Tag Archives: Dapper Dr. Feel

Taji Vol29: Wata

Release Dec 7 2021 | Vol29 of Taji is packed full of Black Beauty & Culture fulfilling its theme of Wata! This volume’s cover features the #SlayBells of @Honey.Scarlette captured by @TheOneWillFocus3. Gracing the pages are the Editor’s Pick, #BlackLoveConvo: “SPIKE: A Collection of Movie Photography With Contributing Photographer, David Lee” by Dapper Dr. Feel; our Community Spotlight, MAKEDA Maska-Fleurs by FLORAFFIA©; our highlighted Hair Feature with the Moriri project; “Solo Travel: Now That I’m Outside, Here’s How I’m Managing My Travel Anxiety by dCarrie; “A Simple (But Not Easy) Formula for Freedom” by Jashua Sa’Ra; “Pedagogy in a Pandemic” by Janelle Naomi; Our Vol 29 contributed photo story, “Wata;” Fitness Highlight; Vegan Fun with Earth’s Pot’s Creamy Dream Pasta; “Eugenics & Economic Depravity by the Numbers” by M’Bwebe Ishangi, Founder of Cryptowoke Financial Sustainability Movement; Around The Way Girl Da Remix by Kaloni Cush of Seven Essential Creates; Featured Art Piece by @CraigCTheArtist; Comic Appreciation; Black Business Highlights; and more!!

Purchase your copy now at ‘Shop Taji’!

Taji Mag Vol29 Wata

Purchase Taji Mag | Vol 29

Taji Mag is the epitome of ‘Cultural Drip’ – elevating Black brands, narratives, and imagery to new levels of Black Excellence. We embody the traditional and modern royalty of Pan-African people via our quarterly digital and print publication and live events.

31Aug/21

Candyman: A Horror Classic Filled With Social Commentary

Candyman
Yahya Abdul-Mateen II as Anthony McCoy/Candyman

I remember when the original Candyman first came out, I was scared out of my mind. Granted, I was only eight years old. To even think about saying his name five times in the mirror was a no-no because in my mind the Candyman was real. When news broke that Nia Da Costa and Jordan Peele would be working on the project, I knew horror fans would be in for a treat! This film (unsurprisingly true to its predecessor) provides horror, social commentary, storytelling, and lots of great camera work!

The Candyman Victims

In the first two candyman films, the victims were plenty and there was no discrimination. Candyman was carving up more people than a butcher on meat special Sunday. The 2021 film’s victims were all white and represented some of the stereotypical racists the Twitterverse has made famous of late, starting off with the arrogant art dealer and his girlfriend. This scene was artfully done as they could not see Candyman firsthand, but could only see his reflection (this visual occurs throughout the film). As Candyman is about to murder the art dealer, he slices through a projection screen showing Black people being violently attacked in the 50s during a protest; clearly, he is done with the historical injustice and ready for blood. Not only that, but the different parts of the art space flash red, white, and blue which could represent the American flag or police lights as the victims are being slain.

The rude and arrogant art critic was the next one to go after. She had me pissed after telling Anthony, a budding artist portrayed by Yahya Abdul-Mateen II, about “his kind” ruining neighborhoods, an insult not only to him but also to his work. She said “artist” but the audience knows she meant “Black artist”. Before the art critic’s demise, Da Costa visually deceives the audience with the usage of reflections, mirrors, and camera angles. As Anthony walks the hall of the art critic’s home, he sees the reflection of Candyman and even sees Candyman mimicking his movement. This is preparing the artist to follow his destiny to become Candyman and it also shows that he, too, could be a victim. 

The teenage girls getting slaughtered in the bathroom scene was very reminiscent of today’s social media culture. Those girls did not give a damn what was going on and wanted to play the Candyman game. Their Asian friend fleeing the bathroom before saying Candyman for the fifth time had the audience cracking up because she obviously knew what was up and did not want that smoke. This murder scene in the bathroom was interesting. Seeing the girls pulled, cut, and lifted by Candyman’s hook without anyone actually seeing him was crazy. Great camera-work and editing made the invisible antagonist even scarier.

