Cloudy Visions, born Danai Graham, is a painter based in Jersey City, New Jersey.
Cloudy Visions, born Danai Graham, is a painter based in Jersey City, New Jersey.
Release Mar 7 2017 | Vol10 of Taji is packed full of Black Beauty & Culture fulfilling it’s theme of “Revolutionize”! This volume features Pan-Africanist and Entreprenuer EmpressAK on the cover. Gracing the pages are the Editor’s Pick: Fruiggie is Making Painting Fun & Safe; the community feature on the powerful Ezekial’s Divine Oil; Hair Feature by Mz Lady Lox; “Multiple Streams of Revenue = Wealth” by Nay Marie; “The Root of Travel” by M’Bwebe Ishangi; the delicious seafood catering and pop ups of KnicknacksBK; unique eyewear from 9oclockteeparty; the sensual scrubs, butters, and jewels of TheCelestineCollection; “#CareFreeBlackKids2k17 & Beyond” by Tajh Danielle Sutton; “#BlackLoveConvo” with Africa Jackson & Dapper Dr. Feel; our Health & Fitness Advice Columns with Trainer Clint & Delliz the Chef; Featured artist Will Focus; Must Have Comic Book: Is’Nana the Were-Spider by Greg Anderson Elysée; the Taji Model Winners; and more!!
“Helios is known as the god of the sun in greek mythology. I always show the paramount nature of the black woman. With the defined and unyielding beauty which Emma has, I had no other in mind to show what the god of the sun looks like.”
Jefferson Ariaga is a Nigerian Boston based fashion photographer.
“The most important part of a tree is the root” says Tandra Birkett, who is not only the executive producer of Harlem Fashion Week, but she is also a historian. And as a historian she recognizes the importance of Harlem’s cultural roots… Africa. As a result HFW donates a portion of its proceeds to the Senegalese American Bilingual School and their initiative The Big Goree Project. The goal of the Big Goree Project is the restoration of the The House of Slaves, the originial slave fortress into a Slave Museum on Goree Island in Senegal, West Africa. “We believe that it is integral to maintain a productive connection with Africa and the arts, more specifically fashion, is an avenue that we used to sustain that connection.” As a result, one month after the historic grand opening of Harlem Fashion Week in the fall of 2016, Tandra and Yvonne were on a plane to Senegal, West Africa. “We did not want to just give money but we wanted to personally connect with our roots ”.
The creative director of Harlem Fashion Week, Yvonne Jewnell is also the lead designer and co-owner of the fashion design company Yvonne Jewnell New York LLC. As a designer, the culture, texture and history of Africa are the inspiration for her design aesthetic. “Fashion is art and my art must reflect my heritage. I have always been drawn to creativity and story of African culture and I want my designs to reflect the interconnectivity of an African in America. Actually going to Senegal was not only a personal transformation but it was also a design inspiration that will be reflected in my new collection, showing on February 12, 2017 on the main stage of Harlem Fashion Week.” Yvonne Jewnell.
While in Senegal Tandra and Yvonne visited the Senegalese American Bilingual School, it was a refreshing experience to visit with Stephanie Kane and the students of SABS. Tandra shared, “As an educator I was so excited to meet the children, I had to jump in on their lecture about Christopher Columbus, it was a great experience!”
Tandra and Yvonne also had the pleasure of visiting the mayor’s office at Goree Island and meeting with the Chief of Staff Mamadou Adama Diop, we discussed ways of building a stronger relationship with Goree Island and the African Diaspora through the arts and education.
Tandra shared, “The last part of our pilgrimage to Senegal was bittersweet, it was time to visit the slave fortress on Goree Island and stand at the “Door of No Return” the place where the ancestors stood before they were stolen from Senegal forever”. Tandra said, “As I approached the The House of Slaves, Le Maison des Esclaves I literally broke down in tears, I could feel the pain of my ancestors.”
Tandra and Yvonne came back to the states with a new sense of vision and purpose. Harlem Fashion Week will once again be donating funds to the Big Goree Project, your ticket purchase to the February 12th Runway Show at The Museum of the City of NewYork will help to restore La Maison Des Enclaves into an Amazing museum and the Door of No Return Will become “The Door of Return” for the African Diaspora.
Harlem Fashion Week hope that you will join us on February 12th, knowing that your ticket purchase helps to not only build a female-minority owned women’s business in the United States but HFW is also helping to restore relationships with the African continent and financially support the children and institutions in Senegal, West Africa.
