All posts by Dapper Dr Feel

Avatar

About Dapper Dr Feel

Felipe Patterson aka Dapper Dr. Feel, #BlackLoveConvo & Entertainment | @dapperdrfel Dapper Dr. Feel is a burgeoning Southern gentleman looking for love in all the wrong places while applying to medical school. He volunteers with autism awareness projects and hopes to mentor other young Black men.

29Oct/19
Dave Chapelle

Dave Chappelle, Social Commentator and Comedic Griot, is Mark Twain Prize Recipient

Mark Twain once said, “Get your facts first, then you can distort them as you please.” A quote that is the embodiment of what comedians do in an, of course, humorous and entertaining way. Comedians past, such as Richard Pryor and Red Fox, have perfected this craft, but none today are doing it like Dave Chappelle. He has taken truths of political correctness, social psychology, politics, media, etc., and turned them into thought-provoking topics in joke form.  I would even argue that he could be considered the greatest and most brilliant comic living today.  

Celebration! 

It comes as no surprise that Dave Chappelle is an honoree of the Mark Twain Prize for American Humor Award this year as he is debatably this century’s funniest comic. The ceremony included a variety of celebs that included Erykah Badu, Yasiin bey (Mos Def), Michael Che, Common, Morgan Freeman, Tiffany Haddish, John Legend, Q-Tip, Kenan Thompson, Chance the Rapper, Chris Tucker, Grant Hill, Tamia Hill and Marlon Wayans. All came with stories about the honored guest who always provides memorable moments. 

Dave Chappelle

Duke Ellington School Band.

The Duke Ellington School Band opened the evening with a performance of the Prince song “1999,” the song that Dave Chappelle can be heard singing in his Netflix stand up, Dave Chappelle: Sticks and Stones. Chappelle also played the iconic role of Prince in a story by the late Charlie Murphy. They had the whole place rocking as Morgan Freeman’s voice echoed the Kennedy Center introducing the evening festivities. Morgan Freeman served as the announcer the whole night.

Every story told from the perspective of each featured guest in their experience with Chapelle had one thing in common, Dave Chappelle made sure to make every moment memorable and full of laughter. Tiffany Haddish came out in a green jumpsuit with her last name on the breast of it, mimicking the same jumpsuit that Dave Chapelle wore during his shows and even sung “1999” in Chappelle fashion.

“The hardest thing to do is to be true to yourself, especially when everybody is watching.” – Dave Chappelle

A montage of clips played featuring Dave Chappelle from his movies to his stand up, some that I recalled being so hilarious that I couldn’t breathe. A moment that revealed to be unscripted was the adlib of Dave Chappelle’s character, Clayton Bigbsy, the white supremacist. Then Kenan Thompson and Michael Che both brought jokes about the comedic legend while Common, John Legend, Erykah Badu performed hits from their collections.  They were all important as Dave Chappelle had a deep connection with the group, Soulquarians, he even had them all perform at his Dave Chappelle Block Party that he filmed. 

Q-Tip came out later in the night to discuss Dave Chappelle’s importance to the music community as he was known to incoperate hip-hop/soul acts into his work from the Chappelle Show to his comedy tours. Q-tip then brought out Yasmiin Bey to re-create the hilarious moment when he and Dave Chappelle tried to invite themselves in the White House.

In Closing

Dave Chappelle

Dave Chappelle receiving the Mark Twain Prize Award. Photo by Darrel R. Todd.

The night ended in Dave Chappelle fashion with a cigarette in hand and a bunch of hilarious jokes – including one where he mentioned having ‘leverage’ to smoke in the Kennedy Center. He thanked all who have supported him from family to friends and pointed to the woman responsible for existance, his mom.

He even spoke about how at times comics sometimes don’t see eye to eye, in some cases he found a comic to be racist and even bought them drinks to talk about it. Chappelle mentioned that there’s a protected first amendment but there’s also a second amendment in case the first don’t work out. 

Chappelle expalined how his mother called him a griot from African tribes. Griots were story tellers that were in charge of keeping the oral tradition and his mother made sure that she filled him with a lot of history, which he then later turned into deliverable entertainment. This is what makes Chappelle an amazing talent, being able to provide jokes that are informative and thought provoking. 

He also spoke about the times his mother would work all day, then go watch him perform stand up, at times falling asleep from exhaustion, but she wanted to show support for the up and coming comic. 

Dave Chappelle

Dave Chappelle and wife, Elaine. Photo by Darrel R. Todd

As Chapelle ended his speech, or, as I like to call, an improv short set, he brought out Yasiin Bey and Thundercat to perform “Umi Says”. This award ceremony is another moment that can be cataloged in the memories of everyone as it celebrated the comic icon, who has many more years left of providing laughter and much needed comedy. 

Previous recipients of the Kennedy Center Mark Twain Prize are Richard Pryor (1998), Jonathan Winters (1999), Carl Reiner (2000), Whoopi Goldberg (2001), Bob Newhart (2002), Lily Tomlin (2003), Lorne Michaels (2004), Steve Martin (2005), Neil Simon (2006), Billy Crystal (2007), George Carlin (2008), Bill Cosby (2009; rescinded in 2018), Tina Fey (2010), Will Ferrell (2011), Ellen DeGeneres (2012), Carol Burnett (2013), Jay Leno (2014), Eddie Murphy (2015), Bill Murray (2016), David Letterman (2017), and Julia Louis-Dreyfus (2018).

The celebration will be televised on January 7, 2020 on PBS.

26Oct/19

Exclusive: Harriet director, Kasi Lemmons, Discusses Film, Eve’s Bayou, Candy Man

Harriet director Kasi Lemmons and actress Cynthia Erivo (Photo courtesy of Focus Features)

This year, director and writer, Kasi Lemmons, will bring one of the most heroic and inspiring Black woman figures to the screen, Harriet Tubman.  The film, Harriet, stars Cynthia Erivo, Leslie Odom Jr,. and Jonelle Monae. It is a biopic about the life of Harriet Tubman from her first escape to freedom to being the conductor of the Underground Railroad. The film premiere was held on Oct. 22, 2019 in Washington, D.C. at the Smithsonian African American Musem. Taji Mag was able to speak with the director, Kasi Lemmons, about her creative process and development of the film. 

Dapper Dr Feel (DDF): What was the importance of making this film and will this film impact the future of storytelling from the perspective of Black people? 

Kasi Lemmons ( KL): As filmmakers, we always ask ourselves, what are the great characters? I write from the characters all the time. Harriet Tubman was one of the greatest figures who has lived. So for me, the fact that no feature film has ever been made about Harriet and she is just such an important person for Americans, especially African American women… This hero needs to be brought to the world, a hero to me on the level of Mother Teresa and Gandhi. She’s a real superhero.