Side Note: Why didn’t anyone acknowledge that Anothony’s hand looked like a prop from a zombie apocalypse movie? Eventually, Brianna said something, but damn his hand looked disgusting after the bee stung him. Could he get some Neosporin or something? 

Candyman
Teyonah Parris as Breanna Cartwright

Candymen 

I am not sure if the Brianna character’s name was inspired by Breonna Taylor, but I am going to assume that it was. To see her character go through so much and to witness the police bust into the row house and kill Anthony was definitely triggering. Nia De Costa did an awesome job hiding Anthony’s body from the camera’s view, creating a moment where the audience is not sure if the police shot Anthony or if they shot Brianna. That moment reminded me of the tragic story of Breonna Taylor and how her boyfriend, Kenneth Walker, felt while holding her. 

The sequel tie-ins and legend of Candyman were also well written and showed that there were others who carried on the Candyman spirit. The way each was killed was much like how many innocent Black men and women have been killed. As Anthony, the final Candyman, walks around the police car showing the faces of the various Candymen, I could see the victims Breonna Taylor, George Floyd, Atatianna Jefferson, Philando Castile, Saundra Bland, etc. 

The stories told via shadow puppets were a great idea. It gave creepy vibes but played on the idea of how many of us used to tell campfire stories and use shadow puppets for effect. It made me think of the television show “Are You Afraid of the Dark?”. 

Candyman
Colman Domingo as William Burke reading Clive Barker’s Weaveworld.
Clive Barker wrote ” The Forbidden” the story in which Candyman is based.

Was Will Right? 

As crazy as Will Burke, the Laundromat owner in Cabrini Green, was I would have to say he had a compelling reason for bringing the Candyman to life. The gentrification of the neighborhood as well as the police ignoring and killing people would drive a person to take extreme actions. It’s akin to when people ask, “Why are the neighborhood folk destroying their own neighborhood” after the wrongful death of a Black person by a police officer. It’s for the same reason. People get tired of feeling powerless, oppressed, and ignored. In this case, Will had seen enough injustice and wanted to give the Candyman all the blood he could possibly want in the form of justice for his people. Although, I must say he was crazy for kidnapping Brianna and for sawing off Anthony’s hand. Jesus, that was gruesome! Made me cringe! 

“Say His Name!” 

The film ends with a cameo of the original Candyman, Daniel Robitaille (Tony Todd), asking Brianna to “Tell Everyone”. This resembles the “Say Their Names” culture in which we live where we consciously recognize all the victims of hate crimes, police brutality, etc. Candyman exacting his revenge by killing the cops who took his life along with the one who tried to intimidate Brianna into telling a false story is seen as a sort of redemption for Black people, a story of vengeance I’m sure many people of color could appreciate. The idea of turning a horror icon into a spirit of vengeance was a great idea and I am not surprised the three writers came up with the idea to do so. Is Candyman worth watching? I’d say yes! Saying Candyman five times in the mirror? Hell no!

07Aug/21
Taji Mag Vol28 Fire

Taji Vol28: Fire

Release Sept 7 2021 | Vol28 of Taji is packed full of Black Beauty & Culture fulfilling its theme of Fire! This volume’s cover features features the #SlayBells of @Queen__Reinvented. Gracing the pages are the Editor’s Pick, #BlackLoveConvo: “Bitchin’: The Sound and Fury of Rick James is a Music Love Story” by Dapper Dr. Feel; our Community Spotlight, Lady M Mannequins; our highlighted Hair Feature with Debra Hare Bey; “Solo Travel: Audacious Adventure” with Ty Vaughn by dCarrie; “The Value of Values” by Jashua Sa’Ra; “The Childhood Challenge” by Janelle Naomi; Our Vol 28 contributed photo story, “Fire;” Fitness Highlight, Dorian DuBois of EFitBrand; Vegan Fun with Earth’s Pot’s Savory Veggie Flatbread; “What Banks Don’t Want You to Know” by M’Bwebe Ishangi, Founder of Cryptowoke Financial Sustainability Movement; Featured Art Piece by @TheOneWillFocus; Comic Appreciation with INFINITUM by Tim Fields; Black Business Highlights; and more!!