“Special Thanks to:
Eugene Adams, the Director of Collaborative Education at Bronx Community College, the American liaison of the Big Goree Project,
Stephanie Kane, Founder and Director of the Senegalese American Bilingual School
Mr. Sandaro Fame, our guide and educator at SABS
Mamadou Adama Diop the Chief of Staff for the mayors office at Goree Island”
For More Information: firstname.lastname@example.org
Natoya P created a collection of work that embodies her daily experiences as a woman. This body of work takes us through the present stages of life. She seeks to evoke emotions of heartbreak, love, bliss self-realization, and self-acceptance. She states that “many times society overlooks the inner evolution a woman goes through to attain self-actualization and become enough. We don’t take time to reflect on the journey we take to get to the point of self-love and acceptance. This collection takes us through that personal journey of a woman painting the pictures of the pages of a diary.” This is Natoya’s first formal collection and introduction to the world of art. Her work highlights the use of colors to depict the story on a canvas. Her dynamic pieces are multifaceted, showcasing various walks of life.
Natoya can be contacted by emailing email@example.com for showings, interviews and inquires. | Natoya P Instagram
The everyday language spoken by people as distinguished from the literary language. Railways Cafe is of an indigenous building style using local materials and traditional methods of construction and ornament especially as distinguished from academic and historical architectural styles. Every country has its peculiar turns of phrase – quirks that give local languages flavor, color, and character. But unless you’re a native speaker, local slang can be tricky to grasp, let alone use. South Africa, with its 11 official languages, is blessed with a rich slang culture that can be quite daunting for foreign visitors – heck, even some residents flounder when faced with some of the more obscure lingo. “Heterogeneous We Are”
Railways Café, based in Irene Pretoria, is one of the most diverse restaurants enriched with culture and the spirit of UBUNTU. On this day we celebrated the underground musicians that go unnoticed, yet produce the most powerful, rich sounds of Africa. People from all parts of the globe came through to honor these beautiful souls.
We spotted Mr Sibabalwenathi Mfabe, writer of “Azania 1236″
The story of Azania continues in the year 1236 in the territory slightly south, and then into the north and its east in what we know today as KwaZulu Natal. In Azanian times no such place had existed at the time of the events that begun in 1234 and continued two years later. Here in these lands, lush and well vegetated, had been brought to order and control by the well liked custodian Cagn, under instruction and supreme protection of Tsui-Goab, Azania’s Arch Custodian. The book will be launched at one of the Taji Night’s book reading events soon.
“DO NOT SAY YOU WERE NOT WARNED”
All artwork sold is exclusively hand made to suit your individual desire by;
This wall is situated just outside the restrooms for individuals to write what they want to do to change the world. I found that very fascinating.
“I want to change the world by always trying my best in everything I do and by being an outstanding ambassador for our nation, everywhere and under all circumstances, create an environment that will enable us to fulfill our vision of making our nation exceptional.” -Muhlez
“There is always something to do. There are hungry people to feed, naked people to clothe, sick people to comfort and make well. And while I don’t expect you to save the world I do think it’s not asking too much for you to love those with whom you sleep, share the happiness of those whom you call friend, engage those among you who are visionary and remove from your life those who offer you depression, despair and disrespect.” – Nikki Giovanni
Last month, Taji hosted an event to honour our Queens, and with that came a gift hamper sponsored by ShowbizAfrika, Muhlez Catering and Projects and Peo Information Technologies. This hamper went to the Queen who is and has always been the light in underprivileged communities, and selflessly so.
“My dream is to retire to my very own orphanage.”
The children of Setlopo, a small village in Mahikeng north west of South Africa, hand printed this sheet in her honour.
This woman has been sharing her income with communities for over twenty years, and has never asked for help doing so. We found that very touching and not to mention inspiring and heart-warming.
She carries five (5) degrees of different sectors, yet she chose to teach ONLY in rural settlements, because she believed it was her calling.
“YOU WILL NEVER INFLUENCE THE WORLD BY TRYING TO BE LIKE IT.”
Today is bitter sweet. Bitter because this is our final #MustLoveBeards profile of 2016. Sweet because we are bringing back our Taji Mag crowd favorite: Nestle Snipes. This Good Black Man is the lead photographer of Made For a King Photography. A lot has happened since we last spoke with this bearded dapper gent.
Since our last encounter, Nestle Snipes recently shot 8-Time Olympic Track & Field Medalist & Fellow Jamaican Legend Veronica Campbell-Brown and Mr. Fly Malcolm X himself was once again featured in the Hunks 4 Hope calendar, and Made For a King photography has grown its client base. You might have caught a glimpse of our bearded brother on an episode of the breakout Netflix series Luke Cage.