In terms of our future as storytellers, the more we can tell compelling stories that people relate to, the better. There are so many women directors right now and there are so many stories to tell, it’s always been a matter of is the industry ready to accept these stories. Now we are in a period where we can have a Black person as the lead and hero in a movie and bring characters like Harriet to the screen.   

(Photo courtesy of Focus Features)

(DDF): What makes this film different from the other films that are about Black slavery? 

(KL): Harriet, to me, has always been a story about freedom. If I were to ask you to tell me the story of Harriet Tubman, you would say that she escaped from slavery and then she went back to liberate others. To me, those were like the verbs, that is the Harriet Tubman story. 

(DDF): What was your reaction when you found out that you were doing this film? 

(KL): My heart started racing, they just kind of sprung it on me and I didn’t have time to think about it, which was good in a way because I went to a meeting and the producer said it in the room. They surprised me because I thought I was just going to a general meeting. I was able to check my pulse to measure my own reaction and, as I am experiencing it, I am thinking, “your heart is really racing, I think you are very interested in this!” 

(DDF): You have mentioned in one of your articles that this feeling of excitement is like falling in love. Can you explain?

(KL): Find a good film to work on is always like falling in love to me. There’s always a process of courtship; you’re getting to be friends and then all a sudden you fall in love. With this film, I was really intrigued by it from the very beginning. The love started in my research; she is an incredible presence in my life. 

Lemmons with her husband Vondie Curtis Hall and son. (Photo courtesy of Focus Features)

(DDF): What was your approach to creating the premonition scenes that Harriet experienced? 

(KL): I went through a lot of stages with it, then boiled it down to its most simple form, because I felt like they were like flashes of inspiration. They took many different forms, she had dreams, trances, sometimes just flashes of premonitions, and seizures. So I started to think about what seizures felt like and tried to make a shocking type of image. 

(DDF): You did some very creative things to create the premonition scene with the various colors used. How did that come about? 

(KL): When I looked up seizures and really tried to read people’s experiences of what seizures looked like to them, I would find the word monochromatic over and over again. I thought that is what I was trying to make it look like. 

(DDF): “What is a man to with a woman touched by God” is a line in the script that stood out to me. How did you come up with it? 

(KL): It’s interesting, that is a scene that I wrote the night before we shot it. The producers and executive producers at Focus Features, wanted me to try and describe what it felt like to Harriet after her husband re-married. So we imagined a scene with Marie where she would tell her what it felt like to her. I put off writing it because it was a hurdle to me – how do you write what God feels like? Then I started to explore what it would it feel like to Harriet, I wrote it the night before the shoot and they (Cynthia Erivo and Janelle Monáe) did it in two takes. 

Janelle Monáe as Marie Buchanon. (Photo courtesy of Focus Features)

(DDF): In the film, we see the evolution of the heroic woman icon, how did you go about the character development from Minty to Harriet? 

(KS): There is a huge arc that we felt in her character, she almost becomes different people. From an ordinary woman into this almost mythic side of herself, she names herself and she is apart of that. So we named them, Minty, Harriet, and Moses. Everybody participated in the character development; Me, Cynthia, and costume designer, Paul Tazewell.  We created her and it was a group effort to give you that arc. From Minty and her dress to when she becomes Harriet in her mission costume, it’s a big arc. 

(DDF): What advice would you give to your younger self at the time you made Eve’s Bayou? 

(KL): In some ways, I don’t know if I would give myself any advice. Now, where I am in life, I like the way that things unfolded. Take for instance, after I made Eve’s Bayou, I didn’t know if I was going to make another movie but that was a wonderful thing to think at that moment because I was going for broke. So I put everything into it. I’ve had ups and downs in my career. If I could talk myself through those, I would tell myself that you are going to have ups and downs but if you keep going, you get to travel the world, you’ll meet extraordinary people, you’ll work with some of the most talented people and you’ll have a great time. 

(DDF): You are also doing a CJ Madam Walker series, what brought you to do that project? 

(KL): I have been infatuated with Madam CJ Walker for 20 years. Literally 20 years ago, I was thinking, “You know, it would be dope if we did something about Madam CJ Walker!” So when that came about, I was super excited about being involved in it. Then, Octavia Spencer, she’s perfect for the role. It’s a story that has been interesting for a long time, she is the first self-made Black woman millionaire and you know hair is so special to us black women, we’ve got our own thing. I had a really good time working it. 

Kasi Lemmons on set. (Photo courtesy of Focus Features)

(DDF): Do you hope to bring more important black women figures to film or tv? Any ideas? 

(KL): Oh, I am sure I will do more films about important Black women figures. Do I have any in mind…maybe? (laughs) 

(DDF): You were in the horror films Candyman and Silence of the Lambs.  Have you had any input or help in the development of the new Candyman film? 

(KL): I have contributed to Candyman already in that I mentor the director for the film, Nia DaCosta, since her first Sundance film. She’s great!   

(DDF):  Will you make your own horror film?

(KL): There is something that I have in mind but I have to be careful because I am extremely sensitive. I have to protect my energy a lot and be careful of what I bring into my life. When I bring in truth, beauty, and righteousness, it’s a good feeling, so I am afraid and that’s the truth. 

The film Harriet was a great film with a lot of exploration of the characters’ bravery, selflessness, spiritually, and intelligence. It stands out as a story about the perseverance of the human spirit against discrimination. Creatively, it is a departure from the usual ‘slave cry’ moments that have become rhetoric in most of the blockbuster slave themed movies and I am thankful for that. Go see Harriet November 1st. 

Harriet

Directed by: Kasi Lemmons

Starring: Cynthia Erivo, Leslie Odom Jr., and Janelle Monae.

 

07Oct/19
Emanuel

Emanuel Documentary is About the Power of Faith Amidst Hate

Inside Emanuel African Methodist Episcopal Church

It was as if a pine cone was lodged in my throat and my heart was sinking into my stomach when I watched the documentary Emanuel. Revisiting the story of the nine black people that were killed in a mass shooting by Dylan Roof in Charleston, SC was an emotional roller coaster that I was not ready for. The Steph Curry and Viola Davis executive produced the film was a chilling documentary that reminds its viewers about the power of faith, the destruction of hate, and the state of racial discrimination in America. 

The intro featured a clip of the moving and memorable eulogy given by President Barrack Obama for the funeral of the Emanuel massacre. I remember this moment and the post devastation that many were in after the event and how the following events further perpetuated the bias that the criminal system had against people of color. 

Nadine Lance Collier lost her mother Ethel Lance in the Emanuel shooting.