Purchase your copy now at ‘Shop Taji’!

Taji Mag Vol28 Fire

Purchase Taji Mag | Vol 28

Taji Mag is the epitome of ‘Cultural Drip’ – elevating Black brands, narratives, and imagery to new levels of Black Excellence. We embody the traditional and modern royalty of Pan-African people via our quarterly digital and print publication and live events.

07Jun/21

Concrete Cowboy: Becoming a Man and Father

Editor’s Pick: Concrete Cowboy.

SYNOPSIS: When fifteen-year-old Cole (Caleb McLaughlin) is expelled from school in Detroit, he is sent to North Philadelphia to live with Harp (Idris Elba), his estranged father. Harp finds solace in rehabilitating horses for inner-city cowboys at the Fletcher Street Stables, a real-life black urban horsemanship community that has provided a safe haven for the neighborhood residents for more than 100 years. Torn between his growing respect for his father’s community and his reemerging friendship with troubled cousin Smush (Jharrel Jerome), Cole begins to reprioritize his life as the stables themselves are threatened by encroaching gentrification.

At first, I thought Concrete Cowboy was a western with Idris Elba taking out a bunch of bad guys with Caleb McLaughlin as his sidekick. Boy was I wrong… it was something better, unique, and necessary for Black viewership. A story about a Black boy reconnecting with his father and his father finding a way to be there for him, McLaughlin and Elba were moving in this father and son drama.  During a Taji Mag invited Netflix interview, they explained their preparation, experiences on set, and characters. 

Concrete Cowboy Taji Mag
CONCRETE COWBOY – (L-R) Ivannah-Mercedes as Esha, Lorraine Toussaint as Nessi, Idris Elba as Harp, Caleb McLaughlin as Cole, Jamil “Mil” Prattis as Paris and Cliff “Method Man” Smith as Leroy. Cr: Jessica Kourkounis / Netflix © 2021

Spoiler Alert

How to be a Man and a Father 

“Harp has been a cowboy all his life. The community of riders look to him as a leader. He’s also a dedicated father but doesn’t know how to be a father. When he sees his son for the first time in so many years, emotions start to bubble because he realizes what his absence has caused,” explained Idris Elba. This was evident as Cole felt Harp did not have the same love for him as he did the horses. There’s a particular scene where Cole says Harp is more than a father to the others in the community than he is to him. This scene was powerful and made me think back to when I learned my parents were not born parents. 

Cole’s issues stem from his lack of having his father around and not having something of interest he could funnel interest into. When he forms a bond with his horse, it’s a thing of beauty and great symbolism. That very same horse would not let anyone tame him and at one point broke loose from the stable, only to be tamed by Cole. “Cole is a complex character, who has serious abandonment issues,” Elba remarked.

Getting Out

“He’s angry with Harp because he wasn’t around. So, he’s having a hard time being separated from his mom, being in a world he’s not used to, and then having to deal with a father that hasn’t been there for him” McLaughlin reflected about Cole. At first, we see a troubled Cole dropped off in Philadelphia and he is scared out of his mind because of the unfamiliar surroundings. He then becomes more comfortable hanging out with his cousin, Smush, and also getting to know the local cowboys. 

Although Smush is a drug dealer, we later find out that he plans to flip ranches to escape the poverty and social strain of his neighborhood. Unfortunately, his means of raising capital is also a game of roulette as the drug game never brings money without consequences. 

Love and Support

The death of his cousin, both a hurtful experience and a reality check, allows him to see what the future may hold for him if he remained on his current path. This family trauma allowed the opportunity for both Cole and Harp to be vulnerable, to be father and son. From there they both make amends continuing to do what they both love, raise and tend their horses. Even Cole’s mother has an opportunity to reconnect, or at least it’s implied.

