Category Archives: Art & Design

01May/18
Taji Mag Vol 15 Eclipsed Beauty

Taji Vol15: Eclipsed Beauty

Release Jun 7 2018 | Vol15 of Taji is packed full of Black Beauty & Culture fulfilling its theme of Eclipsed Beauty! This volume’s cover features the #SlayBells of Stewella Daville. Gracing the pages are the Editor’s Pick on Loc’d Queens @loclivin, @mzladylox, @killadoesthat; Community Spotlight Weeksville – A Historically Black Community; our highlighted Hair Feature by Debra Hair Bey; “Solo Travel: How I Decide Where to Stay” by D. Carrie; “Your Food Might Be Eating You” by Jashua Sa’Ra; Chit Chat with Andrea Rachel; “The Creator’s Lawyer™ – Ticora Davis” by Fiat; Stächa Huis is an Ode to Surinamese Enslaved Women; “#BlackLoveConvo: “When Family Passion Inspires Art: Kenadi Johnson” by Dapper Dr. Feel; “Cayden Cay Consulting” by Fiat; “How Group Economics is Rebuilding the Black Community”; Vegan Fun with Delliz the Chef; Featured art piece by Will Focus; Must Have Graphic Novel: Kubadilisha The Manga Series; Black Business Highlights; Taji Mag Model Contest Winners; and more!!

Purchase your copy now at ‘Purchase Taji’!

Purchase Taji Mag | Vol 15

Taji Mag is the epitome of the positive Black experience. Our brand embodies the traditional and modern royalty of Pan-African people via our quarterly digital and print publication and live events.

19Feb/18
Black Panther movie

My Reaction to the Black Panther movie aka Spoiler Alert!

Black Panther movieThe Black Panther movie released this weekend in all of it’s Black Excellence glory. It was worth the wait and the estimated $218M it earned during its opening weekend, shattering records and telling movie studios to STFU about Black movies not busting box offices wide open. More on that and my thoughts about the deeper storyline to come (skip to below the bullet points), but first my reactions to some of the Blackest moments and lines in the film. Ryan Coogler has a way of capturing the essence of Blackness, especially with Michael B. Jordan, from Fruitvale to Creed and now with Black Panther. The writers did an excellent job at including colloquialisms and mannerisms specific to Black culture and the actors did a phenomenal job of bringing them to life.

