Release Mar 7 2021 | Vol26 of Taji is packed full of Black Beauty & Culture fulfilling its theme of Diasporic! This volume’s cover features the #SlayBells of @TheOnlyWayIsMarbz by @_OKOBE_. Gracing the pages are theRead More…
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One of the biggest fears I had for Coming 2 America was the plot failing as other sequels have done in the past. The first film is a 30-year-old classic which is why many, including myself, were asking why they were making another sequel period, but this film was well written from the jokes to the plot, even the cameos weren’t forced or left the audience scratching our heads.
The plot of the film revisits the moments from the first movie. The infamous club scene where Prince Akeem (Eddie Murphy) and Semmi (Arsenio Hall) are looking for Akeem’s future wife brought nostalgic laughs. The events leading Akeem to have an illegitimate son by having a one-night stand with Mary (Leslie Jones) were pure comedy. Leslie Jones was in rare form. Of course, I wondered why there wasn’t a DNA test done to confirm Akeem had a son but it’s a comedy so that’s not important.
Playing on the theme of making your path was also written well in the film. This especially goes well with Lavelle doing as a young Akeem did, escaping to America with his love interest, the royal barber, to live his own life. Akeem’s transformation from happy-go-lucky and free-spirited to becoming more conservative was also done organically through each act.
Tying in Akeem’s daughter, Meeka’s (KiKi Layne) desire to become heir to Zamunda and breaking tradition was not forced into the script and paid off in the third act. You would think since there are multiple storylines in a film it would be a mess but in this case, it was just enough.
The relationship between Queen Lisa Joffer (Shari Headly) and Mary was also interesting. We saw the two who both birthed children for Akeem become friends and not have a hot-mess relationship. Mary was even able to bring the New Yorker back out of Lisa as they drunkenly sang and danced the “Humpty Dance,” a great scene and transitional moment.
The payoff for me was Akeem’s mother being the voice of reason while being absent from the whole film when Cleo (John Amos) asks Akeem what his mother would do when Akeem was in a low place. Other women were also the ones providing words of wisdom. This includes Lavelle receiving important life advice from Mirembe, Mary, and Meeka throughout the film.
Music and Entertainment
Let’s talk about the music and performances in the film because there are some memorable ones. King Jaffe’s funeral was outrageous but desirable because he was able to witness it. He had performances by En Vogue, Salt-n-Peppa performing “What a King”, Glady’s Knight did “Midnight Train to Zamunda,” dance performances by the Zamunda dancers. Who wouldn’t want to go out to this type of celebration?
Bopto’s (Teyana Taylor) entrance was also another fun musical set with a rendition of Prince’s “Get Off”. I loved this because I am a huge Prince fan. Of course, the film could not go without Oha, the royal orator that sung “She’s Your Queen to Be”, laying down some of Prince’s lyrics followed by Lavelle’s rap portion of the song.
Cameos and Movie Nods
Some of our favorite characters portrayed by both Arsenio Hall and Eddie Murphy return from the first film including the old men in the barbershop, Reverend Brown, etc. The newest addition was Baba portrayed by Arsenio Hall who had me dying every scene he was in. There’s also a surprise performance by Randy Watson, whom I waited for in anticipation with excitement at the end of the film during the wedding, I’m sure people will enjoy it.
Just like the first film, the Duke and Duke firm from Eddie Murphy’s other film Trading Places had a few scenes. If you don’t remember in Coming to America, the Duke brothers are shown homeless and broke until luck is bestowed upon them.
Coming 2 America was a surprisingly hilarious sequel that I would happily watch in theaters. Some may argue but I found it to be just as funny as the original Coming to America. The film also has a great soundtrack featuring songs by John Legend and awesome costume designs with beautiful colors by the award-winning Ruth E. Carte. If you are looking for good laughs, nostalgic musical entertainment, and a good-hearted film, then tune into Amazon Prime Friday, March 5th. Watch the credits for bloopers!
The Sundance Film Festival 2021 presented its audience with not only some great new projects but also new experiences virtually. This year’s Black creatives gave us amazing content and compelling stories. Many of the projects had me sitting in my apartment in silence and reflecting on the stories being told. Below are a list of some of my favorite short films from the Festival and my interactive WebXR experience with the project Traveling the Interstitium with Octavia Butler.
Favorite Short Black Films of the Sundance Film Festival
Synopsis: After his father gets into a fight at a bowling alley, Darious begins to investigate the limitations of his own manhood.
Artist: Miles Warren is a filmmaker born and raised in New York City. Since graduating from Wesleyan University, he has directed various short films, music videos, and commercial content.