In the end, Concrete Cowboy was a great film about the growth of a boy and his father while providing exposure for the Fletcher Street Urban Riding Club in Philadephia. It is a welcomed change from the normal Black suffering themes creatives use as a carbon copy. If you haven’t seen it yet, I suggest you add it to your Netflix playlist. 

13May/21

Taji Vol27: Utopia

Release Jun 7 2021 | Vol27 of Taji is packed full of Black Beauty & Culture fulfilling its theme of Utopia! This volume’s cover features the #SlayBells of @UniquelyWiredM and @JaymisonBeverly by @iamNayMarie. Gracing the pages are the Editor’s Pick, #BlackLoveConvo: “Concrete Cowboy: Becoming a Man and Father” by Dapper Dr. Feel; our Community Spotlight; our highlighted Hair Feature with Tajah Olson; “Solo Travel: Building Confidence Through Travel” by dCarrie; “Just My Imagination?” by Jashua Sa’Ra; “The Childhood Challenge” by Janelle Naomi; Our Vol 27 contributed photo story, “Utopia;” Fitness Highlight; Vegan Fun with Earth’s Pot’s Spicy Sushi Rolls; “How to Fight Racism…Financially” by M’Bwebe Ishangi, Founder of Cryptowoke Financial Sustainability Movement; Featured Art Piece; Comic Appreciation; Black Business Highlights; and more!!

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Taji Mag Vol 27 Utopia

Purchase Taji Mag | Vol 27

Taji Mag is the epitome of ‘Cultural Drip’ – elevating Black brands, narratives, and imagery to new levels of Black Excellence. We embody the traditional and modern royalty of Pan-African people via our quarterly digital and print publication and live events.

07Mar/21

Jingle Jangle: The Film All Children Need While Growing Up

Editor’s Pick: Growing up there were a handful of films I watched every year during the holidays. Peanuts Christmas, How the Grinch Stole Christmas, and A Christmas Story were good but none of these films featured characters that looked like me. This past holiday season, the Black community was given a film that we will be able to share and enjoy for many years to come, Jingle Jangle: A Christmas Journey.

Taji Mag was able to speak with Jingle Jangle filmmaker/playwright, David E. Talbert, and his wife, producer/author, Lyn Talbert, about the amazing film. 

Dapper Dr. Feel (DDF): Lyn, what made you convince David to turn Jingle Jangle into a film? 

Lyn Talbert (LT): David’s scope was so broad on what he wanted to do and I felt he could capture everything in a film. I knew the project could be immortalized in film and he could also do the play. I thought David could have fun with Jingle Jangle in film form and bring together everything he’s ever done. 

DDF: David do you still plan on turning Jingle Jangle into a play? 

David E. Talbert (DET): Absolutely! The project’s first incarnation was to be a Broadway play but it will live on the stage. 

DDF: What was the first holiday cartoon or film that you fell in love with growing up? 

DET: One of my favorites growing up was Santa Clause is Coming to Town with Keith Meiser, The Abominable Snowman, How the Grinch Stole Christmas, and Peanuts Christmas – those were my favorite. 

LT: I love those films as well. I also liked the claymation cartoons like Rudolph the Red Nose Reindeer and Frosty the Snowman. Those were really stories! I also love Home Alone and Coming to America, even though it’s not usually considered a holiday film. 

DDF: In one of your interviews you talked about what a great impression Black Panther made on you and how you like what it did for the Black community. Was your intention to make Jingle Jangle leave that same impression on people? 

DET: My intention was to create the most evolved version of this story possible and we tried to put almost everything we could into it. What has happened and feels overwhelming to me, is the significance of what it means not only to the world but the Black community. The Black community has taken ownership of this film like I wouldn’t have expected. A friend of mine just texted me, a pastor in Oakland, that one of his members had a daughter and they named her Journey.

LT: It’s funny David mentioned his friend’s church member naming their daughter Journey, I was on a virtual book reading and a little girl said “It’s because of you guys (David and Lyn) my little sister’s name is Journey and she was just born a few weeks ago.”

