Release June 7 2023 | Vol35 of Taji is packed full of Black Beauty & Culture fulfilling its theme of AfroTravel! Each volume is a tabletop collector’s item and Vol35 is no different! This volume’s cover features the #SlayBells of @_sirenn, @anoobisrising, and @avlonilerose by photographer @theonewillfocus with team @__brushqueen, @ikaika_dboneslark, @adornedintaji, and @egyptbuck. Gracing the pages are the Editor’s Pick, #BlackLoveConvo: “Chevalier’s Ronke Adekoluejo Explains What Women Helped Inspired Her Role” by Dapper Dr. Feel; our Community Spotlight, HËS is Making Music that Inspires; our highlighted Hair Feature, Hair Architect Arlene Martin; “How To Travel When Your Budget Says “Chill” by dCarrie; “Nikki Porcher Believes Black Women Deserve to Tell Their Stories” by Nantale Muwonge; Our Vol 35 contributed photo story, “AfroTravel;” Fitness Highlight, Calais Campbell gives his best on and off the NFL field; Vegan Fun with Earth’s Pot’s Rolled Oyster Mushroom Tacos; Featured Art Piece by Will Focus; Comic Book Appreciation with REFUGE by Bill Campbell of Rosarium Publishing; “Durand Bernarr is Giving Us Real R&B w/ New Song Leveled” by Clair Daniels; Black Business Highlights; and more!!
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Some of us in the Black community were taught that therapy was for people who were either batsh*t crazy or very wealthy (we call that “eccentric”). For everything else, you could talk to a family member on the porch or Pastor Curtis after Sunday service. Nowadays, it is not unusual to seek therapy. That is a stigma to which we’re more than happy to say farewell. The new film A Snowy Day in Oakland explores the hesitation and the process of getting treatment in the Black community. Two of its stars, Nicole Ari Parker and Loretta Devine, were kind enough to discuss with Taji Mag about the film and how they manage their own mental health.
Dapper Dr. Feel (DDF): Can you tell us a little bit about A Snowy Day in Oakland and a little bit about your character, Jeanette?
Loretta Devine (LD): A Snowy Day in Oakland is really a dramedy. I’m sort of like the comic relief in the show. I’m sure you’ve probably met people in your community that are a little like her. Lol! She’s a gossip. She barely does her job, but the way she carries on you would think she was doing more than her job. She is in everybody’s business. I think she might be reading their mail. She is nosey; she’d tell them she didn’t open it and glue it back together. She’s the busybody of the community, but I think every community is blessed that they have at least one person that is all up in everybody’s business. So they’ll tell you if somebody comes by somebody’s house. She’s a little over the top compared to everybody else who seems so normal. I have to admit, when I watched it I was like, “Oh my God, pull out, Loretta, pull out!” But that’s what the director Kim Bass told me to do.
DDF: Yeah. I can definitely relate. My life was like that. That’s why I was cracking up the whole time. I was like, “Man, I know somebody just like that”… I’m not gonna say who.
LD: They know you’re talking about them.
DDF: I know, and they’ll see this and call me after seeing this video.
DDF: Nicole, why are people opening up to Latrice? Everybody seems to resist her at first but then ends up on her couch opening up to her.
Nicole Ari Parker (NAP): I think she has to earn their trust. With her capacity to listen, I think it helps. Even if she isn’t from that particular moment in their lives, she seems like a fancy lady coming in. I think she calmly lets them know that they’re in a safe space, then has the patience to listen, and then is strong enough to give it back to them in a way that makes them think and talk more about what it is that’s affecting them. Because we hold everything close to our chest, a good therapist really lets you know it’s okay to honor what’s going on inside of you and to verbalize it. You can ask for help. So I think that’s a great message in the film. It’s a gentle but still compelling message.
DDF: Loretta, your character Jeanette seems to have a unique relationship with Dr. Monroe. She reads her very well. Can you describe the relationship between your character Jeanette and Dr. Latrice Monroe, played by Nicole Ari Parker?
LD: Well, you know, it seems like this movie title tells you a lot about what the movie’s about. Initially, it was called “Head Shop“. We started production in 2017. That was way before the pandemic. And what we’ve gone through since then with being shut down for three years, and we’re just now coming out…I think now everybody does need therapy.
Kimberly Elise as Theona, Deon Cole as Davis, and Loretta Devine as Jeanette
My character thought the couch was the trick, which had nothing to do with the doctor and her knowledge. She figured “the therapist is constantly asking questions…, so I’m gonna just sit here and answer questions, but when I go to Jesus, I ain’t gotta do all that.” So I think she came in initially knowing everything [she could find out] about the doctor. But eventually, she realizes that therapists need therapists as well. This is when the movie really gets interesting. Anything she knew about the doctor, she passed it back to the community. I’m trying so hard not to tell too much so people won’t be saying “Well, I don’t need to see the movie because she already told me everything that’s gonna happen.”
DDF: We see Jeanette slowly get Latrice to open up. What do you think makes her open up to Ms. Jeanette?