We already know about his stunning portfolio and philanthropic work. This time, we want to look more closely at the man behind the lens.
Africa Jackson: Last time we spoke, it was such a meaningful conversation. It was great to learn about your work to stop domestic violence and your clearly superior artistic eye. We focused a lot on your business before, and now we want to focus more on you. What makes you happy?
Nestle Snipes: (smiles) A lot of things — a healthy bond with others, experiencing nature, laying in the grass, meditation, doing something meaningful with my hands. Giving gifts and seeing the recipient smile. Laughing — I love a good laugh. I enjoy partying. If people want to be jovial, I’m down. Spending time with my mom also makes me happy.
AJ: Ok. You’re in film school, you volunteer, you’re an activist, you party, you run a successful business, you stay fly, and you let fans like me ask questions for 2 hours… but how do you take care of yourself?
Nes: Easy question. In the morning I have an hour of silence. Total hour of appreciation. Daily mantras are vital. I look at my vision board. When I come home, I listen to inspirational music with powerful frequencies: Afrobeat, electronica, jazz.
Taking care of myself also involves proper sleep. I want more people to realize that grown-ups are not exempt from naps.
AJ: Let mainstream media tell it, a good Black man is still hard to find. We know that is a myth, but in the midst of the negative energy thrown at yall, I want to know something. What is the greatest thing about being a Black man?
Nes: Our potential is limitless. We are often so revered and appropriated, but our resilience in uncanny. We convert sunlight into energy (metaphorically and literally).
AJ: So much of the miscommunication between Black men and Black women comes from lack of knowledge or lack of understanding. Black love is powerful and has the potential to grow even stronger. What is one thing you wish Black women knew about Black men to help cultivate that growth?
Nes: The Black man you interact with is only working with what he has at the moment. Don’t infringe on his freedoms based on your own desires. For example, getting work done is paramount for me at the moment. I don’t want to cheat myself or anyone else, so I may not pursue a woman. Please don’t say “all men” or “yall men”. We are trying. Don’t be disheartened by certain men who receive you wrong. Young Black boys deal with trauma that may stem from unresolved issues. Many of us had no clear definition of manhood.
AJ: What is one thing you wish you knew about Black women?
Nes: How can I be more of an ally beyond taking you out [to dinner]? How can we help? Little gestures mean a lot, yes, but I know it is not enough. We are at a loss without you telling us. The best way for Black women to communicate their needs to Black men is to do it without being condescending. Please don’t project the pain from other men onto us. In 2017 I want people to stop negative blaming and projecting insecurities. We have full autonomy. the transfer of energy matters.
Visit Made For a King Photography and Bearded Dapper Gents to learn more about the upcoming projects of this undeniably talented good Black man. You can also treat yourself by following him on Instagram, Facebook, and Pinterest. His new blog “Simply Snipes” is set for an early 2017 release.
Congratulations on your recent and continued success, Black man. We look forward to your next great project.
Happy #MCM Taji readers! Taji Mag is happy to introduce Myke Archie because we love his work & now you will too.
First of all, we’ve been fans for years. Myke Archie is the Perfect Man to buy a holiday gift from If you’re looking for a unique option this season. Check out our #MustLoveBeards profile features a down to earth Southern brother with a knack for creating beautiful works of art. He is the creator of WorkForce Comics who has been stirring up controversy all over social media. Today’s #MCM is a comic prodigy with a lot to say. His work has been featured by Polite Conversation, All Real Radio, and now Taji Mag. Especially relevant is his drive to make economic autonomy a stronger part of how his fans live.
Graphic designer Myke Archie is on the rise. He illustrates book covers, album art, posters, and logos. This Atlanta native earned his BFA from Georgia State University. Consequently, he is not the biggest fan of traditional education. He prefers to think critically rather than follow trends. Perfect Man Designs, his privately owned company, has lots of fans. The first volume of his critically acclaimed series WorkForce Comics was released 2014. It looks at the crazy ways we think about life, making money, and politics while scratching and surviving in a society that cares more about loot than love.
His work has a certain quality that is not the same as other designers. The style, the stroke, and the scope is different than any comics out there. Other influences for his work include classics like Ice Cube’s film Friday and another favorite: old school Sci-Fi thriller called They Live. Myke invites fans to listen to his playlist of artists like Isaiah Rashad, Yani Mo, Denmark Vessey, and Knxwledge. The man something special.
