Category Archives: Culture

16Jul/17
Woman Gods, NayMarie Photography

Woman Gods They Don’t Want You to Know About

They do not mind telling you of Santa and the Easter Bunny and Kwanzaa…
The fables of angry and jealous gods.
They erased all of our power from the books.
This is a list of Woman Gods that I have been compiling. It is BIZARRE how many names are on this list that are never mentioned as a source of POWER, Relief or Hope in our day to day musings.
Why are women whores or helpers or the failure of man in the Bible?
Where did our stories go?
We were GODS and respected as such. Now we are Queens and Princesses and bad bitches … so on
It’s like mourning a death I never knew happened.

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Woman Gods (Africa)

woman gods

Photo by Joey “Islandboi” Rosado

Abuk – In Sudanese Dinka mythology, she is the first woman. She is the patron goddess of women and gardens, and her emblem is a small snake.

Aja – This forest goddess is honored by the Yoruba of Nigeria. She instructs her followers in the use of medicinal herbs found in the African forests.

Aje – A Nigerian Yoruba goddess of wealth.

Akonadi – An oracular goddess of Ghana.

Akwaba – This goddess symbolizes welcome and is always placed above the door. Maidens receive her image from an elder mentor as they come of age, welcoming them into their motherhood role in the tribe. In Togo, a giant Akwaba always precedes the chief in tribal procession, signifying that the Mother and reverence for Nature are the foremost communal values.

Ala -She is the earth and fertility goddess of the Ibo people of Nigeria, as well as a goddess of the underworld. She is the daughter of the great god Chuku and is considered to be the mother of all things. In the beginning she gives birth, and at the end she welcomes the dead back to her womb. In Nigeria, where she is still worshipped, she has temples situated in the center of the villages, where she has a statue surrounded by the images of other gods and animals.

Agwe – Mother of the sea in Benin. She is affectionate and nurturing to humans who honor her.

Aha Njoku – This popular goddess is worshipped by the Ibo people of Nigeria. She is responsible for yams, a central ingredient in the Ibo diet, and the women who care for them.

Aida Wedo – In Benin and Haiti she is the snake companion to Damballah-Wedo, the most popular god, who is also in snake form.

Aje – Yoruba goddess of wealth in all its forms.

Akonandi – (Ghana) An oracular goddess of justice.

Amirini – An early goddess of the Yoruba of West Africa.

Anansi -The spider goddess of Ghana, she is considered the creator’s chief official, and a hero of many tales.

Asase Ya (Asase Yaa) Ashanti earth goddess. Ghanian creator of humanity, and wife of Nyame. She was also the mother of the gods.

Ashiakle – Goddess of wealth of the Gan people of Ghana.

woman gods

Photo by NayMarie Photography

Atete – Fertility goddess of the Kafa people of Ethiopia.

Ayabba  – Hearth goddess of the Fon people of Benin.

Azeman – A name given to a female vampire or werewolf in Surinam folk belief. At night, she transforms from human to animal form and travels around drinking human blood. According to belief, the best way to stop her is by sprinkling grains or seeds about, so she will be compelled to stop and pick them up. Another way of stopping her is by propping a broom, which she won’t cross, against a door.

Aziri – The goddess of possessions.

Bayanni- (Yoruba) Sister of Shango. She was sacrificed to make her younger brother, Shango, a stronger god.

Bele Alua -(Ghana) Tree goddesss

Bomo Rambi – A moon Goddess of Zimbabwe.

Bosumabla – A sea goddess of Ghana, one of the minor deities.

Buk (Sudan-Nuer) She is the goddess of rivers and streams and the source of life. Her children are Deng, Candit and Nyaliep.

Bunzi – A rain goddess of Zaire, depicted as a rainbow-colored snake. She took over her mother’s duties as rain goddess when her mother was killed.

Buruku – She is a creator goddess of Ghana, associated with the moon and sometimes considered male.

Candit -The goddess of streams in Sudan.

Dewi Nawang Sasih – In Sudanese myth, a celestial nymph who taught people how to cook rice. The myth says she gave the women a simple recipe; place one grain of rice in a pot, boil, and wait until it sub-divides again and again until the pot is full. Her one restriction was that no man ever touch a woman’s cooking utensils. The people feasted fully, and easily, following her instructions until one king who felt above all others deliberately touched a cooking implement. The goddess in disgust departed the earth, and since that time it takes a whole bunch of rice to fill a pot, because although the grains swell up, they no longer divide and reproduce.

Dziva -The generally benevolent creatrix goddess of the Shona people of Zimbabwe. There is, however, an awful aspect to her nature.

Edinkira – An African tree goddess.

Egungun-Oya  – Another form of the Yoruba goddess of divination.

Eka Abassi – The creator of life. Her son and consort was Obumo (god of thunder and rain)

Enekpe – Goddess of the family and guardian of destiny. One story relates that when she saw that her tribe was losing a battle, she offered herself as a sacrifice to save her people, and was buried alive on the battlefield; her tribe was saved.

Eseasar – An earth goddess married to the sky god, Ebore.

Fatouma – She was born in a village near a lake in Mali that was inhabited by a virgin-devouring dragon who each year claimed a village virgin as payment for the use of the lake’s waters. The day came when Fatouma was the only eligible virgin remaining so she was left on the shore for the dragon to eat. Along came a hero named Hammadi who slew the dragon, married Fatouma, and lived happily ever after with her.

Gbadu- The daughter of Mawu. She is the goddess of fate of the Fon or Dahomey people of Benin, and she is saddened by the fighting among her mother’s mortal children.

Gleti- The moon goddess of Benin. She is the mother of all the stars (Gletivi). An eclipse is said to be caused by the shadow of the her husband when he comes to “visit”.

Gonzuole -The first woman of Liberia. Without a mate she gave birth to many beautiful daughters; they lived together in a village without men for many years. Eventually some men nearby trapped them all and Gonzuole, fearing for her daughters’ safety, agreed to give them in marriage to the men.

Hyrax -The wife of the creator god I Kaggen (praying mantis) revered by men of the western bush.

Ilankaka – The sun goddess of the Nkundo of Zaire was trapped by a man who was hunting during the night. She begged to be released and promised him much wealth for doing so, but the only wealth he wanted was her, so she agreed to marry him. Soon pregnant, she refused to eat anything but forest rats. Because it was known that a man had to provide for any whim of a pregnant woman, the man was kept very busy trapping for her. One night, however, she awakened to realize she was no longer pregnant. Shocked, she discovered the baby had slipped out of the womb and was already eating meat. He grew up to be the hero Itonde, who captured the heart of the Elephant Girl Mbombe.

Inkosazana – A female spirit of the Zulus who makes the maize grow. The deity of agriculture, she is venerated in springtime.

Lissa – The Dahomey mother goddess. Mother of the Sun god Maou and the Moon god Gou. Her totem was the chameleon.

