Following two sold-out runs at the National Theatre in London, a successful run at London’s Roundhouse, and a world tour, Nigerian-born playwright Inua Ellams’ acclaimed Barber Shop Chronicles makes its New York and BAM debut December 3—8. The sold-out sensation explores the diversity of Black male identity via the intimate community of the barbershop, where men across the African diaspora have gathered for generations to discuss the world and their lives. Filled with passion, humor, and honesty, the celebrated work is inspired by Ellams’ own experiences as an immigrant.
Directed by Bijan Sheibani, Barber Shop Chronicles follows the conversations and concerns of a group of African men as they interact in six different barbershops in London, Lagos, Johannesburg, Accra, Kampala, and Harare. The all-male, 12-person cast riffs on topics both personal and political—from sports to race relations to views about fatherhood, identity, immigration, and masculinity. Music and dance knit together the individual episodes in this fast-paced production. A mastery of humor, pace, and wit, the story takes place over a single day as characters, jokes, and plotlines traverse continents and cultures.
Barber Shop Chronicles is presented in its New York premiere at Next Wave 2019—the first season under Artistic Director David Binder, in which all artists are making BAM debuts. The season runs through December 2019 and includes theater, dance, music, film, site-specific, and multi-genre work across BAM’s venues and off-site, as well as Holiday programming.
Harvey Theater at BAM Strong (651 Fulton St)
Dec 3—7 at 7:30pm; Dec 7 at 2pm; Dec 8 at 3pm Tickets start at $35
About the Artists Born in Nigeria in 1984, Inua Ellams is an internationally touring poet, playwright, performer, graphic artist, and designer. He is an ambassador for the Ministry of Stories and has published four books of poetry: Candy Coated Unicorns and Converse All Stars, Thirteen Fairy Negro Tales, The Wire-Headed Heathen, and #Afterhours. His first play, The 14th Tale, was awarded a Fringe First at the Edinburgh International Theatre Festival and his fourth, Barber Shop Chronicles, sold out its run at England’s National Theatre. He is currently touring An Evening with an Immigrant and recently premiered The Half God of Rainfall, a new play in verse at Birmingham Repertory Theatre and Kiln Theatre, London. In graphic art and design, online, and in print, he tries to mix the old with the new, juxtaposing texture and pigment with flat shades of color and vector images. Ellams lives and works from London, where he founded the Midnight Run, a nocturnal urban excursion. He is a Fellow of the Royal Society of Literature.
Bijan Sheibani was artistic director of the Actors Touring Company (2007—10) and associate director of the National Theatre (2010–15), where he directed A Taste of Honey, Emil and the Detectives, Romeo and Juliet, Damned by Despair, The Kitchen, War Horse (US tour), Greenland, and Our Class. His other theater credits include Dance Nation (Almeida); CircleMirror Transformation (Home, Manchester); The Brothers Size and Eurydice (Young Vic/Actors Touring Company); Barber Shop Chronicles (National Theatre/Fuel/West Yorkshire Playhouse); and Romeo and Juliet (National Theatre). Opera credits include Nothing (Glyndebourne) and Tell Me the Truth About Love (Streetwise Opera).
Release Dec 7 2019 | Vol21 of Taji is packed full of Black Beauty & Culture fulfilling its theme of Black Love! This volume’s cover features the #SlayBells of M’Shari Whaley of Uniquelywiredm and artist/music producer Jaymison Beverly. Gracing the pages are the Editor’s Pick, Paine Artistry is Powering Up Black Artists; our Community Spotlight; our highlighted Hair Feature; “Solo Travel: Holiday Travel & Mindful Spending” by dCarrie; “Separation > Domestication” by Jashua Sa’Ra; Wealth feature “Credit vs Cash”; “For the Love of Children” by Janelle Naomi; Our Vol 21 theme “Black Love;” our Fitness Feature, Michael Jai White, Receives “The Mantle of the Black Dragon” at Urban Action Showcase & Expo 2019; Vegan Fun with Delliz the Chef – Falafel with Israeli Rice Salad; Rufus & Jenny Triplett Give Us a Look at 30 Years of Marriage; “#BlackLoveConvo: “Waves Explores the Dynamics and Effects of Black Love” by Dapper Dr. Feel; A Look into The New Black Vanguard: Photography between Art and Fashion; Featured Art Piece by Will Focus; Must-Have Comic Series: “The Outlaws” from Concept Moon Magazine; Black Business Highlights; and more!!