My Thoughts: How do we define masculinity and what influences our definition of it? The answer to these questions is formulated from the time we are born until we leave this earth. Bruiser gives the perspective of a young man, attempting to define masculinity after he witnesses his father fighting. I loved how the filmmaker shows how quickly the father’s words and actions impact Darious. There are also lessons the father learns about the importance of his influences. Bruiser is a short I recommend watching.
Synopsis: A God-fearing woman in present-day South Africa finds herself in a transactional relationship as she tries to support her sick husband and daughter.
Artist: Nomawonga Khumalo is a writer/director from Johannesburg, South Africa. Five Tiger is her narrative film debut. Her feature film, The Bursary, will head into production in the second half of 2021.
My thoughts: This is another film that touches on masculinity in addition to gender roles, morality, faith, and forgiveness. So much is told in this short that I was really interested to see what happens with the lead character and what led to her husband’s sickness. The most surprising part of the film is the reveal of who is involved in the transactional relationship. I really felt for the lead character as she juggled so much and fought internally to provide for her family.
Lizard | Short Film Grand Jury Prize, Presented by Southwest
Synopsis:Juwon, an eight-year-old girl with an ability to sense danger, gets ejected from Sunday school service. She unwittingly witnesses the underbelly in and around a megachurch in Lagos.
Artist: Akinola Davies Jr.’s work is situated between West Africa and the United Kingdom, as he identifies as a member of the global diaspora, being part of both worlds. His work navigates the collision of colonial and imperial traditions, as well as a return to Indigenous narratives.
My Thoughts:This film reminded me of the childhood experiences and questions about the church. A journey with Juwon from the classroom to the church parking lot had me thinking, “ ]What is this little girl doing and why she is spending her church money on junk food?” Although she misses class exploring the church ground, she learns a lesson about cheating the church and God. This experience will for sure influence the moral compass of Juwon. What happens after the conclusion of the film? I wish the filmmaker would show us because it looked like there was going to be some real action.
Black Bodies by Kelly Fyffe-Marshall
Synopsis: SA Black man comes face-to-face with the realities of being Black in the twenty-first century.
Artist:Fyffe-Marshall is a director, screenwriter, and social activist whose work includes the award-winning short film, Haven (2018), and the two-part short film, Black Bodies and Marathon (2020).
My Thoughts: This speaks volumes about present-day racism and expresses the frustrations of the Black community. I sat in silence and could feel every bit of the powerful poems by Komi Olaf and Donisha Prendergast. A speakeasy piece, imperative art, and perspective all in one, Black Bodies ends on a note we are all too familiar with. To learn that Kelly Fyffe-Marshall’s film was inspired by a viral racial incident makes her work even more compelling. The filmmaker/activist spreading the word of equality while chipping away at injustice one film and project at a time.
A Concerto is a Conversation
Synopsis: A virtuoso jazz pianist and film composer tracks his family’s lineage through his 91-year-old grandfather from Jim Crow Florida to the Walt Disney Concert Hall.
Artists: Ben Proudfoot and Kris Bowers. Proudfoot, an award-winning short-documentary director and entrepreneur, is the creative force behind Breakwater Studios. Bowers is a Grammy-nominated, Emmy Award-winning, and Juilliard-educated pianist and composer who creates genre-defying music that pays homage to his jazz roots—with inflections of alternative and R&B influences.
My Thoughts: I really loved the conversation between Kris Bowers and his grandfather about their family history. Kris Bowers’s love for music and his grandfather’s love for his dry cleaning business, have similar success stories. I liked how the film displays the love and bond between the two men. It’s no surprise the short film added Ava Duvernay as executive producer and is an Oscar contender.
Want to watch this beautifully crafted short documentary click the link and watch below.
New Frontier: The Interstitium with Octavia Butler
The Sundance Film Festival, although virtual, still provided audiences with personal and interactive ways to experience the festival. COVID has prevented many from traveling to Salt Lake City but, with the virtual experience, audiences interacted with others via an avatar and watched films. I loved participating in the New Frontier world and hope it returns next year because it allows those who can’t travel to experience the Sundance film festival.
The Octavia Butler virtual experience was one of the biggest highlights of the Sundance Film Festival. I loved being able to see the project “Pluto” by one of my favorite artists, Sophia Nahli Allison. Fresh off her Netflix documentary, “A Love Song For Natasha”, the artist takes the audience on an expedition from death to birth with varying imagery and an original poem as a voice-over. The text, “it’s not dying that hurts it’s coming back to life that’s painful,” displays at the beginning of the project and is the question the woman asks, what seems to be, a higher being. I loved this work as I felt like I was hovering through time and existence trying to answer the questions of reincarnation. As always, this project is worth the experience and I look forward to Allison’s future work.
