Category Archives: Creative

30Jul/18
International I Love Braids Day

International I Love Braids Day 2018 Was Beyond this World!

International I Love Braids DayInternational I Love Braids Day (IILBD) 2018 was all things braided godliness! This July 29th, the Queens came to make a statement, and that they did! From traditional styles with ancestral meaning to modern spins on staple techniques, these hairstyles left everyone in awe. They proved that braids can be worn by anyone for all occasions, at all ages and stages in life. Your royal can be clean and simple or adorned with cowry shells and jewels, whatever makes you strut and walk with your head held high. This inaugural celebration made history.

International I Love Braids Day

International I Love Braids Day received it’s official Proclamation on July 21, 2017, by the Brooklyn borough president’s office to the founder of IILBD, master hair braider Debra Hare Bey. Debra has been styling natural hair for over 30 years in Brooklyn. Her current salon, OMhh Beauty Oasis, is located at 407 Lewis Avenue, Brooklyn, New York. At the salon, she services clients with a multitude of natural hairstyles, but she specializes in braids. Debra is the originator of the style Nu Locs, most popularly worn by “Maxine Shaw” on the television series Living Single. Go ahead, question it. You thought Erika Alexander was rocking locs back then? Nope, those were yarn braids done by Debra. Debra also has a line of nourishing vegan hair and body care products that smell so good you’ll never want to stop using them. Fall in love with all things Debra Hare Bey and OMhh at www.OhMyHeavenlyHair.com.

International I Love Braids Day

Some of the other participating stylists were Ayana Card of Kinky Rootz, Fajr of Sophisticated Loc Salon, Ngone Sow of Soween, and Thema Taylor.

International I Love Braids DayIf you slacked in your mackin’ and slipped in your pimpin’, check the images here to see what you missed. Be sure to mark your calendar for July 29th next year for International I Love Braids day and follow @internationalilovebraidsdayblc on IG to be notified of the #BraidLoveBK celebration for 2019!

 

 

08Jul/18
Toree Alexandre

Actress Toree Alexandre Talks Playing Young Mariah on Luke Cage

Toree AlexandreWhen it comes to bright new talent in entertainment within the Black community, many of these creatives can be found at or have attended the American Black Film Festival in Miami. I found myself attending the film festival and I wanted to hear from Mr. Black Panther himself director Ryan Coogler speak about his journey to the being one of the hottest directors. While there I experienced the positive vibes from being around all of those in attendance. It was euphoric and energizing, Black excellence at its finest. There were many activities going on for attendees to partake in, one of the most entertaining was the HBO comedy competition hosted by Yvonne Orji aka Molly from Insecure. Before Yvonne’s comedic talents slew the audience, I happened to meet two actresses; one very charismatic Amber Jones and a very shy, jovial Toree Alexandre. We spoke about projects and exchanged business cards, little did I know one of these actresses played the younger version of the villainous Black Mariah on season 2 of the hit Netflix series Luke Cage

Dapper Dr. Feel: How did you get into acting?

Toree Alexandre: My mother was a ballerina in England, and she put me in dance classes growing up, so I was performing in dance recitals from a young age. The turning factor, however, was when I played Johnny Appleseed for a history assignment in my second-grade class. When I put that metal pot on my head and got up in front of my class to perform, I knew I wanted to play Mr. Appleseed in a feature film one day.

DDF: What was your reaction to getting the Black Mariah role?

TA: I was at my desk at work and I screamed (internally), and cried a little! People at work already see me talking to myself daily, whether it is to memorize lines, or just a friendly convo with me, myself, and I – so they didn’t think anything of my strange behavior.

DDF: You mentioned you love classical theater, what made you get into it?

TA: The juiciest part of getting to know my characters is text analysis, and many classical pieces give you tons of text to sift through. From the metaphors to the parallels to the allusions to the rhymes to the symbolism to the imagery, it all gives you an inkling of how the playwright created the truths of the characters you are portraying, and how you as the actor can then insert yourself into the mix and do justice to those fully-realized characters. The depth, backstories and the intelligence of the Shakespearean characters are absolutely enthralling. I write poetry and am working on a few scripts, so I definitely take notes from great writers!

DDF: What was your process of preparing for the role?

TA: I watched the first season of Luke Cage, studied Mariah and her habits, imagined all of the things Mariah would do if she were on vacation in Jamaica, looked deeper into her relationships with Mama Mabel and her Uncle Pete, and how that played into her interactions with people and her hopes and dreams for the future of Harlem… also, dissecting what snapped inside her head for her to pitilessly pulverize her cousin to a pulp was a trip and a half… Ms. Woodard was captivating in that scene; I loved it!