Taji Mag is the epitome of the positive Black experience – elevating Black brands, narratives, and imagery. We embody the traditional and modern royalty of Pan-African people via our quarterly digital and print publication and live events.
It was as if a pine cone was lodged in my throat and my heart was sinking into my stomach when I watched the documentary Emanuel. Revisiting the story of the nine black people that were killed in a mass shooting by Dylan Roof in Charleston, SC was an emotional roller coaster that I was not ready for. The Steph Curry and Viola Davis executive produced the film was a chilling documentary that reminds its viewers about the power of faith, the destruction of hate, and the state of racial discrimination in America.
The intro featured a clip of the moving and memorable eulogy given by President Barrack Obama for the funeral of the Emanuel massacre. I remember this moment and the post devastation that many were in after the event and how the following events further perpetuated the bias that the criminal system had against people of color.
Nadine Lance Collier lost her mother Ethel Lance in the Emanuel shooting.
Emanuel gives an in-depth perspective of the event and things following it. Those featured include the families of the victims, Dot Scott (Charleston NAACP Branch President), Muhiyida D’bhana (Black Lives Matters Founder), Phillip Pickney (Activist), media that covered the event, historians, South Carolina’s political figures, and survivor, Polly Shepard.
History of Charleston
The film starts off explaining some of the historical roots of Charleston, SC and Emanuel African Methodist Episcopal Church. Going back to the time of the 1800s during slavery, a section of the film I found to be very interesting showed the connection between religion and racism in South Carolina. I really found the short history lesson about Denmark Vessy to be very enlightening and conducted more research about him after I watched the film. He is a former slave that bought his freedom through a lottery and, later, became one of the founders of the AME church. Charged and executed for an uprising of the slaves, Vessey was a very important figure in the AME community.
Pastor Anthony Thompson remembering his loving wife, Myra, killed in the Emanuel church massacre.
Pastor Anthony Thompson told a beautiful story about the ritual he had with his wife. They would see each other at the door with a kiss. He expressed how blessed she felt on that day, how much more full of life she was. Stories like this one were refreshing and gave me a break from the wave of negative emotion I felt during the course of the film.
Another moving story was told by Nadine Lance Collier. Her welcoming and charismatic persona held my attention as she shared stories about her mom, Ethel Lance, one of the nine people killed in the shooting. She expressed how optimistic her mother was and, from her description, I could tell that her mom had a pure soul that the world lost.
It was entriguing how the film summarized an origin for Dylann Roof and his life before he committed his crime. The fact that his actions/ideas were sparked by the Trayvon Martin case was surprising. Society speaks about how rap music and violent video games are the cause for destructive behavior, yet here we have the racist acts of others influencing people to think maliciously.
Survivor of the Emanuel shooting Polly Shepard.
The most disturbing recollection and description of the massacre was from the survivor, Polly Shepard. She fought through tears as she recalled the events of the shooting, her conversation with Roof, and witnessing him shoot her already wounded son. I felt angered when I heard her speak, I wanted to hug her through the screen, and I couldn’t understand how a “mentally disturbed” individual killed innocent people in cold blood, especially after they welcomed Roof in their church with open arms.
“Maybe we now realize the way racial bias can infect us even when we don’t realize it, so that we’re guarding against not just racial slurs, but we’re also guarding against the subtle impulse to call Johnny back for a job interview but not Jamal.” – President Obama, the eulogy at the Emanuel funeral.
When the film spoke about and showed the footage of how Roof was apprehended, it reaffirmed that America has a racial bias in the law enforcement system that cannot be ignored. I couldn’t help but think about the many innocent Black people that have had police officers draw guns on them and, in some cases, were killed, while Dylann Roof was calmly taken in without force after murdering nine innocent Black people.
Live and Let Love
The documentary revisited the verdict of the trial, some of the victim’s family members expressed their forgiveness to Dylann Roof. There are many curious about their forgiveness, including myself, but this documentary allowed the family members to explain their reason.