NAP: Well, I think Loretta could get anyone to hand over the secret code. She’s just so brilliant! And I just think the writer/director, Kim Bass, really wanted to show all facets of everyone’s healing process. So he wrote those kinds of moments in which everyone gets a revelation.
DDF: How do you manage your mental health? Do you pray, exercise, etc.?
NAP: That’s a great question! I have a lot of different ways of managing life’s obstacles, but I’ve started with my self-esteem. Meaning if I am in pain, I say I’m in pain. I no longer swallow it right away because of shame, fear, or [being unsure of] who I can tell this to. I honor that this is an opportunity to heal something. I don’t let it break me anymore, but I also say, “Okay, this is a particular issue I should take to my therapist. After I’ve talked to my therapist (or even before I’ve talked to my therapist), I also say to myself this is also an issue I should pray for. If it involves another person, I now have the words to express that to them and I don’t hold it in anymore. It doesn’t mean there’s confrontation when I let it out, but there are steps to honoring the process of healing. Sometimes a bubble bath, candles, and meditation music are mixed in there too. So it’s a lot of different modalities, but it starts with honoring the identification of something [being] amiss, [accepting that] something is not right.
LD: All you have to do to manage your mental health is to believe everything’s fine. Lol! Everything is everything. It is what is. You know, I stay busy all the time. I’m a workaholic, which may be why I probably need therapy. I also have a lot of activities that I love to do. I love knitting, crocheting, making gowns, and making jewelry. So I think you have to fill your life up, you know? That’s how you maintain your mental health. Keep it full. Plus, I lived alone for a long time, so I had to figure out how to entertain myself if there was nobody there to consider me. When people came over, I’d say, “I wish they’d go home ’cause I could be doing stuff I want to do. I could’ve made a whole evening gown and ate my food while they sat there talking.” That’s how I maintain my mental health. So don’t ask me any more hard questions, ok? Lol!
DDF: I can’t ask you any hard questions??
LD: You can ask me hard questions.
DDF: You’ve done everything from this character to your character in Spell; how do you manage to get these phenomenal roles?
LD: Did you like Spell?
DDF: I did. I was like, whoa! I was impressed.
LD: It was shocking. DL Hughley wished it on me. During an interview with me, he said, “I’m so tired of seeing you play nice. I know you ain’t that damn nice. I hope you get an evil character.” And just after he said that, about a month later, I got the offer to do Spell. But with me and the stuff that comes to me, it ain’t nobody but God. See, God and I, we are close, we are like this (gestures closeness).
Loretta Devine as Jeanette
DDF: Loretta, I’ve been waiting to ask you this question for years. In Waiting to Exhale, your character, Gloria, gave her neighbor a plate full of food. Gloria made the greens, cornbread, yams, etc. So what does Ms. Devine want on her plate?
LD: You know, it depends. If you were going past Phillips, you could gimme some ribs and barbecue. You can bring me some of those tacos if you go by Bill’s Tito Taco. If you go by the Serving Spoon, [I’ll take] food from there. If you go to the Spanish restaurant, you can bring me some margaritas.
DDF: Nicole, I will tie in one of your other characters. We saw in TheBest Man: Final Chapters, Xiomara goes off the rails after Quentin (played by Terrence Howard) breaks up with her. If Xiomara was a client of Latrice, what would happen?
NAP: Latrice might not let her (Xiomara) bring the sage into the office but I think Latrice would have Xiomara do the talking and see where all this came from, all the multiple personalities.
DDF: What do you think people will get from this film?
NAP: The belief in love again and joy and the trust in reaching out for help and talking about it if you need to.
A Snowy Day in Oaklandis a dramedy that explores therapy and mental health in the Black community. The characters are good representations of people I’ve come across in my community growing up, making the film funny and relatable. It resembles movies like Barbershop or Friday, but with less exaggerated scenarios. There are some profound messages in this film that I think people will connect with and hopefully serve as a reminder that everyone needs help and shouldn’t be afraid to ask for it. A Snowy Day in Oakland will be released in theaters on March 17, 2023.
Directed and Written by Kim Bass
Starring Loretta Devine, Nicole Ari Parker, Keith David, Kimberly Elise, and Deon Cole.
Dominique Fishback as Dre (Photos courtesy of Amazon Prime)
Synopsis
An obsessed fan of the world’s biggest pop star sets off on an unexpected cross-country journey.
Starring | Dominique Fishback (Judas and the Black Messiah) as Dre and Chloe Bailey (Praise This) as Marissa
Where to Watch | Amazon Prime
Release Date | Streaming March 17th, 2023
About SWARM
I will always be drawn to Donald Glover’s projects, whether a series, movie, or new music. He is an excellent overall artist, so when it was announced that his latest project, SWARM, would be streaming on Amazon Prime, I impatiently waited for the show to hit my screener’s queue. Let’s say I was not disappointed by the thriller.
With the writer for the award-winning series Atlanta, Janine Nabers, serving as writer and showrunner for the series, you can tell how similar the shows are in tone. One can say the shows share the same universe with the story, camera style, characters, and similar structures, besides all the murders that occur in SWARM.