DDF: What is the difference between theater and film?

TA: It’s just a different medium, so the scale is changed and you make adjustments accordingly. There is no real difference; it’s all acting! It really depends on the style of the show itself, that is part of what informs an actor’s choices.

Toree Alexandre

Actress Alfre Woodard as Mariah Dillard on TV show Luke Cage

DDF: Did you get to meet Alfre Woodard (Adult Black Mariah) or any of the main cast?

TA: Unfortunately, I didn’t get to meet Ms. Woodard (yet), but I was so grateful to have met LaTanya Richardson Jackson, Curtiss Cook, Jayden Brown (and his granddad), Chaundre Bloomfield, Mehki Hewling, Shannon Harris, and Jeff Auer. A lovely group of people!

DDF: How does it feel to be apart of a series that celebrates Black women?

TA: Black women are an integral part of how and why we are all here today. I celebrate Black women daily, so Luke Cage fits right into the puzzle! It feels like I am honoring the influential women in my life, so if I can honor them and pursue my passion simultaneously, what could be better than that?

DDF: What are your goals short term and long term?

TA: I am going to be a full-time actress and writer. I will be on stage and on the silver screen! I will travel the world. I will go back to school to study medicine, or mathematics, or both! My ultimate goal is to be of assistance to those in need.

DDF: What is your advice to young women in entertainment?

TA: Wah fi yhu, cyaan unfi yhu, as my grandmother would say. In other words, what’s for you is for you. Be your best self, work hard, be happy wherever you are and in whatever you are doing, and God and the Universe will take care of the rest.

Make sure to follow Toree Alexandre as she makes her way towards stardom in Hollywood and theater.

21Jun/18
Luke Cage

Luke Cage Celebrates Juneteenth in D.C.

Juneteenth is a day that pays tribute to the freedom of slaves and their opportunity to establish themselves as respected people. What better way to celebrate Juneteenth than spend the evening at the Kennedy Center (Washington, D.C.)  watching one of our greatest Black fictional heroes, freedom fighter Luke Cage, a bulletproof Black man who fights for Harlem’s people. Netflix and Spotify hosted an advanced screening with an afterparty filled with old-school hip-hop, jazz, and other genres of music featured in the Luke Cage series.

Luke Cage Season 2: The Screening dived into the mysterious past of Luke and other characters like main villain Mariah which turns out to be intricate in the development and existence of the characters. The new villain this season, the Bush Master, has been featured in the trailers and looks to be a challenge to Luke Cage both mentally and physically. As we discover his connection to the city of Harlem and Mariah, he looks to be a foe that will have Luke Cage teaming with the antagonist Mariah. In this case, the enemy of my enemy is my friend, really holds true in this season.

One of the major themes in season 2 is self-reflection – what are the true identities and morals of Luke and some of the other characters. It is something that we all can relate to as we partake in this journey called life. I think that by the end of the season, we will truly be able to see growth and self-discovery in the characters. We may also be able to see the facades of these characters finally be revealed. With all that said, Luke Cage season 2 will definitely keep audiences engaged. Beware, you may be tempted to binge because of all that this season has to offer!

The Teacha: KRS-One

Luke Cage

KRS One

Followed by the screening of Luke Cage, the infamous and rhapsodist rhymer KRS-One gave a short concert that provided energy to the crowd with his flows and hype freestyle. His words consisted of knowledge, influence, and support of the unified people. KRS-One covered oppression, deportation, and strengths of unity. KRS-One showed that he is not only a lyricist but a teacher as he went into the some of the backgrounds of deportation and illegal immigrants. To sum it up, no human is illegal which many in the audience agreed is a valid statement. By the end of his concert, he showed why he is a major part of hip hop culture. He provides entertainment that is laden with substance and quality content.

Midnight Hour at Harlem’s Paradise

Luke Cage

Midnight Hour

While watching Luke Cage, some of us fans dreamt about exploring the Marvel world in real life. Well, Netflix did just that by recreating Harlem’s Paradise in the Kennedy Center’s Atrium. Decorated with purple and red hues with white decor, copies of the Notorious B.I.G painting that can be seen in Mariah’s office were placed around the space. The mood really set the atmosphere as if Mariah herself was watching us network and dance with her lover/partner ‘Shades’ at her side.