Mami Wata – A water-spirit, sometimes described as a mermaid figure, who can found throughout the western coastal regions and into central Africa. Mami Wata is described as having long dark hair, very fair skin and compelling eyes. Although she may appear in dreams and visions to her devotees as a beautiful mermaid, she is also said to walk the streets of modern African cities in the guise of a gorgeous but elusive woman. She is interested in all things contemporary: some of her favorite offerings include sweet, imported perfumes, sunglasses and Coca-Cola. Nonetheless, the spirit appears to be related to other water spirits (known in Igbo, a language of southeastern Nigeria, as ‘ndi mmili) who have a much longer history on the continent. Mami Wata’s colors are red and white. Those she afflicts with visions and temptations, and who experience her as an obsession or an illness, may wear the red of sickness and dangerous heat. Others who have a more positive orientation towards the spirit may show their blessings by wearing white. Most devotees wear a combination of red and white clothing. Mami Wata is also said to have a number of avatars on earth- mortal women who have the same look as the deity and who act as her “daughters.” Mami Wata may give wealth to her devotees, her “daughters” or to her (male) spouses, but she is never known to give fertility. Some Igbo stories suggest that the fish under the waters are her children, and that she uses them as firewood. Mami Wata is sometimes seen as a metaphor for modern African conditions — having the knowledge of global wealth and the desire for large-scale consumption, but lacking the actual wealth or access to the world’s wealth that would enable Africans to participate in that system.

Mamlambo – The Zulu goddess of rivers.

Marwe – A Chaga folktale heroine.

Massassi – The maiden created for Mwuetsi, in the mythology of the Makoni tribe of Zimbabwe. She bore to her husband grasses, bushes and trees.

Mawu – Mawu is the Creator/Moon Goddess known among the people from the Dahomey region of West Africa, the female aspect of the divinity Mawu-Lisa. She is associated with the moon, night, fertility, motherhood, gentleness, forgiveness, rest and joy. The cosmology of the Fon has the Earth as floating on the water, while above circle the heavenly bodies on the inner surface of a gourd. The son of Mawu-Lisa, Da (Danh) the cosmic serpent, helps in ordering the universe; he had 3500 coils above the earth, and the same number below. Together these coils support Mawu-Lisa’s creation. After creating the earth and all life and everything else on it, she became concerned that it might be too heavy, so she asked the primeval serpent, Aido Hwedo, to curl up beneath the earth and hold it up in the sky. When she asked Awe, a monkey she had also created, to help out and make some more animals out of clay, he boasted to the other animals and challenged Mawu. Gbadu, the first woman Mawu had created, saw all the chaos on earth and told her children to go out among the people and remind them that only Mawu can give Sekpoli – the breath of life. Gbadu instructed her daughter, Minona, to go out among the people and teach them about the use of palm kernels as omens from Mawu. When Awe, the arrogant monkey climbed up to the heavens to try to show Mawu that he too could give life, he failed miserably. Mawu made him a bowl of porridge with the seed of death in it and reminded him that only she could give life and that she could also take it away.

Mbaba Mwana Waresa – A beloved goddess of the Zulu people of Southern Africa, primarily because she gave them the gift of beer. She is the goddess of the rainbow, rain, harvest, and agriculture. The story of her search for a husband is well known, and recently appeared in a beautifully illustrated children’s book.

Mboze – Mother of the Woyo people of Zaire, and mother of Bunzi. When her husband found out he was not the father of Bunzi, he killed Mboze.

Mebeli – In Congo, she is the mother of the race of man (given life by Massim Biambe) with god Phebele.

Moombi  – She is the creator goddess of the Kikuyu who mothered nine daughters by Gikuyu.

Mujaji – The rain queen of the Lovedu people of the Transvaal.

Musso Koroni – The goddess of disorder among the Bambara of Africa and the first woman to be created. She is the daughter of the Voice of the Void, and wife of Pemba. She planted Pemba in the soil, but disliked his thorns and so forswore the god. Now she wanders the earth, causing sadness and disorder among mankind.

Nambi – (Buganda) The first woman.

Nana-Bouclou  – (Benin) Primal god of the Ewe people of the Dahomey, both male and female, who created the twins from whom all the Voodoo gods descended.

Nana Buluku – (Nana, Nan Nan, Nana Baruku, Na Na Baraclou, Boucalou) As Nana Buluku she is the primordial creator goddess of the Fon Nation of Benin (Dahomey). As Nana Buruku she is first Grandmother to all the Divinities and first human woman in the religion of the Yorubas. It was of Nana that the Cosmic Twins Mawu and Lisa were born. From Mawu and Lisa came the Cosmic Egg, and the Cosmic Seed that germinated the Egg. This egg was formed about the center of Ashe, the realm of Ikode Orun. From this egg hatched the Great Irunmole. So Nana Baruku is the Womb of Olodumare, Mawu is the Cosmic Egg, and Lisa is Olodumare’s Seed. Once set into motion, they are the creation of all that is, was and ever will be.  When the Orisha called Obatala formed the first human head upon the face of the earth, it was Olodumare who came down from the great Adobe of the Spiritual Realm, and breathed life into it. It was through the mysteries of the breath of Olodumare that Nana Baruku first came forth and took up residence within a clay figure, becoming the first living soul. Thus Nana Baruku was both Great Divinity, first of all ancestors, the great Grandmother of the Divinities, but also the Ancient Grandmother and progenitor of the human race. In human form Nana Buruku was known by the name Ayizan. Ayizan, (Nanan) is envisioned as an ancient black grandmother, her face covered with palm fronds in honor of the palm trees which she used to create shelter upon earth. In her arms Ayizan carries a woven basket containing bark, roots, and herbs. Ayizan was the first human herbalist, sacred to her is the mandrake root, which resembles a human form and is a symbol of her human husband Osanyin. With her vast knowledge of herbs she attracted the attention of the Orisha Osanyin, whom took form and became known as Loco. In life Ayizan lived in a marshy swamp, she was a powerful ancestor who was unsurpassed in the knowledge of herbs and root magic. Sacred to her is quicksand, which surrounded her home and protected her from wild animals.

Oboto – The goddesses of serenity.

Oduduwa – A creator deity and earth goddess of the Yoruba.

Oshun  – (Osun) The Orisa of Love and Sensuality. The Yoruba peoples of Nigeria brought Oshun to the New World via Brazil and Cuba. She is depicted as an old wise woman sad at the loss of her beauty. Alternately she may be shown as tall, light brown-skinned and with the sensuality of a prostitute. She is patroness of rivers and the bloodstream, and wears seven brass bracelets. She wears a mirror at her belt to admire herself, is companioned by the primping peacock and cricket, and carries river water in her pot. Powerful spells are worked through this lady of opposites. Love and sensuality are the domains of Oshun. Tall and brown-skinned, she is patroness of rivers and the bloodstream, always carrying her mirror. Powerful love spells are worked through this Lady. Oshun, the Yoruba Goddess of Love and Life-Sustaining Rivers, is the Goddess of all the arts, but especially dance. Beauty belongs to Oshun and represents the human ability to create beauty for its own sake, to create beyond need. It is also said that she is the knitter of civilization, since great cities have been founded, for the most part, along rivers in order to supply water to their populations.

