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About Dapper Dr Feel

Felipe Patterson aka Dapper Dr. Feel, #BlackLoveConvo & Entertainment | @dapperdrfel Dapper Dr. Feel is a burgeoning Southern gentleman looking for love in all the wrong places while applying to medical school. He volunteers with autism awareness projects and hopes to mentor other young Black men.

I Thought The Lovebirds would be Issa Rae’s Fall Off, I Was Wrong

The Lovebirds
Issa Rae as Leilani and Kumail Nanjiana as Jibran of The Lovebirds on NETFLIX.

I have to be honest, when I first saw the trailer for The Lovebirds I thought, “Oh no, will this be Issa Rae’s fall-off movie, her ‘Will Smith Bomb’ she mentioned in her 2018 GQ article?” That negativity was dissolved by a friend pointing out the hilarious bacon grease scene that did make me chuckle. After watching the film, I found out he was right – the combination gave me a night of favorite scenes and a few scenes that will be re-created on Tik-Tok. I recommend people watch this film and here are the reasons why. 

In order to eventually succeed, you have to bomb. That’s what every comedian says—that’s when the fear goes away. And I feel like I’m still fearful because I haven’t publicly bombed yet, in terms of my career. Yeah, Insecure is successful now, but where’s my bomb coming? Where are my Will Smith bombs coming? Where, where is that happening?”
Issa Rae (GQ  May, 22nd 2018)

Guilt Free Entertainment 

At no time did I feel uncomfortable while watching his film. (You know that feeling where you hear or see  racist jokes/stereotypes in a film so offensive you can’t ignore it?) The scenes in the film were so well written and performed I was able to enjoy myself and laugh freely. It was a good feeling and that’s the way it should be. A great example of this was a scene where Issa Rae’s character, Leilani, was explaining to Kumail Nanjiani’s character, Jibran, as they were looking at some f*ck boys (frat boys whom they were sneaking up on), and Kumail’s character had no clue what that was and was very curious to know. He wasn’t making fun of the word, he was making fun of how oblivious a person can be to terminology.

More Than Trailer Clips

Plenty comedies present hilarious trailers before the films are released just for the audience to discover that those were the only funny parts of the film. Then you think to yourself, they wasted all this money on a mess of a movie and wasted your time. Love Birds was hilarious! I found myself Steve Urkel snorting a few times, the level of funny was totally unexpected. 

I felt like Issa and Kumail fed off of each other’s performances like the Splash Brothers, Clay Thompson, and Steph Curry when they both get hot in a game. 

The Lovebirds
Issa Rae as Leilani and Kumail Nanjiana as Jibran of The Lovebirds on NETFLIX.

The Lovebirds Chemistry 

Yeah, I didn’t know if the chemistry between Issa and Kumail would be good in The Lovebirds. Don’t ask me why, I just didn’t. They were able to play off of each other very well during both the serious scenes and the funny scenes. They definitely showed that they both have range and adaptability. 

One of the funniest scenes is the interrogation. They interrogate one of the frat boys and it kind of reminds me of a buddy cop interrogation scene akin to Bad Boys (Martin Lawrence and Will Smith). When I tell you Kumail ain’t got no sense, y’all I mean it! 

The Lovebirds
Issa Rae as Leilani and Kumail Nanjiana as Jibran of The Lovebirds on NETFLIX.

Imitating life (Spoiler Alert)

From the beginning of the film, where the couple transitions from the honeymoon stage to the ‘here’s your part of the deposit ‘cause we not going to make it’ stage, I really felt. Unfortunately, my ex and I didn’t make it after being almost killed by a crooked cop, but those moments did spark some memories.

There was also a moment when Leilani was fooled by the happy couple photos another character posted on social media, making her evaluate her own struggling relationship. This is understandable because some of us have been through social media jealously, hell, some are going through it right now. 

The film releases this Friday, May 22nd, on Netflix. Make sure to add The Lovebirds to your list of films to stream. I commend Issa Rae for being on this project and making a quality rom-com about an interracial couple. I really hope that The Lovebirds has created an example (not a formula to be consistently repeated) of how diversity in film should look. 

A couple (Issa Rae & Kumail Nanjiani) experiences a defining moment in their relationship when they are unintentionally embroiled in a murder mystery. As their journey to clear their names takes them from one extreme – and hilarious – circumstance to the next, they must figure out how they, and their relationship, can survive the night.

18May/20
Lenny Thomas

“Ruthless” Co-Star, Lenny Thomas, Talks Tyler Perry Studios and Life during COVID-19

Actor Lenny Thomas

Lenny Thomas portrays Dikhan on Tyler Perry’s new series Ruthless. Dikhan is one of the ruthless and intimidating antagonists in the series but, as for Lenny himself, he is far from it. The New Yorker has a heart of gold and an optimistic attitude. Taji Mag was able to find out how unlike Dikhan Lenny really is in an exclusive interview during this COVID-19 crisis. 

Dapper Dr. Feel (DDF): What brought you to this role? 

Lenny Thomas (LT): Thankfully my agent has a great relationship with the casting director of most of Tyler Perry’s projects. I was thrown in the mix through a self take. Mind you, during the auditing process of tv and movies, there are multiple rounds. Lucky me, I got this role off of one self-tape which still, ’til this day, blows my mind. While putting together my self-tape, my agent coached me and I sent it in. A week later, I’m on set with Tyler Perry. I’ve had some success, so I was not a stranger to hard work and diving right in and getting the job done. 

Lenny Thomas as Dikhan in Ruthless

DFF: What was your inspiration for the role?