Emanuel gives an in-depth perspective of the event and things following it. Those featured include the families of the victims, Dot Scott (Charleston NAACP Branch President), Muhiyida D’bhana (Black Lives Matters Founder), Phillip Pickney (Activist), media that covered the event, historians, South Carolina’s political figures, and survivor, Polly Shepard. 

History of Charleston 

The film starts off explaining some of the historical roots of Charleston, SC and Emanuel African Methodist Episcopal Church. Going back to the time of the 1800s during slavery, a section of the film I found to be very interesting showed the connection between religion and racism in South Carolina. I really found the short history lesson about Denmark Vessy to be very enlightening and conducted more research about him after I watched the film. He is a former slave that bought his freedom through a lottery and, later, became one of the founders of the AME church. Charged and executed for an uprising of the slaves, Vessey was a very important figure in the AME community. 

Loved Ones

Pastor Anthony Thompson remembering his loving wife, Myra, killed in the Emanuel church massacre.

Pastor Anthony Thompson told a beautiful story about the ritual he had with his wife. They would see each other at the door with a kiss. He expressed how blessed she felt on that day, how much more full of life she was. Stories like this one were refreshing and gave me a break from the wave of negative emotion I felt during the course of the film. 

Another moving story was told by Nadine Lance Collier. Her welcoming and charismatic persona held my attention as she shared stories about her mom, Ethel Lance, one of the nine people killed in the shooting. She expressed how optimistic her mother was and, from her description, I could tell that her mom had a pure soul that the world lost.  

Revisited

It was entriguing how the film summarized an origin for Dylann Roof and his life before he committed his crime. The fact that his actions/ideas were sparked by the Trayvon Martin case was surprising. Society speaks about how rap music and violent video games are the cause for destructive behavior, yet here we have the racist acts of others influencing people to think maliciously. 

Survivor of the Emanuel shooting Polly Shepard.

The most disturbing recollection and description of the massacre was from the survivor, Polly Shepard. She fought through tears as she recalled the events of the shooting, her conversation with Roof, and witnessing him shoot her already wounded son. I felt angered when I heard her speak, I wanted to hug her through the screen, and I couldn’t understand how a “mentally disturbed” individual killed innocent people in cold blood, especially after they welcomed Roof in their church with open arms. 

“Maybe we now realize the way racial bias can infect us even when we don’t realize it, so that we’re guarding against not just racial slurs, but we’re also guarding against the subtle impulse to call Johnny back for a job interview but not Jamal.” – President Obama, the eulogy at the Emanuel funeral. 

When the film spoke about and showed the footage of how Roof was apprehended, it reaffirmed that America has a racial bias in the law enforcement system that cannot be ignored. I couldn’t help but think about the many innocent Black people that have had police officers draw guns on them and, in some cases, were killed, while Dylann Roof was calmly taken in without force after murdering nine innocent Black people.

Live and Let Love  

The documentary revisited the verdict of the trial, some of the victim’s family members expressed their forgiveness to Dylann Roof. There are many curious about their forgiveness, including myself, but this documentary allowed the family members to explain their reason. 

The film ended telling the stories of the victims’ family members, how they are dealing with the loss, how they are moving on, how their faith has helped them, and their real struggles with the battle. 

Emanuel was a well structured and touching film that I think many should watch. Especially after hearing the verdict and following events of the Amber Guyger case. If you can’t understand the power of faith and forgiveness, the documentary Emanuel will definitely show you how.

Emanuel

Release: Oct. 11, 2019 

Directred by: Brian Ivie

Distributed by: Fathom Events

 

17Sep/19

Hip-Politics Awards is Aiming to Become the Mecca of Black Politics

Left to right: Hip-Politics Founder/Executive Director Cameron Trimble, Brad “Scarface” Jordan, and Trae the Truth.
photos courtesy of Curtis Thurston.

The Congressional Black Congress (CBC) hosted a week full of events celebrating with galas, lunches, and panels galore, but there was one event that combined hip-hop, one of the most celebrated genres of music today, and politics – the first annual Hip-Politics Awards. The event was held at the @1015 Lounge, which featured an array of honorees and guests who included Brad “Scarface” Jordan, rapper Trae the Truth, New York Congressman, Hakeem Jefferies, Michigan House Representative, Sheldon Neely, and The Source founder, Dave Mays. 

Hip-Politics

Brad ” Scarface” Jordan

With the political season around the corner, Brad “Scarface” Jordan, the former member of the legendary hip-hop group, The Geto Boys, has thrown his bid in for Houston City Council. The news broke after the current seat holder, Dwight Boykins, decided to run for mayor. When asked about his bid for city council, Jordan stated: “It’s not about what he gave me, it’s about what I took from him. What I took from Boykins was that he wanted me to explore running for mayor. Me on the other hand, having no political background, I have a passion for my people. With that said, it made me want to step up and run for the city council. I was supposed to be prepping for 3-4 years but now I am in the fire. Win, lose, or draw, I hope it will inspire other candidates like me to take control of the narrative. Let’s be real with ourselves, we have not been in a position to take care of our brothers and sisters. I am here to change that, it’s our turn.”

Houston native rapper, Trae the Truth, let it be known he was appreciative of being an honoree at the Hip-Politics Awards explaining, “It’s a blessing because  I get to create more of a legacy, you know? It’s nice to know people stand with me and behind me, showing what we can become.”  He added, “There’s a lot of people that need it, it’s a wonderful feeling to know that you can assist people and help them to not give up and not tap out. Everybody needs encouragement, I needed it when I came on,” said The Truth explaining the reason for his philanthropy work within his community. He also spoke about building the community up like the late and talented rapper Nipsy Hussle.

Trae the Truth’s new album, “Exhale,” released on August 23, 2019 and he expressed the purpose of his new album is “clearly the truth, I mean that’s what my name says. Life is important and that’s what I am trying to promote right now.” 

House Representative and Green Justice award honoree, Sheldon Neely, and his wife, Cynthia, were delighted to be in attendance at the first annual event and expressed pride in what they were witnessing at awards. Neely stated, “I am grateful to be selected as one of the honorees tonight, especially being a representative from Flint (Michigan). Three things come to my mind. Number 1, I am very grateful; Number 2, I am very proud of the positivity that I see here tonight and; Number 3, I want to congratulate all these young people. It’s very refreshing to see the amount of African-Americans in a professional setting, it just brings life to all that I’ve been fighting for and standing for. I’m really rejuvenated by this atmosphere.” He then stated “I think people need to be aware of what’s going on with our African-American youth and millennials, I would hope that we can draw more young people into this type of atmosphere and they can actually see.”

Hip-Politics

House Representative Sheldon Neely and wife Cynthia Neely.