  • I loved the irony of the newscaster calling Wakanda a “third world country” which made me ask wtf defines a third world country to begin with?
  • Okoye (Danai Gurira): “Don’t freeze when you see her.” T’Challa (Chadwick Boseman): “What are you talking about? I never freeze.” Then he freezes, LMAO. Lupita has that effect, hunny.
  • Shuri (Letitia Wrightgives T’Challa a playful middle finger while walking away and Ramonda (Angela Bassett) calls her on it without even seeing it. Black Mothering at its finest…
  • Erik Killmonger (Michael B. Jordantells the lily-white museum director, “Don’t worry, I’m going to take it off of your hands,” referring to the Wakanda artifact. MJB is consistently Black as hell…
  • The boat ride to the ceremony with Nakia (Lupita Nyong’o) giving us a taste of #danceislife deserves mention.
  • When T’Challa walked into the water and saw his nation rooting for him. That was powerful on multiple levels. We all need to be rooting for each other like that.
  • When Zuri (Forest Whitakerasks if anyone of royal blood wishes to challenge for the throne and Shuri raises her hand only to ask them to wrap it up because her outfit is too tight. Typical Black sibling trolling.
  • Ramonda yelling to T’Challa “SHOW HIM WHO YOU ARE!” during the challenge with  M’Baku (Winston Duke). Babbbbbbyyyy, I felt that in my bones. That needs to be a daily affirmation.
  • I loved how every ritual was ancestrally-based.
  • T’Challa telling Nakia she would make a great Queen if she wasn’t so stubborn (I almost threw my boot at the screen), for Nakia to respond that is WHY she would make a great Queen. T’Challa just wanted her to admit that she wanted to be his Queen.
  • Shuri’s consistent afrobeat playing throughout her lab. *hearts*
  • Shuri yells “WHAT ARE THOSE” to T’Challa’s traditional sandals. She then gives him his new soundproof footwear and says she calls them… wait for it… sneakers… get it? LMAO! THEN she tells him about his new suit design and he’s all my suit is fine and she says, “Functional, but old. If people are shooting at me, wait, let me put on my helmet.” She had jewel after adorable jewel. She tells him to strike the suit and he boots it across the room and she yells at him for messing up her lab, but informs him of the suit’s design and that it absorbs and then redistributes kinetic energy. She takes out her camera, for research purposes, and tells him to strike the suit again only to howl laughing when he goes flying across the room when he is blasted back by his own force.
  • Okoye said she couldn’t wait to get her wig off of her head and that it was a disgrace. Shots fired?
  • Nakia in the green dress in the Korea scene. Have mercy.
  • Black Panther movie
  • Agent Ross’s ole bitchass needed to be popped in the mouth for how he was speaking to T’Challa at the table. Find some respect.
  • Okoye pointed out that no weapons were allowed yet yielded her weapon less than 60 seconds later when the fight broke out! Black women always prepared for EVERYTHING. That jump down from the 2nd level was the first of her notable jump scenes.
  • Shuri’s excitement when the car populated in her lab. Adorbs.
  • The quick shot of Nakia driving barefoot was a great attention to detail since she lost her shoe when she used it as a weapon in the fight.
  • When their car is blasted by Klaue, Okoye flips, grabs her spear in mid-effin-air, and lands on a piece of the car. Then Nakia comes hilariously sliding in with just the seat and steering wheel.
  • Can we talk about how T’Challa could’ve ended Klaue and Killmonger wouldn’t have had his dead body as leverage if we weren’t in such a digital age? Oh ok.
  • Okoye’s disdain for taking the shot Agent Ross into Wakanda to be healed, and Shuri saying, “great, another broken white boy for us to fix, this is going to be fun.” Classics.
  • Killmonger showing his Wakanda tattoo and killing Klaue made me smile.
  • When they revealed that Young T’Chaka (Atandwa Kaniand Young Kuri (Denzel Whitaker) left baby Erik after killing his father, N’Jobu (Sterling K. Brown), I was livid. Though we are ultimately responsible for our actions, we cannot ignore the roots of our issues. People keep referring to Killmonger as the villain, but, in my opinion, he killed the main villain. He’s just a brother who needs some healing and therapy to learn to deal with his past and how to properly bring about the change he wants to see for his community.
  • Shuri to Agent Ross: “Don’t scare me like that colonizer!” when he woke and started asking her where he was. According to the internets, wypipo will officially be referred to as colonizers until further notice.
  • Black Panther movie
  • Killmonger points out there are 2 billion people that look like them struggling around the world and that Wakanda had the tools to LIBERATE them all. T’Challa remarks that it is not their way to use vibranium for they are not judge, jury, and executioner for people that are not their own and Killmonger then he says “Not your own? But didn’t life start right here on this continent? So aren’t all people your people?” JEWELS JUST FALLING FROM HIS LIPS!
  • Killmonger nonchalantly to Ramonda: “Hey Auntie.” By far tied for my favorite line of the movie. He makes the challenge for the throne and Zuri says it’ll take weeks. Killmonger says I don’t need the whole nation, I just need him. That was real. I also lowkey enjoyed watching him fight T’Challa . It was like he had the power of every oppressed souled within him. His pain was relatable. Hated that it was targeted towards his own blood, but that was also real. We usually strike out to those closest to us. Him having them burn all of the ancient flowers was egotistical and short sided, but also a key part of the character.
  • When Killmonger sits on the throne, he points out that where he’s from, Black people start revolutions without the firepower and resources to fight their oppressors. More jewel dropping…
  • Okoye’s face when W’Kabi agrees with Killmonger…
  • M’Baku to Agent Ross: “You cannot talk one more word or I will feed you to my children. Just kidding, we are vegetarians.” The vegan in me howled with laughter. Plus he made him shutup initially by overpowering his voice with their chants. Then he made Agent Ross turn away during the ritual. He won 4 times (presented the preserved T’Challa) in under 4 minutes.
  • I appreciate T’Challa realizing that his father was wrong for both leaving Killmonger and for turning his back on the Africans worldwide and for calling him out on it when they meet once again in the ancestral realm.
  • Killmonger: “All that challenge shit is over with. I’m the king now.” Hood af, lol!
  • W’Kabi so quickly fighting with Killmonger made the whole theater suck their teeth. Will Focus gon say he’s still in the sunken place. I DIED! LMAO
  • Killmonger got Black Panther suited. That shit was sexy.
  • We all felt Okoye’s pain when Killmonger killed one of her fellow Dora Milaje. *sad face*
  • Black Panther movie
  • Will also brought up a good point and asked where were the other 3 tribes during this fight before M’Baku’s tribe showed up to assist the Dora Milaje against W’Kabi and his tribe?
  • When W’Kabi and his techno rhino were charging towards M’Baku but Okoye stood between them and the rhino kissed her. All powerful. Then W’Kabi asked if she, his love, would kill him, and she said, for my nation, absolutely. POWERFULLLLLL.
  • So I was highkey pissed that T’Challa took Killmonger to look at the damn sunset instead of to Shuri, but later that was put into perspective for me (read below).
  • T’Challa: Maybe we can still save you…” Killmonger: “Why? So ya’ll could just lock me up? Nah. Just bury me in the ocean with my ancestors that jumped from the ships. They knew death was better than bondage.” CHILLS. That line right there spoke volumes. VOLUMES!
  • T’Challa buying the block. Just. Yes.
  • The kids wanting to break apart Shuri’s ship to sell for parts. So real, lol. We need that community bridge building though.