LT: Honestly, if I didn’t have the proper guidance that I did growing up, I could have been Dikhan. Exercising the demons in my life allowed me to tap into this character. Being in the New York area, the undercurrent is kind of negative, so I pulled from dealing with that and seeing the negative characters in my life while growing up.

DDF: Dikhan is the second in command and seems ruthless, how do you think he got to this point? 

LT: Apparently, he spent some time in jail and used to be involved with numerous gangs. Decade or so time he spent in jail, something broke him. In this broken state, he met The Highest and they decided they were no longer going to be the victims of their circumstances by taking matters into their own hands, thus creating the life they currently live.  

DDF: What is it like working with Tyler Perry? 

LT: It was tough, everyone was trying to keep up with him. I have not seen a person work as hard as that man works. We barely passed a 12-hour day somehow. That is unheard of in television, usually, it’s between 12 to 16 hours in my experience. It was all inspiring too because of the people he surrounds himself with. There’s so much love in Tyler Perry Studios, I have never been on a set that had so much love and care. Everyone was taking care of each other. Also, to be unapologetically Black, I have never been around so many Black people on set in my life. It was overwhelming, so many times it was overwhelming. I was thinking to myself, “Is this my life right now, is this really happening?” 

DDF: Who have you developed a relationship with on set? 

LT: That’s a hard question because I love my castmates. There are 11 leads on the show and the people I grew closest to are Blue Kimble who plays Andrew on the show and Melissa Williams who plays Ruth Truesdale. Melissa, in particular, set the stage, she is perfect to lead the show because her heart is big. I did not notice she was the lead of the show because it was like I was shot out of a cannon into shooting the series, once I got the role. I was still working before I flew out to set, so I was playing catch up the whole time.  When I met her I was like, you are unusually nice to me. I’m not used to this, I mean I’m from New York, we don’t treat each other like this.

 

DDF: What is the best acting advice you have received and who gave it to you?

LT: Best acting advice was from Risa Garcia. She has an acting podcast and is also an acting teacher/casting director. Her advice just blew my mind, it makes life worth living honestly. She says to her students, “When you get these jobs that you’ve been so brilliantly trained for, just remember that your real job is after you have some power, then you should empower somebody else. This is not just a grab bag candy game.” That wisdom really speaks to the person I am going to be for the rest of my life. 

DDF: What director would you like to work with next? 

LT: Steve McQueen! I would love to work with him. He got on my radar with his movie starring Micheal Fassbender called Shame. He just seems like an actors director. 

DDF: How has life been during COVID-19?

LT: I turned myself into an introvert years before this happened so staying inside, has not been a problem. The beautiful thing is, before I booked Ruthless, I was going through a breakup and my life was seemingly falling apart. Then, all of a sudden, the Ruthless opportunity comes along and it was like a defibrillator was used on my life. My lady and I started to reconcile and said we would start to build this life together. We unsuccessfully tried to reconcile before but I didn’t have the tools for it. Now I do. 

Social distancing has been cool, we have spent several weeks in the apartment and we have been more connected than before. I’m not missing outside. I’m not missing a thing. I want to do my part and make sure no one gets infected by my doing. I’m curious to see how life is going to change but I am hopeful for the future. 

As I was watching the first part of the show Ruthless, I developed a disdain for the Dihkan character and was ready to fight him myself. Luckily he is only a character on the show, so I guess you can say Lenny has done a great job at portraying this role. Check it out for yourself! 

Tyler Perry’s Ruthless,” a spin-off of the hit television series “Tyler Perry’s The Oval,” tells the riveting story of a woman named Ruth who kidnaps her young daughter to join her in the dark underworld of a fanatical religious cult. “Tyler Perry’s Ruthless stars Melissa L. WilliamsMatt CedeñoLenny D. Thomas, Yvonne Senat JonesBaadja-Lyne Odums, Jaime Callica, Nirine S. BrownBlue Kimble, Stephanie CharlesHervé Clermont, Anthony Bless, and Bobbi Baker.

Watch Ruthless on BET and Amazon Prime.

15May/20

Steven St. Pierre is Blazing a Trail Set by the Likes of Duvernay

Steven St. Pierre is a budding creative/actor I met at last year’s DC Black Film Festival. While interviewing him during my coverage of the film festival, he mentioned how he started film making just recently and that Ava Duvernay had been an inspiration to start on a desirable path towards acting. After the interview, we kept in contact and I watched his progression. Little did I know, he would be achieving a lot more than he could imagine. I had an opportunity to catch up with the rising creative. 

Dapper Dr Feel (DDF): How does it feel to have so much success for your short film, Corey?

Steven St. Pierre (SSP): The success has been great! The way I have been perceived for making something great, for myself. Last time we spoke in person, I was halfway into my festival run and we went to places like Canada and DC and I had entered the film Corey in multiple film festivals in the New York area.” 

Note: St. Pierre’s short film Corey has won multiple awards that include but are not limited to: Best Short film at the Validate Yourself Film Festival, Wavemaker Award at the Everybody Digital Film Festival Black History Month Edition, Audience Choice award at the Astoria film festival, Best Short Film winner and Grand Prize Winner at the Queens City Film Festival. 

DDF: You won big at the Queens City Film Festival, what’s next? 

SSP: After I won the grand prize award, I now have the opportunity to have my next short produced from the Queens City Film Festival. The prize is worth $50,000. Taking the passion I had into my own work turned into something I could have never imagined.

DDF: That’s truly a blessing! I remember you telling me about the trials and tribulations you had putting Corey together. Your co-star, Chantal Maurice, put on a great performance, how has her career been since the short film?  