Known for quoting rappers during his speeches on the house floor, Congressman Hakeem Jefferies responded positively to his selection as an honoree saying  “It’s a tremendous honor, Hip-Politics is a wonderful organization that combines millennial political empowerment and hip hop culture. I look forward to being supportive of it in any way that I can. We want to make sure that we continue to promote the music, the culture and the social justice responsibility that we all have during these complicated and challenging times.”

Jeffries noted that his two favorite rappers are Biggie and Tupac, but he claimed Jay-Z as his selection for a living legend.

Founder of the Source magazine and Source Awards, Dave Mays, enjoyed his experience at the awards. He explained his support for Hip-Politics, saying “I recently created Dave Mays Media, I got to meet Cameron (one of the founders of Hip-Politics) at a Hip-Hop Museum pop up that I put together. He explained what they were doing with Hip Politics and ever since that moment, I have tried to come out and support the organization. That is why I am here tonght.”  

Hip-Politics podcast co-host, Mike McQuerry, was proud of the success of the organization. McQuerry talked about the origin of Hip-Politics stating, “We try to fuse Hip-Hop and politics together. Cameron is more of the hip-hop one and I am more of the political one since I work on Capitol Hill. I have been working on the Hill for 24 years. Hip Hop and policy are easy to combine together since a lot of the rep content out there now reloves around politics.” 

Hip-Politics

Congressman Hakeem Jefferies holding the Hip-Politics Award.

Hip-Politics Founder/Executive Director, Cameron Trimble, was very happy with the turn out of the event.  He annotated that “the hip-hop generation is strong. To see the turnout, to feel the energy in the room, to see some of our legends come out, this event shows that hip-hop has the power to effect change. Hip-hop has the power to mobilize millions of people across racial and socioeconomic demographics around the country. This is what I like to call the Superbowl of Black Politics. Putting on this event was a blessing and it’s only going to get bigger!” 

11Sep/19

How Ardre Orie Is Changing Black Literature

With the loss of literary great Toni Morrison, the world looks to many great authors who can create inspiring works as she has – talented authors like Ardre Orie. She is an author, playwright, ghostwriter, and Black creative who has worked with many high profile clients and told many moving stories. Taji Mag got to speak with her about her career and her inspiration for writing.  

“Those that don’t got it, can’t show it. Those that got it, can’t hide it.” – Zora Neale Hurston

Dapper Dr Feel ( DDF): When did you write your first book? 

Ardre Orie (AO): I wrote my first book at the age of 10 when I was in elementary school.  At this age, I was one of those students that talked a lot and my teachers were thinking maybe we need to give her something else to do. My teachers gave me a special assignment, the opportunity to create something, anything from drawing, painting, etc.

DDF: What was your book about? 

AO: I decided to write a book about women in my neighborhood and how they were examples of excellence. I thought they would be great role models to the young women in my community. 

I completed the book and then got it published. Next, I hosted a book signing, I invited the press/media, and I had a big article in the newspaper. It was pretty amazing because I had no idea that is what I would be doing as a career 30 years later in life. 

Ardre Orie

DDF: What was the next book you wrote? How did you develop it? 

AO: The second time I wrote a book, I resigned from my job as an assistant principal at an elementary school in Florida. After that I relocated to Atlanta with my family. I made the decision to take a leap of faith into entrepreneurship. 

As I pursued this goal, I had not gone to school for entrepreneurship and it was a learning curve for me. I started a non-profit organization where we taught entrepreneurship and leadership skills to young ladies. We were servicing 500 families of women and children. 

“Never be afraid to sit awhile and think.” – Lorraine Hansberry

DDF: When did your non-profit start and what was your next move? 

AO: 2009 is when the non-profit started, the economy was not doing well as this was during the recession. I thought to myself, I really need to be selling something, to really make a profit. I had all these women and girls and, with that, I decided to create a cosmetic line. It consisted of lip gloss and lipstick. I knew I had an audience that loved that, so I started to make the products. This placed me in the makeup, beauty, film, and entertainment industry in Atlanta. At this time, Black Hollywood was forming in the area. 

Ardre OrieDDF: What made you come up with a cosmetic line? 

AO: I started to notice that there were a lot of women that were concerned with self-esteem and I wanted to be able to get this message out about these products. The name of my products were called I Love Me, but I didn’t have the budget to advertise the company traditionally, so that had me look at what I had in my hand and what I had available to me, and that was the ability to write. So I decided to write a book that only showcased women and their different stories, but it would also serve as a marketing tool for this cosmetic line to promote it. That is how the book evolved, it was out of a need to market a product, to market a message, to market a brand that I was creating.

DDF: You had a unique way of advertising the book, tell me about that? 

AO: While developing the book, I enlisted 21 women and teens. I hosted a casting call. I got the women to come to Atlanta to have a makeover, particpate in a photoshoot, then I interviewed them and I turned around and wrote the book and their stories as if I was them. This was my introduction to ghostwriting. I remember what I did for my book when I was 10. I studied the industry after that book; it was successful. I had a signing at Barnes and Noble and then I started to receive calls for writing. 

DDF: When did you start seeing yourself as a ghost writer? 

AO: One of the first clients was from VH1. They had a show coming out and they wanted to know if a book could be made in a short amount of time. The book did well and so did the show.  I started to receive more calls after that via word of mouth from VH1, MTV, We TV, Centric, etc. This is when I started to understand that I had found my niche as a ghostwriter. 

DDF: How do you approach your work as a ghostwriter? 

AO: As my career as a ghostwriter progressed along the way, I developed my processes and how I approach situations. The most important thing is that I grew up in a home with a counselor – my mother was a counselor for 35 years. It was through her, I learned how to listen very well. I learned to not only listen to the words but to also the delivery, the emotion attached to those words, and the yearning of their souls. 

DDF: How are the working relationships with you and your clients during a project? 

AO: The reason why my clients say “That’s what I was trying to say but I didn’t know how to verbalize it!” is because I try to listen deeply within them. Like what motivates them, what drives them, I am trying to understand their pain, trying to understand the things that make them truly happy, how they find true joy, the things that cause them pain along their journey. I try to pay attention to things that just deal with words. I approach all projects like that no matter if my client is a man, woman, child, etc. There is no difference in the process, but each person’s story is different. 

Ardre Orie

DDF: How did you get your second book published? 

AO: When I went to publish my second book, I was doing research and I looking up companies to help me get published. The first quote I got was for $10,000 and this included me doing the writing myself. I was like oh my gosh, I just walked away from a career that took me ten years to build. I am married and have children and that amount of money is nothing just sitting around for me to spend for that kind of project. In that moment, I thought that I would never become an author even though I know that I can write, I have a story to tell, and I know that this project can help other people. That was very disheartening to me, it caused me to do a lot of research about the industry. In doing that, I found a second company that cost $6,000, which was still a stretch, but I made the decision to make an investment in myself because if I don’t make an investment in myself, then how can I expect anyone else to do the same? 