Oya -The Yoruba warrior goddess of the wind, the primeval mother of chaos, the mother of nine children (the nine tributaries of the Niger River). She creates change of fortune, and her power is associated with lightning, tornadoes, earthquakes and other storms, cemeteries and death. Her motherly strength inspires us to embrace change and learn from it. Using her machete, or sword of truth, she cuts through stagnation and clears the way for new growth. She does what needs to be done. She is the wild woman, the force of change; also the queen of the marketplace and a shrewd businesswoman who is adept with horses. As the wind, she is the first breath and the last, the one who carries the spirits of the dead to the other world, which is why she is associated with cemeteries. Oya is tall, stately, and fierce in battle. She is the orisa of creative power and action. They say every breath we take is the gift of Oya. The other two Ancient Mothers are Osun and Yemaja.

Pamba – The creator and sustainer of life in Ovambo mythology. The Ovambo, a matrilineal people, declare that ‘the mother of pots is a hole in the ground; the mother of people is god.’

Yemayah –  (Yemaja, Yemoja) She is one of the great goddesses of the Nigerian Yoruba. The Orisha of the Ocean and Motherhood, Yemayah was brought to the New World by the Yoruba people of Nigeria via Brazil and Cuba, where she has been venerated for centuries as Protectress during the middle passage of slavery. She was the sister and wife of Aganju, the soil god, and mother by him of Orungan, god of the noonday sun. She was said to be the daughter of the sea into whose waters she empties.  She is also an avatar of Mama Wata, the mother of waters. Even as she slept, she would create new springs, which gushed forth each time she turned over. The first time she walked on earth, fountains that later became rivers sprang up wherever she set foot. Sea shells, through which the priestesses and priests could hear the voice of the universe, were among her first gifts to the people. She is known by different names in many localities; As Yemoja (Yemayah) she is the power (orisa) of the ocean and motherhood. She is long-breasted, the goddess of fishes, and wears an insignia of alternating crystal and blue beads. She has a strong, nurturing, life-giving yet furiously destructive nature. She is considered the Great Witch, the ultimate manifestation of female power.  As Yemanja (Imanje) in Brazil she is ocean goddess of the crescent moon, as Ymoa in West Africa she is the river goddess who grants fertility to women. In Cuba she is known as Yemaya (Yemaya Ataramagwa, wealthy queen of the sea; Yemaya Achabba, the stern goddess; Yemaya Oqqutte, the violent goddess; or Yemaya Olokun, the dream goddess). She is known as Agwe in Haiti. She is also referred to as Yamoja, which is a contraction of the the sentence “Iyamo eja”, meaning “our mother” or “my mother of fishes”. Among the Brazilian Umbandists, Yemaja is the goddess of the sea and patroness of shipwrecked persons. In Santeria, Yemaja (Yemaya) is the equivalent of the Catholic saint Our Lady of Regla. The river Ogun is associated with her, because the water of this river is considered to be a remedy for infertility.

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Woman Gods (Various Regions)

Aphrodite (Greek) – The beautiful Goddess of love and fertility. No man could resist Aphrodite when she wore her magic girdle.  Her name means foam born or raised from foam as she was birthed from the churning sea.

Arianrhod (Celtic) – Goddess of fertility, rebirth and the weaving of cosmic time and fate.  The last aspect of her nature is contained within her name which means “silver wheel” or “round wheel,” suggesting her importance in the cycles of life.  Other common spellings of her name are Aranhod and Arianrod.

Artemis (Greek) – An independent spirit, she is Goddess is of the hunt, nature and birth. There are several different theories about the origin of her name, one school of thought says it comes from an ancient word for “safe” and another argues that it means “strong limbed.”   Either way the suggestion is that this maiden Goddess has the strength and ability to protect herself from any unwanted attention.

Athena (Greek) – Goddess of war and wisdom and domestic crafts. Plato believed her name meant “mind of God” whilst others suggest it comes an ancient word meaning “sharp.”  Both these words point to Athena’s great intellectual ability to see the true nature of a situation and to develop successful strategies.

Bast (Egyptian) – The famous cat Goddess, she protected pregnant woman and children. Bast was a very sensual Goddess who enjoyed music, dance and perfume.  Her name comes from the bas jars used to store perfumes and ointments.  Other versions of this Goddess names include: Bastet, Baset, Ubasti and Pasht.

Ceres (Roman) – This Goddess of agriculture and grains name comes from the Indo European word root, ker meaning “to grow.”  In turn her name has become the origin of our modern word cereal.

Cerridwen (Celtic) – Goddess of moon, magic, agriculture, nature, poetry language, music, art, science and astrology. She was also keeper of the cauldron.  Her name means “chiding love.” Ceridwen, Caridwen, Kerritwen, Keridwen, Kyrridwen are other variations of her name.

Demeter (Greek) – Goddess of the harvest who possessed great knowledge of the best way to grow, preserve and harvest grain.  She was also the devoted mother of Persephone.  Her name reflects her nurturing personality as it means “earth mother” in Greek.

Diana (Roman) – Goddess of the hunt and wild animals.  She later took over from Luna as the Roman Goddess of the moon, responsible for fertility and childbirth. Her name means  “heavenly divine,” reflecting her celestial role.

Eirene (Greek) – This Greek Goddess name means peace in her native language, expressing her diplomatic nature.  Her name also often appears as Irene.

Eos (Greek) – A sunny natured Goddess whose name means dawn.

Epona (Celtic) – Protector of horses, donkeys, and mules.  She was also an ancient fertility Goddess.  Epona’s Goddess name comes from the Gaulish word epos meaning “great mare.”

Ereshkigal (Sumerian) – Goddess of Attalu, the land of the dead and ancestral memories. Her name translates as “great lady under the earth.”  Irkalla is an alternative name by which this Goddess is identified.

Freya (Nordic) – Goddess of love, beauty, fertility, war, wealth, divination and magic. Her name comes from the ancient Norse word for lady or mistress.  There are several variations of the spellings of this Goddess name including: Freyja, Freyr and Freyja.

Frigg (Nordic) – Goddess of marriage, childbirth, motherhood, wisdom, household management and weaving and spinning. Her name means “beloved” in ancient Norse and is derived from fri “to love.”  She is also known as Frige, Friia, Frija and Frea.

Gaia (Greek) – Goddess of the Earth and prophecy. She is the primordial mother and a personification of Mother Earth. She gave birth to the Titans. Her name is also spelt Gaeo.

