All posts by Taji Mag

About Taji Mag

Taji Mag is the physical embodiment of the positive Black experience. Our brand embodies the traditional and modern royalty of Pan-African people via our quarterly print and digital publication and live events. While reclaiming OUR narratives and imagery, Taji offers our readers quality advice to assist them economically, healthy options to maintain a happy lifestyle, think pieces to test the societal norms that are not meant for us, #BlackLoveConvo to increase the self and communal love in all aspects, and beauty and fashion inspiration to sustain the legacy of our Black artistry.

01Aug/18
Taji Mag Vol 16 Melanin on Chrome

Taji Vol16: Melanin on Chrome

Release Sep 7 2018 | Vol16 of Taji is packed full of Black Beauty & Culture fulfilling its theme of Melanin on Chrome! This volume’s cover features the #SlayBells of Stephan Marcellus & Lola Valentine. Gracing the pages are the Editor’s Pick on Budding Young Actress, Model, and Influencer Briana Roy; Community Spotlight: Instagram Recommended Body Butter “Mocha Whip”; our highlighted Hair Feature by Intl I Love Braids Day; “Solo Travel: Excursions” by D. Carrie; “Protection” by Jashua Sa’Ra; “Shades of Melanin” from City Republik; Fitness Feature Model & Actor Marshall Price; “#BlackLoveConvo: “All Blue with Jade Novah” by Dapper Dr. Feel; Vegan Fun with Delliz the Chef’s Thai Pad Recipe; Featured art piece by Will Focus; Must Have Graphic Novel: Marassa; Black Business Highlights; Taji Mag Model Contest Winners; and more!!

Purchase your copy now at ‘Shop Taji’!

Taji Mag Vol 16 Melanin on Chrome

Purchase Taji Mag | Vol 16

Taji Mag is the epitome of the positive Black experience. Our brand embodies the traditional and modern royalty of Pan-African people via our quarterly digital and print publication and live events.

30Jul/18
International I Love Braids Day

International I Love Braids Day 2018 Was Beyond this World!

International I Love Braids DayInternational I Love Braids Day (IILBD) 2018 was all things braided godliness! This July 29th, the Queens came to make a statement, and that they did! From traditional styles with ancestral meaning to modern spins on staple techniques, these hairstyles left everyone in awe. They proved that braids can be worn by anyone for all occasions, at all ages and stages in life. Your royal can be clean and simple or adorned with cowry shells and jewels, whatever makes you strut and walk with your head held high. This inaugural celebration made history.

International I Love Braids Day

International I Love Braids Day received it’s official Proclamation on July 21, 2017, by the Brooklyn borough president’s office to the founder of IILBD, master hair braider Debra Hare Bey. Debra has been styling natural hair for over 30 years in Brooklyn. Her current salon, OMhh Beauty Oasis, is located at 407 Lewis Avenue, Brooklyn, New York. At the salon, she services clients with a multitude of natural hairstyles, but she specializes in braids. Debra is the originator of the style Nu Locs, most popularly worn by “Maxine Shaw” on the television series Living Single. Go ahead, question it. You thought Erika Alexander was rocking locs back then? Nope, those were yarn braids done by Debra. Debra also has a line of nourishing vegan hair and body care products that smell so good you’ll never want to stop using them. Fall in love with all things Debra Hare Bey and OMhh at www.OhMyHeavenlyHair.com.

International I Love Braids Day

Some of the other participating stylists were Ayana Card of Kinky Rootz, Fajr of Sophisticated Loc Salon, Ngone Sow of Soween, and Thema Taylor.

International I Love Braids DayIf you slacked in your mackin’ and slipped in your pimpin’, check the images here to see what you missed. Be sure to mark your calendar for July 29th next year for International I Love Braids day and follow @internationalilovebraidsdayblc on IG to be notified of the #BraidLoveBK celebration for 2019!

 

 

22May/18
game changers

Game Changers – Networking Event for Powerhouse Women

We are pleased to announce that Farley Productions, Inc. is taking a giant leap forward in the “Boss Lady” movement with their 1st annual event “Game Changers – Networking Event for Powerhouse Women.”