SSP: Chantal has since moved to Atlanta P-Valley (Starz), Queen Sugar, Dynasty, and other projects that are coming out later this year. She’s killing the game.

DDF: What women have influenced you? 

SSP: My mother and grandmother, the women who raised me in my household. Just seeing their work ethic. My mom worked two jobs, to this day she still works two jobs to help support my grandmother because she is not doing well. Just really seeing all the sacrifices shes made, as an adult, I have developed a deeper appreciation and respect for her. 

I have to give a shout to my work mom and my assistant director Catherine, she just retired. Always supported me, always had my back, she was amazing. When you are in the workplace, you always need an ally and she definitely was that for me.

Ava Duvernay has really been an influence on me. I don’t know how many people are aware that before she was a filmmaker, she was a publicist. She was pounding the pavement, making everyone else’s dream come true and she decided, at what some people would think as an older age, to pivot her whole career. I feel like that has been my journey as well.

“I was a film publicist, so I represented a lot of filmmakers and I was always around them. I [started thinking], ‘They’re just regular people, like me, with ideas. I’ve got ideas.’ That’s literally how it started. It was definitely a career change; I didn’t make my first little short until I was 32.” – Ava Duvernay 

DDF: You had your biggest role as a co-star on High Maintenance, how was that experience?

Steven St. Pierre appears in an episode of High Maintenance season 4

SSP: I got that role not too long after I spoke with you in DC, it’s my first major network role. I felt like I finally cracked that code. Going out on auditions is tough, especially being new to the scene, but it’s going on four years now. It brought two passions together because I am playing a basketball player. I played ball growing up, so going into the audition I felt comfortable. I got offered the job via email and was excited! That was the most excited I have been in a long time.

DDF: What are your other goals?

SSP: My ultimate goals are to establish myself in the industry so I can have the visibility to reach people from places in my community. Letting them know they can do anything they are passionate about. Even today, I go to a lot of career days for my friends who are teachers or are a part of programs for children. I think it helps children see someone like me, who is making it, but not a huge celebrity, to let them know goals are attainable. Otherwise, if they see someone who is a huge celebrity they won’t think things are attainable. They can also see the grind I am going through, so when I make it further into my acting career, it will hopefully inspire them. 

Steven St. Pierre looks to continue his success as a creative and achieve many of his entertainment goals during his career change. With Ava Duvernay serving as an inspiration, St. Pierre knows that, with hard work and persistence, the sky is the limit.

Follow Steven St. Pierre on social media or check out his web page here.

Steven St. Pierre’s award winning short Corey

12May/20

Filmmaker Morgan Cooper Wins Two Tribeca X Awards

Morgan Cooper writer and director of U Shoot Videos?

Morgan Cooper made a huge impression with his trending Fresh Prince of Bel-Air inspired short, Bel-Air, and the filmmaker continues his success. The award-winning filmmaker snagged two awards in the 2020 Tribeca X category of the Tribeca Film Festival. Morgan Cooper won “Best Feature Film” for U Shoot Videos? and “Best Short” for Pay Day, winning in the two out of the three categories of the Tribeca X category. Taji Mag was able to catch up with the multi-award-winning filmmaker to see how his projects came to life. 

Dapper Dr. Feel (DDF): What moment did you decide you want to make films? 

Morgan Cooper (MC): My career started on my 18th birthday. I bought a Cannon P2I DSLR camera at Best Buy and, with that camera, I made a career. I felt like I had something to say through the medium. From that moment on, I just showed up and did the work every day. I took small steps to improve my skillset. Over the years I was able to find my voice.  

U Shoot Videos?

Morgan CooperU Shoot Videos is a powerful narrative following a filmmaker trying to excel in his career field. Being young, Black, and gifted but denied the opportunity to make commercials due to his lack of experience and no film school, Moji must figure out how to keep his dream alive and hurdle the obstacles in his path.  

DDF: U Shoot Videos? provides a narrative some Black creatives can relate to. What has been the most interesting response to your film? 

MC: Some of the people that reached out felt it was their story. They felt seen and heard through the film. I can’t think of any better feedback than that. There were people that were thinking about giving up, feeling so alone during their journey in filmmaking, and, after seeing this film, it gives them an extra boost. I was overwhelmed with how positive and how beautiful the feedback was. 

DDF: There was a lot of support for the lead character Moji, from characters like Aaron and Moji’s brother. Was that intentional during the course of the film? 

MC: The show of support was very important to me. You don’t see Black men supporting each other enough on screen. Everything in the film is based on real reactions that I had during the course of my career. I felt it was my responsibility to show these really honest moments where Black men support each other without any alternative motives. Like Aaron telling Moji “I’m down to help you because I want to learn. I have an interest in what you do and you inspire me.” I am really proud of that moment and I hope to see more support among Black males like that on film in the future.  

PayDay

PayDay is a collaborative project with Color Creative, Synchrony, Gian Spoon agency, and written by actress/comedian Gabrielle Dennis. The short follows Nyssa, a young woman who desires to open her own business but spends money like there is no tomorrow. On her payday, she gets caught in a time loop “Groundhog Day” style and is unable to break it until figures out a way to make better decisions. 

DDF: How did you become apart of the PayDay Project and how was it working with Gabrielle Dennis? 

MC: Denise from Color Creative reached out to my agent about the PayDay project. It just looked like an interesting and fun piece. I pitched on it and got the job. I locked arms with Color Creative, Giant Spoon, and Synchrony to make the film happen. It was a long two-day shoot but it turned out really nice in the end.