Black Panther movieThere has been lots of debate about seeing a white studio production and where our dollars could have gone and even about the characters parallels to sections of society, but I personally feel like it’s all chest-inflated poppycock. 99.9% of movies that we love and hold as staples in our society are produced by white studios simply because, well, WE DON’T OWN ANY YET. Keyword, yet. So Malcolm X, Selma, Hidden Figures, Thurgood Marshall, Coming to America, and the likes that are so near and dear also fall under that umbrella, but we still went to see them in droves. Could we have collectively used that money and built a small town with our roughly 37% contribution to the $218 million? Most likely, but we already know we’re still combating centuries of conditioning and teaching ourselves to love ourselves and each other. So chill. It’s a process, and this movie is a major part of that process because representation matters. Seeing ourselves and what could be matters. Sometimes people need to see it to even know it’s possible.

Black Panther movie

Yes, this is in Africa.

The visuals and quotables definitely woke up some of the sleeping and even smacked a few people into loving themselves and reframing their thoughts on Africa. Yes, Wakanda is fake, but Africa’s beauty has never been a lie. It’s just been retold and intentionally hidden from the masses, especially Africans born in america, in attempts to continuously divide and conquer. This is touched on via Killmonger’s story. His story simultaneously parallels the american Hood King and the Revolutionary. He grew up without his parents, more specifically finding the dead body of his father. He had to learn and grow on his own which resulted in his genius-level intellect and thirst to avenge his father via combat and claim his spot on the throne. Via his research, he learned of the advancements of Wakanda and grew resentment because they had the capacity to liberate Black people globally, but never bothered to. He wanted to ‘stick it to the man,’ and rightfully so.

Black Panther movieKillmonger’s passion was in the right place, but his methods wouldn’t have fully resulted in the outcome suitable for most, mostly due to his dictator ways. T’challa had to come to learn that peace and hiding weren’t the way either. With their collective intellect, Shuri’s technological advancements, and Wakanda’s wealth and resources, they could have liberated Africans globally, but pride was a key factor in Killmonger having to die. (And also, as my bro Jashua Sa’Ra pointed out, “the movie studio couldn’t show us what it would’ve looked like if the forces joined in this already powerful Black Panther movie.” AKA the reason why the FBI killed Malcolm & Martin when their speeches started to mirror each other and they were on the verge of working together instead of fighting each other. Someone call up an independent Black production company to bring that story to life. “If Malcolm & Martin Lived to See Their 40s.”)