On Friday June 1st, 6:30pm – 9pm at Stratosphere Studios in Brooklyn New York, this event will be a day of inspiration, manifestation, and collab-connections designed to help Women get out of our own way and get into ACTION! We look forward to shedding light on the greatness in communities with local Entrepreneurs and Leaders who are changing the way Women do Business. They will speak about their #100WOMENSTRONGMOVEMENT that has helped to drive women from Welfare to Entrepreneurship.

Refreshments will be served — and with only a few days until show time, their staff has kicked into full gear. Hope to see you there!

Event Details:

Game Changers – Networking Event

Stratosphere Studios  227 Utica Ave Brooklyn, NY 11213

Friday June 1st, 6:30pm – 9pm

game changers

13May/18

The Mourning Moms Katina Nish, Latativa Robertson, and Others Unify for a Tribute Photo Session

On March 25, 2008, Katina Nish found herself holding her son’s lifeless body. She visually struggled with that image for six long years and the only way to express her broken heart was through pictures and stories. She and her personal photographer at the time, D Mayfield, collaborated every week creating images. This inspired her to pursue a stronger modeling career and took her to great places. While enjoying her journey, Katina realized that she equally wanted to write and had neglected my duties to do so. “God told me to create a national movement edifying and encouraging women. He told me as long as I forever centered my pursuits with this platform, He would supply the needed liquids to my thirst.” This was the birth of The Mourning Moms. The Mourning Mom is national movement dedicated to mothers who have lost a child. Whether it be pregnancy loss, stillbirth, or infant or child loss, the goal is to keep you encouraged and hopeful.

On this Mother’s Day of 2018, Katina has collaborated with angel mom member Latavia Robertson (formerly of Destiny’s Child) and three other women of child loss for a special Mother’s Day tribute photoshoot with international photographer Sidney Conley. With May being known for Mother’s Day and Mental Health Awareness Month, they wanted to express a brighter side of child loss as they stand in unity, showing power over their circumstances, and choosing liberty over our lives while acknowledging the slightest existence of their children. Mother’s Day is a challenging day for mothers of child loss and mental health is extremely important to keep these Mom’s going. Let’s all join in together in wishing them a happy Mother’s Day.

If you’re a Mourning Mom in need of support or want to support The Mourning Moms, connect with them on Instagram!

03May/18
ArinMaya Thank You

New Song “Thank You” by ArinMaya is Musical Soul Food

“Thank You” is ArinMaya’s newest offering that explores issues of self-love, momentous endings, relationship redemption, and freedom all at once. Directed by actor and screenwriter Chris Greene of Truth First Productions (The Night Of; 7 Seconds), the video portrays an introspective ArinMaya looking for inspiration and self-healing in the pages of O Magazine and Together We Rise, the book written and published in commemoration of the Women’s March. An inaugural member of the Resistance Revival Chorus, which was born from the Women’s March, ArinMaya first wrote “Thank You” as mantra in an act of self-love.

ArinMaya Thank YouInspired by a relationship turned disappearing act, ArinMaya came up with the refrain, “Thank you for setting, setting me free – Thank you for letting me be me – Thank you for setting, setting me free,” after realizing that her sadness over the relationship’s ending should actually be joy.

She begins telling the story of love gone wrong, taking lyrical assistance from her bandmate and energetic emcee, BD3. Produced by Edson Sean, the third and most versatile member of ArinMaya’s musical collective The Experi3nce, “Thank You” is a crowd banger. Shirazette Tinnin (Hugh Masakela; Alicia Keys) is the song’s secret ingredient, whose percussion adds a special layer to the song’s already upbeat feel. Replete with a memorable baseline and a clean and vibrant horn arrangement – also played and arranged by members of the Experi3nce – “Thank You” is a song for everyone, as both men and women will find themselves in this powerful, relatable message and melody. Song + Music by ArinMaya featuring The Experi3nce Directed by Truth First Studios. Click here to purchase the track. For more information, visit her website.