Gabrielle was great to work with. She brought a lot of enthusiasm to the table. She has a brilliant comedic mind. It was very fun being on set and creating space for her, letting her talent really shine. She trusted my vision from the start and throughout the shoot. We gave ourselves space to express the ideas that we both wanted to bring to the project. We were both aligned with the why behind the project and it was just a tremendous project from start to finish. 

DDF: How did you become so good at providing the right light for people of color while you shoot? 

MC: Perfecting that craft started from who I am, understand my background and culture. As a Black man, I wanted to make sure people of color are captured on film with care. That’s really the root of it. From there it filters into lighting, lens selection, and crafting the scene. Understanding how Black people have been captured on film historically, which hasn’t been great. Over the years I have tested, researched, and studied different techniques to maximize the quality in which our skin is captured. I often think about the actors who are overlooked especially from the city where I am from – Kansas City. With the opportunity for the actors to be on set, they can’t be wondering how they look, they have to just trust your direction. As a director, it’s something I take seriously. I like to make sure I capture actors in an honest way. 

DDF: Have you had other filmmakers ask you about lighting while filming actors of color? 

MC: I have had other colleagues that have sought out advice on lighting, different fusion techniques, transitions, lenses, etc.

DDF: What director inspires you? 

MC: Ernst Dickerson has been one of the biggest inspirations of my career. He’s a former cinematographer who shot films like Do the Right Thing. He’s a brilliant cinematographer who goes into writing and directing. He penned some of my favorite films like Juice. I followed the same trajectory – working as a cinematographer then transitioning into writing and directing. I’m actually getting a chance to speak with him after this interview. 

 DDF: How does it feel to win Best Short and Best Feature in the Tribeca X? 

MC: It feels amazing! I feel very humbled and I am full of gratitude, to be recognized by such a prestigious institution. More than anything, I am so happy for all of my collaborators and I am so thankful to the team for putting together these projects. I can not say enough about the honor. 

DDF: What would be your dream project?

MC: I have several dream projects. I can’t really discuss them but I am very excited about the dream projects I will get to bring to life over the next several years. So stay tuned. 

DDF: What actor/actress would you like to work with? 

MC: I definitely want to work with Mahersla Ali and Janelle Monae. I think they are great actors. When you watch them, you are really transported into the moment they are expressing. I think we would be able to create something special together.

We hope to see more amazing films from the talented filmmaker. Hopefully, one of his dream projects will feature Mahersala Ali and Janelle Monae and will be one that is celebrated as a cult classic. Keep up with Morgan Cooper on Instagram at @cooperfilms.

10May/20
Abraham Adeyemi

South London Native, Abraham Adeyemi, Wins Best Narrative Short at Tribeca 2020

‘No More Wings does an absolutely wonderful job of taking a scenario that is extremely grounded and using the form to imbue it with an elevated sense of emotion and spirituality.’ – Barry Jenkins (Oscar-winning filmmaker)

Award-winning filmmaker, Abraham Adeyemi, adds another award for his short film “No More Wings.” The South London native won the award for Best Narrative at the 2020 Tribeca Film Festival. “No More Wings” is a short film about two friends at their favorite chicken restaurant who catch up on old times. The film is an exploration of their friendship, the difference in their life choices, and what the future may hold for each. What the audience discovers by the end of the film is shocking and in some cases relatable. Taji Mag was able to catch up with this promising filmmaker to discuss his prize-winning film. 

Dapper Dr. Feel (DDF): What inspired you to make this project? 

Abraham Adeyemi (AA): I grew up in South London and I was thinking about two of my friends from the area, I just thought to myself what would the experience be like if we met up today? The film was the opportunity to explore a place I call home and to see how people can have the same upbringing but turn out differently.

Abraham Adeyemi was mentored by Oscar-winning Sam Mendes and he shadowed him during the production of 1917.

DDF: The cut scenes to flashbacks were dope, is that meant to be reflective of how most people are when catching up with an old friend? 

AA: That was something I had on my mind. Everything in the moment, including their facial expression, explains what the moment means to them. There is definitely history happening within it. I definitely aim to get a sense of reminiscing. 

 DDF: How does it feel to be the only narrative short from the UK? 

AA:  I thought that it was crazy! Tribeca was the very first film festival we submitted the film to, we missed the deadline for the Sundance and some other film festivals. Just to know we got in blew me away. One day, I so happen to look through the catalog and thought to myself, “Wait a minute, there are no other Brit films. It’s funny because in advance I had been in contact with the British Film institution, they are responsible for being in contact with creatives going to the film festival. It was from there I discovered, “Oh my God, I am the only one on the list [from the UK]”. It really hit home how big an achievement it was to be at Tribeca. 

DDF: I loved how relatable this film is. Many Black people all over the world can relate. What has the response been to the film from people outside of the UK? 

AA: Besides Tribeca, not too many people from outside the UK have seen the film. I can only think of two who are Black who have seen the film. My friend and filmmaker Dream Hampton, who attended the Soho House premiere of the film in London in October, and Barry Jenkins, who was on the Soho House Script Judging panel, both at script stage and finished film.

Jury Comments: “It checked every box in terms of authenticity and heart and it was funny!” “It’s such an elegant piece of filmmaking.” 

DDF: How did you react to your win for Best Narrative Short”? 

AA: I never thought this would happen in my wildest dreams. In fact, I quite deliberately made sure I didn’t think about it. Quite a few of my friends had asked me “What do you get if you win? What happens if you win?” and things like that but I’m quite competitive. So I knew it was for the best too – rather than think about “if” I would win, to focus on just being grateful for the incredible achievement that was simply getting selected for Tribeca. It was, of course, the hope and ambition, I always strive for the top, but I was still very much shocked to have won, especially being my debut. In fact, I still am.

