Release Mar 7 2017 | Vol10 of Taji is packed full of Black Beauty & Culture fulfilling it’s theme of “Revolutionize”! This volume features Pan-Africanist and Entreprenuer EmpressAK on the cover. Gracing the pages are the Editor’s Pick: Fruiggie is Making Painting Fun & Safe; the community feature on the powerful Ezekial’s Divine Oil; Hair Feature by Mz Lady Lox; “Multiple Streams of Revenue = Wealth” by Nay Marie; “The Root of Travel” by M’Bwebe Ishangi; the delicious seafood catering and pop ups of KnicknacksBK; unique eyewear from 9oclockteeparty; the sensual scrubs, butters, and jewels of TheCelestineCollection; “#CareFreeBlackKids2k17 & Beyond” by Tajh Danielle Sutton; “#BlackLoveConvo” with Africa Jackson & Dapper Dr. Feel; our Health & Fitness Advice Columns with Trainer Clint & Delliz the Chef; Featured artist Will Focus; Must Have Comic Book: Is’Nana the Were-Spider by Greg Anderson Elysée; the Taji Model Winners; and more!!
“Helios is known as the god of the sun in greek mythology. I always show the paramount nature of the black woman. With the defined and unyielding beauty which Emma has, I had no other in mind to show what the god of the sun looks like.”
Jefferson Ariaga is a Nigerian Boston based fashion photographer.
As much as we want (and NEED) Missy Elliott to be a constant presence in our lives, we’ll gladly accept these annual bangers with visual videos that make everything else current look like child’s play. From concept to choreo, this video is everything. Shout to her dancers as always! There’s levels of core and balance required to execute these moves that us sub humans cannot even imagine. Missy keep slaying!
Missy Elliott – I’m Better ft. Lamb [Official Video]
“The most important part of a tree is the root” says Tandra Birkett, who is not only the executive producer of Harlem Fashion Week, but she is also a historian. And as a historian she recognizes the importance of Harlem’s cultural roots… Africa. As a result HFW donates a portion of its proceeds to the Senegalese American Bilingual School and their initiative The Big Goree Project. The goal of the Big Goree Project is the restoration of the The House of Slaves, the originial slave fortress into a Slave Museum on Goree Island in Senegal, West Africa. “We believe that it is integral to maintain a productive connection with Africa and the arts, more specifically fashion, is an avenue that we used to sustain that connection.” As a result, one month after the historic grand opening of Harlem Fashion Week in the fall of 2016, Tandra and Yvonne were on a plane to Senegal, West Africa. “We did not want to just give money but we wanted to personally connect with our roots ”.
The creative director of Harlem Fashion Week, Yvonne Jewnell is also the lead designer and co-owner of the fashion design company Yvonne Jewnell New York LLC. As a designer, the culture, texture and history of Africa are the inspiration for her design aesthetic. “Fashion is art and my art must reflect my heritage. I have always been drawn to creativity and story of African culture and I want my designs to reflect the interconnectivity of an African in America. Actually going to Senegal was not only a personal transformation but it was also a design inspiration that will be reflected in my new collection, showing on February 12, 2017 on the main stage of Harlem Fashion Week.” Yvonne Jewnell.
While in Senegal Tandra and Yvonne visited the Senegalese American Bilingual School, it was a refreshing experience to visit with Stephanie Kane and the students of SABS. Tandra shared, “As an educator I was so excited to meet the children, I had to jump in on their lecture about Christopher Columbus, it was a great experience!”
Tandra and Yvonne also had the pleasure of visiting the mayor’s office at Goree Island and meeting with the Chief of Staff Mamadou Adama Diop, we discussed ways of building a stronger relationship with Goree Island and the African Diaspora through the arts and education.
Tandra shared, “The last part of our pilgrimage to Senegal was bittersweet, it was time to visit the slave fortress on Goree Island and stand at the “Door of No Return” the place where the ancestors stood before they were stolen from Senegal forever”. Tandra said, “As I approached the The House of Slaves, Le Maison des Esclaves I literally broke down in tears, I could feel the pain of my ancestors.”
Tandra and Yvonne came back to the states with a new sense of vision and purpose. Harlem Fashion Week will once again be donating funds to the Big Goree Project, your ticket purchase to the February 12th Runway Show at The Museum of the City of NewYork will help to restore La Maison Des Enclaves into an Amazing museum and the Door of No Return Will become “The Door of Return” for the African Diaspora.
Harlem Fashion Week hope that you will join us on February 12th, knowing that your ticket purchase helps to not only build a female-minority owned women’s business in the United States but HFW is also helping to restore relationships with the African continent and financially support the children and institutions in Senegal, West Africa.
“Special Thanks to:
Eugene Adams, the Director of Collaborative Education at Bronx Community College, the American liaison of the Big Goree Project,
Stephanie Kane, Founder and Director of the Senegalese American Bilingual School
Mr. Sandaro Fame, our guide and educator at SABS
Mamadou Adama Diop the Chief of Staff for the mayors office at Goree Island”
For More Information: email@example.com
Meet a Real Hustle Bunny! Atlanta’s own singer/rapper/songwriter/
Reign has co-produced with platinum producers and wrote for upcoming Universal acts. Currently she is under her own label “Hustle Bunny Campaign” while still working with super producer Mr. Hanky pushing the club single “Hilary Banks.” Check it out for yourself!