Myke is part of the #BlackBusinessSelfie campaign via Nay Marie’s Black Owned Business Collective. He showed off several businesses including: Freedom Paper Company, Rooted-N-Nature, Dash Motor Oil, The HXLM Collective, and of course Taji Magazine!
WorkForce Comics Volume 4 is set to be released this month. Until then, customers can buy copies of volume 1, 2, 3, or all three on his blog: Perfect Man Designs. Like his fan page for the latest news and exclusive content. In conclusion, respect the man’s grind.
..says the guy trying to convince me while contradictly standing in a distressed sweater from a popular Euro brand. It’s insane how the same people who disrespect one’s art surprisingly have the audacity to purchase mimicry. Now, I’m not saying Kanye’s prices for Yeezy pieces aren’t outstandingly ridiculous, that’s another topic for another day. I guess what I’m trying to convey is, how does one depreciate his (Kanye’s) designs, then, with the same mouth, say to the cashier “Yeah, I want to buy this” while presenting a garment literally inspired by Yeezy. It’s okay, I will ask Yeezus to forgive them of their blasphemy, they know not what they do.
Here’s an interesting question; What about the individualistic stylish people who’ve been wearing distressed garments before Yeezy season?! To those I say, there are two things you can do in these times of abused trends. One, box up and store away all the pieces that are obvious participants of the “distress” trend. The only other thing one can do is separate themselves from the doppelgängers by staying true to the style before it became a trend. People who are trendy-chasers are like “wave surfers”… when the “wave” dies, so will their “surfing”. In other words, when the trend dies, the ones who were true to the “distress” style by it being their lifestyle (because there’s a difference – style v. lifestyle) will continue being… themselves!
Unfortunately it’s continuously growing, top fashion-retail companies, of affordable pricing for the majority of society, are producing Yeezy mimicry pieces and more and more people are absorbing the trend. So, will the abuse of the trend heat up so much that it ends Yeezy Season quicker than expected? Will you pack away your distressed garments until Yeezy season passes along with the creation of its disasters (people abusing the trend)? Or will you stay genuine and fight through the disasters Yeezy season has involuntarily created? These aren’t jabs at Kanye West for the awesome creative direction behind this season of Yeezy, but definitely stabs at those who trend-surf and don’t have a life-style which kills fashion as quick as it’s launched. Choose your fate and may Yeezus be with you.
“I’m about to wear all black for a year straight..” said Jay-Z on “Death of Autotune” which released in 2009 off of his Blueprint 3 album. So why is it that now, eight/nine years later, wearing all black has become so trendy throughout the entire world –especially New York City! Maybe it was Kanye West with his monochromatic looks he’d wear and inspire various celebrities to wear as well. Did Ye’ do it again? Is Kanye to credit for yet another trend swallowed by the fashion forwards? Or is it a lackadaisical effort for depicting ones mood of “I didn’t know what to wear.” Don’t get me wrong, the black monochrome look is pretty artistic when pieced in an artsy manner. But let’s be honest, not everyone who wears all black seems to be reflecting it in a form of fashion, which is also considered art. I wonder how the Gothic society feels that their “uniform color” is now looked at as trendy by larger society. There was once a time where you only wore all black if you were attending a funeral, working for a particular retail company, or considered yourself emo/goth. Well, that has all changed now hasn’t it.
Last week, I randomly stopped a woman wearing the monochromatic black look and I asked her “What about all-black do you like?” She explained how deeply she perceived the color, while also clarifying with me that “it’s a shade, not a color.” She then stated how all-black provides a sort of mirror for the observer. Further explaining how black allows the public to perceive however they feel, so if you feel their look is sad and depressing then that says more about yourself, same as if you perceive it as rich, said by the fashionable young lady awaiting her Uber. She then concluded, “It’s like a painting… I am fashion therefore I am walking art. There is no right or wrong when perceiving a piece. Either you have a vision of some form of the art or you see… nothing.” I’m not sure if everyone has the same cognitive likeness for wearing all-black but I can say, I definitely appreciated her creative way of thinking. It allowed me to then perceive the many other black outfits I later witnessed that day, and even now. All black has become a staple within fashion by being more than just a trend. I mean, it’s been what, nine years since Jay-Z rapped the lyric which is the epitome of today’s no. 1 trend. How will you wear it? Lackadaisicalness of “I didn’t know what to wear” or artistically allowing observers their own perception as “a piece of walking art”?
I’ve complied this look to give you an idea of how to put together an all-black look in an artistic manner: