Happy #MCM everyone! This week, Taji Mag sat down with the talented brother Alan King, author of the new book POINT BLANK. Alan King has worked with the Baltimore Afro-American Newspaper. King has also been an outspoken housing rights advocate. He has also served as a researcher with the Center for Public Integrity. In addition to his impressive resume, he is a devoted husband and father. Mr. King has an upcoming book tour, and took a break to talk to us about his work, love, and the perseverance it takes to be an artist.
Africa Jackson: What do you love most about being a Black man?
Alan King:I love being another line in the legacy of Black people. I’m juggling two legacies as a Caribbean American. I’m inspired by the writers that come before me. Writers who are ancestors now like John A. Williams, Clarence Cooper Jr. and Chester Himes. Oh yeah, and Langston Hughes and Ralph Ellison. Let me throw some women in the mix: Sonia Sanchez, Nikki Giovanni, Wanda Coleman, Octavia Butler.I also love Black culture.
AJ: You mentioned ‘legacy’. What does that word mean to you? In what ways have you seen that manifest in your career and/or personal life?
AK: There’s a heritage that connects us to the diaspora. There [is] rhythm, history. There’s a beauty in our culture. Being a husband and father allows me to pass on the best of myself.I was a teacher. That role allowed me to be an example to my students. I taught a class, where I was the first married black men the young women encountered. This was middle school. They kept staring at my wedding band asking about what it’s like to be married.
AJ: The “wicker” reference from the latest Point blank trailer is indicative of Black culture. Have you ever been discouraged from being too Black? If so, by who? How did you respond?
AK: I had a higher up, during my work study placement, who asked me to read poems, but then said “Don’t get too back with it.” That came from a Black man.I wasn’t sure if I should still read poems. It was for an office party.
But my writer friends encouraged me to do it. They said by me going through with it, it would show him that his biases are wrong.As a writer, I don’t worry about being too black in my work. White writers aren’t asked not to be too white. I feel I should have that same freedom to explore various types of blackness in my work. In Point Blank, more of my Caribbean heritage comes through. Rereading the poems, I was surprised how present it is.
AJ: What advice can you offer to other artists struggling with double consciousness?
AK: My advice to other artists is to be true to yourself.
AJ: Did you ever seriously consider another career?
AK: I’m a Communications Specialist for a living. I’ve always been a writer at heart. There was one time, in college, when I considered being a programmer. I later found out from my mom that she thought I was making a mistake. She knew my passion is writing. My dad kept pushing me to do something that makes moneyThat’s why I went the programming route.But I don’t regret my decision. I’m also open to learning other skills that might mesh with my writing.
AJ: Switching gears, there is this belief that Black men don’t love Black women. What are your thoughts about that?
AK: I know there are some brothers who date outside the race, but so do some black women. It’s touchy to assume why those folks do it without knowing the whole story. I know for me, it was important to be open to however love presented herself. I had no idea that I’d meet my wife, a passionate Nigerian woman, the way I did. I think it’s important to be open to love, whatever way it presents itself. I don’t think someone should be with someone because the community feels that way.
AJ: Audre Lorde taught us that self-care is revolutionary. As an artist, father, husband, and Black man has self care been part of your life?
AK: My family is part of my self care. I draw strength from my wife and my daughter. I hit the gym when I can and go for walks to clear my head. The important part of self care is having friends, people you can vent to when needed.
AJ: If someone were to choose between your new book and Starbucks, what would make them pick up POINT BLANK over a Frappuccino?
AK: The image of the young man on the cover.I purposely chose it because he embodies what people of color are going through in this country. The picture is powerful. He’s on his way somewhere.Depending on the point of view , he could be up to no good or just minding his business. I thought it was powerful how the photographer, Ewholomeyovwi Jeroro, captured him. The young man is in the photographer’s scope much like how people of color are in the scope of law enforcement.
CLICK HERE to purchase his book of poetry and learn more about why we love this Black man!
Africa Jackson is a politics and culture writer from the deep South now living as an international nomad. She is a fervently nasty woman who spends her days offer unsolicited whistles and comments to construction workers. In her spare time, she volunteers by working with at-risk adults and randomly calls white people the “C” word. (It’s ok, her best friend is white.) Her critically acclaimed multi-national lecture series is a figment of her imagination. She specializes in making the best of poor decisions (#lemonade), but doesn’t let that get in the way of her mission to amplify the voices of marginalized groups.
As a Black Chahta scholar, her research focuses primarily on the arts. Africa is a staff writer for Black-Owned Taji Magazine. Her writing has also been featured at Black Girl Dangerous, Role Reboot, and The Tempest. Her articles about anti-Black microaggressions piece and Self Esteem Among Girls of Color have been published by The Establishment. Africa is currently working on her non-traditional anthology about the power of unearthly orgasms as a natural remedy for anxiety and depression.
Her #MustLoveBeards series featured on Taji Magazine celebrates entrepreneurship. You can follow Africa Jackson on twitter @AfricaJwrites and on Facebook: AfricaJacksonWrites.
Or don't. Jerk.