“Research is formalized curiosity. It is poking and prying with a purpose.” – Zora Neale Hurston

DDF: What is the origin of your publication company 13th and Joan? 

AO: After I started to learn more about the industry, I soon started writing theatrical productions and screenplays because my creative juices were starting to flow. All this content flowing from me and I realized that I could create this content and it wouldn’t cost me a dime to create. It was the same thing in elementary school. It was then that I decided I needed a company that is about the promotion media, especially for stories of color.

We publish everybody, 13th and Joan does not discriminate when it comes to the content we produce, but I just realized there is no home for people of color to tell it with some sauce on it. We believe that our books use correct grammar, sentence structure, and that our projects are in alignment with the industry standard for well-edited books, but we want to be able to add flavor to our books. We provide stories that mainstream told us that there is no market for. 

My research is what lead me to understand that there was not a black-owned publishing company. Some of these companies that do exist, have been in existence for over 95 years. If you trace back 95 years, you can clearly explain why we weren’t having our own publishing companies.

“A thing is mighty big when time and distance cannot shrink it.” – Zora Neale Hurston, 

DDF: Out of all the books you have written, which is your favorite? 

AO: I have so many favorite books that I have written but there is one that touched me. The author was so in love with the finished product that he wanted to add my name as a co-author of the book. The author’s name is Thomas McClary (Rock and Soul: Thomas McClary Founder of The Commodores). Lionel Richie, also one of the founders of the Commodores, was discovered by McClary. Richie was playing an instrument and not singing, McClary is the one who encouraged Richie to sing. They founded this group at Tuskegee University and they were Motown royalty.  He also was the first person to integrate schools in Lake County Florida. We had to do over 60 years of research for the book. Through that, I learned a lot about history. 

DDF: Why is this book so special? 

AO: It is very special to me because we were able to tell his life story, achievements, and all he had to overcome as a Black man during a difficult time. I am proud to give the story to any Black boy or man to show them what they are capable of.

Follow Ardre Orie on Instagram or Facebook and be sure to visit her website!

 

25Aug/19
DC Black Film Festival

The DC Black Film Festival Rocked its Third Year

If you didn’t attend the DC Black Film Festival this past weekend then you missed out on some really great films from some talented creatives. Hollywood still struggles to represent diversity in the industry but, with events like the DC Black Film Festival,  people can enjoy quality films about people of color and not the rhetoric that Hollywood loves to repeat. 

There were over 50 films shown that had me laughing, crying (I call it eye sweat, lol), and, most of all, sympathizing with some of the characters on screen that look that like me.

“People of color have a constant frustration of not being represented, or being misrepresented, and these images go around the world.” – Spike Lee 

Below are some films that I loved.  

We Want to Make It A film that explores the journey of young musicians (Jourdan, 14yrs old, and Tarron) as they strive to make their way from performing on the DC metro to stardom. It’s a very well done piece that shines light on Black youth doing something positive with their talents instead of becoming a statistic out on the streets. 

The DC Black Film FestivalMe Time A hilarious short, done by Iyabo Boyd, that had me laughing the whole time. This film goes into the thoughts of a young Black woman (portrayed by Adnike Thomas) who just wants to find her own peace of mind while reaching her happy place and maybe an orgasm along the way. This film has a Nutty Professor feel as the very talented actress takes on all the various roles in the film. I went from chuckling in my seat to choking on my water with laughter. 

Slave Cry A film, by Jai Johnson, speaks volumes on the issue of token characters that Black people are offered in hollywood. With films like Black Panther having much success and displaying diversity in the Black community, hollywood still has a long way to go. Slave Cry was a well written film that made me feel so bad for the lead character, played by Courtney Jamison, as she learns that no matter the level of talent, the entertainment business still needs to work on diversifying characters in their projects. Thank God we have a well selected Ariel for the Little Mermaid and thank God Jai Jackson made this film artist can relate to. 

Roasted A hilarious short film that has a Ferris Bueller’s Day Off feel which follows a coffee shop employee who talks about his work day dealing with customers, making coffee, putting up with his boss, working solo and enjoying time listening to music while writing. His expression and body language change from animated to annoyance as he switches his focus from the audience to the characters in the film. 

The DC Black Film FestivalEmmett One of the standout features about a boy genius  (Miles Brown from Grown-ish) that deals with social issues, being a championed student of color, and adapting to change and maturity. This great film was both relatable and touching as it took me back to my days in my youth and adapting to life as an over achiever in academics. This film sets the tone as it really touches on some of the issues we’ve all dealt with. 

LiME A story of a young man’s hardwork and success of achieving his goals threatened by bullies who attack him based on his lifestyle. Truly a touching story of how cruel people can be and how beautiful the human spirit can manifest surrounded by the right crowd. Creator/director, Donta Story, put together a great short. 

East of the River East of the River, by Hannah Peterson, is a compelling story of how a young girl, her highschool mate, and former schoolmate now sex worker connect through exploring the streets of DC. I think this film had great chemistry amongst the actors. Their relationship was very ambivalent, because it felt a little romantic. Nonetheless, the young DC natives did an amazing job!  

The DC Black Film FestivalUna Great Movie Explores the world of a Black female screenwriter and her hopes of getting her film picked up. The film also follows the lead character in her film as the two worlds reflect the difficulties of having creative and unconventional Black love stories, as the character portrayed in the screenwriter’s film looks to rekindle an old love that is of Mexican descent. The creator and director, Jennifer Sharp, explained the difficulty in getting new and fresh content 

The Call Angel Weaver’s work is a film that captures the moment when a girl receives the phone call from her brother locked up in the prison system. The film showcased the unsettling experience of receiving the call, with a hilarious beginning that shows that the call can come at any moment.  

Corey Creator/director/actor, Steven St. Pierre, put together a touching film about a Black man that has a difficult relationship with his wife, who has a drug addiction, and is raising his daughter while shielding her from the ugly truth about her mom. By the end of the film, the audience discovers why Corey works hard to keep his emotions together and his daughter safe emotionally. 

The Right Swipe A show about two female friends that start a business helping men find matches on a dating app by curating their profiles. Although I have had little experience on dating apps, I found the pilot interesting and humorous. When I asked co-creator and Maryland native, Kyra Jones, about the show, she explained, Through our research, we found that Black women and Asian men are less likely to get different matches. Even the cast is diverse, we wanted to make sure that we brought Black love to the forefront of the show. The show discusses how complex and how difficult it is to find romantic partners.” Watch the pilot here!