As I was introduced to the lead character Dre played by Dominique Fishback within the first five minutes of watching the series, I was met with a visual of Chloe Bailey that I did not expect to see. I am sure people will be talking about it on the internet. We see Dre’s obsession with scrolling the internet of her music idol Ni’Jah, equivalent to Beyonce. In fact, the stories and rumors that have circled Beyonce are used in this series, down to her fan base known as the Bey-hive.
In a Vanity Fair interview, Nabers explained the lead character Dre by saying, “We were really interested in creating an antihero story,” She went on to mention how she and Glover drew inspiration from classic TV antiheroes who were messy but compelling—Mad Men’s Don Draper, The Sopranos’ Tony Soprano—and created a new version of that archetype, “through the lens of a Black, modern-day woman. Nabers and Glovers, combined with the acting of Fishback, create a truly mysterious but intriguing anti-hero in Dre.
When we first are introduced to Dre, she’s scrolling through her social media fan site of her favorite singer Ni’Jah, whose life she solely revolves around and is comparable to Beyonce. Dre is so obsessed with the artist she opens a credit card to buy tickets and doesn’t even have enough to pay her rent. Dre struggles to connect with the natural world and often feels awkward or out of place around others. There is character growth with Dre as she slowly sheds her shy and low confidence into a more confident murdering super fan. One might say she becomes a serial killer, with specific triggers that occur once someone attacks or does not acknowledge her idol Ni’jah.
Dominique Fishback as Dre (Photos courtesy of Amazon Prime)
Not only is Ni’jah closely similar to Beyonce, but even the events/tabloids surrounding Beyonce are similar, and in Atlanta fashion, the writers and actors make it work. Setting up jokes and planting easter eggs for the audience to enjoy, similar to the Teddy Perkins episode of Atlanta in season 2, episode 6, or the “Three Slaps” episode in Season three.
Dominique Fishback as Dre and Chloe Bailey as Marissa (Photos courtesy of Amazon Prime)
Chloe Bailey plays Dre’s best friend and roommate, Marissa, who seems more grounded and positively influences Dre. She has grown out of the Ni’Jah fandom and is the closest thing she has to family. Marissa plays a significant part in the series, contributing to Dre’s wild, murderous adventures from her routine life. Bailey has some great chemistry with Fishback as her best friend.
Outside of Bailey’s chemistry with Fishback, the introduction of the Marissa character within the first five minutes definitely came as a shock to me. Let’s say some adulting things happen, and don’t be shocked when you see it trending on social media. I know I was thrown entirely off guard.
Other guest stars include Damson Idris (Snowfall), Paris Jackson (Sex Appeal) and Billie Eilish, and X Mayo (The Blackening), who all play colorful characters that make each episode worth watching. Their interaction and communication with Dre are something you’ve probably heard from some friend, family member, or crazy neighbor but it’s hard to believe. Although the series is meant to cover two and half years’ worth of Dre’s life, it feels like more with the hijinks she gets herself into in different states.
SWARM has a lot of visuals that set the tone of each scene, mainly when Dre is triggered or has a flashback. At times, the change in environment, including colors, lighting, etc., made me unsure if Dre was in her head or actually playing it out in reality. Much credit goes to the series directors, including Adamma Ebo, Ibra Ake, Donald Glover, and Stephen Glover, for creating these scenes.
SWARM is a thriller with funny and shocking moments that will definitely trend. I have only seen the first four episodes, but I can already say that Dre’s stories get crazier than the people she meets, and it will serve as a palate-pleaser for fans of the Atlanta show. My biggest question is, what will Beyonce think of the series?
Synopsis: Scott Lang and his family find themselves in the Quantum Realm, interacting with strange new creatures and embarking on an adventure that will push them beyond the limits of what they thought was possible. Jonathan Majors joins the franchise as the powerful and new baddie, Kang the Conqueror.
Starring: Paul Rudd as Scott Lang/Ant-Man, Hope Van Dyne/the Wasp (Evangeline Lilly), Kang the Conqueror (Jonathan Majors), Dr. Hank Pym (Michael Douglas), Janet Van Dyne (Michelle Pfeiffer), and Cassie Lang (Kathryn Newton).
What is the Film About?
There has been much anticipation for Ant-Man and the Wasp: Quantumania, especially with the announcement from Marvel that Jonathan Majors would play Kang the Conqueror, the newest threat to the Avengers. This 3rd installment of the Ant-Man series presents an interesting storyline while setting up a great introduction to the film’s protagonist (whether this is evident to the viewers or not is another question…keep reading for my full opinion of the flick). This film goes into great detail about Scott Lang and his family’s life after saving the world from Thanos and reversing the blip felt around the world. It does make sense where Lang’s head would be, which is borderline basking in the celebrity of being an Avenger. This hightened level of confidence does set him up to emerge anew once the final battle takes place. This “epic” battle with Kang the Conqueror is the height of the film and is honestly what we all came to see. Will Ant-Man emerge victorious or will we see the end of this [mini] hero? Given Marvel’s recent propensity to send fans on an emotional rollercoaster by taking out our beloved heroes, it could truly go either way! I’ll let you see for yourself.