Leave your thoughts on the Black Panther movie in the comments. What rating do you give it?

30Jan/18
Taji Mag Subscribe Vol14 Copper and Gold

Taji Vol14: Copper and Gold

Release Mar 7 2018 | Vol14 of Taji is packed full of Black Beauty & Culture fulfilling its theme of Copper and Gold! This volume’s cover features the #SlayBells of Sassy, Krystal Garner, and Shanice Thompson. Gracing the pages are the Editor’s Pick on Glamourina’s newest athleisure line; Community Spotlight on Melanating.com, your Premier Source for Black Events; our highlighted Hair Feature by Ngone Sow; “Solo Travel: Deciding and Booking My Flight” by D. Carrie; “Spiritual Teknowledge: Openness” by Jashua Sa’Ra; Must Have Book: Authentically Rich by Khay Shepard; Knotable Designs providing Marketing for Emerging Brands; Black Youth Appreciation: Theirno Barry; “#BlackLoveConvo: “Greatness in Brotherly Love: Ali and Me” by Dapper Dr. Feel; “Who are Financial Systems Designated to Uplift? How Do We Take Control?” by Jatali Bellanton of Kids Who Bank, DTR360 Books; our Health & Fitness Advice Column with Trainer Clint & Vegan Fun with Delliz the Chef; Featured art piece by Will Focus; Must Have Graphic Novel: DayBlack by Keef Cross; Black Business Highlights; Taji Mag Model Contest Winners; and more!!

Purchase your copy now at ‘Purchase Taji’!

Taji Mag Subscribe Vol14 Copper Gold

Purchase Taji Mag | Vol 14

Taji Mag is the epitome of the positive Black experience. Our brand embodies the traditional and modern royalty of Pan-African people via our quarterly digital and print publication and live events.

17Jan/18
Black Lightning

Black Lightning Lights Up DC in DC 2018

This past weekend Warner Brothers hosted DC Comics in D.C. highlighting the upcoming tv show Black Lightning. It featured four different panels and premiered the first episode of Black Lightning. All of the panels were great and featured a lot of great talent and artists, but the panel that was most representative of the MLK weekend was the panel titled “The Many Shades of Heroism: DC Heroes Through the African American Lens”. This panel explained the creation of many of the popular Black characters of the DC television series world. The panel consisted of the show’s producers, Salim and Mara Akil, as well as actors Cress Williams (Black Lightning), Candice Patton (The Flash), Chris Chalk (Gotham), David Harewood (Supergirl), comic artist and producer Denys Cowan, writer John Ridley, and author and songwriter Alice Randall.

Black Characters on DC TV Series

Candice Patton portrays Iris West on the popular show The Flash. She discussed the importance of portraying an outstanding version of the character on television and how doing so has influenced creators to change the race of the character in the comics. Originally Iris West is portrayed as a white woman in DC comics. “I feel extremely honored first of all to be put in this position,” Patton explained.

“I am happy that a black woman is carrying the torch so generations after this will remember that Iris West was a black woman .” – Candice Patton on portraying Iris West.

Chris Chalk plays the intelligent and brilliant minded Lucius Fox on the show, Gotham. The show is based on a young Commissioner Gordon fighting crime against many of the developing iconic villains in the city of Gotham from the Batman series. “This character is great! I went to this STEM (science, technology, engineering, and mathematics) program for Black youths and the kids would tell me they knew how I solved a problem on the show and I was like well tell me, ’cause I don’t know…” He emphasized the joy in playing a character that breaks racial stereotypes in television, saying “It is cool to have a Black character that is the smartest person in the series and he doesn’t fight.”

David Harewood plays Martian Manhunter on the show Supergirl. Being a native of London, he explained how important it is to have a Black lead character on a television show because, where he is from, there aren’t really any characters that look like him. He smiled as he proudly displayed his Black Lightning t-shirt. Harewood also discussed how happy he was to represent a person in of color in the media, making the audience aware that there are opportunities for all races and backgrounds to be represented.

Black Lightning: The Series For The Time

Black Lightning takes place in an urban, poverty and violence-stricken community where our hero, Jefferson Pierce (Cress Williams), lives as a high school principal and family man. He has hung up the mantle of Black Lighting for 15 years because of the stress it was placing on his family but is forced to return to crime fighting when the local gang, The One Hundred, starts wreaking havoc on the neighborhood.

“It is a dream come true! After I put on the costume I was ready to run into the wall! I was ready to fight!” – Cress Williams on portraying Black Lighting

The show is produced by the power couple Salim and Mara Akil. They both have a successful history of producing great shows like the Soul Food TV series, Girlfriends, and Being Mary Jane. When asked about Black Lightning, they expressed the importance of the project and how great of a story it can tell about love, family, and community. “We are led by a vision and clearly this is Salim’s,” Mara explained about choosing the project to bring to life in television form. She explained the importance of giving people the perspective of a Black man that is positive, stating “July 2016, two Black men were killed after the long list of other Black men and we were in that moment of what was happening in our communities. When you look on television there were no Black men in the center of a television show, speaking on the issues that were about his life.” Salim Akil explored his vision of the project in-depth when quoting:

“We use that authenticity when it comes to other cultures but really we are talking about the nuance and Black folks are an integral part of American culture. What we will see with Black Lightning is that yes, we are getting culturally specific nuances of what it is going to be like being an African American man in the United States, but you will also see a man that loves his family and his community and wants what is best for his community. You can take the African American off that (character) and you have just a man that wants the best for his family. I hope everybody can identify wanting the best for their families and their community.”

DC Comics is continuing to evolve its characters that people from different backgrounds can relate to. Black Lightning debuted tonight, January 16th at 9pm, how’d you like it?

11Dec/17
Alvin Ailey

Art Affecting Humanity: Alvin Ailey ‘Shelter’ to address Homelessness

Affected. Something that we, as citizens of the globe, often feel that we must be less of in order to survive. However, Alvin Ailey is reviving ‘Shelter,’ a piece choreographed by Urban Bush Women’s Jawole Willa Jo Zollar, and aims to make us feel just that; affected. Originally performed in 1992, ‘Shelter’ is a “work that frankly addresses the pain and isolation of homelessness,” says the choreographer. The all-female piece reflects not only the struggle but the resiliency of those who are chronically homeless, she notes. Resiliency that, I feel, is part and parcel of the human spirit that we all share. Just as homelessness affects us one and all.

‘Shelter’ is set to debut for the renown dance troupe’s current season in NYC, a place where blatant homelessness is rampant and it is customary to turn a blind eye. As per inspiration for the piece, Zollar remarked that upon settling into NYC in the 80’s she “realized that as a coping mechanism [she] had stopped seeing the people who were homeless… that was [more] dangerous because it was a loss of humanity.” Humanity being all facets of experience, whoever and wherever you may be. I am currently in Barbados, and homelessness is too. While in the city, I had a stranger point out a characteristically homeless man, explain that they went to University together and that he used to be a lawyer. Perhaps knowing the man forced the strangers conscious to acknowledge him, whereas the other people on the street simply passed him by without a glance. I would then ask: must it directly affect us for us to take part in affecting it? A resident New Yorker myself, I have found that turning a blind eye requires us to repress our Souls. To repress the constant call for sympathy as well as the underlying fear of relating. However, the issue and relevance of homelessness cannot be ignored into non-existence. Whether through dance, art, outreach or otherwise, it begs of us to be constantly addressed through awareness and action.

I send energy to the notion that we are not powerless in this matter. Not in aiding those who are afflicted nor in preventing it for ourselves. But our power lies in our ability to give. Not speaking solely of our money or our time, but of our attention as well. In giving our attention to and, therefore, shining a light on the very things that we wish to push into the darkness, the threat of darkness itself disappears. As opposed to our hearts having to do so instead. Especially if Ms. Zollar and the Alvin Ailey Dancers have anything to do with it. So as audiences pack into the plush seats of City Center’s theater, they will be reminded of the transiency of ‘having’. It is indefatigably important to foster contact with our humanity as often as possible; especially to the experiences that we may feel are not applicable to us at the moment. This is exactly what will be accomplished, yet again, with ‘Shelter’. As James Baldwin said ‘…the Artist knows, and must let us know, that there is nothing stable under heaven.”. So yes, it could happen to you. Perhaps it has happened to you already. May there be continuous attention given and inspiration found to address such a prevalent affliction. May we be led to fostering a future where it does not exist. It is possible.

Alvin Ailey 2017 Season happening now.

31Oct/17
Vol13 Virility

Taji Vol13: Virility

Release Dec 7 2017 | Vol13 of Taji is packed full of Black Beauty & Culture fulfilling its theme of Virility! This volume’s cover feature is musician, actor, and model Daniel Jones. Gracing the pages are the Editor’s Pick: StockOnyx, premier royalty-free stock content from Black creatives; the Community Spotlight on the elegant soaps, scrubs, and body butters of The Celestine Collection; Sankofa Community Empowerment; our highlighted Hair Feature; “Solo Travel: The Step Before Step One” by D. Carrie; “Spiritual Teknowledge: Intersource” by Jashua Sa’Ra; New Panther: A Call for Action; The Nola D. Collective; “#BlackLoveConvo: “AJ Andrews: Lady With a Golden Glove and Heart” by Dapper Dr. Feel; “Clarifying Credit… the Quick Fix” by NayMarie, our Health & Fitness Advice Column with Trainer Clint & Vegan Fun with Delliz the Chef; Featured art piece by Will Focus; Must Have Graphic Novel: Ayanmo Stigmata by Tyrone Jackson of Sovereign Comics; Black Business Highlights; Taji Mag Model Contest Winners; and more!!

Purchase your copy now at ‘Purchase Taji’!

Vol13

Purchase Taji Mag | Vol 13

Taji Mag is the epitome of the positive Black experience. Our brand embodies the traditional and modern royalty of Pan-African people via our quarterly digital and print publication and live events.

28Oct/17
K is for Kahlo

New Children’s Book ‘K is for Kahlo’ Spells Out Excellence: Taji Mag Book Club

Making Art as easy as ABC’s: Literally.

Can you name 26 influential international Artists? Well, thanks to the new children’s book, K is for Kahlo by Dr. Tamara Pizzoli, we’ll all have the chance to learn.

Presenting artists from different disciplines, each is introduced within the pages of the book as a placeholder for a corresponding letter of the alphabet. Depicted in the bright color and simplicity typical of a children’s book, the illustrations done by Howell Edwards Creative are anything but typical. See for yourself. Available in hardcover and paperback from Amazon (and paperback on her website),  the book is described as ‘An artistic tour of the alphabet featuring notable artists from all around the world’. No stranger to accolades, author Dr. Pizzoli is best known for her critically acclaimed previous book, ‘The Ghanaian Goldilocks’, which received several awards. Recently released, her new book is already receiving praises, including a nod from the likes of Afropunk, which is known for lauding black excellence.

K is for Kahlo(image sourced from Afropunk)

This book is definitely going to be in quite a few of my holiday gifts this year. (Insert Oprah GIF here) You get a book. YOU get a book! EVERYBODY GETS A BOOOOOK!!!! Here’s why.

As essential as it is to teach our children the fundamentals of learning, such as the ABC’s, it is also our responsibility to inspire them. Dr. Pizzoli has dedicated herself to enriching the lives of children for years as a teacher and, now, also as an author. It is said that creativity fosters creativity and I believe this applies to life, not just art. The system in charge of educating our children outlines an overwhelmingly narrow path to success that often does not foster individuality nor artistic gifts as a mainstay. So efforts that successfully bring these elements together are worth noting. Talk about #Winning. This book puts into form the notion that we should be encouraging our children to take stock of their abilities and use them to create a life that is rich in texture and depth. It is never too early to show a young mind that it can dream in its own color.

Actually, all of her books encourage kids to live out loud. As an artist and someone who also works with children, I am so here for this! Using what we know to capture their bright-eyed attention, we can begin to mold together their emerging sense of self with their imagination. Not to mention the bonding that comes with reading to a child (cuddles. am I right?) and the fulfillment we get from knowing we are giving them wonderful tools for life. Honestly, I’ll be buying one for myself as well, just as much for myself as to share with the children I care for. You’re never too young, or too old, to be captivated and inspired by Art. Besides, you never know: you might just find out you’ve got a Baby Basquiat on your hands. You’re welcome.

Check out this book and 8 other titles from the Author here.

Social Media Links for the Author:

Instagram: @tamarapizzoli | @theenglishschoolhouse

Facebook: The English Schoolhouse

Twitter: @engschoolhouse

Until next time, keep reading ya’ll.

01Aug/17
braids beauty vol 12 taji mag

Taji Vol12: Braids and Beauty

Release Sep 7 2017 | Vol12 of Taji is packed full of Black Beauty & Culture fulfilling it’s theme of Braids and Beauty! This volume features professional model Marsha Larose. Gracing the pages are the Editor’s Pick: Ites Int. – Designer Devoted to Indigenous Textiles, Positive Vibes, and Flow; the Community Spotlight on International I Love Braids Day; Hair Feature by Debra Hare Bey of OMhh Beauty Oasis; “Yemaya” by II-Kaya Ises; “5 Things You Could do That Are More Meaningful Than a RIP Post After a Suicide” by Tajh Sutton; The Men of Sigmafied; the elegant soaps, scrubs, and body butters of TheCelestineCollection; “The Science of Black Love” by Afica Jackson; “#BlackLoveConvo: “How Black Love Stole the Show at the ESPYs” by Dapper Dr. Feel; our Health & Fitness Advice Column with Trainer Clint & Vegan Fun with Delliz the Chef – “Falafel Patties”; Featured artist Will Focus; Must Have Graphic Novel: Therians by B. Van Randall; and more!!

Purchase your copy now at ‘Purchase Taji’!

braids and beauty

Purchase Taji Mag | Vol 12

Taji Mag is a Black Beauty & Culture specialty publication highlighting the artistry of our essence.

07Jun/17

Taji Vol11: Ethereal

Release Jun 7 2017 | Vol11 of Taji is packed full of Black Beauty & Culture fulfilling it’s theme of “Ethereal”! This volume features rising cover model Aïssata. Gracing the pages are the Editor’s Pick: Khinky.com is the Only Black Woman Owned Loc Extension Manufacturer; the community feature on the fitness trio “The Mix-Tape”; Hair Feature by Sophisticated Locs Salon; “Beginners Advice for Building your Savings from Phil Small” by Nay Marie; “Spiritual Technology of Freedom” by Jashua Sa’Ra; E.M.E.R.G.E. founded by Master Pioneer Hair Stylist Diane C. Bailey; the elegant jewels and body butters of TheCelestineCollection; “13 Reasons Why We Should Discuss Misogynoir by Tajh Danielle Sutton; “#BlackLoveConvo: Affection Between Black Men” with Dapper Dr. Feel; our Health & Fitness Advice Column with Trainer Clint & Vegan Fun with Delliz the Chef – “Personal Pan Pizza”; Featured artist Will Focus; Must Have Comic Book: Ajala by N. Steven Harris; the Taji Model Winners; and more!!

RSVP for the Vol 11 June 4th Release Event at TajiMagVol11.eventbrite.com!

Purchase your copy now at ‘Purchase Taji’!

Vol11

Purchase Taji Mag | Vol 11

Taji Mag is a Black Beauty & Culture specialty publication highlighting the artistry of our essence.

24Apr/17

Lindi Roaming the Streets with Ntomb’enhle Dolls and Lulasclan

Lindi Roaming the Streets with Ntomb’enhle Dolls and Lulasclan!

Ntomb'enhle Dolls

In Zulu, “Ntomb’entle” means beautiful girl. The Ntomb’enhle range represents just a few of our South African and neighbouring countries traditions.