Secret Garden, by Stephanie Dinkins (not the song featuring El Debarge, Barry White, and Christopher Williams), allows the participant to walk around a garden where oral histories spanning generations of African American women live. I was intrigued by the stories and the ability to see the expression displayed by each woman. It was like going to a concert with multiple stages and listening to women tell stories ranging from surviving an enslaved boat to growing up on a farm in the 1920s.
Idris Brewster’s virtual experience had me getting GTA vibes, exploring an island first-person view. Each island had its own unique environment and soundtrack featuring Black artists. It’s a music and art lover’s playground. I visited the island three times to see if the atmosphere of the island changed, nothing changed but the time of day changed. The only thing that would’ve made the experience better is if I would have had the VR goggles to fully enjoy the experience – but that was my fault. Maybe I should use my stimulus check to get some VR equipment.
Terence Nance’s piece reminds me of the screensavers we had back in the late ’90s and early 2000s. The type of art that mold’s itself to the vibration of sound. In this case, it’s the sound of people’s voices that alter both the color and environment of the piece. To experience what I mean you can go here.
Sundance Film Festival 2021 was a great success in my opinion, not only was there a lot of Black art representation but the opportunity for many around the world to experience the festival virtual. The movie drive-ins are great to keep safe and within the experience. I really hope more people participate next year to see something more than what’s on the streaming services. Plus you can have your own snacks…legally.
SYNOPSIS: Judas and the Black Messiah is the story of Fred Hampton (Daniel Kaluuya), Chairman of the Illinois Black Panther Party, and his fateful betrayal by FBI informant, William O’Neal (LaKeith Standfield).
You may say it’s too early to say Judas and the Black Messiah is the best film this year given it’s only February, but damn this film is amazing! Usually, biopic films that take place during the civil rights movement and slavery uprising are too frustrating to watch but this film was well put together from the acting to directing. From the soundtrack to the 70’s aspect ratio style in the first act, the film pays homepage to the 70’s genre of film.
“ I AM A REVOLUTIONARY, I AM A REVOLUTIONARY!”
I’ve read the history books and heard some of the speeches by Fred Hampton. I must say, Daniel Kaluuya captured the essence of the activist. His presence in Judas and the Black Messiah is so powerful that even those on set have stated they believed Fred Hampton’s spirit was in the room. During the Sundance Q&A, Kaluuya talked about how he was losing his voice but the crowd was into his portrayal and yelling “I am revolutionary!” that he was able to push through and portray some powerful speeches.
The best chemistry in the film was between Kaluuay and Dominique Fishback. Fishback’s portrayal of Deborah Johnson aka Akua Njeri provided the confidence and magnified the articulation of the Fred Hampton character. She also provided a space of vulnerability for him. Fishback’s talent in spoken word is displayed in this film as she wrote and read her work throughout the film. The two most touching poems were read around act two where she describes the love she has for Hampton and the other is in act three where she questions motherhood after Hampton’s release. Fishback explained during the Q&A that director Shaka King allowed her to show the character’s creativity on screen.
The love remains but there’s a shift in the relationship of both Hampton and Johnson in the third act, as Hampton’s imprisonment and activism cause him to become more dedicated to the cause. I really felt the connection between the two and I loved Fishback’s performance even more. The ending where she held back her tears and her composure combined with the camera angle was dope! I hope she gets some Oscar buzz.
It’s not easy writing characters like Roy Mitchell but Shaka King does a great job turning this protagonist into a compelling and conflicted character. At times, he is just as conflicted as his informant O’Neal. Especially in the scene where J. Edgar Hoover questions Mitchell on what he was going to do when his daughter brought home a “nigger”. You could see the initial equivocation in his response.
LaKeith Standfield kept the tension during the whole movie. From when his position was almost compromised after an FBI mole was tortured by the Panthers to him almost getting shot during a shoot out with the police. He basically shifts into paranoia and identity crisis as his portrayal of O’Neal reminded me of how desperate the character was. I often forget that O’Neal was so young and easy to influence. His interaction with Hampton reminded me of films like In Too Deep because O’Neal was able to see the good in Hampton’s efforts and the evil in the actions of the FBI.
It was too crazy to see that O’Neal died shortly after the documentary “Eyes on the Prize” premiered. The documentary featured O’Neal talking about the guilt and struggle he faced after the murder of Hampton.
I like the fact that Judas and the Black Messiah showed how the Panthers did things and provided services to the community. Hampton’s desire to build with the underrepresented community no matter the color was good to see on film.