Luke Cage

Joi

The entertainment was opened by the music group and soundtrack directors the Midnight Hour, a group consisting of producer Ali Shaheed Muhammad and composer Adrian Young. They performed jazzy tunes that bring back the feel of Digable Planets with a hint of Wynton Marsalis. During the show, they brought acts Joi, known for her unique and groovy tunes under the Dungeon Family and talented guitarist, aka B.B. King 2.0, Kingfish.

The night ended with a surprise guest no one expected, Mr. God MC himself, Rakim. When he got to stage the crowd erupted and the evening was set for another explosion of hip hop culture fun. From his hits ” I Ain’t No Joke” to ” Paid In Full,” his lyricism echoed, what seemed to be, across all of DC combined with the crowd that rapped in unison. Well, close to it anyway.

One of the best lines from the night came from KRS-One. He said that bulletproof Black men do exist and those are the ones that are intelligent, educated, and not doing negativity in the streets. As we watch Luke Cage fight for his Harlem people in this next season on Netflix, let’s fight for each other in a positive way.

Check out Luke Cage Season 2 on Netflix June 22, 2018!

07Jun/18
Stächa Huis

Stächa Huis is an Ode to Surinamese Enslaved Women

Alida was very beautiful and one of the slaves of White Dutch slave owners.  Her master, duPlessis was known to be the most vicious slave owner in Suriname at the time.  According to the legacy, the wife of the slave owner, Suzanne duPlessis, thought her husband was sleeping with Alida. Out of pure hate and jealousy, she cut off one of Alida’s breasts and served it to him on a silver chafing dish.  Alida survived and the slave master gave her a position in the house as a ‘misi’ or mistress.  He also gave her a three-legged table inlaid with precious metals.

The ‘Jealousy Chair’ is an important part of Surinamese history; in particular that of the Black Surinamese woman.  The slave women created the Koto dress, which is made up of many layers including a jacket, shirt, skirt, and headwrap, to hide her body and that of young girls, from the predatory eyes of the slave masters.  The ‘Koto Misi’ derives from the story of Alida and Black Surinamese women, until today, honor her legacy by taking photographs sitting in the ‘Jealousy Chair’ in their Kotos with plants or flowers sitting on a three-legged table.  They also celebrate her legacy by having Koto Misi contests in both Suriname and Amsterdam.  Black Surinamese women celebrate the Legacy of Alida until this day for her courage, resilience, and strength during a time when she and Black women like her throughout the Caribbean and America were the innocent victims of cruelty, hate, heinous sexual exploitation and more.

The Stächa Huis brand embodies the culture of generations of Surinamese women in the family of designer Stacey Filé.  Her debut lookbook takes you through traditional Surinamese culture juxtaposed with distinct silhouettes, hand painted batik, rich colors and more.  The memory of Alida mirrored with imported and gilt embellished textiles, this collection tells the story of the women of Suriname who represent Chinese, Javanese, African, and Indian ethos.  The gold in each garment represents in-laid with precious metals in Alida’s chair.  The garments themselves are the opposite of Kotos; they are meant to be freeing and in a sense showing off the female form of the wearer. The story of Alida and so many women like her from the sugarcane plantations in the Caribbean to the cotton plantations in Mississippi allow us to remember the power of our voices, our rich history of revolution and remind us that we are the embodiment of the Black woman, no matter our background.  The Stächa Woman is a symbol of feminine empowerment; she is the definition of the women who came before her and the blueprint of the women to come.

www.stachahuis.com

 

 

Photo Credits:

Models: Fabienne Hankers and Denisha Gough
Hair and Makeup: Fabienne Hankers
Jewelry: Megan Gilchrist
Photography: Kevain Delpesche
Written by Stacey Filé
03May/18
ArinMaya Thank You

New Song “Thank You” by ArinMaya is Musical Soul Food

“Thank You” is ArinMaya’s newest offering that explores issues of self-love, momentous endings, relationship redemption, and freedom all at once. Directed by actor and screenwriter Chris Greene of Truth First Productions (The Night Of; 7 Seconds), the video portrays an introspective ArinMaya looking for inspiration and self-healing in the pages of O Magazine and Together We Rise, the book written and published in commemoration of the Women’s March. An inaugural member of the Resistance Revival Chorus, which was born from the Women’s March, ArinMaya first wrote “Thank You” as mantra in an act of self-love.