Finally, South African cultural black dolls that children can identify with! Ntom’benhle Dolls is the concept and creation of Molemo Kgomo (46). This mother of two beautiful daughters brought the range into the market in 2005, after identifying the lack of pretty black dolls in the market which her daughters could relate to. Little did she know that in addressing this issue, that she would be answering the call of millions of other moms around the world, who wanted their children to have dolls that represents them. The dolls are beautiful girls as their name states. They have beautiful brown skin, brown eyes, short hair and curves. This is typical of a South African little black girl. In addition they celebrate the heritage of each of the South African cultures.

“BOTH MY DAUGHTERS ARE MY INSPIRATION, THEY ARE MY LIFE !!!!!!!!”

Ntomb'enhle Dolls

They are dressed in apparel representing the following 8 South African cultures:
Zulu
Sotho
Pedi
Swazi
Ndebele
Venda
Tsonga
Xhosa

“The goal with Ntomb’enhle Dolls is to provide little girls with a doll which they can see themselves in, and therefore start the process of redefining the definition of beauty in South African girls. The dolls can be played with by all races, as we see with white dolls. We believe that they will help to foster tolerance, understanding and friendship between children of different cultural backgrounds. We live in a diverse country and have much to celebrate!”

Ntomb'enhle Dolls

“It has been along journey and has not ended, I will keep going at it as I still have so much I would like to do with the brand, the journey continues.”

Ntomb'enhle Dolls

Graphic Designer and Illustrator Bonolo Chepape, also the founder of LulasClan, manufactures and produces all products in Rustenburg, North West of South Africa. These designs are authentically created in-house. Material Scatter cushion designs are printed on 100% cotton twill using the latest digital sublimination printing technology. Designs are made according to individual specifications to create unique products with a personalised taste.

  Ntomb'enhle Dolls   “We specialise in textile design, illustration, interior decor & design.”

Ntomb'enhle Dolls

So she called this Journey Meet the other side of Africa, another side of Africa that is free from the negative perceptions of society but a place where colour plays in-between all the black and white lines that seem to define and divide us. “Let’s put colour into play this time in a positive light, in a merge of two styles and a new breed that form when Africa meets West and women come together to rise up together to reach the stars.”

Ntomb'enhle Dolls

When ‘I’ becomes ‘We’  that’s when we will succeed in building one another and supporting one another’s dreams and stories are passed on through generation and generations, stories that tell of amazing and inspirational women who helped to build an African mindset, that is all inclusive and creativity forms the unifying language.

Meet the other side of Africa is not just a collection of beautiful scatter cushions, it is Art, it is story telling, it is a movement and a collection with the aspiration of one day collaborating and sharing stories of women across all walks of life and celebrate all that society deems as imperfect, because in true reality imperfections are what makes us all beautiful, and unique. 

It starts with ‘I’ with an aspiration of becoming “we”, so if you would like to collaborate, and are a creative looking for a platform to showcase your talent, join the Clan, we all about creativity and bringing different parts together to form a whole. email your submissions to [email protected] 

“Our limited collection of well-crafted bespoke scatter cushions, are designed to celebrate woman and to tell their stories. Each scatter is inspired by a graphic illustration piece and is specially printed for a high quality finish. Let your home tell a story, celebrate it with this collection.”

MEET THANDO Meet Thando, she is made of love, she is the love that unites shapes and patterns whilst bringing all sweet pastel colours together.

MEET THULI A little attitude, pink lipstick, bold prints, and a huge ‘Fro’ sounds like nothing good oh! Thuli can’t live without.

MEET MBALI She blossoms like a wild flower, planted among the weeds, and just like spring comes with joy so does she.

MEET NALEDI Just like shooting stars, Naledi is one that’s hard to find. She lives a lucid dream and is determined to be much better, much brighter then she was yesterday.

MEET MAMA-AFRICA Mama Africa the mother of nature, and the salt of the earth, she is soft, nurturing and a strong rooted women.

“It’s not easy leaving your job in the pursuit of happiness and a life out of comfort and security, but this journey is only truly beginning and I am still yet to scrape and fall on my way to reaching a place where I can feel I am at home and free from the many fears of the unknown.”