Now, as promised, my opinion of this most recent Marvel release…it’s a miss! There are so many moments of potential for this to be a great film, but it just…well…missed! The storyline, outside of the much-anticipated battle, hurts the film. Also, instead of the hilarious voice-over storytelling of Luis, played by Micheal Pena (which we so loved), the film has voiceovers by Lang which are merely serviceable and nowhere near as funny as Luis’. And finally, I didn’t appreciate the twist at the end when…you thought I was going to ruin it for you, huh? NOPE.
Many wondered why the film does not announce Michael Pena and the rest of the crew. This particular storyline would not have been a good fit for Scott Lang’s previous crew. With the introduction of multiple new characters this time around, it just would’ve been too much; especially on top of the already awkward moments of random pointless commentary.
Although this project has some great actors portraying these characters, the talented cast is only as good as the script would allow. For example, William Jackson Harper’s character (Quaz) has the potential to be important to the storyline, instead he is used as comic relief. M.O.D.O.K’s (Mechanized Organism Designed Only for Killing) potential suffers the worst out of all the characters as its origin is quite creatively plausible, but unfortunately also ends up just being comic relief.
Paul Rudd provides some laughs throughout the movie…then again he’s Paul Rudd. Did we expect anything else? The relationship with his daughter feels genuine, and the current state of Rudd’s Scott Lang is fitting. These circumstances allow the character some room for growth, but, Marvel unfortuntely fumbles the oportunity. Even with his performance, Ant-Man 3‘s tone is so off that it’s hard to overlook.
Kathryn Newton as Cassie has a lot of screen time which is good since her character is likeable. It’ll be interesting to see what role her character will play in the rumored Young Avengers.
Michelle Pfeiffer, as Janet Van Dyne, had me pondering many questions. The most pressing to me is why she hadn’t spoken of her time in the Quantum Realm. In the trailer, she clearly knows the dangers, but fails to discuss them with her family. An explanation of this does not seem convincing, especially once the viewer finds out what happened during her time in the realm.
The obvious standout of the movie was Majors as Kang. He put on a phenomenal performance per usual, making Kang a character that fans will love to hate. Major’s tone, expressions, and body language serves to create a worthy adversary. Kang is cerebral, scholarly, poetic, manipulative, and offers something anybody would find hard to refuse…time. He will undoubtedly pose a significant threat to the Avengers with his technology and his ability to manipulate multiple time lines.
Visually, the Quantum Realm does have some intriguing environments, but what wears on the novelty of the effects is that it’s been done before! At times, the scenes resemble those of Dr. Strange in the Multiverse of Madness or previous transitions into microworlds that have occurred in prior Ant-Man films. But I guess it’s hard to continuously evolve and create unique worlds after having done it so many times. A few creatures look unique, like giant fluorescent amoebas and living buildings. It is noticeable, as expected, that Marvel did not go the cheap route on the effects. A detail even more noticable while watching the film in IMAX.
Be on the lookout for plenty of easter eggs that tie into films for the upcoming Phase Four of the MCU. I won’t give any spoilers, but you’ll really have to look (or maybe even give the movie a second watch) in order to catch these. And YES, there are some post-credit scenes.
Ant-Man and the Wasp: Quantumania serves less as a sequel in the Ant-Man franchise and more of an origin story for Kang the Conqueror. One must wonder if Marvel can use the talent of Majors and the many exciting stories of Kang (from the comics) to create a Phase 5. Ideally, this would propel the MCU into a stratosphere in which viewers aren’t developing comic book movie fatigue. Marvel has been known to surprise its fans…let’s see where they go with this!
Brian Tyree Hill as James (Photo courtsey of Apple TV)
Where to Find: Apple TV Plus
Rating: R
Release: November 4th, 2022
Run time: 94 minutes
Synopsis:
A young soldier (Jennifer Lawrence) struggles to adjust to life back in New Orleans after a traumatic war injury. Her life changes when she meets a local mechanic (Brian Tyree Henry), and they form an unlikely bond.
What is the film about?
Whenever I hear that Brian Tyree Henry is attached to a film, I expect the film to do well and that he will put on a powerful performance. In Causeway, he does just that; this time, his performance is complemented by co-star Jennifer Lawrence. The film hardly wavers from its sad and uneasy tone, making the joyful moments more impactful. The director uses the environment of a Louisiana neighborhood (a sort of character in itself) to serve as the foundation from which Lynsey,played by Jennifer Lawrence,is trying to escape, the worn-down houses and cluttered areas. In contrast, James (played by Henry) tries to get her to see the beauty in the area, the beauty in the people, and the beauty in the little things that bring her happiness instead of re-enlisting.