Jingle Jangle
JINGLE JANGLE (2020) Writer/Director David Talbert and Producer Lyn Sisson-Talbert on the set of Jingle Jangle. Cr. Gareth Gatrell/NETFLIX

DDF: What was the writing process like for Jingle Jangle?

DET: You have to learn how to open up your mind and just write whatever version of that idea is. There have been many projects over the years that Lyn and I had to work with a very finite budget, so we had to retrain our brains to utilize our imagination. We both are not short on imagination, so it helps. I have to really give so much thanks to Netflix, Scott Stuber, and Nick Nesbit. 

DDF: Lyn, what was your reaction when you read the script? 

LT: I loved it. I could visualize everything he was writing. This project has been incubating for many years. I’ve seen the evolution of it which has been phenomenal. While reading it, I tried looking at it as the viewer and it touched the little girl in me and I know our community took ownership of it because of what it meant. Dave is a phenomenal writer and he taps into the emotion of his words. He is so good at finding balance and you don’t feel like you are being preached to or like there is no escaping this dark place. This is important because we do want the lesson but we don’t want to be hit over the head with it. We just need a little reminder of the things that are important. 

DDF: Lyn, what was the process like writing the Jingle Jangle book? 

LT: For me, the song “Square Root of Possible” is my song throughout this process because it is the most difficult thing I have ever done. I need to find my square root of possible at every turn and solve it at every turn. That was my mantra throughout the film and the process of putting together the book. I always love picture books and have 7-year-old son that I read to all the time. I feel like picture books are simple ways to teach lessons and tell stories in a fun way. I want this film to be a classic piece that’s around forever. I think about how other films are immortalized through books, toys, socks, bedding, and animation. I want to do the same with Jingle Jangle. 

DDF: You both have worked on many projects together, how was your experience working on this project? 

LT: Jingle Jangle was a big deal and there was a lot of pressure. It was equally important to us as the people who were behind it and if we didn’t get this project right, it may take another 20 years for someone to have an opportunity like this. We had our moments but what kept us centered was that we wanted the same thing. We did have our thing where we would ride separately, so we could allow each other to think about what we had to do that day. 

Whether it be married or on set, you are actually married to the people on set because you have to be with them several hours a day. If it’s a good relationship, you will always get back to where you need to. 

DET: Advice from a married man, you just have to say Ahman. 

Jingle Jangle
JINGLE JANGLE (2020) Madalen Mills and Writer/Director David Talbert on the set of Jingle Jangle. Cr. Gareth Gatrell/NETFLIX

DDF: What advice do you have for all the aspiring filmmakers out there? 

DET: Trust your own instinct. Be open to people evolving your idea. 

LT: I second that. I would also add that you should continue to work on your idea. You guys have so much access to so many things we didn’t have growing up in the business and you have so many outlets like Instagram. You see many artists like Issa Rae who have success from those outlets. Just continue to work on it and do the research on those who came before you.

It was an honor to sit with the couple and chat about this historic film. I made sure to let them know that Jingle Jangle is a film I needed as a child and that every child needs while growing up. I am so happy to share the experience of the film with my nieces. Make sure to check out Jingle Jangle on Netflix and purchase the book sold on various outlets. 

01Feb/21

Taji Vol26: Diasporic

Release Mar 7 2021 | Vol26 of Taji is packed full of Black Beauty & Culture fulfilling its theme of Diasporic! This volume’s cover features the #SlayBells of @TheOnlyWayIsMarbz by @_OKOBE_. Gracing the pages are the Editor’s Pick, #BlackLoveConvo: “Jingle Jangle: The Film Every Child Needs While Growing Up ” by Dapper Dr. Feel; our Community Spotlight on Greeting Cards by Adeyemi Artistry; our highlighted Hair Feature; “Solo Travel: How Travel Made Me A Better Person” by dCarrie; “The Texture of Education” by Jashua Sa’Ra; “The Chaos Theory of Education” by Janelle Naomi; Our Vol 26 contributed photo story, “Diasporic;” Fitness Highlight: @eliteperformancenyc; Vegan Fun with Earth’s Pot’s Jalapeño  Honey Po’ Boy; “Are You Financially Prepared For This “New Normal”?” by M’Bwebe Ishangi, Founder of Cryptowoke Financial Sustainability Movement; Featured Art Piece by Janelle Naomi; Comic Appreciation with Ezerea, Tales of the Zauberer by William C. Davis; Black Business Highlights; and more!!