Judas and the Black Messiah Summit
Shortly after the premiere of the film at Sundance, Warner Bros. put together an all-day virtual summit featuring the artist and actors from the film. One of my favorites is the conversation between Dominique Fishback and Akua Njeri. The summit also featured LaKeith Standfield, Daniel Kaluuya, and Fred Hampton Jr.
See the Movie!!!
Overall Judas and the Black Messiah is one of the best films you will see on HBO Max and in theaters this year. You will not be disappointed like I was after I watched The Little Things. Sorry y’all, Denzel is still the GOAT when it comes to acting but I’d rather eat a dry PopEye’s biscuit than try to watch that film again. Tune into HBO Max this Friday and check out this great film!
Synopsis: In 1969, during the same summer as Woodstock, a different music festival took place 100 miles away. More than 300,000 people attended the summer concert series known as the Harlem Cultural Festival. It was filmed, but after that summer, the footage sat in a basement for 50 years. It has never been seen. Until now.
Artist, DJ, storyteller, and now award-winning director, Quest Love, won audiences over with his debut film, Summer of Love. The documentary features a slew of artists, attendees, historians, and celebs as they discuss the long-forgotten Harlem Cultural Festival. The Roots drummer brought together a beautiful collage of music, film, and history.
Quest Love’s film starts off with a very emotional reaction by attendee Musa Jackson and cuts for a brief moment before the film starts again. This moment resembles how we all feel when the past is revisited during a time of joy. Much like my first Bulls game when I got to see Michael Jordan.
The tone of the film mimics the musical archive of Quest. Every beat and note is well composed to fit each moment of the documentary. It’s like Quest Love is doing a DJ set and he is just feeding us the moment like he does while performing in front of a crowd. Love mentioned he approached the film as if it was a DJ set during the Q&A after the film. I really felt every single beat and not just the songs performed by each artist but by each scene. There are a few times the film touched me emotionally. Stevie Wonder’s drum solo was jaw-dropping. Nina Simone’s performance embodied Black Girl Magic. When Mahalia Jackson performed “Precious Lord” with Mavis Staples… whew. It was one of the only times the two had ever sung together on stage. I was honored to see Mavis Staple perform in 2016 at the Stephen Colbert Show, so it was cool seeing her perform in her prime in this film.
The historical ties throughout Summer of Love let the audience know how special this moment in time was, to have a Black orchestrated music festival with top chart-topping performers. The assassination of Martin Luther King Jr. and Malcolm X weighed heavily on the Black community, so it was good to see people have an escape for this moment in time.
Not only did we see the producer and host Tony Lawrence put together magical series of concerts but I learned how the almost forgotten festival had so many invested. Take for instance the Black Panther party providing security for the event, it was intriguing to see how people came together to make this come together.
I found myself dancing, singing (or at least trying to), and almost crying at some moments (my eyes were sweating) because of some of the experiences Black people had back then, we are having now. The performance by Sly and the Family Stone was great and it was dope to learn that they had performed the set from Woodstock, which was happening not too far from the festival. It was funny seeing the crowd’s reaction to the group showing up. Sly and the Family Stone show up late or not at all at times for performances.
I really truly loved learning the festival included not only the stable Black artist we know of but also Hispanic artists like Ray Barretto. Seeing how the festival included other diasporic cultures that were oppressed really showed the festival’s intention – to bring people of color together for a great time and good music. This is the same reaction I have while watching the award-winning documentary Mr. Soul that Quest Love was featured in.
Quest Love did an excellent job capturing the reaction of the interviewees during Summer of Love. It really made the film tug emotionally at my heartstrings. I could see how much this festival meant to each person and how the event impacted their life. Honestly, it made me jealous because to be a part of a moment like that had to be extraordinary.
I was not surprised to see the film take home multiple awards including the Audience Award: U.S. Documentary and U.S. Grand Jury Prize: Documentary. I even made mention of its greatness on social media before I watched the other films on my list. The documentary truly shows much of Black History is still out there and how awesome our people are. So yes, the “Summer of Soul” will be televised and you need to make sure to watch it! I’ll definitely re-watch this film with my family when it is available to the public and will continue to listen to my 70’s playlist the film inspired.
If poetry is yet another body, then we are blessed.
What else gets to create, envision, become, and shed more than one body?
A cat may have 9 lives, but we have as many lives as we have pens to paper;
as we have scattered fleeting thoughts;
as we have silence.
What a true blessing it is playing,
holding a moment still and alchemizing it into whatever we like:
truth, lies, darkness, light, expression, secrets, life, death,
everything and nothing.
- Sadie Jay
A poem comes from emotion. Emotions are felt in the body. The body is the starting place of the poem, whether you write about the body or not.