Hathor (Egyptian) – This heavenly cow’s areas of influence included music, dancing, joy and fertility. Her name translates as “house of Horus”.  Alternative names for this Goddess are Het-Hert, Hetheru, Mehturt, Mehurt, Mehet-Weret, and Mehet-uret,

Hebe (Greek) – Hebe’s name literally means youth or in the prime of life. She was one of the daughters of Zeus and Hera.  Her role was to serve the nectar and ambrosia to the Gods and Goddesses that prevented them from aging.

Hekate (Greek) – Goddess of the wild places, childbirth and the crossroads. She is closely associated with magic and witchcraft.  Her name is said to be derived from the Greek word hekas meaning “far off” describing her unworldly, shamanic nature.  Also known as Hecate.

Hella (Nordic) – The fearsome Goddess of the Nordic realm of the dead.  Her name is derived from the word kel, meaning “to conceal.”  There are numerous spellings of her name including Halje Hell, Hel, Helle, Hela and Holle.

Hera (Greek) – Queen of the Olympians and Goddess of marriage and birth.  The meaning of her Goddess name has been lost.  One historian claims her name could be connected to the Greek word for seasons “hora,” suggesting she is ripe for marriage.

Hestia (Greek) – The domestic Goddess of the Greek Pantheon, she rules over the hearth and home.  Her name comes from the Greek word estia meaning “she that dwells or tarries.”  This reflects the importance of the role that the ancient Greeks attributed to this Goddess in sacrificing her position as an Olympian to guard the fire and maintain a happy home.

Inanna (Sumerian) – Goddess of love, war, and fertility. Inanna was the personification of the morning and evening star.  Her beautiful name means “lady of the sky.” This Goddess is closely linked to Ishtar and Nin-anna.

Indunn (Nordic) – Goddess of youth and springtime.  Her name means she who renews and has several alternative spellings including Indun, Iduna and Idhunna.

Iris (Greek) – Goddess of the rainbow and messenger to the Gods. Her name means rainbow in her native language.

woman gods

Photo by NayMarie Photography

Isis (Egyptian) – This famous Goddess has so many different aspects, her most important roles are as Goddess of life and magic. Isis’s name comes from the Egyptian word aset and means “she of throne” in other words the Queen of the Goddesses.

Juno (Roman) – Goddess of marriage, pregnancy and childbirth.  She protected the finances of the citizens of Rome. Her name is mystery, it speaks of a contradictory role for this Goddess, before her alignment to the matronly, Greek Goddess, Hera. This is because her name is derived from the root yeu meaning “vital force” indicating a more youthful, maiden Goddess.

Lakshmi (Hindu)- Goddess of abundance of material and spiritual wealth.  Her name is derived from the Sanskrit word “laksya” meaning aim or goal

Maat (Egyptian) – Goddess of truth, justice and balance.  She prevented the creation from reverting to chaos and judged the deeds of the dead with her feather.  This Goddess name stems from the word Mayet meaning “straight.” This reflects her unbending nature in upholding what is right and just.

Minerva (Roman) – Goddess of wisdom, medicine and crafts.  Her name is linked to the Latin word mens which means “intellect,” suggesting the intelligence and inventiveness of this ancient Goddess.

Morrigan (Celtic) – The terrifying crow Goddess associated with war and death on the battlefield.  She was queen of phantoms, demons, shape-shifters and patroness of priestesses and Witches.  Her name means “great queen” in the old Irish language. Morrigan was also known as Morgane, Morrígu, Morríghan, Mor-Ríoghain and Morrígna.

Nephthys (Egyptian) – Goddess of death, decay and the unseen.  Her name speaks of her priestess role as it means “lady of the temple enclosure.” Other variations of her title include Nebet-het and Nebt-het.

Nike (Greek) – This Greek Goddess name means victory, she represented success especially in the sporting arena which is why her name was chosen for a famous brand of sportswear.

Ostara (Germanic) – The spring Goddess whose name is linked to the East and the dawn. The early Christians took her fertility symbols of eggs and hares and incorporated them into the Easter celebrations.

Parvarti (Hindu) – Goddess of love and devotion, her name means “she of the mountain.”

Persephone (Greek) – Daughter of Demeter and Queen of the Underworld.  She was also none as Kore reflecting the Maiden aspect of this Goddess.  Other variations of her name include Persephoneia, Persephassa, Persephatta and Pherepapha

Pomona (Roman) –Protected fruiting trees and gardens.  Her name is derived from the Latin word pomus, meaning “fruit tree.”

Rhea (Greek) – The ancient Titan Earth Goddess, responsible for the fertility of the soil and women.  The name is most likely a form of the word era meaning “earth”, although it has also been linked to ‘rheos’ the Greek term for “stream.”

Selene (Greek) – Selene was the Titan personification of the moon, unsurprising then that her name means moon in Greek.

Seshat (Egyptian) – The great scribe and librarian Goddess who was responsible for accounting, architecture, astronomy, historical records and mathematics.  Her Goddess name means “she who scibes.”  It is also appears as Safkhet, Sashet, Seshata, Sesat, Sesheta and Sheshat.

Themis (Greek) – Goddess of divine justice, order and customs.  She also had the gift of prophecy. Her name simply means “law of nature” or “divine nature.”

Venus (Roman) – Goddess and love and beauty.  Her Goddess name has become synonymous with her role as the woman who all men desire.

Vesta (Roman) – Guardian of the sacred Flame.  Vesta’s name and function is derived from the Greek Goddess Hesti

Chela Noldon | Twitter & Instagram  : @hollysaucy

Featured photo courtesy of NayMarie Photography

 

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12Jul/17
Jay Z by Myke Archie

Tidal, Jay-Z, and the Employment Discrimination Problem

Jay Z by Myke Archie

Jay Z x Myke Archie, Work Force Comics

Does Jay Z’s TIDAL support Black economics or not?

(Co-Written by Professor Jason Nichols)

This month, 4:44 was released on Tidal. Hova, Jigga, Jay Z, Shawn Carter. Over the years, his music has meant different things to different people. With Tidal on the come up, a great deal of us celebrated their milestones as achievements for the Black community at large.

Whether you’re a loyal fan or not, one thing is clear: Jay-Z has some of the most loyal African American fans in hip hop history. His largely African American base has held it down for him from his humble beginnings when he played second fiddle to Jaz-O. Black hip hop heads consumed his music through the 90s and 2000s. These same fans stuck around after he lost the historic battle to rival turned collaborator Nas. Many rappers get vanquished after a loss. Jigga’s loyal African American fans still lined up for his next release. The loyalty continued through Jay-Z’s trial after a nightclub stabbing. African American fans put Jay-Z in his Maybach, so you can imagine the surprise of some when he chastised his Black audience for not supporting Black businesses on his critically acclaimed new release 4:44.

This week, photos have surfaced of Jay-Z’s major venture, the music streaming service Tidal. The first thought for most African American fans?

Jay-Z’s Tidal staff is overwhelmingly white.