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Taji Mag is the epitome of ‘Cultural Drip’ – elevating Black brands, narratives, and imagery to new levels of Black Excellence. We embody the traditional and modern royalty of Pan-African people via our quarterly digital and print publication and live events.

31Oct/20
Taji Mag Vol25 AfroFuture

Taji Vol25: AfroFuture

Release Dec 7 2020 | Vol25 of Taji is packed full of Black Beauty & Culture fulfilling its theme of AfroFuture! This volume’s cover features the #SlayBells of @NoriRaneMUA (by @BymshaBrownePhotography with @NYCNory). Gracing the pages are the Editor’s Pick, #BlackLoveConvo: “Jurnee Smollett Talks Lovecraft Country, Activism, and Breonna Taylor” by Dapper Dr. Feel; our Community Spotlight on Nichelle Consulting; our highlighted Hair Feature by Angela Plummer; “Solo Travel: Are You A Performative Global Ally?” by dCarrie; “Micro Betrayals?” by Jashua Sa’Ra; “Building the Image Nation” by Janelle Naomi; Our Vol 25 contributed photo story, “AfroFuture;” Fitness Highlight: @itsdreamsworld; Vegan Fun with Earth’s Pot’s Wontons; Think Tank, “Lack of Love” by Brianna Burnley; Earth’s Cabinet LLC, Aligning Your Body Holisticly; “The Garden Metaphor Of Finance” by M’Bwebe Ishangi, Founder of Cryptowoke Financial Sustainability Movement; Lovely Leo Skincare Awakens All of Your Body’s Senses; Featured Art Piece; Comic Appreciation; Black Business Highlights; and more!!

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Purchase Taji Mag | Vol 25

Taji Mag is the epitome of ‘Cultural Drip’ – elevating Black brands, narratives, and imagery to new levels of Black Excellence. We embody the traditional and modern royalty of Pan-African people via our quarterly digital and print publication and live events.

01Aug/20
Taji Mag Vol 24 Curves & Serves

Taji Vol24: Curves & Serves

Release Sep 7 2020 | Vol24 of Taji is packed full of Black Beauty & Culture fulfilling its theme of Curves & Serves! This volume’s cover features the #SlayBells of @ruby_glam (Hair by @hairdoctor_locs, Photo by @PascalChikezie, Wardrobe and Accessories by @udiahgebi and @householdofjewellery1). Gracing the pages are the Editor’s Pick, organic holistic health detoxes, teas, and supplements from Earth’s Cabinet LLC; our Community Spotlight on Budda by Yvee body butters; our highlighted Hair Feature by Angela Plummer; “Solo Travel: The Adult Gap Year with Stephanie Perry of Vaycarious.com” by dCarrie; “Resolution: Does the Earth Need Surgery?” by Jashua Sa’Ra; “#BlackLoveConvo: Alexis Chikaeze Chats about her Character in Miss Juneteenth” by Dapper Dr. Feel; “Education in the New World Order” by Janelle Naomi; Our Vol 24 contributed photo story, “Curves & Serves;” Fitness Highlight; Vegan Fun with Earth’s Pot’s Mac & Cheese; “Black Honey Toys for All of Your Erotic Needs”; “Forq You Up is Adding Some Flavor to the Spice Game;” Featured Art Piece; Comic Appreciation with “Okemus” by T.J. Sterling; Black Business Highlights; and more!!

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Purchase Taji Mag | Vol 24

Taji Mag is the epitome of ‘Cultural Drip’ – elevating Black brands, narratives, and imagery to new levels of Black Excellence. We embody the traditional and modern royalty of Pan-African people via our quarterly digital and print publication and live events.