DDF: How did you celebrate your win? 

AA: Well, I found out a few days before it went public so I was sworn to secrecy. So on the day, I found out, I actually just celebrated alone in my room. Like, full-on, celebrated. Loud music, popped a bottle of prosecco… And then – just before it got announced to the world – I set up a surprise zoom call with a group of my closest friends with an elusive message “Zoom in an hour. Don’t ask questions. you won’t want to miss this. Bring a drink.” I don’t know who I thought I was… But it worked! It was really important to me that those people didn’t find out through social media. They’ve been massively important in my journey and I wanted to be able to enjoy this moment with them, before the chaos that would ensue once the world knew I had won. It has been non-stop calls, emails, and zoom meetings! I couldn’t be happier.

DDF: Given the film takes place in a restaurant, what are a few food spots a tourist should hit up in London? 

AA:  I would definitely recommend Morley’s because the chicken is good and it’s where I shot my film. It’s a well-know chicken spot like KFC. I would also recommend the Chicken Shop, the chicken is good but they have the best apple pie. I could go there to grab only an apple pie and go about my day.  The last restaurant I’d recommend would be Chuku’s, a Nigerian Tapas Restaurant (the first of its kind in the world!) where the sibling-duo that own it have their own original take on a number of familiar Nigerian dishes. I might be a little biased – because it’s owned by my friends – but I’ve been going since they started out with pop-ups and it’s been amazing to see them finally open their first permanent site earlier this year. Also, objectively, prior to COVID-19 enforcing a temporary close, every single night their reservations were fully booked! So they must be doing something right.”

Amid this COVID pandemic, Abraham Adeyemi is busy working on commissioned tv projects and an upcoming feature film project. Can he reach Barry Jenkins’s status? We’ll just have to keep a lookout for this award-winning creative. Keep up with him on Instagram at @abeislegend.

22Apr/20
BlackAF

#BlackAF is Barely a Black-ish Carbon Copy

I am always rooting for black creatives and try my best to support them, but in this case, I would be doing a disservice if I did not give my honest review of #BlackAF. Famous producer/writer Kenya Barris delivered a series that lacks the lure and realism of his other successful projects. Don’t get me wrong, I like Black-ish and a few other of Barris’s projects but this series fits into the category of “Nah, I’ll pass.” 

“The very definition of ‘blackness’ is as broad as that of ‘whiteness,’ yet we’re seemingly always trying to find a specific, limited definition.” – Issa Rae 

Acting Be Like…

I understand the series is loosely based on the life of Kenya Barris, but I find it hard to believe that Black wealthy people act like this… Maybe my opinion is influenced by the fact that I only personally know a handful of wealthy Black people. Out of those Black people, none of them act like the family in #BlackAF. If there is a family that exists as the one portrayed, I am pretty sure they would not be as extreme. 

I do like the moments where the family supports each other whenever an outsider tries to attack, like with the white couple in the first episode. Besides a few moments within the first few episodes, there are not many moments I find relatable or compelling to finish the first season.  

Because Dialogue 

As I have become introduced to the screenwriting world, the most daunting task as a screenwriter is writing dialogue. All the top screenwriters have agreed that mastering dialogue is very difficult, so I can imagine writing the dialogue of Black people can pose as an obstacle.

Still, I don’t know any Black people that talk the way the characters talk. I assume the approach is to be as authentic as possible but there needs to be a bit of adjustment. The way in which Kenya talks to his assistant is definitely not believable. If that is the case, that person is a terrible human being.  

“ Contemporarily, we struggle with people worried about representation sometimes. It’s a burden, as artists, that we take on that limits the work. It limits the characters people play. It limits the roles they want to do.” – Dee Rees

The Barris Act or Lack There Of…

From the very beginning of episode one, I became annoyed with Barris’s acting and just found his performance to be too whiny. I understand the character is frustrated with stereotypes and wants to be seen for who he is, but there is a better way to portray this. Take Al Bundy for example, Ed O’Neil portrays him as whiny at times but not to the point where he becomes annoying. 

I think Barris could’ve easily picked someone else to play the character better and with a more compelling delivery. Similar to the way he chose Anthony Anderson to play the father on Black-ish. In all honesty, I think that is what makes Black-ish a more watchable show. The actors that portray the characters in Black-ish, combined with the writing, make Black-ish great. 

In the end, #BlackAF is a rated R version of Barris’s hit show Black-ish, just not as engaging. I wish I could speak differently considering the amount of backlash #BlackAF got last year during one of its first showings. There’s wishful thinking that the series will improve and become the next big hit for the Black culture. I hope that the Black community continues to get opportunities to show diversity within the culture and share stories many people can relate to, vanishing the stereotypes place upon the Black community. Watch for yourself on Netflix.

06Apr/20

“Coffee and Kareem” is “Cop and A Half” Gone Terribly Wrong

Norman D. Golden II in Cop and a Half

Disappointing and racist are the two words I’d use to describe the film Coffee and Kareem. Within the first five minutes, I could tell this film was going to be a hot mess. The dialogue was unbelievable, ridiculous, and, at times, unnecessary. The film felt like a horrible attempt to imitate the writing of the film Superbad with the concept of Cop and A Half.