It’s evident Lynsey is emotionally (and permanently) troubled by a terrible army accident. Lawrence’s performance is compelling and draws out compassion from the audience. There are moments where we see Lynsey desperately trying to adjust to life outside of war, but she can’t shake what she is programmed to do. You can’t help but want to hug her and let her know everything will be okay. Although she struggles deeply with herself, it’s apparent she has a kind heart and doesn’t hesitate to show compassion to others. We sadly watch her struggle with severe anxiety. Water keeps her calm, which is why she gets a job as a pool cleaner because, outside of war, that is all she knows. Water is known to have a calming effect on the body. Still, its usage in Causeway appropriately represents vulnerability, as this is the only time Lynsey isn’t consumed with anxiety. The onscreen chemistry between Lawrence and Henry is powerful, as their relationship feels very organic and authentic. The relationship between Lynsey and James is less romantic and more about companionship, but there is a longing sense of love just below the surface.
This is one of Henry’s most powerful performances. He makes the James character likable and compelling but also flawed. He tries to get Lynsey to embrace her insecurities and shortcomings, which makes James even more endearing. From his walk to his facial expressions, James can show Lynsey he is a big guy with an even bigger heart. Henry’s performance is applaud-worthy, and it’s no surprise he is nominated for a Gotham Independent Film Award for Best Supporting Actor.
Director Lila Neugebauer and the screenwriters accomplish the goal of highlighting mental health. After watching this film, you will understand some of the struggles soldiers face both off and on the battlefield.
Brian Tyree Hill and Jennifer Lawrence (Photos Courtsey of Apple TV)
Final Thoughts
Causeway is an emotional film highlighting the negative effects of PTSD and how people around those who suffer from it are also affected. Not since The Hurt Locker (2008) have I seen such a memorable film displaying a veteran’s struggles to readjust to society and everyday life. The emotional performance by Brian Tyree Hill has earned him several nominations and wins, including the African American Film Critics Association award for Best Supporting Actor,Causeway is worth watching on Apple TV Plus.
NIGHT COURT — “Pilot” Episode 101 — Pictured: Lacretta as Gurgs — (Photo by: Jordin Althaus/NBC/Warner Bros. Television)
Back in the 90s, I remember this show and especially its distinctive theme song with its upbeat tempo and saxophone-laced tune, it was Night Court. It usually meant it was almost bedtime for me. It featured a cast of colorful characters: a judge who performed magic tricks (Judge Harry, played by Harry Anderson); a bald, physically imposing but friendly bailiff (Bull, played by Richard Moll); and a no-nonsense, quick-witted bailiff named Roz (played by Marsha Warfield). Now the 2023 Night Court features a host of new characters besides prosecutor Dan Fielding (played by John Larroquette). The show has a new bailiff, Donna “Gurgs” Gurganous (played by actress Lacretta). The actress took time from her busy schedule to talk with Taji Mag about her role on the show, her castmates, and even her love for gaming.
Dapper Dr. Feel (DDF): I wanted to start by asking, how in the heck did you fall out of your hammock on New Year’s Eve?
Lacretta: So, I’m still kind of in shock with everything happening, right? Even though I’d been part of the Night Court project this whole time, I was trying to talk to my viewers about it. So I was like, “You know, let me just go upstairs to the roof and just kind of chill out for the night.” I got a little bit ahead of myself and instead of putting one leg into the hammock first and then the other leg, I decided to put both legs into the hammock and promptly tipped myself out of it. I scraped my toe on the wall, which was not a pretty picture. After I got myself all cleaned up, I went back up to the roof with a cocktail, and then I sat in a chair like a proper lady.
DDF: Bet you won’t make that mistake again. Tell me, what was your reaction when you got the role and how did you prepare for it?
Lacretta: I gravitated to and responded to the weirdest moments in cinema because I wanted to capture a little bit of Richard Mall. I felt I had to pay homage to him and the other bailiffs on the show.
I know altogether there were four different bailiffs. The first two, unfortunately, passed away at the end of their season. The other two were the most iconic for me (Richard Mall as “Bull” and Marsha Warfield as “Roz”). I had to pay homage to both of them.
Um, so as I was saying, for certain parts in the script, weird moments in cinema like from Orient Express and from Are You Being Served and Keeping Up Appearances (both British comedies) just kind of popped into my head and I just allowed myself to release. And then when I got the call that I had booked it, I was actually laying on the floor with my feet up because my ankle was a little puffy and I was trying to recirculate that blood. I got a text message…”oh my God, congratulations on Night Court being picked up” and I was like “What do you mean?” And my friend said “You guys got picked up!” I sat up so fast that I saw stars and got a little dizzy. I just had to text all my friends the good news.
I continued with the person that gave me the good news and said, “Well, did you check the date on the article?” He was like “yeah, it came out in Hollywood Reporter 10 minutes ago. Y’all got picked up by NBC!” Tears started rolling down my face and snot was coming out of my nose, I started hyperventilating. It was really bad. But I love that the person who called me and let me know was actually one of the writers/creators for Disaster, which is where I made my Broadway debut.
DDF: “Gurgs” seem to have the best chemistry with “Olivia” (India de Beaufort). Who do you think your character has the best chemistry with?
Lacretta: Yeah, I think it’s all different, but I spend a lot more time with India de Beaufort and Kapil Talwalkar who play “Olivia” and “Neil” [respectively] in the series.