A poem is a container, just like the body. Because the black body is so highly politicized, Black poetry is highly politicized.
What a poem presents is one thing and when you look more closely it shows itself in another light. Poetry is reflection; a way to understand yourself.
- Dannie Ruth (excerpt from a cento with lines from Omotara James)
How We Found Poetry
Growing up, I was fascinated with sound, letters, and making words. I loved learning new words and their meanings and the many ways they could be used, reshaped, and used again.
In the fourth grade, I began studying Latin and continued for many years. Although Latin is a ‘dead’ language, it has given itself to so many other languages. Ninety percent of English words are derived from Latin, while French, Portuguese, and Spanish are direct offspring.
Ancestors are like Latin; dead bodies in this realm, yet they keep giving to the living.
As a child, I learned to grieve and often found comfort in writing poetry and journaling. I’ve kept most of my composition notebooks and journals from then until now—pages and pages of me at different life stages.
At a certain point, writing poetry became a hobby, something I would do when I was bored in class. Sometimes just coming up with lines. Noting words or phrases that were spoken that day. Depending on the class, I would manage to pay attention and play with words and worlds on my page. Writing allowed me to be somewhere else.
– Dannie Ruth
My relationship to poetry sparked in elementary school with my observation that the “trees danced in the wind.”
My fourth-grade teacher seemed so genuinely pleased by my answer that I kept a relatively positive association to poetry, even through the “write a sonnet in iambic pentameter” days of high school.
Poetry became a more focused interest during the quarantine. I started connecting to my body more through movement and dance. I looked to other black women and their life experiences.
From there, I realized people who had an intimate connection to their bodies could access their truth and express it in ways that felt inaccessible to me. Poetry has given me ease in expression.
– Sadie Jay
Try out this writing prompt!
Choose a photo, image, or piece of art. Write a description without naming any objects in the photo.
Ekphrasis & The Body Cave Canem Fall Workshop
I found Cave Canem during my time in The New School’s Creative Writing MFA Program. Their mission is to cultivate African American poets’ artistic and professional growth by offering fellowships, workshops, prizes, and host readings.
Finding them was a relief because it became challenging being one of the few Black poets in my program. Cave Canem is pouring into Black poets who elevate the canon.
– Dannie Ruth
I came across Cave Canem while searching for online poetry workshops. Although I consider myself still very much a novice in writing poetry, I felt a strong desire to explore.
Among the many transitions that happened last year, I abruptly moved from Brooklyn back to my small beach town in Florida. I had come to my first writer’s block.
Every week I was encouraged to write and connect. This consistency was calming as my world was in flux.
– Sadie Jay
We had the opportunity to attend a ten-week workshop, facilitated by Omotara James, titled Ekphrasis & The Body. Ekphrasis is a response to a piece of art, and the art does not have to be visual. We make ekphrastic responses daily (memes, comments, shade!). When a piece of art moves us, we usually experience it viscerally before we process it intellectually. In other words, we experience art in the body. The body not only houses these experiences but contains every memory that has shaped us: individually and collectively.
We completed the workshop and are now left to consider: (1) the way poetry can enact itself, (2) our duty as poets to research, explore and respond to the artwork and our respective worlds, and (3) how to cultivate a deeper understanding of our own bodies and the poems that come from us.
We must take time to unpack poetry as it relates to the body fully. Write and connect with us as we engage in this process. Whether you consider yourself a novice or experienced poet, check out the Spring Workshops offer by Cave Canem. A lottery now chooses community workshops, and participants receive a stipend of $250 upon completion. Submitting can’t hurt.
Let me start off by saying that La Vie by CK blew me away. I knew our people were talented but La Vie by CK is on another level! They instantly blow away anything you can get in your Ann Taylor’s or your H&M’s. The women’s bathing suit selection has some of the most gorgeous pieces I’ve ever seen.
The Greece bathing suit (understandably sold out), will absolutely have all eyes on you as you lounge poolside at any resort from Miami to, well, Greece! The white fabric of the sleeves is light and airy, giving you the look of a goddess come to earth, and the ankara print trim around the white bodice will beautifully complement melanated skin, from the lightest oak to the richest ebony. Most of the selections are named after African nations and are created from bold and colorful Ankara prints.
Their current selection is a masterclass in garment construction, Claude Kameni’s eye for design and an appreciation for the black body is something that you can only get from brands run by people who look like us.
La Vie by CK also offers couture gowns which, if the ready-to-wear pieces are any indication of quality, will absolutely be worth every dollar spent – from the consultation all the way up to the design and finishing of the final product. A quick run-through of the brand’s Instagram can give you a good look at the kind of quality couture gowns and outfits Kameni is capable of.