Natoya P created a collection of work that embodies her daily experiences as a woman. This body of work takes us through the present stages of life. She seeks to evoke emotions of heartbreak, love, bliss self-realization, and self-acceptance. She states that “many times society overlooks the inner evolution a woman goes through to attain self-actualization and become enough. We don’t take time to reflect on the journey we take to get to the point of self-love and acceptance. This collection takes us through that personal journey of a woman painting the pictures of the pages of a diary.” This is Natoya’s first formal collection and introduction to the world of art. Her work highlights the use of colors to depict the story on a canvas. Her dynamic pieces are multifaceted, showcasing various walks of life.
Natoya can be contacted by emailing firstname.lastname@example.org for showings, interviews and inquires. | Natoya P Instagram
Why I Cut My Hair: Black Girl Magic
When I decided to cut my hair two years ago, on October 3, 2014, the shortest I’d ever gone at the time, it was due to the excessive shedding I was experiencing. I was also looking forward to having a new look. I’d had the same style for the last decade and desperately wanted a change. I also wasn’t happy with the growing, and visible, specks of gray at the crown of my head.
Since cutting my hair, however, the versatility and self-awareness that came with it, gave me a sense of confidence that I’d never known before.
With the cut went the notion that a Black woman with little to no hair couldn’t still be beautiful and feminine at the same time. I know not everyone believes that, but growing up in a world where your beauty is defined by European standards, your sense of self can be non-existent.
Cutting my hair freed me of such a notion. For the first time, I began to see ME! The real me, what was under the hair. As my confidence grew, I became more playful and experimental with makeup and various short crops, highlights, whether curly, straight, natural and everything in between to accentuate my natural features. The standards that I’d grown to know as normal began to subside. I felt beautiful. Authentically beautiful. Just as I am and there was/is beauty in that.
I recently shared the above image with my Instagram followers with this statement:
“I use to think that having long hair was a beauty feature. Especially as a Black girl seeing perpetuated ideals of what it means to be beautiful. And to be considered a beautiful Black woman. Ironically I’ve never felt more beautiful after cutting all my hair off and going nearly bald. The best thing you can do for yourself is reject society’s definition of what’s beauty and find it in you. You already have everything in you. Imo short hair gives you versatility. And a big chop normally represents new birth/a new phase in your life. I’m ready ❤️”
To my surprise, there were many brown faces on my feed sharing their own thoughts on the matter, and expressing much of the same sentiments.
When I re-read that message, I recall the days in elementary school wanting my hair to be long and down my back like some of the other girls in my class. And along with it, lighter features: fairer skin and a straighter nose.
I don’t know how young or at what age I began to acquire these standards, and internalizing them as my own, but I am sure that they are the same ideals passed down from my mother, sister, grandmother, aunts, cousins, and friends. And it’s important for me now to break that cycle, so that I can pass down better messaging to my future daughter. To own her beauty and feel confident and enjoy every bit of this black girl magic.
What I also hope this message does for others, like myself, is help them in eradicating beauty standards that aren’t ideal or natural or maintainable. It’s important to understand that beauty comes in all forms, shapes, sizes and colors and, honestly, it starts with each one of us.
They say a woman who cuts her hair is getting ready to change her life. For me, that is exactly what happened. I changed my perspective and it reflected externally.
You won’t begin to see your physical beauty until you’ve tapped into your inner beauty, what makes you so unique, different and special. Loving you trumps any social standard of what you should look like and who you should be.
Reines Des Temps Modernes (Queens Of Modern Times) is a Coffee Table Book reviving 10 African and Afro descendant heroins through women of our time, our century, thanks to poetry, photography, graphic and fashion design. Abla Pokou, Aminatou de Zaria, Anna Zingha, Seh Dong Hong Beh, Nandi, Makeda, La mûlatresse Solitude, Yaa Asantewa and Ndaté Yalah. All of these women made history but are still unknown by the majority. Each edition is translated in French, English, and Portuguese – three different ways to give birth to these heroines. More than a book, Reines Des Temps Modernes is a piece of art. Queens Of Modern Times is the mirror in which Black women realize their beauty and the power of their culture.
Powered by Wendie ZAHIBO, the project was born in Brasil and explores the definition of a #QMT. A #QMT is a woman who wears her culture, her origin and her history as a crown, with pride, love and respect. More than that, it’s a woman who chooses to fight for her dreams. “Live your dreams, don’t dream your life.” This illustrated book puts the spotlight on 10 heroines through 10 women of the modern times in a voluptuous combination of art, prose and style. The goal is to show another side of our history, a history full of great women, conquerors, exchanges, and kingdoms. By putting the spotlight on 10 sheroes, QTM reveals 10 charismatic women, 10 conceptions of the Black beauties to the future readers, in order to help them consider their own crowns. Do you know who you are?
Available in Wood Hard Cover and a Softer Cover, Order your copy of Reines Des Temps Modernes today!
The Veggie Connection is a network event where attendees are exposed to a host of vegetarian and vegan vendors, speakers, entertainment, and more. The Veggie Connection aims to not only create awareness regarding the plant based lifestyle, but to ensure that it is accessible, enjoyable and sustainable for all who are on this journey towards wellness and abundance.
Founder Lateefah Smith is a mother, entrepreneur, and change agent with the insight, vision, and enthusiasm necessary to inspire, and garner impressive results. With over 20 years of experience in retail/ merchandising, human resource, management, and promotions she has significant expertise in event coordination and planning, maximizing sales, and visual and verbal presentations.
Lateefah is a high energy individual who committed herself to a 21 day herb-based detox in 2008 to adapt a plant-based eating lifestyle. As a person dedicated to the plant-based eating lifestyle, she created The Veggie Connection. Between caring for her two young children, Lateefah manages to run her business “The Veggie Connection” very successfully. It’s a juggle, but thankfully she has a good support team in place. When she is not working or child-caring, you can find her meditating, developing herbal extracts, and writing.
For more information on The Veggie Connection, click here.