Jay-Z is not completely off base in many respects and his message is consistent with his earlier work. Black businesses require Black patronage. Our communities in turn need Black businesses to grow and employ Black workers.  Black unemployment and employment discrimination are obstacles for Blacks at every level of education. Even when a Black college graduate seeks work, they face discrimination; Black college grads face unemployment at nearly double the rate of white college grads. Evidence show that the darker a person is, the harder they must work to attain the same privileges as their white counterparts. Black businesses are more likely to employ Blacks. The Institute for Research on Poverty noted that Black employers are more likely to hire Black employees because having a Black person in such a leadership role suggests substantially less discrimination in the workplace to potential staffers. Moreover, research shows that hiring practices are much more rigorous and strict at Black owned firms. Essentially, this means that Jay-Z’s decision to knowingly celebrate Tidal’s lack of diversity represents his abandonment of the very people he chose to criticize.

Yes.

The picture was taken at an office in Norway where the Black population is less than 5% Black.

Yes

Jay-Z bailed out Ferguson activists in Baltimore.

Yes

Jay-Z started dating Beyoncé when she was 19 and he was 31. (This is true, though non-essential to the thesis of this argument.)

African American fans still feel betrayed Norway is one of the whitest places on earth. It’s not just about the lack of diversity. Seeing that photo had the same impact as Bill Cosby’s infamous line.

With names like Shaniqua, Shaligua, Mohammed and all that crap and all of them are in jail.”

Fans supported him for decades (well before we found out that self-hate was only one of many faults in his repertoire). Cosby still made the statement. Jay-Z hints at being conscious while tearing down the Black community for doing exactly what he has done. It is hypocritical at best.

Many American corporations hire American workers and relocate them overseas. Companies like Bain, Google, HBSC, and Texas Instruments all send Americans abroad. The location is no excuse for such an astounding lack of diversity.

The photo was a reminder that wealthy Black folks can sometimes be as neglectful to our community as non-Black folks. While some may need his advice, even more need the opportunities he can provide. Ambitious Black twenty somethings depend (in part) on their elders to pave the way. Though there is a dearth of Black computer programmers, they exist. Jay-Z is in a perfect position to highlight them and encourage more Black youth to consider careers in STEM.

 

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blerd city con

Calling all Black Nerds! BLERD City Con is Celebrating You in New York City

blerd city conBLERD City Con is about to bring a revolutionary event to the historic Dumbo Spot in New York, NY — and you’re going to want to grab your tickets soon. BLERD City is an innovative, unique, creative, and challenging celebration of the Black community and all the glorious nerdiness held within. Art, science, film, literature and technology; it’s all going to be on display from Sunday, July 29th through Saturday, July 30th. This family-friendly festival is going to be hyperactive and fueled with fantasy and fandom.
“What is a BLERD?”  A Blerd is simply a “Black Nerd”. They are those who have an interest in what others would say are strange and specific things.  An interest in talking about unrivaled passions for characters, stories, and forms of art that often outweigh real celebrities.  The goal of Blerd City Con is to honor creativity of the Blerd culture, encouraging inclusion, community, and awareness in the process.
Clairesa Clay, the founder of BLERD City Con, has a simple and inspired mission: “I want the audience to experience Horror, Science Fiction, and Fantasy by the talents of leading African Diasporic filmmakers, writers, coders and creators who are serving the community of Black and Nerdy.
BLERD City is a conference dedicated to showcasing the multi-dimensional complexity of black nerdiness through all spectrums of creativity, invention, and innovation. We’re going to have panels, workshops, film screenings, special guests, presentations, and so much more. Visit our marketplace for gaming and comic books and take your kids to our all ages science and technology exploration center.
This year, BLERD City Con will be honoring L.A. Banks for her outstanding contributions in fantasy horror speculative writing and non-fiction with an award in her name. BLERD City Con has worked with some of the most renowned, accomplished, and critically-acclaimed presenters within the community:
Sheree Renée Thomas, award-winning fiction writer, editor, and poet, and author of Dark Matter: A Century of Speculative Fiction from the African Diaspora and Dark Matter: Reading the Bones. Sheree will be honored with the new L.A. Banks award.
 Tim Fielder, graphic artist, cartoonist, and animator, best known for Afrofuturism: The Next Generation.
Warrington Hudlin, veteran producer of film, television, and online media
Floyd Webb, an award-winning filmmaker and groundbreaking film festival producer.
Regine Sawyer, owner and writer at Locket Down Production a press comic book company. Also the founder of the Women in Comics Collective International.
BLERD City Con’s mission is to provide the Black community with a tangible connection to the talented and cutting-edge professionals working within the arts and sciences, providing room for inspiration, networking, and education.
In addition to featured guests, BLERD City Con panels and workshops include:
People of Color Gaming
Venture Capital for Technology
Women in Comics
The Great Black Panther Debate
Afropast, Afrofuture
Black Karate
Coders and Writers
SciFi/Fantasy/Writers Reading
AfroCrowd: A Wikipedia Workshop
This expansive cultural celebration will be held over five areas: The Dumbo Spot (Panels), Creative Chaos (Book Readings), Automatic Studios (Film Screenings and Panels), The Green Desk (Workshops), and Brooklyn Bridge Park (Children’s Corner). You don’t want to miss this one-of-a-kind event and experience. Tickets are available now.
 
About BLERD CITY
BLERD City Con is a two-day conference celebrating the fantastic NERDiness in you! Join panels & workshops in Games, Tech, SciFi/Horror/Fantasy film screenings and book readings.
Get your tickets to BLERD City Con here!
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07Jun/17

Taji Vol11: Ethereal

Release Jun 7 2017 | Vol11 of Taji is packed full of Black Beauty & Culture fulfilling it’s theme of “Ethereal”! This volume features rising cover model Aïssata. Gracing the pages are the Editor’s Pick: Khinky.com is the Only Black Woman Owned Loc Extension Manufacturer; the community feature on the fitness trio “The Mix-Tape”; Hair Feature by Sophisticated Locs Salon; “Beginners Advice for Building your Savings from Phil Small” by Nay Marie; “Spiritual Technology of Freedom” by Jashua Sa’Ra; E.M.E.R.G.E. founded by Master Pioneer Hair Stylist Diane C. Bailey; the elegant jewels and body butters of TheCelestineCollection; “13 Reasons Why We Should Discuss Misogynoir by Tajh Danielle Sutton; “#BlackLoveConvo: Affection Between Black Men” with Dapper Dr. Feel; our Health & Fitness Advice Column with Trainer Clint & Vegan Fun with Delliz the Chef – “Personal Pan Pizza”; Featured artist Will Focus; Must Have Comic Book: Ajala by N. Steven Harris; the Taji Model Winners; and more!!

RSVP for the Vol 11 June 4th Release Event at TajiMagVol11.eventbrite.com!

Purchase your copy now at ‘Purchase Taji’!

Vol11

Purchase Taji Mag | Vol 11

Taji Mag is a Black Beauty & Culture specialty publication highlighting the artistry of our essence.