 

01May/18
Taji Mag Vol 15 Eclipsed Beauty

Taji Vol15: Eclipsed Beauty

Release Jun 7 2018 | Vol15 of Taji is packed full of Black Beauty & Culture fulfilling its theme of Eclipsed Beauty! This volume’s cover features the #SlayBells of Stewella Daville. Gracing the pages are the Editor’s Pick on Loc’d Queens @loclivin, @mzladylox, @killadoesthat; Community Spotlight Weeksville – A Historically Black Community; our highlighted Hair Feature by Debra Hair Bey; “Solo Travel: How I Decide Where to Stay” by D. Carrie; “Your Food Might Be Eating You” by Jashua Sa’Ra; Chit Chat with Andrea Rachel; “The Creator’s Lawyer™ – Ticora Davis” by Fiat; Stächa Huis is an Ode to Surinamese Enslaved Women; “#BlackLoveConvo: “When Family Passion Inspires Art: Kenadi Johnson” by Dapper Dr. Feel; “Cayden Cay Consulting” by Fiat; “How Group Economics is Rebuilding the Black Community”; Vegan Fun with Delliz the Chef; Featured art piece by Will Focus; Must Have Graphic Novel: Kubadilisha The Manga Series; Black Business Highlights; Taji Mag Model Contest Winners; and more!!

Purchase your copy now at ‘Purchase Taji’!

Purchase Taji Mag | Vol 15

Taji Mag is the epitome of the positive Black experience. Our brand embodies the traditional and modern royalty of Pan-African people via our quarterly digital and print publication and live events.

06Mar/18
Black Women in Media Awards

Join Us at the Third Annual Black Women in Media Awards & Conference, March 28-29, 2018 (NYC)

Don’t miss a chance to attend the third annual Black Women in Media Awards and Conference!!! The annual Black Women In Media (BWIM) is less than one month away, and we don’t want you to miss this highly anticipated event; for women of color by women of color.  In its third year, the event, taking place in New York City, Wednesday, March 28th and Thursday, March 29, 2018, brings together women, from all walks of life, in media and entertainment.

From attorneys and legal analysts, music and media executives, to philanthropists, entrepreneurs, women in tech, radio and television, #BWIM18 is the place to be.

Black Women in Media AwardsHonorees include Cathy Hughes, Founder & Chairperson of Radio One Inc., Michele Thornton-Ghee, Senior Vice President at BET & Head of Sales at BET Her, Ericka Pittman, Chief Marketing Officer at Aquahydrate, Dewanda Wise, star of Netflix’s She’s Gotta Have It, and Tamika Mallory, activist & National Co-Chair of the Women’s March, just to name a few.

Don’t miss an opportunity to join us at this year’s event. Use code: BWIMFriend during your ticket purchase and get 20% off, Register Now!

Black Women in Media Awards Featured Honorees:

Black Women in Media Awards
Angela Yee
Radio Personality, The Breakfast Club, WBLS Power 107.5

Tamika Mallory
Activist and National Co-Chair of Women’s March

Ericka Pittman
Chief Marketing Officer, Aquahydrate

Michele Thornton-Ghee
Senior Vice President of BET & Head of Sales, BETHer

DeWanda Wise
Actress, She’s Gotta Have It

Cathy Hughes
Founder and Chairperson of Radio One Inc.

REGISTER NOW: Use Code BWIMFriend for 20% off

About Black Women in Media:
Black Women In Media, a subsidiary organization of BLACK STREET (501)(c)(3), was created to provide a platform for Black women in media and entertainment. Women who are dominating in the Communications, Journalism, Entertainment, Television, Radio and Broadcasting fields etc. It serves to counteract the lack of representation; especially positive representation, recognize those who have paved the way and empower those just to come.

Black Women in Media Awards

23Feb/18
Janelle Monae new videos

Janelle Monae New Videos = Visual Fire

Janelle Monae New VideosThe Janelle Monae new videos are visual fire. Both giving different moods with the same Janelle mastery. Django Jane is empowering and strong with a nod to women rappers of the 90s. Make Me Feel is flirty and fun with blatant Prince influence (and others, but only Prince is relevant, particularly when referencing Janelle) featuring Tessa Thompson.