ArinMaya Thank YouInspired by a relationship turned disappearing act, ArinMaya came up with the refrain, “Thank you for setting, setting me free – Thank you for letting me be me – Thank you for setting, setting me free,” after realizing that her sadness over the relationship’s ending should actually be joy.

She begins telling the story of love gone wrong, taking lyrical assistance from her bandmate and energetic emcee, BD3. Produced by Edson Sean, the third and most versatile member of ArinMaya’s musical collective The Experi3nce, “Thank You” is a crowd banger. Shirazette Tinnin (Hugh Masakela; Alicia Keys) is the song’s secret ingredient, whose percussion adds a special layer to the song’s already upbeat feel. Replete with a memorable baseline and a clean and vibrant horn arrangement – also played and arranged by members of the Experi3nce – “Thank You” is a song for everyone, as both men and women will find themselves in this powerful, relatable message and melody. Song + Music by ArinMaya featuring The Experi3nce Directed by Truth First Studios. Click here to purchase the track. For more information, visit her website.

 

01May/18
Taji Mag Vol 15 Eclipsed Beauty

Taji Vol15: Eclipsed Beauty

Release Jun 7 2018 | Vol15 of Taji is packed full of Black Beauty & Culture fulfilling its theme of Eclipsed Beauty! This volume’s cover features the #SlayBells of Stewella Daville. Gracing the pages are the Editor’s Pick on Loc’d Queens @loclivin, @mzladylox, @killadoesthat; Community Spotlight Weeksville – A Historically Black Community; our highlighted Hair Feature by Debra Hair Bey; “Solo Travel: How I Decide Where to Stay” by D. Carrie; “Your Food Might Be Eating You” by Jashua Sa’Ra; Chit Chat with Andrea Rachel; “The Creator’s Lawyer™ – Ticora Davis” by Fiat; Stächa Huis is an Ode to Surinamese Enslaved Women; “#BlackLoveConvo: “When Family Passion Inspires Art: Kenadi Johnson” by Dapper Dr. Feel; “Cayden Cay Consulting” by Fiat; “How Group Economics is Rebuilding the Black Community”; Vegan Fun with Delliz the Chef; Featured art piece by Will Focus; Must Have Graphic Novel: Kubadilisha The Manga Series; Black Business Highlights; Taji Mag Model Contest Winners; and more!!

Purchase your copy now at ‘Purchase Taji’!

Purchase Taji Mag | Vol 15

Taji Mag is the epitome of the positive Black experience. Our brand embodies the traditional and modern royalty of Pan-African people via our quarterly digital and print publication and live events.

25Feb/18
JGoodtheModel

NC Male Model JGoodtheModel is on the Rise

Jermaine Gooden aka JGoodtheModel is originally from Brooklyn, NY but currently resides in North Carolina.

JGoodtheModel
He has pursued modeling since the age of 26 but started to take it more serious in the past year. Follow his journey on all social media at @JGoodtheModel.

Most of what he knows about modeling is self-taught, and no one person truly inspired him to start modeling, but, nonetheless, he has been to multiple model recruitment castings. He was accepted to a school but the advice they provided was that which he could do and learn himself. So, instead of paying a huge amount of money to continue the training, they provided him with a ‘blueprint’ on what he needed to do to get to the next level.

There are challenges to being a male model. There are so many stereotypes and assumptions that he has to dissect and overcome. Since he’s not in a “big market” city like DC, NYC, ATL, or Miami, the work is slow and limited. J has to diligently go out, search, and network with other models, photographers, fashion designers, etc. The training that he wants and needs requires him to travel out of his area which is time-consuming since he works full-time.

To date, J has been in three fashion shows. In November of 2017, he participated in two fashion shows in the same weekend! He most enjoyed being in the B:U Gang Fashion Show with designer Megan Jackson from Charlotte, NC. It was fun because they had a Black Lives Matter theme that was being shown throughout the fashion show. He also participated in the DFW 2016 (Danville Fashion Week 2016) which was themed “Colors of Fashion” where they worked with local clothing stores and department stores to highlight their 2016 Fall Fashion.

JGoodtheModel

Throughout his short career, he has already gained a lot of insight. The advice he offers for any up and coming model is:

·Be prepared! Practice your walk, poses, and faces in the mirror.

·Do your homework! Know something about the agency or client and industry. Not everything out there is legit!

·Your make-up should be minimal to show off your natural beauty when casting.

·Never be late!

·Have proper posture. Stand up straight, shoulders back.

·Be honest! It is okay to tell them if you do not have a lot of experience. Wow them with your natural ability (this is why practice is so important!)