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Glamourina

Glamourina Announces New Collection of Athleisure Wear

Local Washington, DC designers Kia Renee and Nekol Choo are thrilled to announce the premier of their Glamourina Kente Athleisure line. Glamourina is an online athleisure apparel store. Co-founders Kia and Nekol are working mothers who have always had a passion for fashion and desire to encourage women and uplift women. “Our mission is to provide affordable, comfortable, and quality athleisure apparel to average, and above average working women and girls in efforts to promote self-esteem through beauty, health and fitness.”

Glamourina

Why Kente? Kente is a traditional tribal fabric originating from Africa.  Africa is a strong and powerful continent.  They are here to motivate and encourage women to be strong, powerful and confident. “We are especially excited about our Kente line of athleisure apparel,” said Kia and Nekol. “Our followers are in for a treat this year.  When we premier the new line in April, everyone will finally get a glimpse of a very special design we’ve been working on for the past two years.”

Glamourina’s Kente Athleisure line will be available for purchase online exclusively at www.Glamourina.com before expanding to other retailers. Follow them on all social networks @shopglamourina!

Glamorina

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27May/17

Lindi Roaming the Streets on Africa Day

Lindi Roaming the Streets on Africa Day

“RANTA E WELE”

by Thabiso Thabethe

The mural painted at a public park in Winterveld PTA, South Africa, titled‘ RANTA E WELE’ (meaning the rand has dropped)’ is his first politically inclined artwork and first non commissioned public artwork. The piece is not a lash at the current ruling party, the president for the political instability. “I was simply attempting to reflect the concerns of the people in our poverty stricken township. After the SA president reshuffled the cabinet we have witnessed a decline in the value of the South African rand and this follows criticism from all political parties, accompanied by a few marches and demonstrations from the general public.”

   

“The monochrome painting with a blood red for the injured and dying impala on the Rand, signifying the current state of affairs locally and nationally was a subtle yet effective way for me to be a mouthpiece for the people. I have used a spear to symbolize that the hurt to the Rand/ the country is done by one of the natives. The whole coin is still steel/silver material but the blood is ‘realistic’, because the value of the Rand is an idea which is generally accepted as a substance possessing value to pay for goods and services within the country… but its declining value has a very realistic backlash that the poor are not able to ignore. Taxi prices in Pretoria South Africa have gone up and that affects food prices and local businesses, so Winterveld people are facing difficulties to get by, hence the impala/springbok on the Rand (the prey representing ‘the people’) is turning its face backwards to express anguish and hopefully escape from the predator’s fatal spear throw.”

KausKulture is a Designer Brand that is primarily focused, but not limited to custom sock designs. KausKulture is inspired by the collective aspirations of the youth of South Africa through the expression of art in textile. It was formally established by two young black entrepreneurs Kabelo Moabelo and Marcus Prime Chabane, who wish to add value to the livelihood of our communities.

KausKulture aims to influence the fashion industry with its originality, spontaneity and class. The design element go against uniformity but still maintaining sophistication. “We have an unparalleled appreciation for attention to detail and cater for diverse and broad market.”  The company was established in 2015, when the spark to establish KausKulture as a movement started as a conversation and continues to grow as an instrument of change and artistic inspiration impact to our generation.

Kgomotso Neto Tleane

 A South African photographer with the mouldings of rural life and trimmings of fast paced city living. Born and raised in Ga-Maja, the Johannesburg based photographer creates imagery that effortlessly reflects both the grime and glory of the city he inhabits.
 
Known for his documentation of informal and underrated aesthetics, taxis and everyday people form a prominent feature in his work, whilst his collaboration with renowned graphic designer, Rendani Nemakhavhani in The Honey is testament to his strengths as a conceptual photographer.
 
Featured on various tv and radio stations, various local and international publications such as between 10and5, okayafrica, Asian Photography (India) and Radio Africa Magazine (Barcelona) among others for his work, Tleane along with Nemakhavhani were one of the participating artists in this year’s Fresh Produce category at the lauded Turbine Art Fair
 
African Art is a term typically used for the art of Sub-Saharan Africa. Often, casual, amateur observers tend to generalize “traditional” African art, but the continent is full of people, societies and civilizations, each with a unique visual culture. The definition may also include the art of the African Diasporas, such as the art of African Americans. Despite this diversity, there are some unifying artistic themes when considering the totality of the visual culture from the continent of Africa.
 
  
Africa is the world’s second-largest and second-most-populous continent. At about 30.3 million km2 (11.7 million square miles) including adjacent islands, it covers 6% of Earth’s total surface area and 20.4% of its total land area. With 1.2 billion people as of 2016, it accounts for about 16% of the world’s human population. One interesting fact about Africa that is truly amazing is that long before humans were around (the early Mesozioc Era), Africa was joined to other continents in a massive continent called Pangaea. Over millions of years this huge continent broke apart shaping the world landscape as we know it today in what has been referred to the continental drift. On this day 2017 May 25, we salute You Mama Africa.

#AFRICA RISE
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08May/17
roc-a-natural

Roc-A-Natural Expo Reemerges to Empower NYC Naturalists With Confidence Mental Health Wealth & Pride

4th Annual Roc-A-Natural Hair, Health & Beauty Transform Your Life Expo returns to celebrate living in a Natural State of Mind. Some sponsors include Taji Mag, The Event Strategist, Nature’s Bounty, Raw Revolution, Miss Jessie’s, Pure Onyx Movement, Body Sculpt of New York, Natural Roots NYC, Michi Designs, Curls and Walk Through Gallery. Roc-A-Natural is held in the heart of Midtown Manhattan on Saturday, May 13th at The Watson Hotel, 440 West 57th Street, NYC.

roc-a-natural

With the recent rise in obesity, diabetes, hypertension and cancer health issues around the country, Yvette Onofre, Body Sculpt of New York will address the nurturing of a healthy body through the “Nutrition Workshop and the “Smoothie Operator” demonstration that will radiate confidence and beauty from within. This highly anticipated event will inspire and encourage an entire community to be proud of their inner beauty while seeking a more natural way of life. The expo will be held at The Watson Hotel, 440 West 57th Street, NYC 10019 on Saturday, May 13th from 10a.m. to 8p.m.

“True wealth comes when you first invest in your natural health at the Roc-A-Natural Expo” says Vincent Ferguson, President, Body Sculpt of New York.

roc-a-natural“Our mind is responsible for navigating our bodies through the world and having a healthy mentality is essential for building our self-identity. Roc-A-Natural stepped to the forefront to fill the need for an event that address the whole person” says SynChana Elkerson, who will be teaching the “What Goes Into A Healthy Mind?” Workshop.

Roc-A-Natural’s inaugural show in 2014 was a huge success with approximately 400 attendees and has continued to grow throughout the years. Now in 2017, with the move to Midtown Manhattan, they’re gearing up for an even larger audience. At this festival of all things natural, attendees will experience an insightful, informational and influential event that celebrates building self-esteem, natural beauty and empowers small business owners.