Outside of work, I definitely spend a lot more time with Kapil because we’re both gamers. So we call each other and check on each other more often, but it just kind of trickles down. What I love about it is that we’re very much a family. And with family, you don’t always talk to your cousins, you don’t always talk to your aunties, but when you do get together, you know that this is blood…this is family.
DDF: When I first heard about you getting this role as the new bailiff, automatically the character “Roz” popped into my head. How would you say “Roz” and “Gurgs” are similar and how are they different?
Lacretta: We’re both very grounded. We both have our moments, she more so than I. Where we differ: my character is a lot more playful than “Roz”, but she did have her moments. I was telling someone before that there’s a beautiful episode that I just kind of stumbled upon of “Roz” teaching “Dan” how to ballroom dance. There’s a moment where they’re sitting at a table in the cafeteria. They’re just kind of chatting when he says something along the lines of “You know, I came to your apartment and I stood outside your door” and she replied “Yeah, I know. But you know, there could never be anything between us right?” It was just a lovely episode and I loved to see that interaction between the two of them because they are such polar opposites. It’s just such smart writing on this show from then until now that I’m just…I can’t wait to see what happens with it.
DDF: Now, since you are a gamer, if you can make “Gurgs” a downloadable content character, what game would you put her on?
Lacretta: Oh, Saints Row! What!? Especially in this new incarnation which I still haven’t finished. But in the new incarnation of Saints Row, my character very much looks like her except for the piercings. That’s the only difference. What else would I put her in? I would put her in High On Life, which is a new game with a lot of the voices from Rick and Morty. That would be kinda interesting. That game’s crazy and so funny. That was a good one. And then I mean everybody wants to be a Fortnite avatar. I wanna be on Fortnite.
DDF: What do you think people will get from this revamped version of the 80s/90s classic?
Lacretta: I hope that they get a sense of nostalgia. I hope that they find joy while watching this new Night Court and find a moment to escape from the stress that’s going on in the world right now. In a world of uncertainty, what’s for sure is that for at least 20 minutes out of our half-hour slot, you’re going to be laughing and you’re gonna be able to step away from what you’re dealing with. Watch Lucretta as the charismatic bailiff “Gurgs” and her castmates on Night Court on NBC. The sitcom has just been renewed for a second season.
Release Mar 7 2023 | Vol34 of Taji is packed full of Black Beauty & Culture fulfilling its theme of Our Men! Each volume is a tabletop collector’s item and Vol34 is no different! This volume’s cover features the #SlayBells of @charleslbrembry_iii by @jc_photography1914. Gracing the pages are the Editor’s Pick, #BlackLoveConvo: “Director Elegance Bratton On How The Inspection Explores Male Trauma” by Dapper Dr. Feel; our Community Spotlight, Felipe Patterson aka Dapper Dr. Feel; our highlighted Hair Feature; “Solo Travel: Our Connections Through Travel” by dCarrie; “Break It Down or Build It Up?” by Jashua Sa’Ra; “The Best Care is Communal Care” by Janelle Naomi; Our Vol 34 contributed photo story, “Our Men;” Joshua Leonard’s Team Supreme spotlights Disabilities, Neurodiversity, and Representation; Fitness Highlight, Jamal Hill, Award-Winning Paralympian & Educator, Wants to Teach 1M People to Swim; Vegan Fun with Earth’s Pot’s After Dark Mushroom Herb Burger; “Travis Bivans of LJE Model Agency, the Melanin Project, and Asé Visions Fashion Week;” “Grae Wellness is the Preventative Health Facility that Get’s It!”; Featured Art Piece by Craig C The Artist; Comic Book Appreciation with TEMPLE High i02 by Tyrone Jackson; “The Grey Area;” Black Business Highlights; and more!!
Taji Mag is the epitome of ‘Cultural Drip’ – elevating Black brands, narratives, and imagery to new levels of Black Excellence. We embody the traditional and modern royalty of OUR people via our quarterly digital and print publication and live events.
Release Dec 7 2022 | Vol33 of Taji is packed full of Black Beauty & Culture fulfilling its theme of Renewal! Each volume is a tabletop collector’s item and Vol33 is no different! This volume’s cover features the #SlayBells of @_raven.nicole_ by @theonewillfocus3. Gracing the pages are the Editor’s Pick, #BlackLoveConvo: “Monica Calhoun on The Best Man, Love, and Being Grateful” by Dapper Dr. Feel; our Community Spotlight, Black Panther: Wakanda Forever; our highlighted Hair Feature with Debra Hare Bey; “Solo Travel: My Recommendation – Ask More Questions” by dCarrie; “What Does Spiritual Health Look Like?” by Jashua Sa’Ra; “Be Extra! A Campaign for Extracurricular Activities” by Janelle Naomi; Our Vol 33 contributed photo story, “Renewal;” Fitness Highlight, Marshawn Lynch Retires from the NFL with $49Million; Vegan Fun with Earth’s Pot’s Garlic Jalapeño Rolls; “Why Everyone—Including You—Needs Financial Therapy” by M’Bwebe Ishangi, Founder of Cryptowoke Financial Sustainability Movement; Featured Art Piece by Justin Moultrie; Coloring Book Appreciation featuring “MERKIDZ” by Micah BlackLight; Black Business Highlights; and more!!