Kareem’s character, played by Terrence Little Gardenhigh, was so offensive and stereotyped that I had to watch the film in three installments. I understand Kareem was an only child raised by a single mother, Vanessa (Taraji P. Henson), and there are some kids who actually misbehave like this, but there are other ways to represent this character without using so much unecessary foul homophobic language! It’s upsetting because I do believe that Terrence can develop into a great actor based on the charisma he presents on-screen, as long as he won’t be in any more projects like this. 

When it comes to the action, I felt it was a complete waste and a Tropic Thunder rip off. Just random explosions and ridiculous violence that felt like they were added because there was extra room in the budget – especially during the final act where one of the henchmen just stood over a grenade and watched it explode. I understand the character was meant to seem like a numskull, but really? The Police Academy film series had plenty of whimsical comedy but none as terrible as this film.   

Andrew Bachelor starred in this film and he did make me chuckle a few times but I really hope that he gets to work with more talented writers to really showcase his talent. I don’t think he or any of the antagonists were written with any purpose. The main antagonist, Detective Watts played by Betty Gilpin, felt like Crystal Creasey from the film The Hunt – also played by Gilpin. 

In the end, Kareem and Coffee is a complete waste of money and time. I didn’t want to write a negative review out of respect for Taraji P. Henson but the film is horrible. Even during this time of social distancing, I would not recommend anyone watch this film. Next time, Netflix, let the Wayans Brothers write it! 

Below are a few films I would suggest you watch instead.

I’m Gonna Git You Sucka This Keenan Ivory Wayans pinned 80’s film pays homage to Blaxploitation and still provides laughs that are share-worthy til this day. One of my favorite scenes is the bedroom scene. The joke is timeless and still relateable today! This star-studded film is about a soldier who returns home to find out his brother has died of an “OG” overdose of gold chains. He and his collection of action-ready friends set out to take on Mr. Big for revenge. It sounds ridiculous but it is hilarious. 

Cop and A Half Starring Burt Reynolds and Norman D. Golden II, Cop and a Half, is old school but if you want to see a film that involves a white cop and a Black kid without too much racism, it’s definitely a go-to. The film is about a disgruntled veteran cop who takes on an 8-year-old kid to solve a murder.

Cop Out Starring Bruce Willis and Tracy Morgan. If you want the slapstick and nonsensical comedy that Coffee and Kareem attempts to have, this is a good film to watch on Netflix. Not the best writing but it’s entertaining enough to sit through for an hour. 

Hollywood Shuffle Starring Robert Townsend. It’s not a buddy cop film but it explores how Hollywood stereotypes Black characters and how they are terribly written by white screenwriters. It’s another 80’s film I found to be hilarious and can be compared to some of the projects out today. Although Hollywood has gotten better since then, it still has a long way to go. 

01Apr/20

Panama Jackson on His Four Favorite Women Authors and Being Unapologetically Black

Panama Jackson

“People are not looking for [our] articles, they are looking for me and Damon Young when they read Very Smart Brothas,” explained Panama Jackson, co-founder of Very Smart Brothas, about people who ask to be in the publication in order to gain some notoriety. I have been an avid reader of the blog and The Root column (also partnered with Very Smart Brothas) for a while now. After meeting Jackson at a few events, I knew it was time to feature him in Taji Mag. 

The first time I heard about Very Smart Brothas, I was talking to another freelance writer at the 2018 African American Black Film Festival in Miami. She suggested I read their published works and I found myself pre-occupied with doing so on my flight back to DC. The first article I read was Panama’s “So It Turns Out ‘Electric Boogie,’ the Song Your Mama ’nem Electric Slide To, Is About a Vibrator. Life Is Different Now.” It was then I knew I had a couple of writers I could look forward to reading and, hopefully one-day, meeting. My list now included the Very Smart Brothas and Jemele Hill, but that’s a feature for another day. Stay tuned! Wink wink.

Me and You, Your Mama and Panama’s Book Too! 

Panama Jackson is known for his hilarious blogs that cover everything from family political debates to film and book reviews. He is also known to post his monthly book list which is typically composed of some of his favorite women writers, including the following:

  • Zora Neale Hurston. Well-known Black writer and essayest, some of her work has been released posthumously like Barracoon: The Story of the Last Black Cargo and Hitting a Straight Lick with a Crooked Stick: Stories from the Harlem Renaissance.

  • Nafissa Thompson Spires. Known for her multiple award-winning book, Heads of the Colored People: Stories.

  • Toni Morrison. Jackson mentions he has a love-hate relationship with her stating “Some of her work is brilliant, her work is not an easy lift, but I am a person that appreciates an easy lift in reading. It’s not that I can’t understand what’s happening but sometimes it’s just difficult to weigh through it.”

  • Samantha Urby. He stated, “She is a great essayist and I cannot do what she does. I could try, but I just can’t.”

  • Bassey Ikpi. Jackson stated, “Her newest book I’m Telling the Truth But I’m Lying: Essays is one of the best books I have read in my life. Off the strength of one album (book), she makes my list!”

Jackson’s colleague, Damon Young, has published a book titled, What Doesn’t Kill You Makes You Blacker. When asked about his personal book deal, Jackson responded, “I am looking to have my own book out one day, it will be titled Elevators because the book will be about me and you, your mama and your cousin too!” (If you don’t know, the title is a nod to the legendary Hip-Hop group, OutKast, and their early chart topper entitled Elevators). Jackson talked about his ideal book which would include things like parenting, how Hip-Hop is tied to his masculinity, and a few other areas of his life. His goal is to explain how music and entertainment have shaped him as a man and as a human being. 

In the Words of Nas, “Keep Integrity at Every Cost.”