Preorder her upcoming album, Dirty Computer, which is slated to release on April 27th, or download both songs if you can’t wait that long here: JanelleMonae.lnk.to/dirtycomputer

Enough talking, just watch and tell us your thoughts in the comments!

19Feb/18
Black Panther movie

My Reaction to the Black Panther movie aka Spoiler Alert!

Black Panther movieThe Black Panther movie released this weekend in all of it’s Black Excellence glory. It was worth the wait and the estimated $218M it earned during its opening weekend, shattering records and telling movie studios to STFU about Black movies not busting box offices wide open. More on that and my thoughts about the deeper storyline to come (skip to below the bullet points), but first my reactions to some of the Blackest moments and lines in the film. Ryan Coogler has a way of capturing the essence of Blackness, especially with Michael B. Jordan, from Fruitvale to Creed and now with Black Panther. The writers did an excellent job at including colloquialisms and mannerisms specific to Black culture and the actors did a phenomenal job of bringing them to life.

  • I loved the irony of the newscaster calling Wakanda a “third world country” which made me ask wtf defines a third world country to begin with?
  • Okoye (Danai Gurira): “Don’t freeze when you see her.” T’Challa (Chadwick Boseman): “What are you talking about? I never freeze.” Then he freezes, LMAO. Lupita has that effect, hunny.
  • Shuri (Letitia Wrightgives T’Challa a playful middle finger while walking away and Ramonda (Angela Bassett) calls her on it without even seeing it. Black Mothering at its finest…
  • Erik Killmonger (Michael B. Jordantells the lily-white museum director, “Don’t worry, I’m going to take it off of your hands,” referring to the Wakanda artifact. MJB is consistently Black as hell…
  • The boat ride to the ceremony with Nakia (Lupita Nyong’o) giving us a taste of #danceislife deserves mention.
  • When T’Challa walked into the water and saw his nation rooting for him. That was powerful on multiple levels. We all need to be rooting for each other like that.
  • When Zuri (Forest Whitakerasks if anyone of royal blood wishes to challenge for the throne and Shuri raises her hand only to ask them to wrap it up because her outfit is too tight. Typical Black sibling trolling.
  • Ramonda yelling to T’Challa “SHOW HIM WHO YOU ARE!” during the challenge with  M’Baku (Winston Duke). Babbbbbbyyyy, I felt that in my bones. That needs to be a daily affirmation.
  • I loved how every ritual was ancestrally-based.
  • T’Challa telling Nakia she would make a great Queen if she wasn’t so stubborn (I almost threw my boot at the screen), for Nakia to respond that is WHY she would make a great Queen. T’Challa just wanted her to admit that she wanted to be his Queen.
  • Shuri’s consistent afrobeat playing throughout her lab. *hearts*
  • Shuri yells “WHAT ARE THOSE” to T’Challa’s traditional sandals. She then gives him his new soundproof footwear and says she calls them… wait for it… sneakers… get it? LMAO! THEN she tells him about his new suit design and he’s all my suit is fine and she says, “Functional, but old. If people are shooting at me, wait, let me put on my helmet.” She had jewel after adorable jewel. She tells him to strike the suit and he boots it across the room and she yells at him for messing up her lab, but informs him of the suit’s design and that it absorbs and then redistributes kinetic energy. She takes out her camera, for research purposes, and tells him to strike the suit again only to howl laughing when he goes flying across the room when he is blasted back by his own force.
  • Okoye said she couldn’t wait to get her wig off of her head and that it was a disgrace. Shots fired?
  • Nakia in the green dress in the Korea scene. Have mercy.
  • Black Panther movie
  • Agent Ross’s ole bitchass needed to be popped in the mouth for how he was speaking to T’Challa at the table. Find some respect.
  • Okoye pointed out that no weapons were allowed yet yielded her weapon less than 60 seconds later when the fight broke out! Black women always prepared for EVERYTHING. That jump down from the 2nd level was the first of her notable jump scenes.
  • Shuri’s excitement when the car populated in her lab. Adorbs.
  • The quick shot of Nakia driving barefoot was a great attention to detail since she lost her shoe when she used it as a weapon in the fight.
  • When their car is blasted by Klaue, Okoye flips, grabs her spear in mid-effin-air, and lands on a piece of the car. Then Nakia comes hilariously sliding in with just the seat and steering wheel.