If he could model or do a photo-shoot with any top models in the world, he would choose Tyson Beckford and David Agbodji. In his eyes, those two are the pinnacle of success for African American male models! “I love all their editorial work in magazines for different designers… They also show how you can branch-out from modeling and go into other industries such as film, campaigning for brands, and commercials.”

Upcoming Events

Possible Appearance in the Spring 2018 Fashion Show: Misfit Kids Presents: Fashion Junkies April 21, 2018 in North Carolina.

23Feb/18
Janelle Monae new videos

Janelle Monae New Videos = Visual Fire

Janelle Monae New VideosThe Janelle Monae new videos are visual fire. Both giving different moods with the same Janelle mastery. Django Jane is empowering and strong with a nod to women rappers of the 90s. Make Me Feel is flirty and fun with blatant Prince influence (and others, but only Prince is relevant, particularly when referencing Janelle) featuring Tessa Thompson.

Preorder her upcoming album, Dirty Computer, which is slated to release on April 27th, or download both songs if you can’t wait that long here: JanelleMonae.lnk.to/dirtycomputer

Enough talking, just watch and tell us your thoughts in the comments!

21Feb/18

The Love of Hip Hop With DJ Dummy

DJ Dummy

DJ Dummy with Common (Left), Pharrell (Middle).

Black history month is a celebration of Black culture for centuries and one of the biggest links to Black culture is Hip Hop. Hip Hop has given artists the ability to express themselves or use Hip Hop as a commentary on social issues in the form of art. If Hip Hop is a canvas, DJ’s are like brushes that blend the colors of sound and voice to create beautiful portraits. DJ Dummy is one of those artists that brings an eclectic flair to his work; he is talented enough to masterfully capture the essence of a Henry Ossawa Tanner painting and recreate the artistic imaginings of a Faith Ringgold in his works of art. He is able to adapt and create in the world of Hip Hop sounds that are both palatable to ear and enriching to the soul. Taji Mag had the chance to interview the ageless, musical virtuoso to discuss his journey and his love of Hip Hop.

What influenced you to become a DJ?

DJ Dummy: “I was surrounded by DJ’s. My father is a DJ, my brother (DJ LS1) is a DJ. I also had uncles and three cousin’s that were also DJ’s. Going back to the 80’s, I used to go the park and DJ’s would have their equipment out and I am watching these guys, seeing that they were doing things that my father wasn’t doing. All my father did was mix two records together to continuously keep the beat going and now I’m seeing these guys in the park, they are scratching, making the record double. I was like, ‘this is something different!’ So that’s what made me want to get into it. I was 8 years old at the time and I knew I was going to DJ.”

You’ve performed at the White House, almost all of the late night shows, NBA All-Star games, and Dave Chappelle’s Block Party. You cover pretty much everything! How are getting all of these nice gigs?

DJ Dummy: I’ve been with the right people and I can honestly say that. I’ve been with Common for the last 17 years and I can’t take anything away from that man. He has put me in such amazing places. I get to shine [and] walk away with people knowing my name. I owe a lot of those experiences to Common. Because of him, I have performed at the White House three times!

What are your top three favorite gigs?

DJ Dummy in action.

DJ Dummy: I change the order of them all the time but… When I got to perform at the White House it was out of this world. First of all, it was President Barack Obama’s first party at the White House, this was the biggest thing ever. The fact that the President and the First Lady were partying with us was great! Secret Service was there but they weren’t crowding them. Barrack was in the middle of the dance floor partying with his guests. You have to think, this was our first Black president, we didn’t think we would ever have a Black president. That’s what was going through our minds as guests as we partied with him.

 

The next big gig was the Dave Chappelle Block Party. I tell people that you may have seen the DVD but you weren’t there! It was amazing and so great! First of all, to be in Brooklyn and to have all those artists on one stage with artist like Kanye, Jill Scott, Erykah Badu, Common, The Roots, Mos Def, Talib Kweli, and the Fugees was awesome! I tell people that you don’t know what that meant for Hip Hop that night! There were so many other artists that jumped on stage that they didn’t put in the movie. It started at 10 am and didn’t end until midnight. It was like our Hip Hop Woodstock! It rained all day and we still rocked! I really, really loved that night! There were no fights or anything it was all about the music.

My next big event was the first time I performed at Madison Square Garden. That was a big moment for me. I never thought I would be performing there. Here I am, in my hometown, where I was born and raised. but there I was on the stage performing. I was doing the opening set with Common. During the set, I had a 5-minute solo and after I was done, the crowd went bananas and if I would’ve blinked I would’ve cried. It got no better than that!