Panama Jackson

Very Smart Brothers Founders Panama Jackson and Damon Young at The Root Gala

Being asked to review films for other popular platforms, Panama speaks on the importance of maintaining integrity when taking on commissioned pieces. One instance he recalls was when a notable publication asked him to write a review of Cardi B’s song Bodak Yellow and the cultural significance of the song. Jackson wrote the piece and turned it in, but the publication did not like his review. They wanted something more “culturally sound.” He recalls, “I had to leave the money on the table, I just thought Bodak Yellow was a great song. Cardi B killed it and that was it. I wasn’t going to force-feed this idea to their white audience that there was cultural significance in the song. It’s just good music and Black people make good stuff.”

He went on to talk about how he felt Black culture gets short-changed in the most popular publications. He used last year’s Jidenna album, 85 to Africa, as an example. “I read a lot of reviews on that album because I loved it so much. I really didn’t see anyone do the album real justice, so I told myself that I had to. Most reviews I saw were 200 words or less. I wrote 1500 words because I felt it needed context and as much effort as possible since I didn’t see it happening anywhere else.”

“Those that don’t got it, can’t show it. Those that got it, can’t hide it.” – Zora Neale Hurston

Panama Jackson: From Black Bloggin to Very Smart Brothers

Panama explained the process it took to get to where he is now as a writer and even talked about his improvement along the way. “If I could give my younger self advice, I would tell myself to be more thoughtful and not be so hell-bent on a hot take. Back ten years ago, if I had an idea, I was willing to defend it to the ends of the earth and that’s not the way to be. This definitely took longer for me to learn than it should have.”

Jackson went on to explain his most significant growth as a writer stating, “I have also become Blacker in my writing. Very rarely you will see me write about white people. I have not done that for years and it’s something you would not notice unless you are actively paying attention. I write about Black people, Black experiences, and that’s it. My writing has become intentionally unapologetically Black.”

Panama Jackson talked about how lucky he and Damon were to make Very Smart Brothas as big as it is now. “It was timing. We started during the Black blogger’s scene and were lucky to build from there. It’s kind of like Jay-Z’s albums presently. If he comes out now, I don’t think he matters. But because he’s been around for so long, when he does put out an album now, people pay attention.” Jackson said he and Damon wrote everyday about their thoughts and opinions. From there they were able to build a fan base. 

As we practice social distancing and quarantine ourselves during this Coronavirus pandemic, I recommend you head over to Very Smart Brothas to find some entertaining articles and videos to help pass the time. Jackson has also done a podcast called “What If Tyler Perry Had a Writer’s Room” which can be heard on SoundCloud and Spotify. The first episode features one of his favorite female writers, Bassey Ikpi, as they discuss Perry’s Netflix feature A Fall From Grace. Check it out and don’t forget to stay safe during these rough times.

Panama Jackson

22Mar/20

“Self Made” is a Colorful and Entertaining Look at Madam CJ Walker’s Life

MADAM CJ WALKER

Netflix’s “Self-Made: Inspired by the Life of Madam C.J. Walker” is an introduction to one of the most celebrated Black female business owners in history, Sarah Breedlove. This project is directed by Kasi Lemmons (Harriet) and Demane Davis (Queen Sugar). NBA Superstar, LeBron James, and businessman, Maverick Carter, have joined the project as Executive Producers. Taji Mag was able to check out the series before its release on March 20th and here’s the review. 

Visuals

Once again Kasi Lemmons has provided the audience with the vision of a powerful Black woman taking on a form that transcends reality. In this instance, whenever Sarah has a vision of or is faced with adversity, the audience is presented with colorful dance routines, mocking female logos, and even a boxing match with her adversary, Addie Monroe (I assume this character is based off of Annie Malone). I really found the boxing scenes with Addie to be quite enjoyable. I also found myself waiting to see Sarah give Addie a one-hitter quitter for her trifling ways. 

Octavia Spencer as Madam C.J. Walker and Carmen Ejogo as Addie Monroe

*Spoilers Ahead*

The Walker girl logo that mocked Sarah (and was created by Sarah’s husband, C.J. Walker) was also an interesting concept. It paid off in the end when we learned that the Walker girl was not only designed by C.J. but it was also his ideal woman. This is discovered towards the end of the series when C.J. cheats on Sarah with Dore Larrie.

Performances

Octavia Spencer does an amazing job of portraying one of the most celebrated Black entrepreneurs. She was able to capture the excitement in her facial expressions whenever an idea manifested. Spencer also was convincing when her character was met with doubt or fear, a prime example is whenever she was haunted by her past self with “bad hair”. 

Tiffany Haddish also did pretty well as Leila, the daughter of Sarah. I found it very interesting how the character’s liberal lifestyle was introduced to the audience. It made me want to research Leila’s entrepreneurial success with her business, The Dark Tower, in New York.

Kevin Carroll as Ransom was a standout to me in the series. His performance as Madam C.J. Walker’s legal advisor had very compelling moments. I wasn’t really familiar with his work but, after viewing the series, a thorough Youtube and Google search went underway. I just had to see his other accomplishments.

Another notable character was Ransom’s cousin, Sweetness, played by Bill Bellamy. This role was well written and was a great example of “don’t judge a book by its cover.” Sweetness can be seen as a smart conman who always sought out a quick buck, but in reality he was a man of integrity who only wanted to make it in the world legally. We learn this at the end of the series when Ramson explains his demise. 