The brand is featured on Beyonce’s website and was even brought on to design a wedding dress for the indelible, forever iconic Jennifer Lewis for the Golden Globe and NAACP Image award-winning show, Black-ish. The outfit, like many of her pieces, features a bold red Ankara print, a long flowing train, billowing sleeves over a simple but stated pant.
I could go on and on about the thought that goes into the construction of each garment and how they look on melanated bodies, but then this would be a book. Instead, go check out La Vie by CK for yourself and tell them I sent you!
I tried to get the inside scoop from British actress Karen Bryson about Zack Snyder’s Justice League film and her role as Elinore Stone. She just grinned and talked about how fun it was on set with her co-star Ray Fisher (Victor Stone/Cyborg). Needless to say, I was not able to get any information from her. Her lips were sealed shut on the anticipated project. Instead, she spoke excitedly about one of her newest projects, Black Narcissus on Hulu, and what she has been up to during the pandemic.
Dapper Dr. Feel (DDF): How have you been during COVID and what have you been up to?
Karen Bryson (KB): I’ve actually been really lucky. The UK (United Kingdom) has been able to tone down strict guidelines when it comes to filming. I have been working on a UK drama, then I acted in a movie.
DDF: What interested you about Black Narcissus?
KB: The audition process was incredible. I would like to say the series is more faithful to the book than it is to the film. This is not a remake. I know when people think of Black Narcissus they think, “Why would you remake such an iconic film?” and I say “No, we haven’t.” Even though the producer is the grandson of producer Emeric Pressburger (co-director of the 1947 film Black Narcissus), in the current version of Black Narcissus, we stayed faithful to the book and it is a miniseries. The characters come alive in a way that is not in film translated, the series is three hours of storytelling. I hope our version leaves people with a lasting impression like the film left people with a lasting memorable impression.
BLACK NARCISSUS SYNOPSIS:Black Narcissus is an FX limited series based on the best-selling novel by Rumer Godden. Mopu, Himalayas, 1934. A remote clifftop palace once known as the ‘House of Women’ holds many dark secrets. When the young nuns of St. Faith attempt to establish a mission there, its haunting mysteries awaken forbidden desires that seem destined to repeat a terrible tragedy.
DDF: How did you prepare for the role? Did you take anything from the movie?
KB: It was very interesting preparing for the role. Sister Phillipa is the most spiritual and obedient to the rules of the group of nuns. She is in a time around the 1960s or 1970s where the rules were a bit more relaxed for the nuns than previously. The rules were incredibly strict. Some of the priest and nuns hired gave the cast and I information about their lives. The cast and I watched them pray, sing, and perform their rituals.
Sister Phillipa believes she was called to be a nun and really has a closeness with God. There is a moment in the series where she says, “This place (Himalayas) is too much for all of us.” After that, she is like, “Bye,” and leaves. She also mentions the beautiful mischief of the location, which caused her to be distracted from her path. Sister Phillipa even stated it’s as if the mountain watches us, not God.
DDF: How much of Sister Phillipa is part of your personality?
KB: Phillipa followed the rules, so there is no touching, I’m a hugger. No emotion being shown, I like to cackle and I cry. I’m a crier.
DDF: Did you learn anything from the role? Did you change the way you look at religion?
KB: I learned so much. I actually learned I am more spiritual than I thought. I also decided I want to learn more about God. I’d also like to get into gardening more, you know, sowing the land and seeing what happens. Normally my husband is the one into gardening.
DDF: There is a scene where Sister Phillipa comes across a mirror and stares at it. What do you think Sister Phillipa saw in the mirror?
KB: Interesting. I would say the character hasn’t seen herself in about a good twenty years. I think she is shocked at the fact that she has aged. When I look at pictures of my younger self, I can see my face so plump as a baby and from there I know what I look like at each age of my life. Phillipa hasn’t seen her face in years, so when she happens to stumble upon her reflection and sees an aged version of herself, she becomes intrigued in my opinion. Her intrigue is broken, when she remembers that she and her fellow nun shouldn’t be looking into the mirror.
DDF: What are some of your favorite films or series you are watching now?
KB: The series of films, Small Axe, by Steve McQueen. It’s showing here (in the UK) on BBC and I think in the U.S. on Amazon Prime. I haven’t caught up with the most recent film because I have been in Guadalupe working. The five films in this project, couldn’t have come at a better time than now. Incredible films, sometimes they are difficult to watch but it’s exactly what we need. Looking at how far we’ve come as Black people in the UK. I think about how my parents experienced some of those rough times of racism, speechlessness. I urge you and everyone to watch them. Steve McQueen is a genius.