  • Can we talk about how T’Challa could’ve ended Klaue and Killmonger wouldn’t have had his dead body as leverage if we weren’t in such a digital age? Oh ok.
  • Okoye’s disdain for taking the shot Agent Ross into Wakanda to be healed, and Shuri saying, “great, another broken white boy for us to fix, this is going to be fun.” Classics.
  • Killmonger showing his Wakanda tattoo and killing Klaue made me smile.
  • When they revealed that Young T’Chaka (Atandwa Kaniand Young Kuri (Denzel Whitaker) left baby Erik after killing his father, N’Jobu (Sterling K. Brown), I was livid. Though we are ultimately responsible for our actions, we cannot ignore the roots of our issues. People keep referring to Killmonger as the villain, but, in my opinion, he killed the main villain. He’s just a brother who needs some healing and therapy to learn to deal with his past and how to properly bring about the change he wants to see for his community.
  • Shuri to Agent Ross: “Don’t scare me like that colonizer!” when he woke and started asking her where he was. According to the internets, wypipo will officially be referred to as colonizers until further notice.
  • Black Panther movie
  • Killmonger points out there are 2 billion people that look like them struggling around the world and that Wakanda had the tools to LIBERATE them all. T’Challa remarks that it is not their way to use vibranium for they are not judge, jury, and executioner for people that are not their own and Killmonger then he says “Not your own? But didn’t life start right here on this continent? So aren’t all people your people?” JEWELS JUST FALLING FROM HIS LIPS!
  • Killmonger nonchalantly to Ramonda: “Hey Auntie.” By far tied for my favorite line of the movie. He makes the challenge for the throne and Zuri says it’ll take weeks. Killmonger says I don’t need the whole nation, I just need him. That was real. I also lowkey enjoyed watching him fight T’Challa . It was like he had the power of every oppressed souled within him. His pain was relatable. Hated that it was targeted towards his own blood, but that was also real. We usually strike out to those closest to us. Him having them burn all of the ancient flowers was egotistical and short sided, but also a key part of the character.
  • When Killmonger sits on the throne, he points out that where he’s from, Black people start revolutions without the firepower and resources to fight their oppressors. More jewel dropping…
  • Okoye’s face when W’Kabi agrees with Killmonger…
  • M’Baku to Agent Ross: “You cannot talk one more word or I will feed you to my children. Just kidding, we are vegetarians.” The vegan in me howled with laughter. Plus he made him shutup initially by overpowering his voice with their chants. Then he made Agent Ross turn away during the ritual. He won 4 times (presented the preserved T’Challa) in under 4 minutes.
  • I appreciate T’Challa realizing that his father was wrong for both leaving Killmonger and for turning his back on the Africans worldwide and for calling him out on it when they meet once again in the ancestral realm.
  • Killmonger: “All that challenge shit is over with. I’m the king now.” Hood af, lol!
  • W’Kabi so quickly fighting with Killmonger made the whole theater suck their teeth. Will Focus gon say he’s still in the sunken place. I DIED! LMAO
  • Killmonger got Black Panther suited. That shit was sexy.
  • We all felt Okoye’s pain when Killmonger killed one of her fellow Dora Milaje. *sad face*
  • Black Panther movie
  • Will also brought up a good point and asked where were the other 3 tribes during this fight before M’Baku’s tribe showed up to assist the Dora Milaje against W’Kabi and his tribe?
  • When W’Kabi and his techno rhino were charging towards M’Baku but Okoye stood between them and the rhino kissed her. All powerful. Then W’Kabi asked if she, his love, would kill him, and she said, for my nation, absolutely. POWERFULLLLLL.
  • So I was highkey pissed that T’Challa took Killmonger to look at the damn sunset instead of to Shuri, but later that was put into perspective for me (read below).
  • T’Challa: Maybe we can still save you…” Killmonger: “Why? So ya’ll could just lock me up? Nah. Just bury me in the ocean with my ancestors that jumped from the ships. They knew death was better than bondage.” CHILLS. That line right there spoke volumes. VOLUMES!
  • T’Challa buying the block. Just. Yes.
  • The kids wanting to break apart Shuri’s ship to sell for parts. So real, lol. We need that community bridge building though.