“This year’s R.A.N Expo is beyond living in a natural state of mind…it’s providing the blue print for building selfesteem through empowerment and Youth-Prenuers!” said Founder of Roc-A-Natural LLC, Dorcas Meyers.

“It’s been an honor to assist with cultivating and nurturing this flourishing Roc-A-Natural movement since its inception. Lack of self-esteem in our communities has contributed to sabotaging our quest for success in all aspects of life from our business aspirations to our personal relationships. The Roc-A-Natural Expo hopes to bridge the gap with thought provoking panel discussions, brainstorming healthy solutions and promoting positive reinforcement of self-identity for all” stated Vanessa Edwards-El, The Event Strategist.

“As the CEO and Hair Specialist of Essence of Beauty, EOB2 and Design Essentials products, I have been a part of the Roc-A-Natural movement in 2014 and 2015 and am looking forward to returning this year as the Pop-Up Salon. We will continue to assist with improving self-confidence through proper hair care and the workshop, “What You Need To Know To Roc-A-Natural and Protective Style.” stated Claudette Gyles.

roc-a-naturalNaturalist’s of all ages will gather to experience the talent and expertise of holistic healthcare practitioners, independent stylists, barbers, salons, bloggers, artists, performers and more. This interactive 1-day expo, is expected to attract approximately 500 participants. The Roc-A-Natural Expo offers a dynamic program designed to provide women, men and children with a vehicle to facilitate their natural journey and tackle the unprecedented challenges faced when embracing the natural lifestyle. The Expo serves as a unique forum where attendees can network, share experiences, and learn strategies from many of the nation’s leading experts on everything natural and most importantly have fun while doing it.

“Cultured Expressions is thrilled to return to Roc-A-Natural this year, where natural is more than just a hairstyle, it’s a Lifestyle — Come and share valuable information and inspiration!” said Lisa Shepard Stewart

The R.A.N Expo will feature an innovative and exciting Natural Hair Fashion Show. Industry professionals and fashion designers from the tri-state area will have the opportunity to showcase their fabulous work through the wonder of artful expression. During the show, the Roc-A-Natural Awards Ceremony will honor outstanding leaders who inspire excellence, ingenuity, effect change, a positive mindset and offer resources to live a successful and natural lifestyle.

Tickets to the R.A.N Expo are available for $15 for general admission, $10 for seniors/students and $100 group of 10 passes will receive an 11th complimentary pass. A few Vendor opportunities are still available at a discounted rate of $285.00. Vendors may confirm their participation by visiting the Roc-A-Natural website and completing the vendor application online.

For more information, journal ads or to register as a sponsor, vendor, community partner, affiliate, volunteer, ROC’Star model or health pavilion participant for the R.A.N Expo, visit www.rocanatural.com.

About Roc-A-Natural, LLC.

It’s All About Being In A Natural State Of Mind!

Roc-A-Natural is an organization and movement that is dedicated to building self-esteem through emphasizing the beauty of natural hair and the benefit of a natural lifestyle. This is accomplished by inspiring natural and protective hair styles at the Roc-A-Natural Hair Fashion Show, educating diverse generations on the importance of proper nutrition and exercise resulting in healthy hair, healthy body and healthy skin from head to toe. R.A.N offers access to a large variety of natural products and services that empower and encourage people to live in a natural state of mind. In addition, R.A.N provides a platform to promote entrepreneurship and tools for wealth building.

“Being Natural” is a choice… “Living Healthy” is a state of mind…” You can choose to be a natural and live a healthy lifestyle!” To follow Roc-A-Natural, engage and learn more, visit www.rocanatural.com, join the conversation at www.facebook.com/groups/rocanatural, follow on Twitter at twitter.com/rocanatural and Instagram @rocanatural.

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06Apr/17
Black Land Matters

Duende Naturál & Black Land Matters Finds Egypt in Washington, DC

Black Land MattersDuende Naturál & Black Land Matters Finds Egypt in Washington, DC

 Sharpen your eyes and tune your ear so you’ll know what you see, understand what you hear.” — Listervelt Middleton

As part of Duende Naturál and Black Land Matters 2017 tours we will be returning to Washington, DC May 20 for our 2nd annual Egypt On the Potomac Field Trip with Historian, Anthony Browder.

One of the most stunning symbols we learned on our inaugural trip last year was the presence of two *Tekhenw (pronounced ‘Tek-en-nu’) which symbolizes a timeline: the Tekhen on the left stands for the past, on the right the Tekhen stands for the future, and the space in between the present.

(*Tekhenw is plural for Tekhen, also erroneously called an Obelisk and Cleopatra’s Needle)

It is very clear Browder’s keen knowledge on the design and makeup of the Nations’ Capitol bear clairvoyance to the fact the trans-generational leaders of the world aim to maintain their position as vanguards of Afrikan cryptic knowledge and history having to only acknowledge its truth to another Afrikan if he is “on the level” — which in most cases means you’re male and a 32nd degree Mason — alarminlgy a reason as to why of the many original stolen Tekhenw placed around sacred places in the world, few — if any — are in pairs.

Black Land Matters

Anthony Browner

Browder quoted Listervelt throughout the field trip as we were introduced, better put, re-initiated into the mysteries of our Ancestors as creators of geometrics, math and symbolism using the constellations to bring the heavens to earth as masterfully done by Washington, DC planner, Benjamin Banneker — a free Afrikan by the way.

 

Through Browder’s easy to digest teaching style, in a few short hours we were equipped to exercise the significant power of recalling our past through observation of the alignment of building structures and numbered streets, and connecting it to the present to chart a promising future.

Thanks to Baba Browder, our eyes have been sharpened and ears tuned as we look to counter the next wave of Transition 13.

TRANSITION 13

Whenever dealing with the topic of history — particularly the role of its effect on the Afrikan Diaspora pre- and post colonialism, Browder’s poem, our plight is best described in poem, ’Transition 13’:

We knew not
We studied
We learned all there was to know
We taught others
Then we forgot what we had learned
And then we forgot that we had forgotten
Now we are taught
(By those who where once taught by us)
Knowledge
(That we already had)
So…
We study
We learn all there is to know
We teach others
Will we forget…AGAIN?

Taking the Egypt On the Potomac Field Trip reveals this hidden truth; our forgetting we forgot and then having been taught by the very ones responsible for this collective cultural amnesia.

It got me to thinking, Browder’s poem shows at the root of it all this memory loss is the driving point behind the loss of ourselves, our communities and our land.

Although at the core of issues we face as a community defensively are at the hands of racism, socio-economic displacement, and police brutality, there are offensive methods we’ve forgotten was in use before the days of integration when we were all that we had and realized through cooperative means we took care of ourselves. We did this through community, where we invested in each other.

Recognize, we are in the Information Age… a cultural reclamation is at hand.