Gender Roles

Before recalling what I’d already known about C.J. Walker, I was feeling the support he was giving his wife: uprooting his life with Sarah and moving to a whole different city to help support her haircare business. I bet it was seen as very impractical at the time, but nonetheless he did and they were successful. Toxic masculinity and society’s infatuation with the lighter complexion existed heavily during the 1900s. I’m sure this greatly influenced his decision to cheat on Sarah; however, it doesn’t give him a pass to do so. Blair Underwood did a great job of portraying C.J., then again he always does a great job of portraying the conniving, cheating husband (i.e. Madea’s Family Reunion).

Unity Over Racism 

Blair Underwood as CJ Walker, Octavia Spencer as Madam CJ Walker and Kevin Carroll as Ransom.

This series explores racism, colorism, and gender discrimination in a thought-provoking manner. I kept thinking to myself, what if I was trying to build a business for haircare in the world Madam C.J. Walker lived in? Not only was racism still a major issue at the time, but to fight within my own race about my gender and skin color? Talk about hurdling obstacles! The series really provided some in-depth perspective on how difficult it was to achieve what Madam C.J. Walker did. Seeing the pain she had to go through was quite an eye-opening experience. 

The death of Sweetness (played by Bill Bellamy) gave a sense of closure for Sarah and her rival, Addie Monroe. It made the characters reflect on their biggest threat: racism and gender discrimination, not each other. Sweetness’ lynching was touching, to say the least, as the Director gave the audience first perspective scenes that can only be described as heart-wrenching. 

Conclusion

“Self Made: Inspired By The Life of Madam C.J. Walker” is a beautifully told story. The creatives in charge did a great job of pacing the story and supplying just enough conflict to make the viewer want to binge-watch the whole series on a Sunday night. I am glad I was able to speak with Kasi Lemmons about this project and I thoroughly enjoyed watching the series. I highly recommend giving it a watch. Of course it’s not completely accurate; however, it’s still very entertaining. While we celebrate women’s month at this time when self-distancing is in place, this Madam C.J. Walker series will allow the viewer four hours to escape the current troubles of the world. 

Academy Award® winner, Octavia Spencer, stars as Madam C.J. Walker, the trailblazing African American haircare entrepreneur who was America’s first female self-made millionaire. Inspired by the book, On Her Own Ground, written by Walker’s great-great-granddaughter, A’Lelia Bundles, the Netflix original series “SELF MADE: INSPIRED BY THE LIFE OF MADAM C.J. WALKER”  brings the uplifting story of this cultural icon to the screen for the first time. Against all odds, Walker overcame post-slavery racial and gender biases, personal betrayals, and business rivalries to build a ground-breaking brand that revolutionized black haircare, as she simultaneously fought for social change.

10Mar/20

Santia Deck: The Face of the Women’s Football League Associaton

If Black Girl Magic was a person, Santia Deck would definitely be one of the women to use as the face of BGM. With her career goals redirected from Olympic hopeful to the highest-paid female football player, she is the embodiment of “When one door closes, another one will open.” I am pretty sure her football deal is a door she’s glad to have opened. In honor of women’s month, Taji Mag decided to catch up with the busy star athlete to get an update on her new success. 

Dapper Dr Feel (DDF): What were your thoughts when you signed that huge football deal?

Santia Deck (SD): I knew I would be a pioneer for women’s football. I am just more excited that I can be an influence to little girls who want to play sports and give those girls something to strive for. 

It’s still a lot for me to take in, but as for not making the Olympic team and instead being given this huge opportunity, it really showed me the power of God. I am a very spiritual person and I was taught that God is doing great things for you, even when it doesn’t seem like it. To see this manifest was validation and testimony that he can do great things in your life. 

DDF: What position are you looking to play? Any chance you become the Lamar Jackson of the league? Would you train with Lamar Jackson?

NFL MVP Lamar Jackson and Santia Deck

SD: I can throw, but I don’t have an arm like Lamar Jackson. My position by nature is Running Back, so I won’t be playing Quarterback. I would love to train with Lamar Jackson, who wouldn’t? He could probably teach me a few things. He’s an amazing athlete.

(NFL MVP Lamar Jackson and Santia Deck were both at NFL Pro Bowl weekend.)

DDF: What has been one of your newest challenges since your new success?

SD: I think it’s the same problem everyone has when they elevate in their career. Not knowing people’s intentions…random people saying “hey, I’m your family” or “I know you from back in elementary school”. These people don’t have good intentions and they can be crazy. Luckily I have a good team around me. My mom is my manager and she really looks out for me.

DDF: Describe 2019 in two words?

SA: I would say “New Beginnings” are the two words I would choose to describe my 2019. 

DDF: In the Santia Deck biopic, who would you select to play you in the film? What actor would play your love interest in the film? 

SA: That’s a good question. I would want Tianna Taylor to play me in a biopic because we have the same hair and body type. She has good abs, like me. As for my love interest, I would want Micheal B. Jordan to take on that role. He’s such a beautiful man.  

DDF: How was it being on Kelly Clarkson? 

SA: It was great! She made me feel really comfortable. I think it’s because we are both from Texas so that familiarity made the interview easy.  She is a very nice person.

DDF: What are your goals for 2020? 

SA: To have an amazing exhibition and show my talent this year. I would also like to take my brand to the next level, solidify generational wealth for my future kids, and travel to as many countries as I can this year. 

Many young women everywhere now have another example of chasing the dream and getting positive results. From the field to television, Santia is working hard to become one premiere athlete and who knows, one day she may be mentioned in the same breath as Serena Williams. You can follow Santia on Instagram for upcoming events. 

Santia Deck will play for the LA Flames in the Women’s Football League Association. The season starts 2021. Will you be watching?