DDF: What can you tell us about Zack Snyder’s Justice League film? How was it working with Ray Fisher and playing his mother in the film?
KB: I can’t say too much. You’d get me in trouble (laughing). You’ve seen the trailer, it looks amazing. I can say that Ray Fisher and I have become close. He is a wonderful young actor and a wonderful young man. We got along great during the shoot, I think certain castmates you just connect with which is fortunate because sometimes it can go terribly wrong. I think the director, Zack Snyder, is great and really amazing at what he does. I’m excited to see this version of Justice League and excited to see the audience’s reaction to this version of the film.
DDF: What would be your dream project?
KB: I would really love to work with Viola Davis and Barry Jenkins.
You can watch Karen Bryson portray Sister Philippa in the mini-series, Black Narcissus, on F/X and Hulu. She will also be in the highly anticipated Justice League Director’s Cut on HBO Max. The actress has been so busy during the pandemic we can only hope she’ll soon be working with award-winning actress, Viola Davis.
While interviewing Skylan Brooks, I asked how he pulled off the portrayal of the optimistic and energetic Hamster in the film Archenemy. He stated that it was purely method acting. “Well, believe it or not, I was actually sick while shooting this film,” Brooks chuckled. Brooks is not new to the genre of superhero films, he played the super-intelligent Chubs in the 2018 film Darkest Minds.
The young talented actor took time away from his busy schedule to talk with Taji Mag about his new film, Archenemy, and other projects he is working on.
Dapper Dr. Feel (DDF): What brought you to this role and how did you prepare for it?
Skylan Brooks (SB): The film being a superhero, sci-fi film lured me to the role. I enjoy and previously had success in my other sci-fi projects like Castle Rockon Hulu. I wanted to know more about the director’s vision for my character, Hamster. I also wanted to understand the origin of the film and why it was being made.
DDF: Hamster shows optimism and drive, how did you manage to keep those present in the character?
SB: Actually, that was one of the things I worried about when portraying the character. It worried me in the audition. I have a very chill personality, so it was a fun challenge to play this high energy character. What made me really capture the essence of the character was talking to the director. Also remembering, Hamster’s deceased father was a storyteller and that is what motivates him to tell his stories no matter what.
DDF: What was the biggest obstacle to making this film?
SB: Well, believe it or not, I was actually sick while shooting this film. Every time you see me smiling, shouting, and laughing like I was having a good time, I was dying. I actually had pneumonia, bronchitis, and a fever. I had to go to the hospital because I had difficulty breathing at times. It was crazy because everyone else is healthy and I was just so sick. It was brutal but fun.
DDF: What the best part about making this film?
SB: I really enjoy the stunts. Every time there was a big stunt going on, everybody’s vibe changed. The director would be like, “ Okay, you’re going to get sent through this glass table and you are going to get killed.” It was fun and we just laughed through it. There was great energy on set and everyone was fun to work with.
DDF: Is your character, Hamster, inspired by other characters you previously played? I think of the characters you played in The Darkest Minds, The Get Down, and The Inevitable Defeat of Mister & Pete.
SB: Not consciously. I tried to draw from a whole different place. That’s interesting but cool you had thought so.
DDF: Who are a few of your favorite comic characters?
SB: Growing up I didn’t really know the comic world as I do now. I didn’t understand the difference between brands like DC Comics and Marvel? I just knew of the comic book characters. I have an affinity for fast characters, that are not necessarily flashy but have this cool attitude. Characters like the Flash, Spider-Man (Miles Morales), and Static Shock. I loved watching Static Shock growing up. He’s just a normal dude from the hood that got powers and didn’t take advantage of the powers.
DDF: What comic book hero would you like to play?
SB: Ah perfect question! I heard there was a Static Shock movie being made, that is way early in development and I would love to take a crack at it.
DDF: Which movie universe do you prefer? DC or Marvel?
SB: That’s a hard question. Lol! I like both of them. Growing up I watched DC television shows, like Young Justice, but I watched Marvel movies.
DDF: What do you think the audience will get out of this film?
SB: I want the audience to understand that heroes have emotions. Max Fist is a hero where he comes from. Beyond his hero complex is a fragile human being that feels forgotten. I think, through companionship and friendship, he redeems himself without his powers.
DDF: How was it working with Zolee Griggs and Joe Manganiello?
SB: Joe is a very intense guy when it comes to playing his characters. Once he is in character, there is no way of breaking him out of it. I appreciate being on screen with that type of experience. Zolee is great too and this is her first feature, I think she killed the role. She’s dope and you can see her on Wu-tang on Hulu. Zolee has great energy and she’s hilarious.
DDF: What’s next for you?