The film ended telling the stories of the victims’ family members, how they are dealing with the loss, how they are moving on, how their faith has helped them, and their real struggles with the battle.
Emanuel was a well structured and touching film that I think many should watch. Especially after hearing the verdict and following events of the Amber Guyger case. If you can’t understand the power of faith and forgiveness, the documentary Emanuel will definitely show you how.
With the loss of literary great Toni Morrison, the world looks to many great authors who can create inspiring works as she has – talented authors like Ardre Orie. She is an author, playwright, ghostwriter, and Black creative who has worked with many high profile clients and told many moving stories. Taji Mag got to speak with her about her career and her inspiration for writing.
“Those that don’t got it, can’t show it. Those that got it, can’t hide it.” – Zora Neale Hurston
Dapper Dr Feel ( DDF): When did you write your first book?
Ardre Orie (AO): I wrote my first book at the age of 10 when I was in elementary school. At this age, I was one of those students that talked a lot and my teachers were thinking maybe we need to give her something else to do. My teachers gave me a special assignment, the opportunity to create something, anything from drawing, painting, etc.
DDF: What was your book about?
AO: I decided to write a book about women in my neighborhood and how they were examples of excellence. I thought they would be great role models to the young women in my community.
I completed the book and then got it published. Next, I hosted a book signing, I invited the press/media, and I had a big article in the newspaper. It was pretty amazing because I had no idea that is what I would be doing as a career 30 years later in life.
DDF: What was the next book you wrote? How did you develop it?
AO: The second time I wrote a book, I resigned from my job as an assistant principal at an elementary school in Florida. After that I relocated to Atlanta with my family. I made the decision to take a leap of faith into entrepreneurship.
As I pursued this goal, I had not gone to school for entrepreneurship and it was a learning curve for me. I started a non-profit organization where we taught entrepreneurship and leadership skills to young ladies. We were servicing 500 families of women and children.
“Never be afraid to sit awhile and think.” – Lorraine Hansberry
DDF: When did your non-profit start and what was your next move?
AO: 2009 is when the non-profit started, the economy was not doing well as this was during the recession. I thought to myself, I really need to be selling something, to really make a profit. I had all these women and girls and, with that, I decided to create a cosmetic line. It consisted of lip gloss and lipstick. I knew I had an audience that loved that, so I started to make the products. This placed me in the makeup, beauty, film, and entertainment industry in Atlanta. At this time, Black Hollywood was forming in the area.
DDF: What made you come up with a cosmetic line?
AO: I started to notice that there were a lot of women that were concerned with self-esteem and I wanted to be able to get this message out about these products. The name of my products were called I Love Me, but I didn’t have the budget to advertise the company traditionally, so that had me look at what I had in my hand and what I had available to me, and that was the ability to write. So I decided to write a book that only showcased women and their different stories, but it would also serve as a marketing tool for this cosmetic line to promote it. That is how the book evolved, it was out of a need to market a product, to market a message, to market a brand that I was creating.
DDF: You had a unique way of advertising the book, tell me about that?
AO: While developing the book, I enlisted 21 women and teens. I hosted a casting call. I got the women to come to Atlanta to have a makeover, particpate in a photoshoot, then I interviewed them and I turned around and wrote the book and their stories as if I was them. This was my introduction to ghostwriting. I remember what I did for my book when I was 10. I studied the industry after that book; it was successful. I had a signing at Barnes and Noble and then I started to receive calls for writing.
DDF: When did you start seeing yourself as a ghost writer?
AO: One of the first clients was from VH1. They had a show coming out and they wanted to know if a book could be made in a short amount of time. The book did well and so did the show. I started to receive more calls after that via word of mouth from VH1, MTV, We TV, Centric, etc. This is when I started to understand that I had found my niche as a ghostwriter.
DDF: How do you approach your work as a ghostwriter?
AO: As my career as a ghostwriter progressed along the way, I developed my processes and how I approach situations. The most important thing is that I grew up in a home with a counselor – my mother was a counselor for 35 years. It was through her, I learned how to listen very well. I learned to not only listen to the words but to also the delivery, the emotion attached to those words, and the yearning of their souls.
DDF: How are the working relationships with you and your clients during a project?
AO: The reason why my clients say “That’s what I was trying to say but I didn’t know how to verbalize it!” is because I try to listen deeply within them. Like what motivates them, what drives them, I am trying to understand their pain, trying to understand the things that make them truly happy, how they find true joy, the things that cause them pain along their journey. I try to pay attention to things that just deal with words. I approach all projects like that no matter if my client is a man, woman, child, etc. There is no difference in the process, but each person’s story is different.
DDF: How did you get your second book published?
AO: When I went to publish my second book, I was doing research and I looking up companies to help me get published. The first quote I got was for $10,000 and this included me doing the writing myself. I was like oh my gosh, I just walked away from a career that took me ten years to build. I am married and have children and that amount of money is nothing just sitting around for me to spend for that kind of project. In that moment, I thought that I would never become an author even though I know that I can write, I have a story to tell, and I know that this project can help other people. That was very disheartening to me, it caused me to do a lot of research about the industry. In doing that, I found a second company that cost $6,000, which was still a stretch, but I made the decision to make an investment in myself because if I don’t make an investment in myself, then how can I expect anyone else to do the same?
“Research is formalized curiosity. It is poking and prying with a purpose.” – Zora Neale Hurston
DDF: What is the origin of your publication company 13th and Joan?
AO: After I started to learn more about the industry, I soon started writing theatrical productions and screenplays because my creative juices were starting to flow. All this content flowing from me and I realized that I could create this content and it wouldn’t cost me a dime to create. It was the same thing in elementary school. It was then that I decided I needed a company that is about the promotion media, especially for stories of color.
We publish everybody, 13th and Joan does not discriminate when it comes to the content we produce, but I just realized there is no home for people of color to tell it with some sauce on it. We believe that our books use correct grammar, sentence structure, and that our projects are in alignment with the industry standard for well-edited books, but we want to be able to add flavor to our books. We provide stories that mainstream told us that there is no market for.
My research is what lead me to understand that there was not a black-owned publishing company. Some of these companies that do exist, have been in existence for over 95 years. If you trace back 95 years, you can clearly explain why we weren’t having our own publishing companies.
“A thing is mighty big when time and distance cannot shrink it.” –Zora Neale Hurston,
DDF: Out of all the books you have written, which is your favorite?
AO: I have so many favorite books that I have written but there is one that touched me. The author was so in love with the finished product that he wanted to add my name as a co-author of the book. The author’s name is Thomas McClary (Rock and Soul: Thomas McClary Founder of The Commodores). Lionel Richie, also one of the founders of the Commodores, was discovered by McClary. Richie was playing an instrument and not singing, McClary is the one who encouraged Richie to sing. They founded this group at Tuskegee University and they were Motown royalty. He also was the first person to integrate schools in Lake County Florida. We had to do over 60 years of research for the book. Through that, I learned a lot about history.
DDF: Why is this book so special?
AO: It is very special to me because we were able to tell his life story, achievements, and all he had to overcome as a Black man during a difficult time. I am proud to give the story to any Black boy or man to show them what they are capable of.
Taji Mag (TM): Nonso, as a trained doctor of pharmacy in Nigeria, how did you transition into lifestyle fashion in Toronto? CHUKWUNONSO Ezekwueche aka Dr. NONSKY) (N): Nice question. I’ve been asked this question a million times. It was not a transition per se. I have always had a flair for fashion from a young age and I came from a family of fashionistas that paved the way for what I’m doing right now. I also never dropped my Pharmacy career, I am currently in pursuit of my license to practice here in Canada.
TM: What is a signature piece that is necessary to complete your look? N: Definitely jewelry – necklaces, bracelets, watches, lapel pins, etc. I always feel incomplete without a sprinkle of accessories here and there. Accessories are like vitamins to fashion, we should all learn to use them liberally.
TM: Your tagline is, “I show men how to dress without breaking the bank.” What’s a tip for men who want to look great on a limited budget? N: First of all, I would like to let you know that you don’t really need to spend money on luxury, exorbitant designer clothes to look good or make a fashion statement. Not that I have anything against them, I have quite a few myself, but my point is you can still look your best in affordable clothes. The trick is finding your personal style, reviewing what you have in your closet, see what needs to be added or discarded, then, most importantly, mastering the act of perfect color matching and only wearing the right fit of clothes and shoes.
TM: How has fashion helped to transform your esteem? N: It’s no doubt that what you wear has a significant effect on your self-esteem and I’m certainly not left out. Putting on a beautifully designed suit elevates my spirit, extols my sense of self, and helps define me as a man to whom details matter. How I look has a lot to do with how people receive me and how I feel about myself. Fashion is my getaway place when I’m sad or depressed and shopping for new clothes for whatever purpose has a way of boosting my self-esteem.
TM: What advice do you have for rising fashion influencers? N: Consistency! It certainly won’t be easy at first. I felt like giving up a few times because I wasn’t getting the recognition I felt I deserved but I never gave up. Focus on creating excellent content that would resonate with your audience and attract new followers and sponsors to you (content is definitely king). Keep learning, there is always a learning curve. Collaborate with other fashion influencers, learn from each other, and soon you will be flying.
If you didn’t attend the DC Black Film Festival this past weekend then you missed out on some really great films from some talented creatives. Hollywood still struggles to represent diversity in the industry but, with events like the DC Black Film Festival, people can enjoy quality films about people of color and not the rhetoric that Hollywood loves to repeat.
There were over 50 films shown that had me laughing, crying (I call it eye sweat, lol), and, most of all, sympathizing with some of the characters on screen that look that like me.
“People of color have a constant frustration of not being represented, or being misrepresented, and these images go around the world.” – Spike Lee
Below are some films that I loved.
We Want to Make It A film that explores the journey of young musicians (Jourdan, 14yrs old, and Tarron) as they strive to make their way from performing on the DC metro to stardom. It’s a very well done piece that shines light on Black youth doing something positive with their talents instead of becoming a statistic out on the streets.
Me Time A hilarious short, done by Iyabo Boyd, that had me laughing the whole time. This film goes into the thoughts of a young Black woman (portrayed by Adnike Thomas) who just wants to find her own peace of mind while reaching her happy place and maybe an orgasm along the way. This film has a Nutty Professor feel as the very talented actress takes on all the various roles in the film. I went from chuckling in my seat to choking on my water with laughter.
Slave Cry A film, by Jai Johnson, speaks volumes on the issue of token characters that Black people are offered in hollywood. With films like Black Panther having much success and displaying diversity in the Black community, hollywood still has a long way to go. Slave Cry was a well written film that made me feel so bad for the lead character, played by Courtney Jamison, as she learns that no matter the level of talent, the entertainment business still needs to work on diversifying characters in their projects. Thank God we have a well selected Ariel for the Little Mermaid and thank God Jai Jackson made this film artist can relate to.
Roasted A hilarious short film that has a Ferris Bueller’s Day Off feel which follows a coffee shop employee who talks about his work day dealing with customers, making coffee, putting up with his boss, working solo and enjoying time listening to music while writing. His expression and body language change from animated to annoyance as he switches his focus from the audience to the characters in the film.
Emmett One of the standout features about a boy genius (Miles Brown from Grown-ish) that deals with social issues, being a championed student of color, and adapting to change and maturity. This great film was both relatable and touching as it took me back to my days in my youth and adapting to life as an over achiever in academics. This film sets the tone as it really touches on some of the issues we’ve all dealt with.
LiME A story of a young man’s hardwork and success of achieving his goals threatened by bullies who attack him based on his lifestyle. Truly a touching story of how cruel people can be and how beautiful the human spirit can manifest surrounded by the right crowd. Creator/director, Donta Story, put together a great short.
East of the River East of the River, by Hannah Peterson, is a compelling story of how a young girl, her highschool mate, and former schoolmate now sex worker connect through exploring the streets of DC. I think this film had great chemistry amongst the actors. Their relationship was very ambivalent, because it felt a little romantic. Nonetheless, the young DC natives did an amazing job!
Una Great Movie Explores the world of a Black female screenwriter and her hopes of getting her film picked up. The film also follows the lead character in her film as the two worlds reflect the difficulties of having creative and unconventional Black love stories, as the character portrayed in the screenwriter’s film looks to rekindle an old love that is of Mexican descent. The creator and director, Jennifer Sharp, explained the difficulty in getting new and fresh content
The Call Angel Weaver’s work is a film that captures the moment when a girl receives the phone call from her brother locked up in the prison system. The film showcased the unsettling experience of receiving the call, with a hilarious beginning that shows that the call can come at any moment.
Corey Creator/director/actor, Steven St. Pierre, put together a touching film about a Black man that has a difficult relationship with his wife, who has a drug addiction, and is raising his daughter while shielding her from the ugly truth about her mom. By the end of the film, the audience discovers why Corey works hard to keep his emotions together and his daughter safe emotionally.
The Right Swipe A show about two female friends that start a business helping men find matches on a dating app by curating their profiles. Although I have had little experience on dating apps, I found the pilot interesting and humorous. When I asked co-creator and Maryland native, Kyra Jones, about the show, she explained, “Through our research, we found that Black women and Asian men are less likely to get different matches. Even the cast is diverse, we wanted to make sure that we brought Black love to the forefront of the show. The show discusses how complex and how difficult it is to find romantic partners.” Watch the pilot here!
Together This film was one of the moving films of the festival. The story of Black love between an older married couple as they hold true to their vows through sickness and health. The film left me and those in attendance in tears as we saw the astonishing acting of EFE (2019 DC Black Films Best Actress) and her co-star show love at its best. There is talks of this being developed into a full feature film and I can’t wait to see it.
Having the Peele Appeal Night at the table and Dog Person are films from the film festival that had a Jordan Peele feel to them. It’s no surprise that the creatives of the films are inspired by Jordan Peele.
Night at the table A horror film that had definitely gave me a chill, from start to finish, as the film introduces a normal Black family that is more than just that. The director was inspired by the film Hereditary and even coached the lead actress to channel the mother of the film Hereditary. The multi-talented creative describes her films as being consequential pain in two words.
Dog Person If you loved watching the film Us by Peele or Tusk then you have to see this short film by Justin Fairweather. It’s a little disturbing in some parts but entertaining nonetheless. With a good performance by Jordanna Hernandez, Dog Person left me wanting to see what more films from Fairweather and hopefully a feature that have audiences everywhere entertained.
Who is Kevin Sampson?
Kevin Sampson is the BrainChild behind the DC Black Film Festival. He said it all started when Think Like a Man 2 came out and he was a little upset while he watched it because it was less about Black love and more of the Kevin Hart show. He explained that “We (Black people) only get a few movies per year and this is how we wasted it and maybe sometimes we need that.”
He then wrote an open letter to creatives everywhere explaining that black creatives have to do better. Many people including some hollywood actors commented on it. This inspired him to start a kickstarter for a documentary about Black Hollywood. The Kickstarter wasn’t successful but that led Kevin to create the DC Black Film festival. A place where Black people can showcase their talent and love for Black people.
Fast Facts About Kevin Sampson:
Graduated from American University Film school with a MFA in Film & Electronic Media
Created Picture Lock, an entertainment website, radio show/podcast, and hour long film review TV show.
Director of the Rosebud Film Festival since 2013.
Created Picture Lock PR to represent independent films.
The DC Black Film Festival was an amazing event and a success in it’s third year. It is important that we have events like these to not only show people of color on screen or Black culture but the diversity within the Black community. I think the DC Black Film festival will continue to grow to inspire young creatives and encourage people to watch quality films.
Winners From the Festival:
DC Best Film“ We Want to Make It”
Best Student Film “Masks”
Best Web Series“The History of White People in America”
Best Short Film“East of the River”
Best Experimental Film“Here”
Best Documentary Feature“Owned: The Tale of Two Americas”
High schooler, Luce (Kelvin Harrison Jr.), overcame a nightmarish past as a child soldier in Eritrea to become the definition of the All-American teenager. As a valedictorian, track star, and all-around popular kid, his life seems set until he suddenly finds himself at odds with an overbearing teacher, Ms. Wilson (Octavia Spencer). When his loving adoptive parents, played by Naomi Watts and Tim Roth, become entangled in the suspicions of this teacher, complex questions of prejudice suddenly bubble to the surface, threatening to expose the ugly truths about all involved. (Tribeca Film Festival)
Luce is a captivating thriller that challenges views on parenting and prejudice surrounding adoptive interracial families. The film really kept me ambivalent as to what the motives of each character really was. The talented cast peeled back the layers of their respective characters, especially rising star, Kelvin Harris Jr., who portrays Luce as a cunning, charming, and an innocent teenager. The parents did well at convincing us of juggling raising Luce and keeping their marriage together. Octavia Spencer, once again, portrayed a phemonal role as the teacher that has concerns about Luce that may derail his path to a successful college career.
Luce at Tribeca
At the Tribeca Film Festival, I was able to talk to the writer, director, and producer, Julius Ohna, on the red carpet who explained, “ I want people to ask real questions about the way they perceive things like privilege. We live in these multicultural societies, where the ways that we look at each other can have a real impact on the way people’s lives are led and if we are asking questions that are beyond our blind spots and not looking past them, I think there’s a real change that can come.”
The red carpet interviews and the showing were followed by a Q&A with the director and cast. I felt there was going to be tension in the room as the film depicted issues that society as a whole tends to leave unanswered.
The host of the Q&A – writer, director, and radio producer, Rebecca Carroll –asked thought-provoking questions. Those very same questions caused a lot of the audience members to leave the building due to the sensitive topic. One of the more difficult questions asked was about how does the white couple feel raising a young black teenager? A question that only Onley could answer since he wrote the film.
Tim Roth and other castmates could only approach the question as concerned parents, nothing more. Boasting a revelatory central performance by Harrison (who also appears this year in Gully) and nuanced work from an electrifying ensemble, director and co-writer Julius Onah twists this tale (adapted with JC Lee from his own play) into unexpected shapes, forcing the audience to examine the characters from every imaginable angle. Tension pulls at the screen, allegiances shift, and the viewer’s own biases are used to deepen the storytelling in masterful ways. —Loren Hammonds
Takaways from the film?
Mental health is still a significant issue that needs to be addressed for people of color, especially the child soldiers, like Luce, who suffer from a tremendous amount of stress and mental manipulation.
Caring for family with extreme mental health conditions is a difficult job. The Wilson sisters in the film, portrayed by Octavia Spencer and Marsha Stephanie Blake, gave an in-depth look at how this situation requires patience and a lot of energy.
People still don’t want to have an uncomfortable conversation when it comes to racism. While watching this film and attending the Q&A after the Tribeca premiere, I noticed how the characters in the film and people in the audience avoided the issue of racism.
Immigrants are not evil and they are not novelties. In the film, it is shown that Luce is sort of a token character and he plays the role to a tee to fit his needs. Although it is just a film, it can show how, in some cases, children in this situation can be championed in comparison to another teens who come from a background with non-adoptive parents who happen to be Black.
Trials and tribulations have no bias. The film does a great job of displaying the temptations and issues that the teenagers in the suburbs deal with that are similar to teens living in the inner city. The teens come from different backgrounds but still face life challenges.
Nonetheless, Luce is a great, thrilling film that properly addresses mental health, social and racial issues. If you’re looking for a film that is thought provoking and filled with many plot twists, you should definitely check it out.
Luce is in theaters now. It stars Kelvin Harris Jr., Octavia Spencer, Tim Roth, Naomi Watts, Andrea Bang, and Marsha Stephanie Blake.
Just Announced! Five-time Grammy award-winning artist Missy Elliott will receive the prestigious Michael Jackson Video Vanguard Award at the 2019 MTV Video Music Awards! There is sure to be a great tribute to her and the hip hop pioneer herself will perform on stage! This will be a special treat for fans everywhere since she hasn’t performed at the MTV VMA’s since 2003. Fans will be looking forward to the performance of her hits “ Get Ur Freak On”, “ Work It” and “The Rain (Supa Dupa Fly)”
Missy has had an amazing year thus far from being inducted into the SongWriters Hall of Fame to receiving an honorary doctorate at the Berklee College of Music.
In honor of Missy, MTV and Pepsi have partnered together to host a fan pop up event entitled MTV and Pepsi Celebrate the Museum of Missy Elliot. The pop-up event will be in New York from August 24th-25th highlighting the career and work of the multi-talented, transcending musician.