Black Panther movieThere has been lots of debate about seeing a white studio production and where our dollars could have gone and even about the characters parallels to sections of society, but I personally feel like it’s all chest-inflated poppycock. 99.9% of movies that we love and hold as staples in our society are produced by white studios simply because, well, WE DON’T OWN ANY YET. Keyword, yet. So Malcolm X, Selma, Hidden Figures, Thurgood Marshall, Coming to America, and the likes that are so near and dear also fall under that umbrella, but we still went to see them in droves. Could we have collectively used that money and built a small town with our roughly 37% contribution to the $218 million? Most likely, but we already know we’re still combating centuries of conditioning and teaching ourselves to love ourselves and each other. So chill. It’s a process, and this movie is a major part of that process because representation matters. Seeing ourselves and what could be matters. Sometimes people need to see it to even know it’s possible.

Black Panther movie

Yes, this is in Africa.

The visuals and quotables definitely woke up some of the sleeping and even smacked a few people into loving themselves and reframing their thoughts on Africa. Yes, Wakanda is fake, but Africa’s beauty has never been a lie. It’s just been retold and intentionally hidden from the masses, especially Africans born in america, in attempts to continuously divide and conquer. This is touched on via Killmonger’s story. His story simultaneously parallels the american Hood King and the Revolutionary. He grew up without his parents, more specifically finding the dead body of his father. He had to learn and grow on his own which resulted in his genius-level intellect and thirst to avenge his father via combat and claim his spot on the throne. Via his research, he learned of the advancements of Wakanda and grew resentment because they had the capacity to liberate Black people globally, but never bothered to. He wanted to ‘stick it to the man,’ and rightfully so.

Black Panther movieKillmonger’s passion was in the right place, but his methods wouldn’t have fully resulted in the outcome suitable for most, mostly due to his dictator ways. T’challa had to come to learn that peace and hiding weren’t the way either. With their collective intellect, Shuri’s technological advancements, and Wakanda’s wealth and resources, they could have liberated Africans globally, but pride was a key factor in Killmonger having to die. (And also, as my bro Jashua Sa’Ra pointed out, “the movie studio couldn’t show us what it would’ve looked like if the forces joined in this already powerful Black Panther movie.” AKA the reason why the FBI killed Malcolm & Martin when their speeches started to mirror each other and they were on the verge of working together instead of fighting each other. Someone call up an independent Black production company to bring that story to life. “If Malcolm & Martin Lived to See Their 40s.”)

Leave your thoughts on the Black Panther movie in the comments. What rating do you give it?

12Feb/18
Young MA discusses fame weight loss

Hip Hop Star Young M.A discusses fame, weight loss, and more on Made From Scratch *Video*

Young MA discusses fame weight lossThe new digital series, Made From Scratch, gives viewers a taste of what music’s hottest artists are like when they step outside of the studio and into the kitchen. In the premiere episode, rapper Young M.A invites us into her home as she and her grandmother, G Mac, cook up the family favorites M.A misses when she’s on the road. With spice as the main ingredient, the two open up about Young M.A’s life before becoming a platinum-selling rapper, her introduction to music (queue 50 Cent’s Get Rich or Die Trying), M.A’s commitment to controlling her own identity and more. Young M.A also opens up about her recent weight loss and what prompted her to cut out the junk food on the road.