Tell me about a few other famous artists that you have worked with?

DJ Dummy: Queen Latifah, every time she calls me I am always available. I love working with her. She is such an amazing person and she has a great personality. I respect her more than I respect Oprah, no discredit to Oprah because she isn’t my Hip Hop era. Latifah came straight out of Jersey and to be the woman that she is in Hollywood, you have to be proud of her.

DJ Dummy with Queen Latifah

J.Cole taught me about putting out great work, like whole albums and not just singles. Each of his albums are full stories. Like the album J.Cole: Sideline Story was about him trying to break into the music industry or his album Born Sinner which was about him making it big but making so many mistakes. His approach to music is if the radio picks it up as a single, OK, but if he is in the studio he is not trying to make a single because that is not what he is about.

With Alicia Keys, I felt like I was working with God’s angels. I just kept thinking, ‘Is this person really this nice?’ I had to keep asking myself because she is so amazing. As soon as she walks in a room, the whole room lights up. She just brings that energy with her. If you are in the studio and you make a mistake, she would look at you with an amazing smile and say ‘Oh it’s ok, let’s just do it again.’ She is just an amazing person.

Why do you love Hip Hop?

DJ Dummy: I grew up in Brooklyn, NY in the late 70’s and early 80’s. All I heard was disco music played by my parents. Like Motown from that era, I loved music from there. Then when I heard somebody rapping these words over one of my fathers’ old records, I was like ‘Hey that’s Good Times but they are actually doing some raps over it!’ It grabbed me like holy cow! I was thinking this is was something we could relate to. It wasn’t about shaking your booty or love, this rap was about how we were talking growing up in the streets. It was just something we could relate to. Not saying we couldn’t relate to disco, disco was just there at the time. Once I heard groups like Sugarhill Gang, Grandmaster Flash, and the Cold Crush Brothers rapping over my fathers’ old records, it was the best of both worlds. Then there used to be jams outside of the park where the DJ would bring out the big bottom bass speakers and he would have control of the crowd that consisted of break dancers and other people dancing. That was Hip Hop. The music wasn’t Hip Hop, the whole environment was Hip Hop. That is when and why I fell in love with Hip Hop.

When it comes to Hip Hop, DJ Dummy truly exemplifies the quote, “To find joy in work, is to discover the fountain of youth.”

Make sure to look check out DJ Dummy’s tour schedule for performances near you and pick up his collaborative hit album “Vintage Babies” with Maimouna Youssef.

19Feb/18
Black Panther movie

My Reaction to the Black Panther movie aka Spoiler Alert!

Black Panther movieThe Black Panther movie released this weekend in all of it’s Black Excellence glory. It was worth the wait and the estimated $218M it earned during its opening weekend, shattering records and telling movie studios to STFU about Black movies not busting box offices wide open. More on that and my thoughts about the deeper storyline to come (skip to below the bullet points), but first my reactions to some of the Blackest moments and lines in the film. Ryan Coogler has a way of capturing the essence of Blackness, especially with Michael B. Jordan, from Fruitvale to Creed and now with Black Panther. The writers did an excellent job at including colloquialisms and mannerisms specific to Black culture and the actors did a phenomenal job of bringing them to life.