Together This film was one of the moving films of the festival. The story of Black love between an older married couple as they hold true to their vows through sickness and health. The film left me and those in attendance in tears as we saw the astonishing acting of EFE (2019 DC Black Films Best Actress) and her co-star show love at its best. There is talks of this being developed into a full feature film and I can’t wait to see it. 

Having the Peele Appeal Night at the table and Dog Person are films from the film festival that had a Jordan Peele feel to them. It’s no surprise that the creatives of the films are inspired by Jordan Peele. 

Night at the table A horror film that had definitely gave me a chill, from start to finish, as the film introduces a normal Black family that is more than just that. The director was inspired by the film Hereditary and even coached the lead actress to channel the mother of the film Hereditary. The multi-talented creative describes her films as being consequential pain in two words. 

Dog Person If you loved watching the film Us by Peele or Tusk then you have to see this short film by Justin Fairweather. It’s a little disturbing in some parts but entertaining nonetheless. With a good performance by Jordanna Hernandez, Dog Person left me wanting to see what more films from Fairweather and hopefully a feature that have audiences everywhere entertained. 

Who is Kevin Sampson?

Kevin Sampson is the BrainChild behind the DC Black Film Festival. He said it all started when Think Like a Man 2 came out and he was a little upset while he watched it because it was less about Black love and more of the Kevin Hart show. He explained that “We (Black people) only get a few movies per year and this is how we wasted it and maybe sometimes we need that.” 

He then wrote an open letter to creatives everywhere explaining that black creatives have to do better. Many people including some hollywood actors commented on it. This inspired him to start a kickstarter for a documentary about Black Hollywood. The Kickstarter wasn’t successful but that led Kevin to create the DC Black Film festival. A place where Black people can showcase their talent and love for Black people. 

Fast Facts About Kevin Sampson:
  • Graduated from American University Film school with a MFA in Film & Electronic Media 
  • Created Picture Lock, an entertainment website, radio show/podcast, and hour long film review TV show.
  • Director of the Rosebud Film Festival since 2013. 
  • Created Picture Lock PR to represent independent films. 

The DC Black Film Festival was an amazing event and a success in it’s third year. It is important that we have events like these to not only show people of color on screen or Black culture but the diversity within the Black community. I think the DC Black Film festival will continue to grow to inspire young creatives and encourage people to watch quality films.

Winners From the Festival:

DC Best Film “ We Want to Make It”

Best Student Film “Masks” 

Best Web Series “The History of White People in America”

 Best Short Film “East of the River” 

 Best Experimental Film “Here”

 Best Documentary Feature “Owned: The Tale of Two Americas”  

 Best Narrative Feature “Una a Great Movie” 

 Best Director Mahaliy Ahayla O

 Best Actress Efe

 Best Actor  Roderick Bradford Jr. 

 

15Aug/19

Luce is a Captivating Thriller That Addresses Racism and Mental Health

Tim Roth, Kelvin Harrison Jr, and Naomi Watts.

High schooler, Luce (Kelvin Harrison Jr.), overcame a nightmarish past as a child soldier in Eritrea to become the definition of the All-American teenager. As a valedictorian, track star, and all-around popular kid, his life seems set until he suddenly finds himself at odds with an overbearing teacher, Ms. Wilson (Octavia Spencer). When his loving adoptive parents, played by Naomi Watts and Tim Roth, become entangled in the suspicions of this teacher, complex questions of prejudice suddenly bubble to the surface, threatening to expose the ugly truths about all involved. (Tribeca Film Festival) 

Luce is a captivating thriller that challenges views on parenting and prejudice surrounding adoptive interracial families. The film really kept me ambivalent as to what the motives of each character really was. The talented cast peeled back the layers of their respective characters, especially rising star, Kelvin Harris Jr., who portrays Luce as a cunning, charming, and an innocent teenager. The parents did well at convincing us of juggling raising Luce and keeping their marriage together. Octavia Spencer, once again, portrayed a phemonal role as the teacher that has concerns about Luce that may derail his path to a successful college career. 

Luce at Tribeca

At the Tribeca Film Festival, I was able to talk to the writer, director, and producer, Julius Ohna, on the red carpet who explained, “ I want people to ask real questions about the way they perceive things like privilege. We live in these multicultural societies, where the ways that we look at each other can have a real impact on the way people’s lives are led and if we are asking questions that are beyond our blind spots and not looking past them, I think there’s a real change that can come.” 

The red carpet interviews and the showing were followed by a Q&A with the director and cast. I felt there was going to be tension in the room as the film depicted issues that society as a whole tends to leave unanswered. 

The host of the Q&A – writer, director, and radio producer, Rebecca Carroll asked thought-provoking questions. Those very same questions caused a lot of the audience members to leave the building due to the sensitive topic. One of the more difficult questions asked was about how does the white couple feel raising a young black teenager? A question that only Onley could answer since he wrote the film.

Tim Roth and other castmates could only approach the question as concerned parents, nothing more. Boasting a revelatory central performance by Harrison (who also appears this year in Gully) and nuanced work from an electrifying ensemble, director and co-writer Julius Onah twists this tale (adapted with JC Lee from his own play) into unexpected shapes, forcing the audience to examine the characters from every imaginable angle. Tension pulls at the screen, allegiances shift, and the viewer’s own biases are used to deepen the storytelling in masterful ways.
—Loren Hammonds 

Takaways from the film? 

  1. Mental health is still a significant issue that needs to be addressed for people of color, especially the child soldiers, like Luce, who suffer from a tremendous amount of stress and mental manipulation. 
  2. Luce, Tribeca Film Festival

    Caring for family with extreme mental health conditions is a difficult job. The Wilson sisters in the film, portrayed by Octavia Spencer and Marsha Stephanie Blake, gave an in-depth look at how this situation requires patience and a lot of energy.

  3. People still don’t want to have an uncomfortable conversation when it comes to racism. While watching this film and attending the Q&A after the Tribeca premiere, I noticed how the characters in the film and people in the audience avoided the issue of racism. 
  4. Immigrants are not evil and they are not novelties. In the film, it is shown that Luce is sort of a token character and he plays the role to a tee to fit his needs. Although it is just a film, it can show how, in some cases, children in this situation can be championed in comparison to another teens who come from a background with non-adoptive parents who happen to be Black. 
  5. Trials and tribulations have no bias. The film does a great job of displaying the temptations and issues that the teenagers in the suburbs deal with that are similar to teens living in the inner city. The teens come from different backgrounds but still face life challenges. 

Nonetheless, Luce is a great, thrilling film that properly addresses mental health, social and racial issues. If you’re looking for a film that is thought provoking and filled with many plot twists, you should definitely check it out. 

Luce is in theaters now. It stars Kelvin Harris Jr., Octavia Spencer, Tim Roth, Naomi Watts, Andrea Bang, and Marsha Stephanie Blake. 