15May/20

Steven St. Pierre is Blazing a Trail Set by the Likes of Duvernay

Steven St. Pierre is a budding creative/actor I met at last year’s DC Black Film Festival. While interviewing him during my coverage of the film festival, he mentioned how he started film making just recently and that Ava Duvernay had been an inspiration to start on a desirable path towards acting. After the interview, we kept in contact and I watched his progression. Little did I know, he would be achieving a lot more than he could imagine. I had an opportunity to catch up with the rising creative. 

Dapper Dr Feel (DDF): How does it feel to have so much success for your short film, Corey?

Steven St. Pierre (SSP): The success has been great! The way I have been perceived for making something great, for myself. Last time we spoke in person, I was halfway into my festival run and we went to places like Canada and DC and I had entered the film Corey in multiple film festivals in the New York area.” 

Note: St. Pierre’s short film Corey has won multiple awards that include but are not limited to: Best Short film at the Validate Yourself Film Festival, Wavemaker Award at the Everybody Digital Film Festival Black History Month Edition, Audience Choice award at the Astoria film festival, Best Short Film winner and Grand Prize Winner at the Queens City Film Festival. 

DDF: You won big at the Queens City Film Festival, what’s next? 

SSP: After I won the grand prize award, I now have the opportunity to have my next short produced from the Queens City Film Festival. The prize is worth $50,000. Taking the passion I had into my own work turned into something I could have never imagined.

DDF: That’s truly a blessing! I remember you telling me about the trials and tribulations you had putting Corey together. Your co-star, Chantal Maurice, put on a great performance, how has her career been since the short film?  

SSP: Chantal has since moved to Atlanta P-Valley (Starz), Queen Sugar, Dynasty, and other projects that are coming out later this year. She’s killing the game.

DDF: What women have influenced you? 

SSP: My mother and grandmother, the women who raised me in my household. Just seeing their work ethic. My mom worked two jobs, to this day she still works two jobs to help support my grandmother because she is not doing well. Just really seeing all the sacrifices shes made, as an adult, I have developed a deeper appreciation and respect for her. 

I have to give a shout to my work mom and my assistant director Catherine, she just retired. Always supported me, always had my back, she was amazing. When you are in the workplace, you always need an ally and she definitely was that for me.

Ava Duvernay has really been an influence on me. I don’t know how many people are aware that before she was a filmmaker, she was a publicist. She was pounding the pavement, making everyone else’s dream come true and she decided, at what some people would think as an older age, to pivot her whole career. I feel like that has been my journey as well.

“I was a film publicist, so I represented a lot of filmmakers and I was always around them. I [started thinking], ‘They’re just regular people, like me, with ideas. I’ve got ideas.’ That’s literally how it started. It was definitely a career change; I didn’t make my first little short until I was 32.” – Ava Duvernay 

DDF: You had your biggest role as a co-star on High Maintenance, how was that experience?

Steven St. Pierre appears in an episode of High Maintenance season 4

SSP: I got that role not too long after I spoke with you in DC, it’s my first major network role. I felt like I finally cracked that code. Going out on auditions is tough, especially being new to the scene, but it’s going on four years now. It brought two passions together because I am playing a basketball player. I played ball growing up, so going into the audition I felt comfortable. I got offered the job via email and was excited! That was the most excited I have been in a long time.

DDF: What are your other goals?

SSP: My ultimate goals are to establish myself in the industry so I can have the visibility to reach people from places in my community. Letting them know they can do anything they are passionate about. Even today, I go to a lot of career days for my friends who are teachers or are a part of programs for children. I think it helps children see someone like me, who is making it, but not a huge celebrity, to let them know goals are attainable. Otherwise, if they see someone who is a huge celebrity they won’t think things are attainable. They can also see the grind I am going through, so when I make it further into my acting career, it will hopefully inspire them. 

Steven St. Pierre looks to continue his success as a creative and achieve many of his entertainment goals during his career change. With Ava Duvernay serving as an inspiration, St. Pierre knows that, with hard work and persistence, the sky is the limit.

Follow Steven St. Pierre on social media or check out his web page here.

Steven St. Pierre’s award winning short Corey