  • I loved the irony of the newscaster calling Wakanda a “third world country” which made me ask wtf defines a third world country to begin with?
  • Okoye (Danai Gurira): “Don’t freeze when you see her.” T’Challa (Chadwick Boseman): “What are you talking about? I never freeze.” Then he freezes, LMAO. Lupita has that effect, hunny.
  • Shuri (Letitia Wrightgives T’Challa a playful middle finger while walking away and Ramonda (Angela Bassett) calls her on it without even seeing it. Black Mothering at its finest…
  • Erik Killmonger (Michael B. Jordantells the lily-white museum director, “Don’t worry, I’m going to take it off of your hands,” referring to the Wakanda artifact. MJB is consistently Black as hell…
  • The boat ride to the ceremony with Nakia (Lupita Nyong’o) giving us a taste of #danceislife deserves mention.
  • When T’Challa walked into the water and saw his nation rooting for him. That was powerful on multiple levels. We all need to be rooting for each other like that.
  • When Zuri (Forest Whitakerasks if anyone of royal blood wishes to challenge for the throne and Shuri raises her hand only to ask them to wrap it up because her outfit is too tight. Typical Black sibling trolling.
  • Ramonda yelling to T’Challa “SHOW HIM WHO YOU ARE!” during the challenge with  M’Baku (Winston Duke). Babbbbbbyyyy, I felt that in my bones. That needs to be a daily affirmation.
  • I loved how every ritual was ancestrally-based.
  • T’Challa telling Nakia she would make a great Queen if she wasn’t so stubborn (I almost threw my boot at the screen), for Nakia to respond that is WHY she would make a great Queen. T’Challa just wanted her to admit that she wanted to be his Queen.
  • Shuri’s consistent afrobeat playing throughout her lab. *hearts*
  • Shuri yells “WHAT ARE THOSE” to T’Challa’s traditional sandals. She then gives him his new soundproof footwear and says she calls them… wait for it… sneakers… get it? LMAO! THEN she tells him about his new suit design and he’s all my suit is fine and she says, “Functional, but old. If people are shooting at me, wait, let me put on my helmet.” She had jewel after adorable jewel. She tells him to strike the suit and he boots it across the room and she yells at him for messing up her lab, but informs him of the suit’s design and that it absorbs and then redistributes kinetic energy. She takes out her camera, for research purposes, and tells him to strike the suit again only to howl laughing when he goes flying across the room when he is blasted back by his own force.
  • Okoye said she couldn’t wait to get her wig off of her head and that it was a disgrace. Shots fired?
  • Nakia in the green dress in the Korea scene. Have mercy.
  • Black Panther movie
  • Agent Ross’s ole bitchass needed to be popped in the mouth for how he was speaking to T’Challa at the table. Find some respect.
  • Okoye pointed out that no weapons were allowed yet yielded her weapon less than 60 seconds later when the fight broke out! Black women always prepared for EVERYTHING. That jump down from the 2nd level was the first of her notable jump scenes.
  • Shuri’s excitement when the car populated in her lab. Adorbs.
  • The quick shot of Nakia driving barefoot was a great attention to detail since she lost her shoe when she used it as a weapon in the fight.
  • When their car is blasted by Klaue, Okoye flips, grabs her spear in mid-effin-air, and lands on a piece of the car. Then Nakia comes hilariously sliding in with just the seat and steering wheel.
  • Can we talk about how T’Challa could’ve ended Klaue and Killmonger wouldn’t have had his dead body as leverage if we weren’t in such a digital age? Oh ok.
  • Okoye’s disdain for taking the shot Agent Ross into Wakanda to be healed, and Shuri saying, “great, another broken white boy for us to fix, this is going to be fun.” Classics.
  • Killmonger showing his Wakanda tattoo and killing Klaue made me smile.
  • When they revealed that Young T’Chaka (Atandwa Kaniand Young Kuri (Denzel Whitaker) left baby Erik after killing his father, N’Jobu (Sterling K. Brown), I was livid. Though we are ultimately responsible for our actions, we cannot ignore the roots of our issues. People keep referring to Killmonger as the villain, but, in my opinion, he killed the main villain. He’s just a brother who needs some healing and therapy to learn to deal with his past and how to properly bring about the change he wants to see for his community.
  • Shuri to Agent Ross: “Don’t scare me like that colonizer!” when he woke and started asking her where he was. According to the internets, wypipo will officially be referred to as colonizers until further notice.
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  • Killmonger points out there are 2 billion people that look like them struggling around the world and that Wakanda had the tools to LIBERATE them all. T’Challa remarks that it is not their way to use vibranium for they are not judge, jury, and executioner for people that are not their own and Killmonger then he says “Not your own? But didn’t life start right here on this continent? So aren’t all people your people?” JEWELS JUST FALLING FROM HIS LIPS!
  • Killmonger nonchalantly to Ramonda: “Hey Auntie.” By far tied for my favorite line of the movie. He makes the challenge for the throne and Zuri says it’ll take weeks. Killmonger says I don’t need the whole nation, I just need him. That was real. I also lowkey enjoyed watching him fight T’Challa . It was like he had the power of every oppressed souled within him. His pain was relatable. Hated that it was targeted towards his own blood, but that was also real. We usually strike out to those closest to us. Him having them burn all of the ancient flowers was egotistical and short sided, but also a key part of the character.
  • When Killmonger sits on the throne, he points out that where he’s from, Black people start revolutions without the firepower and resources to fight their oppressors. More jewel dropping…
  • Okoye’s face when W’Kabi agrees with Killmonger…
  • M’Baku to Agent Ross: “You cannot talk one more word or I will feed you to my children. Just kidding, we are vegetarians.” The vegan in me howled with laughter. Plus he made him shutup initially by overpowering his voice with their chants. Then he made Agent Ross turn away during the ritual. He won 4 times (presented the preserved T’Challa) in under 4 minutes.
  • I appreciate T’Challa realizing that his father was wrong for both leaving Killmonger and for turning his back on the Africans worldwide and for calling him out on it when they meet once again in the ancestral realm.
  • Killmonger: “All that challenge shit is over with. I’m the king now.” Hood af, lol!
  • W’Kabi so quickly fighting with Killmonger made the whole theater suck their teeth. Will Focus gon say he’s still in the sunken place. I DIED! LMAO
  • Killmonger got Black Panther suited. That shit was sexy.
  • We all felt Okoye’s pain when Killmonger killed one of her fellow Dora Milaje. *sad face*
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  • Will also brought up a good point and asked where were the other 3 tribes during this fight before M’Baku’s tribe showed up to assist the Dora Milaje against W’Kabi and his tribe?
  • When W’Kabi and his techno rhino were charging towards M’Baku but Okoye stood between them and the rhino kissed her. All powerful. Then W’Kabi asked if she, his love, would kill him, and she said, for my nation, absolutely. POWERFULLLLLL.
  • So I was highkey pissed that T’Challa took Killmonger to look at the damn sunset instead of to Shuri, but later that was put into perspective for me (read below).
  • T’Challa: Maybe we can still save you…” Killmonger: “Why? So ya’ll could just lock me up? Nah. Just bury me in the ocean with my ancestors that jumped from the ships. They knew death was better than bondage.” CHILLS. That line right there spoke volumes. VOLUMES!
  • T’Challa buying the block. Just. Yes.
  • The kids wanting to break apart Shuri’s ship to sell for parts. So real, lol. We need that community bridge building though.