12Aug/19

Hip Hop Visionary Missy Elliott To Receive the 2019 MTV VMA Video Vanguard Award

NEW ORLEANS, LA – JULY 07: Missy Elliott performing at the 2018 Essence Music Festival at the Mercedes-Benz Superdome on July 7, 2018 in New Orleans, Louisiana. (Photo by Erika Goldring/Getty Images)

Just Announced! Five-time Grammy award-winning artist Missy Elliott will receive the prestigious Michael Jackson Video Vanguard Award at the 2019 MTV Video Music Awards! There is sure to be a great tribute to her and the hip hop pioneer herself will perform on stage! This will be a special treat for fans everywhere since she hasn’t performed at the MTV VMA’s since 2003. Fans will be looking forward to the performance of her hits “ Get Ur Freak On”, “ Work It” and “The Rain (Supa Dupa Fly)”

Missy has had an amazing year thus far from being inducted into the SongWriters Hall of Fame to receiving an honorary doctorate at the Berklee College of Music. 

In honor of Missy, MTV and Pepsi have partnered together to host a fan pop up event entitled MTV and Pepsi Celebrate the Museum of Missy Elliot. The pop-up event will be in New York from August 24th-25th highlighting the career and work of the multi-talented, transcending musician. 

Several people on Twitter congratuatled the artist and Missy responded back with the following tweet:

https://twitter.com/MissyElliott/status/1160961691527602176?s=20&fbclid=IwAR2IelHerRhkYXTwjIAy37obXyCQ1ZLF2htCjCKwEnXy7i6l_zUEtKHTO6Q

Missy will join the likes of Beyonce, Rihanna, and Jennifer Lopez. Tune in Monday, August 26, 2019 at 8pm EDT live from the Prudential Center in Newark, NJ.

About MTV:

MTV is the leading global youth media brand in 180 countries, reaching 450 million households in nearly 30 different languages across every platform. A unit of Viacom Inc. (NASDAQ: VIAB, VIA), MTV operations span cable and mobile networks, live events, theatrical films and MTV Studios. 

16Jul/19
Gbenga Akinnagbe

Gbenga Akinnagbe Discusses DC Noir, Theater, Activism | Exclusive

Gbenga Akinnagbe, DC NoirAs I interviewed Gbenga Akinnagbe on the red carpet at the Tribeca Film Festival premiere of Luce, I began to think of how his career and activist work reminded me of Harry Belafonte – without the singing voice of course. They were both born in the United States and have parents native to outside of the United States. Harry Belafonte’s parents were Jamaican and Gbenga Akinnagbe’s parents were Ghanaian. Besides both being talented actors in both TV and theater, they both have served as advocates for not only the rights of African Americans but for others who have had their rights constantly threatened. 

To catch his attention I inquired about his article published in the New York Times, My Left Foot: The High Costs of Fallen Arches. “Well, I was getting my feet cut up and I was thinking that this was an interesting journey,” Gbenga said about his informative article for the Washington Post. “I wanted to write something for The Times and they were open to it so far as I wrote about the whole journey of a double calcaneal osteotomy, which is the process where they cut your heels and move them over. The whole surgery was wild!” he added.  

When I asked him about the importance of diversity in the entertainment industry he caught me off guard by saying “I’m not for it all, I think there are too many Black people and shit!” After gathering myself and wiping off the ‘you for real?’ look off my face he chuckled and responded with “I think it’s great and I think it’s necessary to what people have been calling for a long time in the industry. I think the industry is beginning to finally crack open and embrace diversity. It’s not a new day yet but it’s the beginning of a new day.”

Gbenga Akinnagbe’s Debut 

Gbenga Akinnagbe, DC NoirThe DC native had his directorial debut in George Pelecanos’ DC Noir; a series of four short films that come from stories written by Pelecanos centered around the Washington, D.C. area in Noir fashion. Gbenga explained that the noir style was explored a little in the Wire but, with this project, it fully unboxes the genre. The series also featured creatives and actors from the Washington, D.C area. 

The stories are all emotional, poetic, dark, realistic, and definitely magnify the social issues that saturate the media. More notably, they focus on the relationships between civilians and police. There is an interesting perspective of police in the episode directed by Gbenga where you have a hard working a detective with integrity and an officer the polar opposite with intentions that are self-driven. 

Gbenga Akinnagbe described DC Noir as such: “With the noir genre, you can tell a lot of different stories, especially darker stories that usually involve things that I am very interested in highlighting. So being able to use this genre to highlight social injustice in the D.C., Maryland, and Virginia area is important to me. We are all from the area.”

DC NoirIn the short, “String Music,” directed by Gbenga Akinnagbe, star rapper, Wale, cousin of Gbenga, put on a good and convincing performance. Wale definitely added flair to the role. Gbenga went on to mention, “I did cast Wale as my antagonist in the film, I got to cast the actors for my piece and I was lucky to be able to get him in my film with his busy schedule and all. I gave him as much acting tips as I could, as an actor, as his director. He has a natural talent, he is a creative as you can tell from his music and it translates on screen.”

Other episodes of series DC Noir have been directed by Stephen Kinigopoulos, George Pelecanos and Nicholas Pelecanos. All of the films were written very well and well directed with very compelling subject matters.

Easy Like Sunday Morning 

During an early Sunday morning phone interview with Gbenga Akinnagbe, I realized that although he had similarities with Belafonte, he is carving his own place in entertainment and activism using his platform. An inspiration to people of all ages, especially the young Black men in the DMV, Gbenga is making waves from TEDtalks to protests outside of his creative career. The young Nigerian boy from Silver Spring, MD has grown to be a gifted artist and humanitarian who isn’t afraid to put energy into the things and people he loves.

His passion for politics came at a young age. “I’ve always been  interested in government systems that people live in and how some of social groups operate in the system as well. Maybe it’s the Nigerian in me that loves to talk about international themes and politics. I didn’t know what that was when I was younger, I just knew I had an interest in it.” 

To Kill A MockingbirdThis is the reason he enjoys taking on projects like “To Kill a Mockingbird,” a stage play written by Aaron Sorkin based of the book of the same name in which Gbenga plays Tom Robinson and co-stars with Jeff Daniels who plays Atticus Finch. 

Gbenga’s inspiration for his role on Broadway comes from his own life. “I think my whole existence as a Black man in the United States is what I brought to portray the character in To Kill a Mockingbird. We also had good writing to be our guide from both the playwright and the book. My experience influenced how I saw Tom’s life, how people interacted with him, it was a relevant piece when it was written and a relevant piece now.” Gbenga explained. 