Our intent through Duende Naturál and Black Land Matters is to serve as the metaphoric space between the Tekhenw (the present) to bridge a self-determining future for ourselves.

We’ve implemented a tangible resolution for those in search. At a bare-bones level we’re enrolling folks interested in committing to saving up to a minimum of $5,000 each to acquire Costa Rican and domestic land projects we’ve scouted to build intentional diasporic communities through membership in our Black Land Matters Real Estate Investment Trust (BLM-REIT) through what’s called an ASCA or Accumualting Savings & Credit Association.

This will enable us to participate in the (re)building and sustainability of our communities together instead of facing the virtually tedious task of doing it alone.

In alignment with the tenants of Sankofa (to go back and fetch our history), we of Duende Naturál and Black Land Matters understand the importance of “going back” to the historical makeup of this Nations’ Capitol to see the very real Afrikan presence that sits as the cornerstone of America — hidden in plain sight! This is what makes Anthony Browder’s work indispensably   invaluable! And the reason we are returning for his Field Trip this year.

From this reclamation we are able to shift from in between the Tekhenw (the present) to the Tekhen on the right which depicts our future — for we are rebuilding that future starting on the Caribbean Coast of Costa Rica.

So. With our eyes sharpened and ears tuned, we can now affirm to Ances-Star Listervelt Middleton we know what we see and understand what we hear: Wherever Blackfolk Are, Black Land Matters!

If you’re in the NYC/DC area we invite you to come with us May 20th to Browder’s Egypt On the Potomac Field Trip. For details and registration:

 Cooperatively.

Black Land Matters

 NEXT STEPS

  • Those interested in these “next level” talks email us at yesland@duendenatural.com
  • Come with us to Costa Rica August 12-20, 2017: Join our annual August Family Caribbean Excursion on the Caribbean Coast and get a taste of ‘Pura Vida’ or ‘the Pure Life’! For details, goto: http://www.duendenatural.com/tour/

 ADDITIONAL SUPPORTIVE RESOURCES:

Books

  • Egypt On the Potomac, by Anthony Browder
  • Finding Karakhamun – The Collaborative Rediscovery of a Lost Tomb, by Anthony Browder
  • Nile Valley Contributions to Civilization (Exploding the Myths), by Anthony Browder
  • Afrikan Burial Ground – Urban Unrest – Remnants of Slavery in New York, by M’Bwebe Ishangi (eBook and Digital Print)

Articles

  • Sankofa Kemetamorphosis: Ancestral Calling…

http://daghettotymz.com/current/kemetamorphosis/kemetamorphosis.html

  • The Significance of Historical Consciousness

http://daghettotymz.com/current/significance/significance.html

  • The Unapologetic Quest to G.E.N.T.R.I.F.Y.: Ethnic Cleansing Through Economics

http://daghettotymz.com/current/gentrify/gentrify.html

  • KMT vs NYC & DC

http://daghettotymz.com/current/kmtny/kmtny.html

  • Her Em Akhet vs Sphinx

http://daghettotymz.com/current/heremakhetsphinx/heremakhetsphinx.html

Video

  • The Classified Origin of D.C.

When speaking of the origin of Washington, D.C., the founding “fathers” of this country showed their enormous affinity toward ancient Kemet. Master Historian, Anthony Browder reveals this Afrikan influence with his field trips of D.C. This Video Article both honorz and serves as a complimentary visual of his works.
> Watch here: http://duendenatural.com/may2017.html#classifieddcvid

  • ‘The Future of Our Past – Using Cooperatives to Survive and Compete in the Next Twenty Years’. Take a look at the core issues stemming from Emancipation as well as Integration that’s led to the rise and fall of our collective loss of landeconomics and opportunity and how resuscitating the use of the Cooperatives can be a key factor in the next two decades.
    > Watch here: http://duendenatural.com/media.html#mediavideo-1
  • Black Land Matters featured on the Laura Flanders show

Black Land Matters’ co-founder, Mark Scott joined Weeksville Heritage Center’s Tia Powell Harris on the Laura Flanders show on the historic relevance of using cooperatives as a tangible solution to addressing the disparities of POADUS’ (People of African Descent in the Untied States) socio-economic opportunities.
> Watch here: http://duendenatural.com/media.html#mediavideo-2

 ———

M’Bwebe Ishangi

Where Eco & Culture Meet.
DCEG, LLC
e: info@duendenatural.com
w: http://duendenatural.com
fb: https://facebook.com/Duende-Natural-292153374229974/
t: https://twitter.com/DuendeNatural
g: https://instagram.com/duendenatural/

Black Land Matters
Wherever Black folk are, Black Land Matters!
e: yesland@duendenatural.com
w: http://blacklandmatters.com
fb: https://www.facebook.com/duendeblm66
t: https://twitter.com/BlackLandMatter
g: https://www.instagram.com/blacklandmatters

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06Mar/17
Minda Honey is NOT Your Negro

#WomensHistoryMonth: @MindaHoney

Minda Honey is our Women’s History Month feature

Black women are brilliant; Taji Magazine knows and celebrates that every month. For #WomensHistoryMonth this year, we will profile four women who embody the talent that makes us smile.

First up is the fashionable and witty Minda Honey, creator of WrMindaa + Issaite Louisville and all-around amazing woman.

Minda Honey is a writer, editor, and Louisville native. She writes about love, relationships, and food. The common denominator for her work is consistently critical analysis that lends visibility to marginalized intersections that would otherwise be ghosted. She has introduced us to other stellar Black women like Issa Rae and Cynthia Bond. From earning an MFA in Creative Writing from the University of California, Riverside to founding Write Louisville, she is a southern woman with a global heart. Minda Honey was recently featured in Teen Vogue. The article explored the hair discrimination Black women face in the workplace.

Scholar, Agitator, Lover

When others shied away from addressing the Nate Parker rape accusations, she took the issue head on:

Yes, Black women on Twitter held Nate Parker accountable…Black women were also the majority of filmgoers who saw and supported Birth of a Nation—but of course we don’t get credit for that part. (Well, I don’t deserve credit for that part because I refused to go see it).”

But did anyone really expect less from a woman who shares a birthplace with Muhammad Ali, CJ Fletcher, and bell hooks?

In a 2016 piece, Minda Honey explores the audacity of whiteness and encourages us all to do us. She urges us to have “the confidence of a mediocre white man”.

Minda HoneyMinda Honey is a columnist and regular contributor for The San Diego CityBeat, The LEO (Ask Minda Honey), The Establishment, Thrillist Louisville, and The Voice-Tribune. Her company, Write Louisville, has recently taken off. Minda Honey is not just a another writer; she is the Zora Neale Hurston of our time.

You can follow her all over social media on Instagram, Facebook, and Twitter. She also writes website copy, blog posts, infographics, and more. We are exciting to be first in line for a copy of her memoir-in-progress, Anthology of Assholes.

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