Taji Mag is the epitome of ‘Cultural Drip’ – elevating Black brands, narratives, and imagery to new levels of Black Excellence. We embody the traditional and modern royalty of OUR people via our quarterly digital and print publication and live events.
Wakanda Forever is a very emotional film; the feelings started to boil up within the first six minutes (so make sure you’ve got your popcorn ready before the movie starts, you don’t want to miss a second). It’s no surprise that Chadwick Boseman’s T’Challa would die in this film because Marvel had made it clear that they would NOT be recasting Boseman’s role. Nothing hit harder than when the infamous Marvel introduction appeared sans music with various cutscenes of Boseman. I’ve seen the film twice, once with other critics and once with a crowd of people; both times, I could hear sniffling and see tears falling from many an eye. Hell, I even got misty-eyed during my first screening. If you have not yet seen the film, (1st of all, shame on you for missing opening weekend) be prepared to bring tissues or wear an ugly shirt to cry on. Wakanda Forever not only pulls on the heartstrings but also has some of the best action scenes I’ve seen in the MCU with a nice helping of humor sprinkled in here and there. This film was also incredibly well-directed. Next, allow me to go into more detail about this incredible Ryan Coogler-helmed project.
I was concerned about how Ryan Coogler would make this film work with the characters rumored to appear and how Wakanda would face one of its biggest threats without its biggest hero. Coogler did not disappoint and actually made me appreciate him as an artist even more. Let’s start with the way that T’Challa’s death was handled. It kind of mirrored reality; in the film, we discover that Shuri was unaware of her brother’s ailment until it was too late. We all felt Shuri… at least I did when I discovered that Chadwick had passed away without warning. Although Shuri had saved him and many other MCU characters in the past, she could not help her brother due to the lack of resources…the heart-shaped herb. I felt quite connected to this character because I lost my brother six years ago this very month. To feel as helpless as Shuri is nothing short of heartbreak.
Something else I noticed about Shuri was that she had difficulty grieving the loss of her brother, like some of us do, and it wasn’t until the very end of the film that she was able to deal with that. This is not unlike how some people of color take a long time to get help dealing with grief and mental health. The film interestingly (and quite surprisingly) explores her rage and need for retribution by reintroducing her to Michael B. Jordan’s Kilmonger after she ingests the synthetic heart-shaped herb she created. I was not surprised because as Kilmonger is a wildly compelling and rage-filled Marvel villain, Shuri (in a display of similar rage) had mentioned earlier that she wanted to burn everything after her brother’s loss. One can clearly see the parallels.
Shuri’s issues seemed to also parallel Namor’s as he had lost his mom at an early age and hadn’t properly dealt with that devastating loss and all the feelings that came with it. His anger drove him to hate colonizers and “land people” outside of Wakanda.
The origin of Namor and the Talokan as told in the film was, in my opinion, a way better story than what was depicted in the comic book. It gave Namor more motivation to be angry after seeing his people who remained on land abused and enslaved once he returned to bury his mother at the very place she had called home.
I am a Riri Williams fan because she is a young, Black, highly intelligent character my nieces can look up to. I felt her involvement in this story was necessary. Her ability to build a machine that could locate Vibranium underwater was invaluable. So much so that her idea was stolen by her professor with the intent to make a profit…hmmm, sounds like something that could happen in real life!
This time, Wakanda kept its quarrels within its country’s borders and did not allow for spillage into America or any other place like it did in the first film. I appreciated this because it stayed true to the comic, just like when Namor and his warriors attacked Wakanda and flooded its citizens. I must say that part hurt my heart, but I knew it was coming.
There is already Oscar buzz surrounding Angela Basset for her role as Queen Ramonda; she deserves at least a nomination if not more. Her expression of pain from the loss of her family is heart-wrenching. She has been through more than most could handle starting with the murder of her husband, her kids being snapped away by Thanos then brought back to only be taken away again. That’s enough to drive anyone insane! On top of that, she STILL had to deal with the greedy members of the United Nations (UN) while trying to run a country with the threat of Namor. Whew! Talk about carrying the weight of the world on your shoulders…nicely toned shoulders, I might add. Outside of Basset being a phenomenal actress, the other cast members also performed amazingly. You would think, with such a large cast, at least one person would compromise the film, but no one underperformed.
For a moment there, I thought I was watching a horror film about Namor and the Talokan warriors wiping out Americans at sea. The singing Talokans hypnotizing the ship’s inhabitants to walk to their drowning death was surprising and had me thinking “What an awful way to die, but what an awesome war tactic!” The Talokan weapons were so creative, especially the water bombs that obliterated everything around them.
Namor was a fierce warrior, and Attuma (although not as powerful as Namor) was just as punishing as he was in the comics. The production notes mention that Namor is as strong as Thor and the Hulk, and man did it show. My man was tossing helicopters like little dice.
