of the rest.

Make sure to follow Toree Alexandre as she makes her way towards stardom in Hollywood and theater.

12Feb/18
Tracy "Twinkie" Byrd

Tracy “Twinkie” Byrd Releases her Director Debut for “The Counter: 1960”

After 27 years of working as a casting director for famous music videos, TV, and films including Being Mary Jane, Fruitvale Station, and Southside With You, Tracy “Twinkie” Byrd releases her first film as a director, writer, and producer, The Counter: 1960. The Counter: 1960 is a short film inspired by and motivated to bridge all races, cultures, and generations. Co-written and co-produced by Ashley Jackson and produced by Kimberly L. Ogletree, The Counter: 1960 hopes to create a change within the film industry by bringing light to such less represented narratives.

The film has been selected for screening in the 26th Annual Pan African Film Festival (PAFF), the Hollywood Reel Independent Film Festival, as well as the 10th Annual Jaipur International Film Festival in India. In addition, it has received Gold and Silver Awards at the LA Shorts Awards and the NYC Indie Film Awards in 2017. Based off of a true story, the film begins with three North Caroline University students, Joseph (Jerod Haynes), Diane (Ashley Jackson), and Franklin (Etienne Maurice), who are completely frustrated by a constant string of police killing of the unarmed black youth. They decide to meet and think of what it is students like them can do to contribute to positive change. The film’s plotline unravels through a bridging between different temporal backgrounds and settings.

Screenings: Tue, February 13th @ 6:25PM
Thu, February 15th @ 3:30 PM
Baldwin Hills Crenshaw Plaza Rave 15 Cinemas
3650 W Martin Luther King Jr Blvd
Los Angeles, CA 90008