Several people on Twitter congratuatled the artist and Missy responded back with the following tweet:
Missy will join the likes of Beyonce, Rihanna, and Jennifer Lopez. Tune in Monday, August 26, 2019 at 8pm EDT live from the Prudential Center in Newark, NJ.
MTV is the leading global youth media brand in 180 countries, reaching 450 million households in nearly 30 different languages across every platform. A unit of Viacom Inc. (NASDAQ: VIAB, VIA), MTV operations span cable and mobile networks, live events, theatrical films and MTV Studios.
Release Sep 7 2019 | Vol20 of Taji is packed full of Black Beauty & Culture fulfilling its theme of #SlayBells! This Big Book volume’s cover features the #SlayBells of model Funmi Okusi Gracing the pages are the Editor’s Pick, Olympian Keturah Orji who created a mentorship program for young girls; our Community Spotlight on rising actress Jenasha Roy; our highlighted Hair Feature, Intl I Love Braids Day – Braid Love Celebration 2019; “Solo Travel: Blackness Abroad” by dCarrie; “Atum Manifest” by Jashua Sa’Ra; “Back to Natural” Documentary by Gillian Scott Ward; “Black Excellence is Not Hyperbole” by Janelle Naomi; Our Vol 20 theme “#SlayBells” collective photo stories; our Fitness Feature Ase Boogie; Vegan Fun with Delliz the Chef; Featured art piece by Will Focus; Must Have Graphic Novel: “Marassa” Book 2 by Greg Anderson Elysee; “Toni Morrison: The Pieces I Am” by Dapper Dr. Feel; The Celestine Collection Has the Body Butter Scents of the Season; Black Business Highlights; Forensic Toxicologist, Tamykah Anthony of Xanthines Cafe, is Inspiring the Next Generation; “Yoga For Every(body)” by Jo Murdock; Frances Vicioso Gets Real About Mental Health; Thoughts on the Abortion Ban from Podcaster Lineh; Naturalz Salon in Atlanta is Pure Good Vibes; Pharaonic Brand Reminds Us of Our Greatness; BMORE DREAM BIG is Uplifting the Community; Nonso Shows Men How to Dress Without Breaking the Bank; and more!!
Taji Mag is the epitome of the positive Black experience – elevating Black brands, narratives, and imagery. We embody the traditional and modern royalty of Pan-African people via our quarterly digital and print publication and live events.
International I Love Braids Day (IILBD) 2019 was all things braided godliness! This July 27th, the Queens came to make a statement, and that they did! From traditional styles with ancestral meaning to modern spins on staple techniques, these hairstyles left everyone in awe. They proved that braids can be worn by anyone for all occasions, at all ages and stages in life. Your royal can be clean and simple or adorned with cowry shells and jewels, whatever makes you strut and walk with your head held high. This inaugural celebration made history.
International I Love Braids Day received it’s official Proclamation on July 21, 2017, by the Brooklyn borough president’s office to the founder of IILBD, master hair braider Debra Hare Bey. Debra has been styling natural hair for over 30 years in Brooklyn. Her current salon, OMhh Beauty Oasis, is located at 407 Lewis Avenue, Brooklyn, New York. At the salon, she services clients with a multitude of natural hairstyles, but she specializes in braids. Debra is the originator of the style Nu Locs, most popularly worn by “Maxine Shaw” on the television series Living Single. Go ahead, question it. You thought Erika Alexander was rocking locs back then? Nope, those were yarn braids done by Debra. Debra also has a line of nourishing vegan hair and body care products that smell so good you’ll never want to stop using them. Fall in love with all things Debra Hare Bey and OMhh at www.OhMyHeavenlyHair.com.
Some of the other participating stylists were Jennifer Lord of Natural Hollywood, Nu Wave Kultural Kreations, Ayana Card of Kinky Rootz, Ngone Sow of Soween, Ms Hair and Humor, and Thema Taylor.
If you slacked in your mackin’ and slipped in your pimpin’, check the images here to see what you missed. Be sure to mark your calendar for July 29th next year for International I Love Braids day and follow @internationalilovebraidsdayblc on IG to be notified of the #BraidLoveBK celebration for 2020!