A Soundtrack That Moves You
Of course, the soundtrack for this film was fire! When “They Want It, But No” played in the background as the Dora Milaje was going to work on the soldiers, I was all for the ass whoopings they were handing out. Burna Boy’s emotional “Alone” track adds to the somber mood of the characters dealing with loss. And Rihanna’s “Lift Me Up” at the end was a tribute to the legend, Chadwick Boseman.
Ruth Carter’s Costumes
The award-winning costume designer once again displayed her talents with beautiful designs for both the Wakandans and the Talokans. The intricate detail put into the Talokan costumes was beautiful in color and detail. In my interview with Mabel Cadena, she explained, “Well, it was huge because on the one hand, I thought, ‘This is beautiful, amazing, and I’m a Latin American woman playing a superhero in this movie’. On the other hand, I was like ‘This is very heavy’! I’d never worn something so heavy and needed to be able to move so fast”.
I know Rotten Tomatoes currently has Black Panther: Wakanda Forever at a critic score of 84%, but the film is more accurately reflected by the audience score of 94%, in my opinion. The fact that the film was able to use grief and mental health as part of the plot (which is vital for characters who are Black and Brown) and made it work in the Marvel Universe is a big accomplishment. The film also answered many questions I had about the fate of some characters. This is hands down the best MCU film/project to come out this year, and I can honestly say it’s in my top 5 favorite MCU films of all time. I was also surprised that the post-credit scene showed T’Challa had a son with Nakia (played by Lupita Nyong’o), whom she raised in Haiti. This will add even more interest to the future of Wakanda as the new prince learns to eventually become king. Finally, let’s give a round of applause to the women in the film who drive the story and show ultimate strength not only physically, but in their relationships as well. Overall, Wakanda Forever is one of if not the best Marvel films of 2022. It focuses on grief, forgiveness, family, and lastly a tribute to Chadwick Boseman that is worth watching.
Kiki Layne as Margaret and Florence Pugh as Alice Photos courtsey of Warner Bros
Synopsis: A 1950s housewife living with her husband in a utopian experimental community begins to worry that his glamorous company could be hiding disturbing secrets.
Starring: Olivia Wilde, Florence Pugh, Harry Styles, Olivia Wilde, Gemma Chan, KiKi Layne, and Chris Pine.
During the trailer for Don’t Worry Darling, we can see the character Margaret, played by KiKi Layne, shoving a hand from her face. Indicating she is not feeling what is going on and that something isn’t right about the neighborhood they live in. She was warning Alice, played by Florence Pugh, but after watching the film, I thought, “ Why didn’t I listen to Margaret before finishing the movie? Because Don’t Worry Darling showed promise with its star-studded cast, a budget, and lots of money put into marketing, it did not meet the mark. I’ll just have to go down the list of what went wrong with this film.
First, I liked the videography, and the visuals were stunning. The moments where the lead character, Alice, experiences random experiences like drowning a body of water out of nowhere or being smushed by an imaginary wall. Or even the haunting images of the ghastly-faced dancers in her visions, all are what lured me to the film and kept me interested as to whether this was in her mind or was this all just an alternate reality. Either way, these scenes were something cinemas lovers would go crazy for…if it weren’t for the plot.
Florence Pugh as Alice Photos courtesy of Warner Bros
Here is where the movie falls short. From the first act, I felt that something was off and that Alice would eventually have to face whatever reality or intriguing plot reveal was to come. Instead, the audience was duped by a rushed third act. Even the performance of Chris Pine as Frank, who was set up to be an influential cultish leader, is wasted when you find out the truth about the almost perfect life of these characters. Harry Styles’s performance was subpar and less convincing as the story progressed.
There were some beautiful wide-shot scenes in the desert and of the perfect neighborhood where most of the story takes place. The transition from the dark and browns colored environment to the colorful scheme of the clothing, cars, and houses was appealing, making me feel the story took place in the 1950s. Two of the other things I loved about the film was the music selection, which they played during the special NYC screening I attended. The costume design felt vintage, making the character fit the era they modeled their existence after.
With all the actors involved in this project, one would expect a lot of great performances; unfortunately, the film’s best performance was by Pugh due to the suffering plot. She was very convicneing in her performance, especially when the character felt her reality was blurred. KiKi Layne’s short screen time did stand out as her eyes were I need to tell the fear and concern she had about their existence. Harry Style was serviceable in his performance, I think he could’ve delivered a little bit better when he betrayed his wife, but besides that, he was not bad. All the other actors were decent and did not take away from the film.
Gemma Chan as Shelley and Florence Pugh as Lisa Photos Courstey of Warner Bros
This film is a slow burn carried mostly by Pugh, but it just doesn’t turn out to be the film I expected, and I think many will agree. The film’s third act was so rushed and a mess that it looked like it went through a rough editing process. Don’t Worry Darling would have been a better film had there been a better payoff at the end. It makes me wonder if the outcome of this film led an all the media hoopla. This tells me that if a Black woman is warning you in a movie trailer, pay attention because it means someone will suffer, and this time it was the viewer.
Anyway, I would catch Don’t Worry Darling when it starts streaming because it’s not worth watching in the theaters. You can watch films like the Surrogates or Stepford Wives to fulfill your appetite for a good sci-fi domestic film.