“When I accepted the part, it was exhilarating. I was prepared for the long hours, the conversations dissecting race and class, and what the role would demand of me. I loved the work. I still do. What I did not anticipate was how deeply it would affect me — how wearing it would be to play a part that makes me the daily object of racist invective and racial violence for a majority-white audience.”Gbenga Akinnagbe from the Washington Post article Every night, racists kill me. Then I leave the theater for a world of danger.

Gbenga explained that he often thought about the lives of people like Tamir Rice, Trayvon Martin, and Saundra Bland, that were victims that were unjustly killed. He mentioned that he has known Sybrina Fulton (Trayvon Martin’s mother) for years now and it was a tragedy when Trayvon was taken. “Once you meet them (parents/family of the unjustly killed men and women) and you see their work, their work is more personal. I can’t see how people can play this role and not think of the Black and brown people that have lost their life that way.” Gbenga said. 

We also talked about his clothing line, Liberated People, which is dedicated to making political statements and support through fashion. Some of the proceeds go to selected foundations. He explained “I have been a part of protest around the world and in the streets with people from different backgrounds and languages, but everyone was out there for the same thing, which was human and democratic rights. We felt that we were in this struggle alone in our own subgroups and relating to others going through the same struggle. After seeing this I wanted to make something that highlights the struggle, the liberation is something that we have in common and if we recognize the struggle for liberation as sisters and brothers in different locations around the world, we can unify as a stronger impact.”

The Future

I asked Gbenga what were other writing projects he had in mind and he said “I am working on something right now, some books and scripts. I enjoy writing a great deal and I want to continue to develop as a writer.” 

Thus far as I have been fortunate to work with George Pelecanos, David Simon and Ed Burns in my early 20’s. Reading their scripts from The Wire, and the Duece and just having them around as mentors has been super helpful. I also enjoy books from Don Ridley, Stephen King, and just recently I have been reading Ta-Nahsi Coates. I don’t read as much as I used to.

Gbenga at the Luce premiere at the Tribeca Film Festival. (Photo by William Baldon.)

Gbenga has a promising future ahead of him in both the political and entertainment worlds, but has no interest in running for politics because he never has been attracted to it due to its practice in this country.  He further explained that “The money game is really not for the people but of the people. I don’t want to contribute to that. I’m already taking part in activities that help make changes for the better.”

Gbenga Akinnagbe will continue his put out quality projects and actively fight the good fight. Here’s to hoping he will be valued as much as impactful Black creatives like Nina Simone, Dick Gregory, and yes, Harry Belafonte. 

03Jul/19
Toni Morrison

Toni Morrison: The Pieces I Am is a Necessary Watch

Photo: Timothy Greenfield-Sanders/ Magnolia Pictures
Toni Morrison and Me

I was a freshman in college when I realized that Toni Morrison was a not only a big deal but an important part of literature. It wasn’t that it was my first time being exposed to her, it was the fact that I was at a private, predominantly white school (Denison University) taking a freshman English class named after her that focused on her work. After taking the class, I gained a deeper respect for the author because I had finally been exposed to her world that far surpassed the two books, “Song of Solomon” and “Sula,” I read in high school. 

The film, Toni Morrison: The Pieces I Am, made me feel as if I was previously foreign to Toni Morrison and her contributions to the African American community. Director Timothy Greenfield-Sanders did an amazing job of putting this introspective and commentary piece together about one of the greatest influences in literature. I got to know Toni Morrison as a writer, teacher, mother, award winner, and overall incredible human being. The documentary explores the early years of her life where her grandparents encouraged her and other children in her family to get as much education as they could.  Her grandparents were alive during a time where it was forbidden for Black people to receive an education. This was the foundation that would inspire one of the world’s greatest writers.

To understand her affinity at an early age gives the audience an understanding of how Morrison became such a distinguished storyteller. At one point she described how she loved books so much that when she worked in a library, she spent more time reading the books than doing the work. They naturally promoted her to a managerial role. 

Photo: Timothy Greenfield-Sanders/ Magnolia Pictures

Howard University & Random House

The Pieces I Am traveled through Morrison’s college roots as she attended the infamous Howard University where, like most graduates, she discovered the true value of being Black and educated. She felt free in her natural habitat amongst other intellectuals and creatives that shared a love for education. After her time at Howard, the film discusses her start at Random House as an editor. This was where the start of her literary career began.

There are so many key moments in this documentary that it’s not hard to see how Toni Morrison became a Pulitzer winner and why many influential figures in Black history have looked up or desired to work with her.  In fact, it’s noted how both Muhammad Ali (The Greatest: My Own Story) and Angela Davis (Angela Davis: An Autobiography) had a huge amount of respect for her, allowing her to write their autobiographies.

Morrison set a standard in the writing industry early on with her works “The Black Book”, “Sula” and “The Bluest Eye.” The film noted how Toni Morrison’s novels transcended race yet encouraged people of color to embrace their melanin and not be afraid or ashamed of the skin they were born in. In fact, “The Black Book” has been described as an emotional exploration of Blackness.  

While watching the film, I wondered why we had to wait until now to receive a Toni Morrison documentary. After all, she had some of her biggest moments in the 90s and previous years but the film also addresses that Toni Morrison is a very private person. When I spoke with director Timothy Greenfield-Sanders, he explained how there were a few moments while filming Toni Morrison that they all had to hold their breath because what she was saying was so powerful and captivating. It was hard for him to do cuts during editing because of all the great footage from her interview.

Interviews
Toni Morrison

Photo: Timothy Greenfield-Sanders/ Magnolia Pictures

Talents and activists that were featured via interview included Angela Davis, Hilton Als, Fran Lebowitz, Walter Mosley, Sonia Sanchez, Farah Griffin, and Oprah Winfrey. They all praised the innate skills, inspiration, and hard work of Morrison. One of the most interesting stories came from Oprah Winfrey when she mentioned how she called the fire station in the neighborhood where Morrison stayed to get in contact with her to do the movie Beloved.  The excitement in the voices and faces of the interviewees show the importance of Toni Morrison, especially Sonia Sachez who had emotional final words at the conclusion of her interview.

During Morrison’s interviews, she explained how she developed some of her books. The way she describes her influences for her work are interesting and visually beautiful, much like her storytelling. Speaking on Beloved, a novel that originated from the Margaret Garner story, Morrison recalled her being out one day looking at the docks when she saw a woman in a hat by the river who suddenly disappeared. This is what sparked the beginning of the amazing Beloved novel that made Oprah a huge admirer.

Toni Morrison: The Pieces I Am is not only recommended, it is necessary. To quote Paula Giddins from the film “If you don’t understand the history of African American women, you don’t understand America.” The documentary released in theatres on June 28th, 2019.

Photos: Timothy Greenfield-Sanders/ Magnolia Pictures