SB: I am focusing on the film but I have a music EP project and music video dropping this month. It’s a fuse of hip-hop and jazz. I am also working on two projects, one of which I am executive producing.
DDF: If you make your own film, what genre would it be? What director would you work with and who would be your co-star?
SB: I would want to do a Steven Spielberg type film with the grit of a Quentin Tarantino and the feel of Mission Impossible with Tom Cruise as a co-star.
If you are looking for a hybrid of the Watchmen and Wolverine comic book genre film, make sure to watch Archenemy. The film has some cool animation, an exciting storyline, and a cool plot twist. ARCHENEMY is in theaters, and currently available on VOD and Digital.
Synopsis: Tensions and temperatures rise over the course of an afternoon recording session in 1920s Chicago as a band of musicians await trailblazing performer, the legendary “Mother of the Blues,” Ma Rainey (Academy Award® winner Viola Davis). Late to the session, the fearless, fiery Ma engages in a battle of wills with her white manager and producer over control of her music. As the band waits in the studio’s claustrophobic rehearsal room, ambitious cornet player Levee (Chadwick Boseman) — who has an eye for Ma’s girlfriend and is determined to stake his own claim on the music industry — spurs his fellow musicians into an eruption of stories revealing truths that will forever change the course of their lives.
Chadwick’s on-screen performance was captivating and his charm was irresistible. His years of theater experience are on full display in this film. I felt as if his performance was a gift to his fans and anyone who loves good acting. There are many plays that are turned into films but not all plays are translated well. *Cough Cats! *Cough* American Son. Yeah, you know those were bad. Queue the Kerry Washington memes!
I shouldn’t expect anything less than great work, since the film was based on the play by two-time Pulitzer Prize-winning playwright, August Wilson. The same energy and passion audiences received from his plays, like “Fences” and “Ma Rainey’s Black Bottom,” is the same energy in the film. I can say August’s works are written so well they can be translated in any form with the right cast and so far he’s had nothing but some of the best involved in his work or anything based on his plays. James Earl Jones has won a Tony for Fences, Denzel and Viola Davis won a Tony, Golden Globe plus Oscar nominations. Now Viola Davis is back with another award-winning performance and Chadwick Boseman was one of the greatest actors of our time. With COVID stalling plans of the theater performances, the film is a satifsfying substitute.
Chadwick’s character, Levee, personified what it meant to be a Black man at that time. His own band, nice clothes, a good woman, and a dream of ownership are in his sight during a time where racism and deceit are major spoils to his plans. Yet, Levee is optimistic about his talent and charm and believes an open promise will bring him closer to his dreams. Chadwick does an extremely beautiful job and shows range with the character in acts one and three. In the first act, he talks about how his mother was raped by a group of white men and how one of the men slashed him across his chest. He spoke with so much conviction that I could feel the pain Levee was carrying, noting that behind his winning smile was so much hostility. This scene pays off even more later in act three when he and Cutler (played by Coleman Domingo) talk about God. It is at this point Chadwick challenges Slo Drag about God and mocks him by threatening to harm Slo Drag with a knife.
Viola Davis’s performance… Oscar-worthy is how I describe Davis’s performance as Ma Rainey. I could barely tell it was Viola underneath the make-up. Davis captured the essence of Ma Rainey from the way she walked to the way she talked. Ma Rainey knows her worth and lets everyone know. Black, white, male or female, Ma Rainey imposes her divaesque persona on anyone she encounters. Ma Rainey is also the only LGBTQ character in her songs and relationship with Dussie Mae (played by Taylour Paige). I was laughing whenever her white manager would beg her to record or for her signature for contracts, she would get what she wanted every time. An interesting aspect of the film was powerful and in control, the artist was inside the recording studio, but on the outside of the studio, their white counterparts were perceived themselves to be superior.
It was good to see Glynn Thurman in the film as the wise Toledo – although he will always be Colonel Bradford Taylor from “It’s a Different World” and Preach from “Cooley High.” He and all the cast did a great job bringing Ma Rainey’s Black Bottom to the screen. The film is definitely a must-watch and should be continued to be praised for storytelling. It made me appreciate the time Chadwick was on this earthly plane.
August Wilson’s play, Ma Rainey’s Black Bottom celebrates the transformative power of the blues and the artists who refuse to let society’s prejudices dictate their worth. Directed by George C. Wolfe and adapted for the screen by Ruben Santiago-Hudson, the film is produced by Fences Oscar® nominees Denzel Washington and Todd Black. Colman Domingo, Glynn Turman, Michael Potts, Taylour Paige, Dusan Brown, Jeremy Shamos, and Jonny Coyne co-star alongside Grammy® winner Branford Marsalis’ score.