Black Panther movieThere has been lots of debate about seeing a white studio production and where our dollars could have gone and even about the characters parallels to sections of society, but I personally feel like it’s all chest-inflated poppycock. 99.9% of movies that we love and hold as staples in our society are produced by white studios simply because, well, WE DON’T OWN ANY YET. Keyword, yet. So Malcolm X, Selma, Hidden Figures, Thurgood Marshall, Coming to America, and the likes that are so near and dear also fall under that umbrella, but we still went to see them in droves. Could we have collectively used that money and built a small town with our roughly 37% contribution to the $218 million? Most likely, but we already know we’re still combating centuries of conditioning and teaching ourselves to love ourselves and each other. So chill. It’s a process, and this movie is a major part of that process because representation matters. Seeing ourselves and what could be matters. Sometimes people need to see it to even know it’s possible.

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Yes, this is in Africa.

The visuals and quotables definitely woke up some of the sleeping and even smacked a few people into loving themselves and reframing their thoughts on Africa. Yes, Wakanda is fake, but Africa’s beauty has never been a lie. It’s just been retold and intentionally hidden from the masses, especially Africans born in america, in attempts to continuously divide and conquer. This is touched on via Killmonger’s story. His story simultaneously parallels the american Hood King and the Revolutionary. He grew up without his parents, more specifically finding the dead body of his father. He had to learn and grow on his own which resulted in his genius-level intellect and thirst to avenge his father via combat and claim his spot on the throne. Via his research, he learned of the advancements of Wakanda and grew resentment because they had the capacity to liberate Black people globally, but never bothered to. He wanted to ‘stick it to the man,’ and rightfully so.

Black Panther movieKillmonger’s passion was in the right place, but his methods wouldn’t have fully resulted in the outcome suitable for most, mostly due to his dictator ways. T’challa had to come to learn that peace and hiding weren’t the way either. With their collective intellect, Shuri’s technological advancements, and Wakanda’s wealth and resources, they could have liberated Africans globally, but pride was a key factor in Killmonger having to die. (And also, as my bro Jashua Sa’Ra pointed out, “the movie studio couldn’t show us what it would’ve looked like if the forces joined in this already powerful Black Panther movie.” AKA the reason why the FBI killed Malcolm & Martin when their speeches started to mirror each other and they were on the verge of working together instead of fighting each other. Someone call up an independent Black production company to bring that story to life. “If Malcolm & Martin Lived to See Their 40s.”)

Leave your thoughts on the Black Panther movie in the comments. What rating do you give it?